All the interconnected Marvel Studios products become a massive, perfectly structured TV series, to make the journey of the Earth’s Mightiest superheroes the most epic adventure ever.

In order to enjoy the MCU in the most orderly, apprehensible and dynamic way possible, all the interconnected MCU becomes a TV show: reordered, reformatted, post credits scenes rearranged to avoid spoilers, detailed “previously” recaps created and some key deleted scenes added to each episode. Including all the One-Shots, Disney+ Marvel TV shows, Specials... even commercials! Plus, crossover with the X-Men (FOX) and Spider-Man (Sony) alternate universes in a narratively consistent way.

When Dane and his brother Lucas move from the big city to a small rural town, they believe their lives are set to become a lot more boring.
Until they find a mysterious hole in the floor of their new basement...

This movie in its original format feels like there should be more going on than there actually is, and it left me feeling unfulfilled and slightly annoyed. By removing as much of the filler and misleads as possible without hurting the flow of the narrative, I believe I have made a movie that treats its viewer with more respect while telling an interesting story with a fairly unique premise.

Marvel: Unite takes the MCU Infinity Saga films and splits them into a TV series format with hour-long episodes. Each episode has a multi-narrative structure featuring scenes from various different movies, all inter-cut together. The series roughly tries to mirror the theatrical experience, with the films placed in their intended release order with little content added or removed, just restructured to be more approachable and more "binge-able."

A partial reconstruction of an earlier version of The Dark Crystal which most notably excises the voiceovers, replaces most of the Skeksis English dialogue with an alien language (as found in the Bluray extras), rearranges and trims only a few scenes.

“Vengeance of the Dark Side” tells a more complete story of Anakin Skywalker’s fall from renowned hero to the galaxy’s most dreaded villain by reinserting 5.75 previously deleted scenes (AI-upscaled to 4K and recolored into HDR). Where the theatrical cut follows Anakin nearly exclusively, the extra scenes in this edit give Padmé her own storyline that intersects with Anakin's--providing deeper foundations for his growing mistrust of her--and helping to expand Star Wars lore by showcasing previously unknown aspects of the Force (when the saga is viewed in episode-order) and the conception of the Rebel Alliance even before the Galactic Republic officially falls.

This edit combines several sources of media depicting the terrorist attacks of September 11, 2011 into a two and a half hour presentation.

Cue Rod Serling voice: "Tony Soprano is a man lost in a world of his own making, trapped in the one place he can't escape: his mind. Is a man more than his name? Can he make his own path even as the path is forced before him? Only so much can be done when the world pulls you to your seemingly-inevitable destiny... in The Sopranos."

This is a coma-only edit of two episodes from Season 6 of the Sopranos, telling the story of a salesman who can't seem to find his way back to the world he came from. Something is happening, but he's just not sure what, and finding out might be the last thing he ever does.

A newly-possessed high-school cheerleader turns into a succubus who specializes in killing her male classmates. Can her best friend put an end to the horror?

This time with a brand new spanking soundtrack! And some other things.

Inspired by Blofelds Cat fanedit, 'Never Say McClory Again'. This edit follows a similar path to turn this rogue 007 production into an EON style produced film.

The Fast movies are not perfect, but for the most part they are good fun. A couple of them are great, a couple are very good, and a couple are just plain terrible. With the upcoming Fast X (upcoming at the time of starting this), I wanted to have a way to rewatch the Fast movies in smaller chunks. In my spare time, when I didn’t have the time to sit through a whole movie. So, I put this together, Fast & Furious: The Series Cut.

What is Fast and Furious: The Series Cut?
It is all of the Fast and Furious movies (including Los Bandoleros, Tokyo Drift and Hobbs and Shaw) cut up into 30ish to 45ish minute episodes.

A strange man named Gordon joins his mother and an accountant in a scheme to take the fortunes of the creepy, kooky, mysterious, and spooky family known as the Addamses. When it is discovered that Gordon has a faint resemblance of the patriarch's long lost brother, Uncle Fester, he impersonates him in a quest to steal the family fortune. But as he spends his time with the family, he begins to find that he shares more in common with this abnormal family than he expected.

A Jigsaw survivor that has spun a career selling his story, with a team of people perfectly crafting his narrative. But has Bobby been truthful to his readers, his viewers, or his wife? After walking up to a face that should be all too familiar to him, and those closest to him relying on him, what will he do in THE HOSPITAL?

The Jigsaw Anthology Series aims to cut the Saw films down to their most enthralling plots as characters are pushed to their limits and forced to play for life or death in a series of traps.

Corrupt, unwilling, and selfish. William is a health insurance executive who tries his hardest not to help those in need. When he is shoved into the game, he has to choose life or death, as he had done for others. Is he now anything more than an animal in THE ZOO?!

The Jigsaw Anthology Series aims to cut the Saw films down to their most enthralling plots as characters are pushed to their limits and forced to play for life or death in a series of traps.

Five strangers will forced to become as one, as they awaken with their necks tied, with nail bombs in the corners of the room. Little do they know they are all connected as they trawl their way upwards through THE SEWER!

The Jigsaw Anthology Series aims to cut the Saw films down to their most enthralling plots as characters are pushed to their limits and forced to play for life or death in a series of traps.

A cop on the edge, losing those around him while trying to cling to hope that his missing friend will be found, and attempting to keep together a crumbling marriage, is thrust headfirst through THE DOOR!

The Jigsaw Anthology Series aims to cut the Saw films down to their most enthralling plots as characters are pushed to their limits and forced to play for life or death in a series of traps.

After reports of flooded mines, the small town of Kitamatsu is shaken by reports of the death of multiple miners by mysterious circumstances. What was the cause of death? Why are the mines flooding? What is the secret hiding in the heart of the mountain?

Cult classic "Hackers" from '95, but with some augmented VFX, improved sounds, and 15 sourced songs to complement the music you already know and love from the soundtrack. Less Boswell, and more Massive Attack, Underworld, Leftfield, Hooverphonic, Tricky.

All 3 Star Wars prequels, dramatically retold and re-crafted into chapters to re-tell the story of the rise of Palpatine, the fall of the Jedi Order and the tragedy of Anakin Skywalker, all through the lens of the original trilogy.

This is a fun and strange little movie from 1980, a time when Disney was trying to expand into other genres. In this case, horror (though quite mild even by that day's standards). The original ending was not well received as it did not clearly explain what happened. It was subsequently removed and reshot with a less frightening and exposition heavy ending. Having finally acquired a Blu-Ray to source the highest quality available, I've cut both endings together and find they complement each very well. I've also put back in an alternative intro and all the extended or deleted scenes.

The purpose of this restoration is to recreate the IMAX 1.43:1 presentation of The Dark Knight Rises by combining the widescreen 2.39:1 footage from the Blu-ray and the IMAX 1.43:1 sequences from the Special Features of The Dark Knight Trilogy Blu-ray (Special Edition).
That way, throughout the film, the IMAX scenes expand top and bottom showcasing the full IMAX 1.43:1 frame (instead of the cropped 1.78:1 IMAX frame) while maintaining constant width as it would on an IMAX GT 1.43:1 screen.

A redux? Why?

Because I realised that I've learned so much since I started this hobby that I should revisit one of my earliest edits. Star Wars deserves it. Based on feedback I have now created a new throneroom sequence that is completely doused in red lights instead of blue. It's far more terrifying.

My goal was to make a miniseries edit that didn't simply feel like a chopped up version of the movies. Overall this worked surprisingly well without too much editing, though the Return of the King had to have some extra reordering of scenes to make it work.

The vast majority of each movie is retained, though I changed a handful of things that I thought weren't so well done in the movies (Bridge collapse leaning, Frodo and Sam "rock" cloak at the Black Gate, etc). I cut a few other scenes that were from the extended editions that I felt did not add to the movies at all (extra Gimli humor, Merry and Pippin drinking water to get taller, etc). And lastly, I rearranged some scenes to help the pacing of each episode. With the new format this was needed, mainly in the Return of the King. I added chapter titles to every episode and they appear within the first 10 minutes matching how the original movies did it, I kept the short 45 second intro credits and "Lord of the Rings" Title sequence for each episode, and then added a shortened 60 second credit sequence for each episode.

My goal was to make a miniseries edit that didn't simply feel like a chopped up version of the movies. Overall this worked surprisingly well without too much editing, though the Return of the King had to have some extra reordering of scenes to make it work.

The vast majority of each movie is retained, though I changed a handful of things that I thought weren't so well done in the movies (Bridge collapse leaning, Frodo and Sam "rock" cloak at the Black Gate, etc). I cut a few other scenes that were from the extended editions that I felt did not add to the movies at all (extra Gimli humor, Merry and Pippin drinking water to get taller, etc). And lastly, I rearranged some scenes to help the pacing of each episode. With the new format this was needed, mainly in the Return of the King. I added chapter titles to every episode and they appear within the first 10 minutes matching how the original movies did it, I kept the short 45 second intro credits and "Lord of the Rings" Title sequence for each episode, and then added a shortened 60 second credit sequence for each episode.

A light edit that aims to tighten the pacing by re-editing the battle and crash sequences, restore some dignity (or give some that never existed to begin with) to several of the leading characters, and incorporates Spock into the denouement.

The purpose of this restoration is to recreate the IMAX 1.43:1 presentation of The Dark Knight by combining the widescreen 2.39:1 footage from the Blu-ray and the IMAX 1.43:1 sequences from the Special Features of The Dark Knight Trilogy Blu-ray (Special Edition).
That way, throughout the film, the IMAX scenes expand top and bottom showcasing the full IMAX 1.43:1 frame (instead of the cropped 1.78:1 IMAX frame) while maintaining constant width as it would on an IMAX GT 1.43:1 screen.

Experience the second live action Ben 10 movie with a slightly toned down Max, less jump cuts, and a small hint that foreshadows Elena's involvement in Ben 10: Ultimate Alien.

"In the not too distant future,
police are powerless to stop
gangs of criminals
from terrorising good citizens.

But in Gotham City,
in the heart of urban America
it is the criminals who live in fear...
OF THE BAT-MAN"

Enjoy this noir classic as it was originally presented in the 1940s, and see if you can solve the mystery:
Who is the Bat-Man?