Sidelined after their spectacular save of New York City five years ago, the Ghostbusters once again answer the call when an underground river of ghoulish goo threatens to rot the Big Apple to the core!

After another Blu-Ray set with previously unseen deleted scenes released, I've revisited the film after first making an extended cut more than 3 years ago.
18 alternate, deleted, and extended scenes have been reintegrated back into the film, with more than 12 minutes of all-new footage.

A renegade Vulcan steals the USS Enterprise to find God at the center of the galaxy.
Is he a Madman? What strange power does he hold over Spock and Kirk's crew?
Can Kirk stop him? Or is this the Final Adventure for Captain James T. Kirk?

The reality is, Final Frontier is essentially an unfinished film due to a last minute slashed budget and a writers strike. Thus, there are plot holes that can not be filled and narratives that can not expanded upon. But hopefully, with fan created CGI shots and some creative editing, I can create something closer to Shatner's original vision in a workprint style format.

A synthwave rescorded version of the film to make it more in tone with Escape from New York.

In the spirit of my bold my take on the prequel trilogy (Before the Dark Times), comes my attack on the sequel trilogy.

The three Star Trek reboot films are a mixed bag for me. It's great to have new adventures of Kirk, Spock, Bones, and all of the Enterprise crew. It's a treat to see the Trek universe with modern SFX. It's endearing to see the camaraderie and (some of) the callbacks to the original series. It's a joy to discover (many of) the updates they made, e.g. Uhura still looks awesome but now her input is frequently essential to the story.
But... the storylines are weak, the villains uninteresting, camera work distracting (and already feels dated), too many scenes feel more Star Wars than Star Trek (the worst offender being the Millenium Falcon shaped ship trying to escape the Klingons through a "canyon" in Wrath of Khan Reboot).
Then again... it is more Trek, new Trek. So it'd be great to add these movies to the list of "let's rewatch them every once in a while, in rotation with other ST shows".

“Vengeance of the Dark Side” tells a more complete story of Anakin Skywalker’s fall from renowned hero to the galaxy’s most dreaded villain by reinserting 5.75 previously deleted scenes (AI-upscaled to 4K and recolored into HDR). Where the theatrical cut follows Anakin nearly exclusively, the extra scenes in this edit give Padmé her own storyline that intersects with Anakin's--providing deeper foundations for his growing mistrust of her--and helping to expand Star Wars lore by showcasing previously unknown aspects of the Force (when the saga is viewed in episode-order) and the conception of the Rebel Alliance even before the Galactic Republic officially falls.

All 3 Star Wars prequels, dramatically retold and re-crafted into chapters to re-tell the story of the rise of Palpatine, the fall of the Jedi Order and the tragedy of Anakin Skywalker, all through the lens of the original trilogy.

A redux? Why?

Because I realised that I've learned so much since I started this hobby that I should revisit one of my earliest edits. Star Wars deserves it.

A light edit that aims to tighten the pacing by re-editing the battle and crash sequences, restore some dignity (or give some that never existed to begin with) to several of the leading characters, and incorporates Spock into the denouement.

Experience the second live action Ben 10 movie with a slightly toned down Max, less jump cuts, and a small hint that foreshadows Elena's involvement in Ben 10: Ultimate Alien.

While browsing Youtube for signs of fan-generated Transformer content, I stumbled on some rare commentary tracks from Transformers superfan Chris McFeely, which he did as a favour for a couple of friends. These commentaries I don't believe are present on any DVD release that he has contributed to (some of you TF fans may remember he did the commentaries for the Takara trilogy and the Transformers movie)

The commentary tracks are attached to some really badly rendered uploads of the episodes they're covering. I was thinking of downloading those commentaries and seeing if I can attach them to higher quality copies instead.

THE WORLD'S GREATEST FILM MEETS THE WORLD'S GREATEST BAND: EXPERIENCE THE ODYSSEY LIKE YOU'VE NEVER HEARD IT BEFORE. This edit began as a traditional movie sync with all dialogue and sound effects removed. It has now transformed into a completely different project: a full soundtrack replacement using the one-of-a-kind library of Pink Floyd. Every bit of original music has been replaced with a carefully selected soundtrack of Pink Floyd music.

See what could have been the first major HFR feature film, decades before The Hobbit trilogy and Avatar 2! This project takes the first-person scenes from the 1983 sci-fi film Brainstorm and uses neural AI imaging to interpolate them up to 60 frames per second in order to present, most approximately, the film as originally intended by director & legendary VFX artist Douglas Trumbull. Additional remastering such as color corrections, technical fixes and enhanced visuals have also been added to improve the experience for modern viewers.

The crew of the Enterprise embark on their final mission after 5 years and encounter many past challenges and phenomena leaving the crew exactly where Star Trek The Motion Picture picks up from.

Big monster fight!

Watching the film in cinemas, I realised how expendable the Millie Bobby Brown character and her subplot were, as the entire side mission was completely disconnected from the main story. Doing some very simple cuts to remove the sideplot ended up with a much simplier and to-the-point film, focusing on Kong's journey to Hollow Earth and his clash with Godzilla in less than 80 minutes.

Strap in for a tighter and much faster ride as the two titans go head to head!

With the USS Enterprise temporarily disabled, Christopher Pike becomes acting captain of the starship Discovery in a race against time to find Spock and avoid the destruction of all sentient life in the universe.

Star Trek Discovery Season 2 introduces Captain Pike, Spock and Number One to modern Trek and serves as a backdoor pilot for Star Trek Strange New Worlds (SNW). Many viewers are eager for more SNW but not interested in committing to the first two seasons of Discovery (29 episodes, as it's a very serialized show). I took it upon myself to trim the 14 episodes of Discovery's second season into a 4 episode prequel to SNW. It no longer references any Discovery season 1 events and cuts all side stories, primarily concentrating on Pike and Spock. I call it Star Trek Strange New Worlds Season Zero.

Recut The Last of Us into a 3-part miniseries solely focused on Joel and Elli's journey. A 4th "special episode" includes the majority of the cut content as short films.

Star Trek: Picard Season 2 cut down to a 3-hour movie

It's my favourite Trek movie--EVER!!!

Friendship! Loyalty! Sacrifice! It's all there in it timeless glory as Kirk and his noble crew risk everything to resurrect their fallen shipmate, Mr. Spock!

After being held captive in an Afghan cave, billionaire engineer Tony Stark creates a unique weaponized suit of armor to fight Jeff Bridges.

As the first Iron Man film has been airing on FX as an extended cut with deleted scenes for years, I figured I could make a HD version of it, so we don't have to wait for it to come on TV.

Venom wasn't terrible, but it wasn't great. By cutting a few scenes I've been able to tighten the pacing and make it slightly more enjoyable than the theatrical cut.

"The final arc of four episodes of Clone Wars should have been released as a theatrical film: it's epic, emotional, sinister and unforgettable. Fans like me are calling it ‘one of the best stories of all’, even compared with the movies. Well, this is that film. ‘Star Wars Episode III: The Phantom Apprentice’ takes place parallel to ‘Star Wars: Episode III Revenge of the Sith’ and it’s the true closing of the prequel trilogy and the Republic era, before entering the dark period of absolute domination of the Empire (Rebels, The Bad Batch, Obi Wan Kenobi, Solo, Andor, Rogue One...)."

“The story: The Clone Wars are coming to an end. Republic forces are suffering heavy losses and, in the wake of Order 66, Ahsoka, Anakin’s former apprentice, try to survive to the Great Jedi Purge.”

In the last days of 1999, Los Angeles has become a dangerous war zone, as a former cop turned street-hustler accidentally uncovers a conspiracy that is set to bring the city to its knees.

Two new and extended scenes have been upscaled, colour corrected and reintegrated into the film, adding over 4 minutes of new footage.

The origin of the world's first Bionic Man is revealed!

Using the season one premiere episode "Population: Zero" as a foundation, the viewer will learn our hero's bionic beginnings through flashbacks to previous tv movies and episodes, all the while retconning the roles of Oscar Goldman and Alan Oppenheimer's Dr. Wells in Steve's origin.

This is the entire second season of See cut down to one action packed, epic movie. This is the third part in a planned 4-part series that will condense the entirety of the show into a film format. Season 2 of See changes the tone of the show rather drastically, becoming a lot more action/adventure focused while also broadening the scope of the world. This film is longer than the previous two, but contains the arc of an entire season's worth of story. This film is also a lot more action-packed, with intense fight scenes and epic battles.

Would Spaceballs be even funnier with some of the weaker moments removed... AND the entire score replaced from David Lynch's Dune? I think so!

This is Christopher Caldwell and Zeek Earl's award-winning Sci-Fi Space Western with an enhanced score featuring the delicate music of Agnes Obel. Cee and her father Damon will risk one last trip to the dangerous "Green Moon" of Bakhroma to secure a better future for their small family. Along the way, they must contend with pirates, mercenaries, and a toxic atmosphere, all intent on keeping them from their prize.

Wonder Woman 84 with a proper 80’s soundtrack! The goal was to give WW84 a proper 80’s soundtrack as if the movie studio licensed and properly scored the movie. The action sequences become music videos while preserving the dialogue and sound effects.

I’ve always loved the philosophical questions that the Blade Runner world poses. So I was very excited for Black Lotus, but ended up feeling frustrated at the end of almost every episode in season one, despite so many positives. Odd pacing in dialogue, weak writing, and an overall slow pace. The flashback episode was excruciating. After accepting that it is what it is, I tried to make the best of what we got.

The Kenobi show, trimmed down to a movie length. This series started life as a movie script, and the show just feels like a movie stretched to six hours. This keeps most of the main plot point, but makes it fit as an easily digestible Star Wars film.

"What would happen if Star Trek: The Motion Picture (1979) had a dynamic modern score? How much can the perception of a film change just by replacing its music? This edit is an answer."

The legendary outlaw Star Lord leads a gang of intergalactic criminals, in a relucant crusade against a fanatical warrior with plans to purge the universe of life.

This extended cut reintegrates 7 deleted and extended scenes back into the film, with 4 more minutes of footage. With finished VFX, and a new mid-credits scene, strap into your spaceship, put in your mixtape and get ready to be hooked on a feeling in GUARDIANS OF THE GALAXY: XANDARIAN EDITION!

Explorers. Easily one of the best science-fiction films from the 80's. Unfortunately, most who love the film are quick to point out its flawed third act. Once the boys meet the aliens at the end the film simply falls apart. The alien children, mostly Wak, are completely over the top and ruin the experience.

I grew up on The Last Starfighter. It is a wonderfully fun and entertaining film. However, it is not free of problems. It drags a bit here and there. Mainly, I wanted to keep the story focused on Alex and keep the tension and threat focused there. Mainly, the subplot with the Beta Unit has been mostly removed. I felt this would better focus the story on Alex and keep the tension up (although removing anything with Catherine Mary Stewart is heartbreaking!).

The Final Countdown. This is one of those forgotten gems from the 80's. It is a great film, with a simple idea, that is pulled off quite well. However, the film is bogged down with excessive shots and sequences showcasing the Navy. This is a version of the film with the bulk of those scenes either cut or trimmed down, as well as some other bits here and there.

Generally speaking, I love Logan's Run as it is. However, it does have some pacing issues as well as some logic issues that I really wanted to address. I believe this edit tightens up the film and makes for a faster and more consistent experience, while also removing some of the cringe (just a few things).

"Uh-huh-huh, hey Beavis, these effects aren't so special..."

The purpose of this edit is to improve the low budget, outdated VFX so it still feels like a 1984 Terminator movie, but the laughable moments like painfully obvious Schwarzenegger mannequins and choppy stop motion animation are fixed.

This edit does not change the film's narrative or add deleted scenes.

To make the movie more accessible I added traditional orchestral music (from the soundtrack of 'Spellbound' by Miklós Rózsa), and removed most of the 'electronic tonalities'.

Seven of the most powerful superheroes battle foes in this animated series.

There was a story about 2 brothers who had a natural talent for alchemy called Fullmetal Alchemist. This story was originally told in a manga, but before the manga was finished an anime was put out. The anime had to change and create some original story elements because the manga was still ongoing at the time.

After the manga had finished they wanted to revisit the anime with a version closer to the actual story told in the manga. This would be known as Fullmetal Alchemist: Brotherhood. The only thing was due to retreading some story elements told in the original anime, they shortened some story beats for FMAB.

Serving as a continuation to The Last Jedi - Consistency Edition, this edit modifies The Rise of Skywalker to be a more fulfilling end to the trilogy by smoothing out the plot, removing convoluted elements, and modifying aspects of the film to elevate the story.

THE CLONE WARS: REFOCUSED presents the entire Clone Wars as a complete series of five seasons of about ten TV-length episodes each. Now structured and presented with the conventions of a more mature modern TV drama, it tells the complete narrative of the Clone Wars, retaining all the most important and enjoyable elements of the show, whilst trimming a vast amount of the weaker content, saving you over 17 hours total while still telling the same core narratives. Episodes have been refined, refocused, reordered and recontextualised to maximise story quality and viewer enjoyment, both for the show’s own complete end-to-end story, and for those seeking a supplement or introduction to new canon like the Mandalorian, Bad Batch, and wider Filoniverse.

I watched Interstellar and wondered if the movie could be done without the time travel aspect where one man saves the world by becoming a poltergeist.



So that's exactly what I did. Painstakingly. There are two versions. A dark and a light cut. The Dark cut ends without the ending we all know and the Light cut follows the original movie more closely, but removes all the paradoxes.

Eon Returns is an edit of Ben 10,000 Returns that keeps Ben’s future unknown by establishing Ben 10,000 as another alternate future version of Ben, while also providing small hints to Eon’s identity earlier in the episode.

There are changes to the film such as all deleted scenes included that not only tie in with the sequel(T2) but flesh out the original story of the terminator & also a film that can stand on it's own regardless of the sequel(T2).

Many new sound effects are also present throughout the whole movie in which I implemented these sound effects frame by frame & scene for scene.

The film starts with Niander Wallace, CEO of Wallace Corp, consumed by the knowledge that a replicant was born, he plots to capture and reverse engineer the child at all costs. Key characters and the core objective are now introduced much earlier in the film, some scenes and exposition have been removed, which either didn’t move the plot along or were duplicated elsewhere. The balance of how officer K and Luv are portrayed has also been changed to give them both a menacing edge and some parity in their motives. Who is the protagonist or antagonist is left more open now. These changes, along with changes to the film score help to add a little soul, intrigue, brutality and tenderness, which rebalances the film and is a more rewarding watch.

While an enduring cult classic, the original Tron film suffers from a critical pacing issue in its opening act. Cutting between the world of the Grid and the real world only serves to alienate new viewers and confuses the internal logic of the story. By removing the first 8(ish) minutes, the plot is not only clearer, but gets going much faster and with fewer distractions.

Arrow Parallel present, for the first time, John Carpenter's 'The Thing' from 1951. While some damage inevitably remains due to the nature of interdimensional travel, the content has been painstakingly restored and largely remains in excellent condition. Please enjoy this insight into an alternate history through what is, quite literally, "The Thing" from another world...

After recently seeing Infinity Pool and greatly enjoying it, I decided to go back and revisit the first film that introduced me to director Brandon Cronenberg: Possessor. After studying both cuts of the film for nearly a month, I got it in my head that I would attempt to create the longest version possible of this film using as much footage from both cuts as possible and reinserting the deleted scenes present on the releases.

I am proud to present: Possessor Complete.

This is a light edit of the first live action Ben 10 movie that doesn't drastically deviate from the original. Adjustments are spread throughout the entire film to give it a better cartoon to live action experience. The out of place scenes such as Grey Matter trashing the diner are removed, and various trims throughout the movie allow the plot to move quicker.