This is a fanmix of Peter Weir's classic The Truman Show, reimagined as a psychological thriller in the style of Hitchcock/Lynch, viewed exclusively through Truman's perspective.

ABC forced Frost and Lynch to name the killer mid-season and it really changed the series direction from Episode 10 and on.
This fanfix covers ONLY those episodes, which is everything after Laura's killer's reveal.

The goal of this edit is to keep the main Cooper/Black Lodge story in focus while also keeping the subplots that
actually had a payoff at the end of the season and keeping Windom Earle a more menacing force.

The Complete Riddle reintegrates two deleted scene back into the latest and longest Batman endevour. Six minutes have been edited into the film, making the film now over 3 hours.

The famous deleted Arkham scene is back in the film, where it was intended to be, along with one other scene.

At 2 hours and 32 minutes, "The Batman Unmasked" doesn't redefine the original source but delivers a leaner thriller while maintaining the essential mood and story.

A streamlined and fast-paced narrative, in the structural and musical spirit of either the Lord of the Rings franchise or the original, epic score. Season 3 in 3 hours and 4 minutes - either with Howard Shore or the original Game of Thrones score.

The main source for this edit is the Director's Cut blu-ray, with all unique footage of the Theatrical Cut put back in, while also retaining the small amount of unique DC footage. The HD DC footage looks fantastic but the SD TC footage looks extremely poor, however, I've attempted to grade it to match and added film grain to try and make it look a bit more like terrible 16mm or 8mm footage, rather than terrible videotape. Not wanting to crop the already blurry TC footage any further, I've elected to letterbox the DC footage to match the 1.66:1 ratio of the TC. The difference is still obvious though.

Building on 'The Implicit Cut' as a foundation, this new cut makes various changes in order to accommodate the possibility that 'The Haunting' is all in Eleanor's mind. Changes include a new opening and ending, tweaked dialogue and a narrative structure that never leaves Eleanor's side. This edit can be viewed both with or without internal monologue.

The re-telling of the Eastrail 177 Trilogy in SPLIT UNBREAKABLE GLASS was the first part of an experiment to retool these movies with a new narrative structure to facilitate surprises, adjustments to reveals, new parallels, new opening and closings and much much more. One can be surprised again.

In what may be a fanediting first, this version takes extensive material NOT used in SPLIT UNBREAKABLE GLASS (Dr Fletcher and David's marital issues) and tells the same (or similar tale) as an alternate version of the events from a very different perspective. Over 50% of this version of events is newly repuposed and previously unused and differently structured. With a different resolution and enough left untold to permit both edits to surprise and re-reveal, UNBREAKABLE GLASS SPLIT and SPLIT UNBREAKABLE GLASS can be watched in any order and still shine a BRIGHT light on M/ Night Shyamalan's genius, patience and discipline in anchoring these characters in the real world.

Adds back all the scenes from the Theatrical Version that were removed in the Director's Cut, giving the longest version of the film yet.

This edit aims to improve on the pace of the original in areas where it is unnecessarily slow, as well as remove all reference to the spiders.

The re-telling of the Eastrail 177 Trilogy with a new narrative structure to facilitate surprises, adjustments to reveals, new parallels, new opening and closings and much much more. One can be surprised again.

Redundant threads (marriage issues from Unbreakable and Dr Fletcher from Slpit) and over- exposition (from Glass) have been removed. Scoring has been adjusted to permit music motifs to run through the narrative consistently, Deleted material has been used only where the narrative requires it.

New opening and closing titles have been created and all crew are credited (source IMDB).

Shutter Island retold in the style of Memento. Scenes have been rearranged and the story altered to give a new ending.

Leonard Shelby can't make new memories. He can remember everything up until the night that his wife was murdered, but everything that happens after fades within a few minutes. Ever since that night, Leonard has been searching for the man that killed his wife, John G.

Leonard wakes up in a motel room and receives a phone call. 5 hours later, Leonard pulls up to a tattoo parlor with information that could enable him to finally track down John G and get revenge. The two plotlines proceed chronologically in parallel until they both culminate in a shocking conclusion.

A sadly not so expansive extended cut of the 2nd live-action Scooby-Doo film.

Three extended and deleted scenes have been added back into the film, integrating 3 minutes of new footage.

The live-action Scooby-Doo film from the early 2000s has now been extended with 7 new deleted and extended scenes, including a new alternate opening.

Eight minutes of restored and reintegrated footage has now been woven back into the classic Mystery Inc. Caper!

The Sharpened Cut aims to create the longest cut of Rian Johnson's whodunit as 2 subplots are reincorperated back into the film.

Four new extended and deleted scenes have been integrated into the film, adding four of new footage into the film, and an extra layer of intrigue and motivation for a few characters.

Taking a few things here and there from "The Empty Hearse" I have created "The Reichenbach Fall: The Bollocks Edition", or, for anyone who likes to romanticise, The Sherlolly Cut, where I've made Anderson's theory at the beginning of Empty Hearse official as the climax to this story, and thus canonising Sherlock and Molly, with Sherlock hanging out with her in exile, the edit ends with Sherlock looking to get back into the game after two years of laying low, he wants Molly to help him, Molly wants dinner...and we leave it there at that. The end. Toss seasons three and four aside, and go down with this 'ship!

Millionaire loaner Nicholas Van Orton receives a birthday present from his brother, a game to bring fun to his life, or take it all away….

A New York cabbie and author of a conspiracy theory newsletter seeks the aid of a government employee after he falls victim to a conspiracy that threatens his life.

This project takes the Criterion blu-ray for Orson Welles' 1968 film 'The Immortal Story' and conforms it frame-by-frame to the longer cut, blending in the missing 4-minutes of footage, re-framing every shot and attempting to upscale and grade it to match.

Spoilers of course. Though usually people come here knowing the score.
This edit aims to eradicate the paternal cause of some questionable narrative that essentially removed the viewer from the fantasy of adventure and also other complaints I had with the level of schlock falling lower than was necessary. It also aims to strike a balance for those that didn’t mind or could live with certain things like cgi bugs or iconic atomic silhouettes... Cutting the best part of twenty minutes was as far as I’d like to go to try to keep a feature length feel. There be aliens ahead, but differently presented...

A streamlined version of the original movie, with snappier dialogue and action but no major scenes removed. The same film you remember, yet half an hour shorter.

After a showdown between Cooper and his doppelgänger, Cooper must find the person he's desperately sought for so long: Laura Palmer.

Part V combines and trims episodes 1, 8, 17, and 18.

Cooper finally recovers and makes his way back to Twin Peaks, the same destination as his evil doppelgänger. Worlds collide in this penultimate part!

Part IV combines and trims episodes 13 - 16.

Evil Cooper, also known as Mr. C, continues to search for the coordinates he so desperately seeks, coordinates that will lead him to the fabled entity known as Judy.

Part III combines and trims episodes 8 - 12.

Cooper has escaped the Lodge but now is living the life of his double Dougie Jones. Unable to communicate or do more than simple tasks, Cooper must navigate the complex world Dougie was living.

Part II combines and trims episodes 4 - 7.

Picking up 25 years after the events of the original series finale in 1991, FBI Special Agent Dale Cooper is trapped in the Lodge. Now with the help of The One Armed Man, Cooper must avoid the traps his evil doppelgänger has set for him.

Part I combines and trims episodes 1 - 3.

An edit combining the final two episodes of series four, "The Lying Detective" and "The Final Problem"

It's not a game anymore. Sherlock, John and Mycroft engage of an emotional battle of wits not just with Sherlock's maniacal and manipulative sister Euros, but with one another as well. From the pitfalls of drug addiction to the boasts of seemingly untouchable media darlings to three heart-wrenching words on the end of a phone conversation. The lies mount up, leading to our heroes reaching a moment of definitive truth. Context is everything.

So, after my first edit, The Return of Sherlock and a month of experience, I have decided to make the sequel. I feel that this edit focuses on Sherlock, John, and of course Mary.

My idea is to get rid of all the fake build ups/red herrings and dumb jump scares to turn the film into a more focused supernatural thriller. I also removed most of Bughuul's appearances and made its presence more subtle. I think the way the original cut overexposed the character made its figure less scary. Also rearranged a few scenes in a way that things would make more sense.

Inspired by Zarius' The Little that Remains edit and Rangerkris' fan edit of the Moriarty arc form season 1 & 2, I have decided to make an edit of the season 3 of my favorite TV show. I feel that this edit focuses on John and Sherlock and how their relationship is repaired, and eventually have an “ongoing” happy ending.

Now that we're getting close to 18 unseen hours of Twin Peaks, I've decided to release my extended edit of 'Twin Peaks: Fire Walk With Me', reintegrating some of my favorite deleted scenes back into the film. I know it's been done before but this edit only integrates scenes that IMO shouldn't have been cut in the first place. This is a very debatable topic among fans so I'm expecting a lot of disagreements, but anyway, this is a personal project of mine I've decided to share.

'Ghostbusters (2016)' recut to remove 75% of the improv jokes, so the film stays on script and on character. Less is more... less jokes... more funny.

The first three Harry Palmer movies (The Ipcress File / Funeral in Berlin / Billion Dollar Brain) recut side-by-side and set to the music of Flying Lotus.

In 1999, David Lynch created a pilot for ABC that they rejected. For nearly 20 years the pilot version of Mulholland Drive has been hard to come by and in poor quality due to the VHS source. This fanedit aims to re-create the pilot as closely as possible utilizing an HD source. Now you can experience the masterpiece as it originally was, a historical look into what ultimately became one of the best films of all time.

While every effort has been made to recreate the pilot as it was, due to the limitations of what is available on the officially released version of the film an exact recreation was not possible.

This condensed two-episode double feature aims to leave the viewer with a sense of ambigiouty over Sherlock's survival, as well as a more swift and immediate response to Mary Watson's predicament rather than go through some playful baiting tactics. In addition to that, footage from a mini-sode and a deleted scene have been inserted into the edits to give the viewing experiance something fresh. Also included is an all new alternative ending.

It's Christmas, so I fancied doing a seasonal edit and what better than a Victorian Christmas with Sherlock Holmes and Dr Watson!

1899: The End of the Victoria Era of Adventure, and the Dawn of the Pulp Age of Heroes!
When a threat so evil emerges that the fate of the entire world hangs in the balance, the League of Extraordinary Gentlemen is assembled. The LXG must unravel a diabolical plot and face off against one of the world's most infamous villains!

During an assignment to take down a new arms dealer in Miami, Sonny Crockett runs into a ghost from his past which sends him spiralling down a path of regret and darkness. As his focus on the case slips, he becomes involved with a mysterious femme fatale, a person he knows is playing him but lets her anyway. Crockett goes on a personal voyage, questioning his motives, morality and existence in what are widely considered to be the best episodes of the original show.

The Vice squad has a new commanding officer, Lieutenant Martin Castillo, a tough ex-DEA with a dark past. Crockett and Tubbs stumble upon a plot to heist a hotel vault and attempt to intervene, leading to the discovery of a much larger and more dangerous criminal enterprise involving an old nemesis of Castillo's from his days in the Golden Triangle drug zone. The Vice team is quickly forced into a game of cat-and-mouse with a deadly foe.

Miami Beach, 1984. Colombian drug kingpin Calderone is ruthlessly seizing territory, eliminating all competitors in a series of violent murders. Miami Vice Detective Sonny Crockett is assigned to take down the drug lord but is faced with double-crosses, assassination and incompetence at every turn. Enter Ricardo Tubbs, a stranger from New York who has a personal vendetta against Calderone. Crockett and Tubbs are forced into an unlikely alliance that will take them from the sandy shores of Miami to the clear waters of the Bahamas in a hunt for Calderone, full of danger, death and pastel suits.

I've been a lifelong Marx Brothers fan from my earliest memories but all of their films come with certain baggage...

Due to the commercial neccesities of the time and due to the radical nature of their comedy they usually peppered the popular songs of the day throughout the films, to keep people happy. At the time, this formula was boxoffice dynamite but some of these songs have not aged well and I almost always fast-forward through them. Also sometimes the plots, subplots and supporting talent isn't up to the match of The Brothers' firecracker humour. So wouldn't it be wonderful to have a collection of these films with all the killer and none of the filler?

'Twin Peaks: Fire Walk With Me' is the prequel film to the cult favorite television show 'Twin Peaks'. It chronicles the last seven days of Laura Palmer's life leading up to her death. When originally released nearly an hour and a half of deleted and extended footage had been cut, and for over twenty years fans have been clamoring for this footage.

The Shining has always been a mysterious film, with multiple conspiracy theories circulating about hidden messages within. One bizarre practice among the most zealous fans of Stanley Kubrick's horror masterpiece is to attempt to 'uncover' the deepest subconscious meaning of an already subversive film by playing it both forward and backward simultaneously, with the belief that Kubrick had designed the film itself in perfect symmetry, as he did with many of the shots.

The result is best described as unsettling, hallucinatory and disturbing. While by no means was this film officially meant to be watched this way, the visual and thematic parallels of the beginning and end of the film are eerily resonant. The first scene for example has Jack telling his employers that "there's no way he's going to go insane" while we watch the shadowy reverse footage of him stalking his son through a maze, showing how structurally deep and complex the film really is. I did not invent this method of watching The Shining, but have put my own spin on it to make it a more satisfying experience.