I have tried to recreate the Superman Epic as it was originally conceived by Richard Donner, following the shooting script whenever possible and before the movie was cut in half. This is Superman I and II as a complete motion picture.

A guy named Guy and his buddy Buddy argue about Guy's dream girl until she mysteriously appears to be real. Could this be the moment Guy's been waiting for his whole life? Or could there be some dark secret held by this mysterious girl?

In a funkadelic future Los Angeles, a jaded ex-cop hunts down three androids designed to look human, and he isn’t too concerned about killing a human by “mistake.” Whoopsie.

A short edit comprised almost entirely from scenes and deleted scenes on Naboo. This is intended as a companion piece to my Attack of the Clones No Naboo Cut.

The Narrative differes from AOTC in that the story takes place after the Clone Wars have begun and Anakin and Padme have already fallen in love. Apart from a short scene at the start it all takes place on Naboo.

The trip to Naboo has been cut and instead Anakin and Padme go straight to Tattoine after leaving Corouscant. In the Jedi council scene Mace Windu now does not tell Anakin to take Padme to Naboo instead Yoda tells him to hide out on Tatooine with Padme.

From Padme packing her bags until the Funeral of Anakin's Mom almost all scenes have been rearranged.

Obi Wan's investigation into Kamino and who created the clone army has him doing more detective work, gathering more clues and now has a satisfying conclusion to the Sifo Dyas mystery.

Various cuts and trims to Anakins dialogue to create a stronger character and beter romantic arc with Padme.

Scenes cut:
Anakin and Padme traveling to Naboo as refugees.
All the Naboo scenes (with the exception of the Fireside Conversation scene which now will take place on the Lars Moisture farm on Tatooine. The scene now comes in between Anakin returning with the dead body of his mother and her funeral).

Added deleted scenes:
Padme in the Senate.
Obi Wan and Mace Windu on the landing platform as Obi Wan is leaving for Kamino.
Obi Wan with Analysis droids (This scene now takes place on Kamino after he talks to Jango Fett. The Droid dialogue will be replaced so that when they analyze the Dart they discover the toxic poison comes from the Moons of Bogden.)
Anakin and Padme speak with Dooku on Geonosis.
Anakin and Padme are sentenced to death by Poggle on Geonosis.

Two main goals here, beyond just the general nips and tucks. ONE - Give the film more of an OT vibe with color correction, film grain, and new music throughout. TWO - Improve Anakin’s story. I find his fall to the dark side in the theatrical film to be rather sudden and unconvincing. So here my job was to sort of smooth out the kinks - trying to make Anakin more sure of himself and his allegiance to Palpatine before the turn, and then somewhat softening his words and actions after the turn. There’s a lot of subtle little changes and tweaks that went into this all across the film, but I do feel like the sum is that his story in this version is more believable.

This is a "Rey Nobody" edit, removing her link to Palpatine. The other major change is that Leia dies toward the beginning of the film, removing her from the plot.

The core idea is to strengthen the ties to The Force Awakens and The Last Jedi to give a clear character arc to both Rey and Kylo Ren.

I also removed some unnecessary jokes and tidied up some action beats. The goal is to create a fun, engaging movie that satisfies as an ending to these character's stories.

Alien: Resurrection Resurrected is a definitive cut of the 1997 cult classic, combining the best from both official cuts of the film.

Star Wars: The Last Skywalker Awakens is a fan edit amalgamating the Star Wars sequel trilogy into a single monolithic tale, told in two parts.

This edit focusses on Rey, Kylo Ren, and their battle over the Skywalker legacy, and brings together the best from a host of popular sequel trilogy fanedits.

It is meant to serve as an epilogue to Lucas’ Star Wars saga (episodes I-VI).

With this being an episode dealing with the TARDIS as the enemy, I chose to use music more electronic sounding, so Forbidden Planet seemed like a nice addition. I also felt like there were some plot holes on why Susan went nuts earlier on in the episode.

Taking 7 short episodes and editing them down to 2 thrilling longer episodes, this is an edit that I'm VERY proud of. The Daleks continue to be menacing while the Thal's are more mysterious until we learn they are our friends.

In this edit, the Doctor and the gang initially meet in the same way, but when we land in the cavemen era, the story pushes forward a lot more. Major plotlines with no payoff are gone and we see how they learn to work together to escape their situation.

Alligator Elongator'd takes all of the additional scenes exclusively featured in the TV cut of the film and seamlessly adds them back into the theatrical cut so that you still have all of the blood and gore and gator poop while also spending some extra time with our hero and his receding hairline.

The X-Men must unite again for the first time to defeat Apocalypse!

An extended cut of a movie that's already too long, but also wasn't long enough. Adding back some much needed character moments and connective tissue to a movie that moved a little too fast.

17 new and extended scenes have been added back into the film for a longer, fully and more complete conquest of the mighty Apocalypse!

AVATAR: The Final Cut aims to put Avatar's best foot forward by removing unnecessary narration and extending character development. The extended edition, while better than the theatrical by far, was lacking a 3D release. This edit not only fixes the main problem of the film, but also brings an all new 3D version of the extended experience.

The re-telling of the Eastrail 177 Trilogy in SPLIT UNBREAKABLE GLASS was the first part of an experiment to retool these movies with a new narrative structure to facilitate surprises, adjustments to reveals, new parallels, new opening and closings and much much more. One can be surprised again.

In what may be a fanediting first, this version takes extensive material NOT used in SPLIT UNBREAKABLE GLASS (Dr Fletcher and David's marital issues) and tells the same (or similar tale) as an alternate version of the events from a very different perspective. Over 50% of this version of events is newly repuposed and previously unused and differently structured. With a different resolution and enough left untold to permit both edits to surprise and re-reveal, UNBREAKABLE GLASS SPLIT and SPLIT UNBREAKABLE GLASS can be watched in any order and still shine a BRIGHT light on M/ Night Shyamalan's genius, patience and discipline in anchoring these characters in the real world.

Some movies are just perfection and can’t be improved. That’s one of them. But there’s always a way to provide some new interesting way to experience them and that was the goal here. Ridley Scott’s masterpiece has been converted to Grindhouse-like movie. Video got additional heavy grain and print damage, 90% of the movie was re-scored, some deleted scenes and outtakes reinstated, along with little additions of footage and dialogue lines from other movies, and some fan-created videos. New opening credits sequence was created and the end credits were also changed. Some scenes were cut, some repurposed and as a cherry on top, an alternate ending was added.

This edit combines the two original Matrix sequels into a single cohesive film that serves as the epic conclusion to Neo's arc.

A cut of Paul Verhoven classic film, Total Recall, that aims to make the film a little more fast paced, and solely focused on Quaid.

I don't hate the original film at all, but I felt that there was an alternate cut somewhere that removes almost all of the villianous solo scenes, getting the film going faster.

This isn't trying to be any sort of definitive cut or replacement, but when you wanna watch Total Recall, but don't have the 113 minutes needed to watch it.

Valerian - No Love Lost Edition removes all the forced romance plot and leaves a tight sci fi/fantasy adventure featuring two intergalactic dimension traversing agents on a mission to recover a precious item.

This edit combines Homecoming with Avengers Infinity War while keeping the focus squarely on Peter Parker.

I am a huge King fan and I particularly love The Stand. I was very excited for the new miniseries adaptation coming to Paramount Plus last year. It was a great cast and creative team, and was going to be 9 episodes long, which meant they could tell a lot more of the story than in the previous miniseries.

However... it was kind of a dud. They made the absolutely puzzling decision of telling the story out of order, which makes a lot of the events feel pointless and aimless because you're getting a pay off before you get the full set up. It's the equivalent of telling someone the punchline of a joke, then over explaining how you got to the punchline.

They also didn't really tell much more of the story. Huge swaths of the plot were rushed through or completely cut out. It really was a bit of a mess.

But! There's a lot of good stuff in there. So, I'm removing the confusing narrative structure and cutting tons of footage out to create a Trilogy of films that tell the story of The Stand.

This edit combines all three of the Lunar themed episodes into one extended TV movie.

SEELE battles NERV to initiate third impact in the groundbreaking conclusion to the original "Neon Genesis: Evangelion" in a way you've never seen before!

Frank Herbert's Dune is a fantastic miniseries adaptation of the original novel, but what would it look like as a feature length film?

This edit is a follow-up to my previous prequel edits, Faster More Intense and Sanded Down.

It's in some ways a bit more conservative than my other two prequel edits, and probably one of the more conservative Revenge of the Sith edits in general. While the first two prequels are movies I don’t enjoy because of their flaws, ROTS is a movie that I enjoy despite it’s flaws, I just wish it could be better.

I felt there were 2 unanswered questions in this movie. Both answers were found in deleted scenes. So I added the 2 deleted scenes back in.

My first edit in HD, this is a simple one: re-instating cues originally created for the episode, but subsequently removed.

This edit aims to keep the ambiguity of whether Reese can be trusted and if his story is even true for as long as possible. The audience is learning information along with Sarah instead of being way ahead of her.

I added the Rogue One hallway scene and the SC38 Reimagined footage to give Darth Vader a more menacing presence in the film.

Classic Who's Vengeance on Varos, converted to modern aspect ratio, with a new soundtrack.

Star Wars: Abridged is meant to tell the Skywalker saga as succinctly as possible, taking all nine films and cutting them down to three. While many narrative threads remain the same, some have been vastly altered.

The re-telling of the Eastrail 177 Trilogy with a new narrative structure to facilitate surprises, adjustments to reveals, new parallels, new opening and closings and much much more. One can be surprised again.

Redundant threads (marriage issues from Unbreakable and Dr Fletcher from Slpit) and over- exposition (from Glass) have been removed. Scoring has been adjusted to permit music motifs to run through the narrative consistently, Deleted material has been used only where the narrative requires it.

New opening and closing titles have been created and all crew are credited (source IMDB).

The original movie has been re-visualized as long lost VHS recording of a Network television show from 1986. It has been edited into a typical 47 minute length episode with created Opening & Closing Titles and commercial breaks. Authentic commercials from 1986 (of a lower video quality) have been used. The movie has been reframed/cropped as 640x480 with Pan & Scan where needed, and slightly degraded with the use of Gaussian Blur and a VHS tracking overlay to help sell the illusion of VHS.

Main Changes:
No V.O. - "Show, don't tell" philosophy (try to give more discovery of mysteries to the viewer) means no voiceover at all - not even the memory voiceover from Gaff as Deckard looks at the origami unicorn. The goal is to tell the story with the emotions of the characters instead of spoon-feeding info.

No Unicorn Dream - For me, the "Deckard is a replicant" question is more interesting as an open-ended question than the execution we got, so no unicorn dreams here. The audience today is much more aware of the tech and concepts of the movie than the average 80s viewer, so the movie keeps the original spirit but leaves more dots to connect for the modern viewer.

More Pollution - I love all the new higher Res releases of Blade Runner, but to me the better resolution removed a lot of the gitty pollution-like vibe to the world of Blade Runner. Here, the outside scenes are adjusted to feel dirtier, which also allowed me to insert upscaled footage of deleted scenes that hopefully stand out less.

No Dates - all references to the year dates are removed.

No "Trapped Rachael" Scene - I know I am going to get hate for this but there is one particualr part of this film which has not aged well. People like to say this movie is about replicants because of Roy Batty and crew, but simutaneously write off how utter fucked up Rachael's experience must be too, arguing that the scene is needed to show an aspect Deckards growth in regards how he treats replicants, how he fundamentally sees them.

Even with the shutting down of the X-Files, Mulder & Scully find themselves once again uncovering clues to the ongoing government conspiracy they have been seeking to uncover for the last 5 years.

File X-S5E21 - Mulder and Scully discover a government coverup in connection to an alien virus.
File X-S5E22 - The X-Files have been shut down and Scully has vanished after suddenly falling ill to what Mulder believes is an alien virus.

The Star Trek TOS episode "That Which Survives" in a version that gets Spock, who's wildly out of character here, in line with his portrayal in the rest of the show.

The Expanded Edition aims to extend The Phantom Menace to its maximum possible length with finished effects.

Fourteen new, alternate and extended scenes have been masterfully restored added back into Episode I with 6 more minutes of footage.

"Paradise" is easily one of my favorite franchise-saving fanedit of all time. It highlights what is great about the prequels, and ditches everything else. I watched it endlessly.

Over time, I wondered - what would a chronological edit look like? And after having gotten the blessing of jobwillins himself, I began to experiment. The initial simple chronological re-edit lost all the magic and tension that made Paradise great.

But I kept playing with different ways to try to keep the "David-centric" story, and settled on this two-episode format. This is an admittedly inferior re-imagining of Paradise, but still a fun and different way to focus on the deeper questions raised in these films, each about 70 minutes.
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It (A Film) is a fanmix/fanfix of It (2017) and It: Chapter Two (2019). Both films have been combined and restructured to follow Stephen King's novel as close as possible. This edit also intends to re-work Chapter Two to address some of the weaker aspects of the sequel and improve the film.

The More Roads Edition adds back 8 new scenes, shots and moments into the second installment of one of the greatest movie trilogies of all time. Four minutes of new footage has been added in from a variety of sources to create the longest version of the film.

With over 900 changes this is the ultimate fix. Two F Bombs remain

These two movies turn Star Trek Picard into two classic style Trek Movies with a 3 act structure and many hundered of changes, scoring tweaks, and much much more

AtoBtoX is a chronologically restructured version of Deadpool with the deleted and extended scenes reinstated.

I added several deleted scenes and promos to provide more time spent with the humans (and androids) and removed several scenes and appearances of the aliens either because I didn't find the CGI convincing or felt excessive screen time diminished their impact.

Both Thunderbirds movies suffer from pacing issues (quite slow), very light on scoring (due to budget constraints) and just generally not as good as any of the 32 episodes. These edits turn them into full blown TV episodes as they would have been in 60's but in HD and widescreen, with score enhancements and ad bumpers. WARNING: This may be puppets and "childrens TV", but the dialogue is no t patronizing, dialogue is mature idiom (not childish) and "people" get shot in cold blood or die !!!! 60s childrens TV was full on gruesome, thank heavens.

In the time of the Space Age, the spaceship Enterprise heads to new library installation Memory Alpha, located on a nearby planetoid. On board, latest recruit Lt. Mira Romaine is assigned to the new complex. On their approach, the crew encounters a strange storm, one that is intent on invading the new lieutenant!

This fan-edit combines the original Japanese version of the original 1954 Godzilla film and the American re-edit called "Godzilla, King of the Monsters!" It adds the additional footage of Raymond Burr's character Steve Martin and others created for the American version to the original Japanese cut, keeping both Steve and almost all of the scenes with the original cast, extending the run-time to over an hour and 40 minutes. This way, you get the best of both worlds, with the brilliance of the original Japanese masterpiece and the great acting and iconic lines of Raymond Burr that I (and I’m sure many others) have lots of nostalgia for. This is a great edit for people who like both the American and Japanese cuts for their own merits and don’t want to have to pick between the two when revisiting the original Godzilla, and is also a great way to introduce someone to the franchise if you’re not sure which version to show them.

This is a full extension of Super 8 with all deleted scenes added back in

Blade RUnner exusts in 5 versions The Theatrical Cut (117min), The International Version (117 min and a bit), The Director's Cut (116 min), The Final Cut (117 min) and The WorkPrint (113 min). This version tries to do two main things:
- include every frame from the Theatrical Cut, International Version, Directors Cut and Final cut
- add a handful of additional VO lines, correcting them for pitch and pace so they sound like Deckard