The same movie without the Epilogue.

The greedy Trade Federation has established a blockade of warships around the planet of Naboo and threatened her people with starvation. It is up to a small band of heroes, including two jedi, a queen, and a young boy from Tattooine, to save the people of Naboo from the sinister Nute Gunray and his fellow Neimoidians.

The Living Daylights makes for a striking introduction to Timothy Dalton's iteration of James Bond (particularly after the Roger Moore era), not to mention a charming and exciting throwback to classical espionage adventures and the Ian Fleming novels themselves. It is, however, also held back by the sensibilities of the time, antiquated pacing (even for when it was released), and an apparent desire to not stray too far from the campier and leerier vibes of the films that preceded it.
The aim of this edit was to bring the standard of the film up to that of the central performance. I wanted to bring out the exciting, thrilling and romantic qualities of the film whilst downplaying its flaws, all while giving the technical execution of the film a more modern edge.

I watched Love and Monsters when it first became available during quarantine and I was pleasantly surprised what a great movie and somewhat of a hidden gem it is. It has a great balance of humor, heart and its fair share of scary monsters.

I've put back all but 1 of the deleted scenes if for nothing other than to just spend a few extra minutes in this world created in the film.

The only real change I made to the film is moving the fate of Clyde and Minnow to a mid-credits scene so as to not takeaway from the emotional high we feel at the end of the film. Making a joke about Joel at this point was a little out of place and we as an audience needed to arrive at the end of the film feeling uplifted by the swell of the music as Joel becomes a leader.

An extended cut of Fantastic Beasts: The Secrets of Dumbledore.

The Book of Eli, if it were a PG-13 action movie.

Going to see Crystal Skull on opening night is probably the worst cinematic experience I've ever had. You could just feel the room deflate, all the energy disappear, the excitement turned to disappointment. I hated it.

However, time has been kinder than expected to the film. Maybe it's comparing it to what passes for modern "adventure" filmmaking, but it's sort of outdated style kind of works in its favor. There's a lot of things that do work about it. Harrison Ford and the rest of the cast are game. Though it's kind of a "left hand" movie from Spielberg, he's still the greatest movie director of our lifetimes, so it's still got some great visuals and action. The story could be intriguing.

By cutting out scenes that are out of character and using alternant or deleted material form the movie I wanted to give this movie a different feel. I also rescored scenes with different music to recontextualize or emphasize different moments in the movie.

Wendy and her brothers are whisked away to the magical world of Neverland with the hero of their stories, Peter Pan.

A darker take on the Star Wars sequel trilogy, End of Skywalker transforms The Force Awakens, The Last Jedi and The Rise of Skywalker into a single movie with an all-new, more cohesive story focused on the connection between Rey and Kylo and their uncertain relationship to the Jedi and the Force. Major cuts and changes, not least of which is the use of the Japanese dubs to allow for rewritten dialogue and new English subtitles, results in a thrilling, reimagined Star Wars experience that acts as a definitive end to the Skywalker saga.

Note: This fanedit requires you do not understand the Japanese language.

Fueled by remorse and vengeance, a high schooler named Terry McGinnis revives the role of Batman. Under the supervision of an elderly Bruce Wayne, he fights crime in a harsh, futuristic Gotham.

This is a TV to Movie edit of Batman Beyond.

Star Wars with a rocking soundtrack! Heavy Star Wars takes the existing action and adventure, trimming away unnecessary story/action/bad acting, and replaces the soundtrack with Rock music!

The infamous flop shortened by half an hour, distracting side-plots removed from the film to hopefully make it feel a little more buoyant.

This is Spicediver's 1080p high definition rebuild of Dune The Alternative Edition Redux, his 2012 fanedit (in 480 standard definition) of David Lynch's 1984 science fiction film.

Captain America's "Civil War" made us choose between Duty and Friends. It pitted friends and colleagues against each other. Eternals presents this dilemma with far higher stakes. Now we have Duty not just to a government but to the parent/creator, and going against that duty will impact billions of lives. Now the Friends aren't just colleagues for years, but family for millenia.
The stakes are life-or-death high, yet the audience is left largely indifferent because ten (10!) new heroes compete for limited screen-time and character development. None of them earn a place in our hearts the way that better fleshed-out, and relatable, heroes like Captain Rogers and Tony Stark have.
Eternals isn't the best Marvel movie but it is unique and interesting. It deserves criticism, but even more than that it deserves wider viewing.

An alternate take on Mudd's Women, re-structuring it into how it may have looked, had it become the second pilot.

Batman & Robin DEEP FREEZE doesn't attempt to be as serious as The Batman or as dark as the Nolan trilogy, but something closer to the feel of The Animated Series, just in live form. Mr. Freeze, now a more sympathetic villain, has little to no one-liners, Bane is completely excised and Poison Ivy isn't created by a mad scientist pushing her into a shelf. There is no Elliot Goldenthal Batman theme, but a lot of his music is still included. New opening titles and a small set of end credits have been created (and of course giving Bill Finger the credit he deserves).

A more streamlined and family focused story about Shang-Chi and his power mad father.

This is all the cuts made by the original editor upgraded to HD

I have tried to recreate the Superman Epic as it was originally conceived by Richard Donner, following the shooting script whenever possible and before the movie was cut in half. This is Superman I and II as a complete motion picture.

The longer 1996 cut of the 1971 Disney classic with the worst instances of redubbed dialogue removed, a little less "With a Flair" and a lot more translation.

A streamlined and fast-paced narrative, in the structural and musical spirit of either the Lord of the Rings franchise or the original, epic score. Season 3 in 3 hours and 4 minutes - either with Howard Shore or the original Game of Thrones score.

I've always loved the Harry Potter books, but the movies have been pretty hit or miss for me. I completely love what they have made, but there are many scenes of poor acting, or bad character choices that are completely fixable.

My main goals overall:
- Create light edits that don't try to reimagine or create anything new, but rather just enhance the original movies
- Remove small annoyances and some poor performances (Harry shushing Ron, Barty Crouch Jr tongue flicks, dumbing down Hagrid, etc)
- Retain as much world building as possible (Clock in the Weasley's home, monster roar at housekeeping in PoA, etc)
- Keep the original music to their own movies, except for a few rare occasions
- Tighten up action wherever I could

Goals for Deathly Hallows p2:
- Incorporate a select few deleted scenes
- Change young Lily's eyes to blue
- Fix bad writing and acting wherever possible

In a funkadelic future Los Angeles, a jaded ex-cop hunts down three androids designed to look human, and he isn’t too concerned about killing a human by “mistake.” Whoopsie.

The trip to Naboo has been cut and instead Anakin and Padme go straight to Tattoine after leaving Corouscant. In the Jedi council scene Mace Windu now does not tell Anakin to take Padme to Naboo instead Yoda tells him to hide out on Tatooine with Padme.

From Padme packing her bags until the Funeral of Anakin's Mom almost all scenes have been rearranged.

Obi Wan's investigation into Kamino and who created the clone army has him doing more detective work, gathering more clues and now has a satisfying conclusion to the Sifo Dyas mystery.

Various cuts and trims to Anakins dialogue to create a stronger character and beter romantic arc with Padme.

Scenes cut:
Anakin and Padme traveling to Naboo as refugees.
All the Naboo scenes (with the exception of the Fireside Conversation scene which now will take place on the Lars Moisture farm on Tatooine. The scene now comes in between Anakin returning with the dead body of his mother and her funeral).

Added deleted scenes:
Padme in the Senate.
Obi Wan and Mace Windu on the landing platform as Obi Wan is leaving for Kamino.
Obi Wan with Analysis droids (This scene now takes place on Kamino after he talks to Jango Fett. The Droid dialogue will be replaced so that when they analyze the Dart they discover the toxic poison comes from the Moons of Bogden.)
Anakin and Padme speak with Dooku on Geonosis.
Anakin and Padme are sentenced to death by Poggle on Geonosis.

This is a leaner version of Black Widow that adds back in multiple deleted scenes

I've always loved the Harry Potter books, but the movies have been pretty hit or miss for me. I completely love what they have made, but there are many scenes of poor acting, or bad character choices that are completely fixable.

My main goals overall:
- Create light edits that don't try to reimagine or create anything new, but rather just enhance the original movies
- Remove small annoyances and some poor performances (Harry shushing Ron, Barty Crouch Jr tongue flicks, dumbing down Hagrid, etc)
- Retain as much world building as possible (Clock in the Weasley's home, monster roar at housekeeping in PoA, etc)
- Keep the original music to their own movies, except for a few rare occasions
- Tighten up action wherever I could

Goals for Deathly Hallows p1:
- Incorporate a select few deleted scenes
- Fix bad writing and acting wherever possible

Two main goals here, beyond just the general nips and tucks. ONE - Give the film more of an OT vibe with color correction, film grain, and new music throughout. TWO - Improve Anakin’s story. I find his fall to the dark side in the theatrical film to be rather sudden and unconvincing. So here my job was to sort of smooth out the kinks - trying to make Anakin more sure of himself and his allegiance to Palpatine before the turn, and then somewhat softening his words and actions after the turn. There’s a lot of subtle little changes and tweaks that went into this all across the film, but I do feel like the sum is that his story in this version is more believable.

I've always loved the Harry Potter books, but the movies have been pretty hit or miss for me. I completely love what they have made, but there are many scenes of poor acting, or bad character choices that are completely fixable.

My main goals overall:
- Create light edits that don't try to reimagine or create anything new, but rather just enhance the original movies
- Remove small annoyances and some poor performances (Harry shushing Ron, Barty Crouch Jr tongue flicks, dumbing down Hagrid, etc)
- Retain as much world building as possible (Clock in the Weasley's home, monster roar at housekeeping in PoA, etc)
- Keep the original music to their own movies, except for a few rare occasions
- Tighten up action wherever I could

Goals for Half-Blood Prince:
- Incorporate most of the deleted scenes
- Try to establish Harry and Ginny's connection better
- Cut out as much bad acting, dialog and writing as I could

I've always loved the Harry Potter books, but the movies have been pretty hit or miss for me. I completely love what they have made, but there are many scenes of poor acting, or bad character choices that are completely fixable.

My main goals overall:
- Create light edits that don't try to reimagine or create anything new, but rather just enhance the original movies
- Remove small annoyances and some poor performances (Harry shushing Ron, Barty Crouch Jr tongue flicks, dumbing down Hagrid, etc)
- Retain as much world building as possible (Clock in the Weasley's home, monster roar at housekeeping in PoA, etc)
- Keep the original music to their own movies, except for a few rare occasions
- Tighten up action wherever I could

Goals for Order of the Phoenix:
- Incorporate most of the deleted scenes
- Cut out as much bad acting, dialog and writing as I could

With this being an episode dealing with the TARDIS as the enemy, I chose to use music more electronic sounding, so Forbidden Planet seemed like a nice addition. I also felt like there were some plot holes on why Susan went nuts earlier on in the episode.

Taking 7 short episodes and editing them down to 2 thrilling longer episodes, this is an edit that I'm VERY proud of. The Daleks continue to be menacing while the Thal's are more mysterious until we learn they are our friends.

In this edit, the Doctor and the gang initially meet in the same way, but when we land in the cavemen era, the story pushes forward a lot more. Major plotlines with no payoff are gone and we see how they learn to work together to escape their situation.

This is a fan edit of the original movie serial retold as one feature length film.

A legendary hitman known as Babayka, comes out of retirement to seek revenge, igniting a killing spree across Rome and New York City.

A restoration of the 170-minute extended cut of the film, shown on ABC over two nights in 1996.

I've always loved the Harry Potter books, but the movies have been pretty hit or miss for me. I completely love what they have made, but there are many scenes of poor acting, or bad character choices that are completely fixable.

My main goals overall:
- Create light edits that don't try to reimagine or create anything new, but rather just enhance the original movies
- Remove small annoyances and some poor performances (Harry shushing Ron, Barty Crouch Jr tongue flicks, dumbing down Hagrid, etc)
- Retain as much world building as possible (Clock in the Weasley's home, monster roar at housekeeping in PoA, etc)
- Keep the original music to their own movies, except for a few rare occasions
- Tighten up action wherever I could

Goals for Goblet of Fire:
- Remove the Ron and Harry's broken friendship subplot
- Cut out as much bad acting, dialog and writing as I could
- Take out all instances of the Crouch Jr tongue flicks

Part of an ongoing project to convert the “Avatar: The Last Airbender” series into an alternative, less "bite-sized" format, this edit connects the first three episodes into a single narrative, removing all blackouts/titles/credits. Some tweaks to humour and minor changes to narrative have been made, such as a less melodramatic exit for Aang, tweaks to dialogue to foreshadow episode 3, and a slight shift in the order of events.

I've always loved the Harry Potter books, but the movies have been pretty hit or miss for me. I completely love what they have made, but there are many scenes of poor acting, or bad character choices that are completely fixable.

My main goals overall:
- Create light edits that don't try to reimagine or create anything new, but rather just enhance the original movies
- Remove small annoyances and some poor performances (Harry shushing Ron, Barty Crouch Jr tongue flicks, dumbing down Hagrid, etc)
- Retain as much world building as possible (Clock in the Weasley's home, monster roar at housekeeping in PoA, etc)
- Keep the original music to their own movies, except for a few rare occasions
- Tighten up action wherever I could

Goals for the Prisoner of Azkaban:
- This is my favorite movie and will probably have the least changes
- Trim some of the poor performances (Hermione's laughing, some of Harry's acting)
- Cut out some of the one liners and poorly written lines and scenes (Neville's "I'm okay" joke, Hermione mocking Trelawney, and Harry always needing to get a final word in)
- Reduce some of the more over the top stuff (Trim the whole whomping willow scene)

The usual removal of superfluous shots and scenes for a tighter narrative and less distraction, plus a remixed beginning for a little misdirection.

AVATAR: The Final Cut aims to put Avatar's best foot forward by removing unnecessary narration and extending character development. The extended edition, while better than the theatrical by far, was lacking a 3D release. This edit not only fixes the main problem of the film, but also brings an all new 3D version of the extended experience.

You Only Live Twice - the film where Bond becomes Japanese. Hmmm, I've always struggled with that one. There's loads to enjoy in what was supposed to be Connery's swan song as 007, but it's also a film which has not aged particularly well, primarily because of the awkward plot line which sees Bond literally undergo a cosmetic procedure to look Japanese. It never really worked back in the 60's, but now it just comes across as uncomfortable and insulting in some ways.
On the plus side however, this is a gorgeous looking film, with incredible production design and a proper travelogue feel to it.

This edit combines the two original Matrix sequels into a single cohesive film that serves as the epic conclusion to Neo's arc.

I've always loved the Harry Potter books, but the movies have been pretty hit or miss for me. I completely love what they have made, but there are many scenes of poor acting, or bad character choices that are completely fixable.

My main goals overall:
- Create light edits that don't try to reimagine or create anything new, but rather just enhance the original movies
- Remove small annoyances and some poor performances (Harry shushing Ron, Barty Crouch Jr tongue flicks, dumbing down Hagrid, etc)
- Retain as much world building as possible (Clock in the Weasley's home, monster roar at housekeeping in PoA, etc)
- Keep the original music to their own movies, except for a few rare occasions
- Tighten up action wherever I could

Goals for the Chamber of Secrets:
- Trim down the movie a bit to make it more in line with the lengths of the other movies
- Cut out some of the one liners and poorly written lines and scenes (Harry shushing Ron a couple times, and Harry always needing to get a final word in)
- Reduce some of the more over the top stuff (Harry almost falling out of the car, Harry holding the sword by the bloody blade in Dumbledore's office, Lucius trying to Avada Kedavra Harry)

Combines both films into one narratively satisfying epic ending. Subplots are removed, incredible sequences don't exist, all to make it feel like it was intended as one movie.

Rango the chameleon undergoes a mind-expanding vision quest.

With the arrival of a new monk to the abbey at Kells, Brendan learns about an unfinished book that can turn darkness into light.

Frodo Baggins and Samwise Gamgee are given a serious undertaking by the Council of Elrond, but find they have an unwanted follower...

Consecution X features nine shorts by six editors, all based on animated source material. Spanning comedy, drama, adventure and fantasy, there's sure to be something for everyone.