To create two Hobbit movies I would want to watch over and over as a TRUE prequel to The Lord of the Rings

To create two Hobbit movies I would want to watch over and over as a TRUE prequel to The Lord of the Rings

These two edits (ALIEN V rt 132min and ALIEN COVENANT:EXTENDED CUT rt 154 min) restore the three act structure by creating a new first act from supplemental and deleted material. There is also a new Coda, tightened up restored scenes to develop character and score and audio enhancements to give it a more A L I E N feel all over.

What happens when you take the padding of 'Gran Torino' out and replace it with flashbacks to Walt "Highway" Kowalski's life in the US Marines, from 'Heartbreak Ridge'? You get 'Fallen Hero', a Clint Eastwood mashup. Now you have a character who is meaner and driven by his past to do right! And boy does he!

I hope you enjoy this,
Wraith

Taking The Matrix as the initial universe that sets the rules for the sequels, I set out to remove all material from the sequels that did not adhere to those rules, thus using 64 min from Reloaded and 12 min from Revolutions. In crafting this into a single movie I removed material from The Matrix and added additional material from Enter the Matrix and The Animatrix, including unused music cues from all 3 film's special edition complete score CDs.

This true fanedit condenses the X-Men movies to one long lasting action ride: less childish humor, a lot less repetitious exposition, more violence, more character depth for highly increased tension.

This is an ultimate re-cut of the X-Men Trilogy to make these characters closer to the comics and darker in nature. Cheesy lines were removed throughout, needless exposition was removed, dialogue trimmed for pace and repetitions were removed.

Wraith has produced a a PULP FICTION style interweaving of the the 1982 and 2011 versions of The Thing into a single cohesive story which switches the action back and forth between the 2 movies without ruining either the tension or build up. Careful trims to the 2011 (T11) version remove a few overly CGI shots and keep the reveals less explicit until the 1982 version (T82) does its Thing. From there each film loses about a third of its material; but the progression is almost undetectable and the final running time is 2h39min, a very respectable length and consistent with many big blockbusters but is NEVER bloated.

Tightened dialogue throughout keeps the pace but NO required exposition is lost. Some crap lines from the T11 are also removed and numerous score enhancements made not just to tie the two together, but to bring the T11 more in tonal line with T82 (not that it was ever that bad). The score enhancements were taken from the 2011 complete score re-recording which is of outstanding quality, and contains un-used cues by Ennio Morricone and John Carpenter some sections which appear in this edit for the first time. Some sequences were re-ordered and individual shots also re-ordered in places for flow, pace, transition and dramatic effect.

Finally, a DVD Commentary has been produced and this will also be available in time in HD.

This is the version that studios used to determine audience reaction and to test if the film would work. It has an entirely different ending than the final release, which the test audience did not like, but in fact is a much more expected and logical one.

This edit puts the fourth installment of the Indiana Jones films, back on course. With corrected color and a new approach, this edit seeks to make Crystal Skull look, feel, and play like a classic Indiana Jones film.

This edit extends existing musical numbers and adds an additional one as well to create a fuller viewing experience of the original movie.

This edit aims to expand and enhance BURLESQUE by adding in the deleted musical numbers, restoring the deleted shots which were removed to get a sanitised PG-13 rating, restoring the opening sequence that was dumped prior to release, and creating a new transition sequence to get to the theatre in a slightly less rushed fashion. Some cheese was inevitable trimmed. Alan Cummings musical number is restored to this version. Some sequences were re-ordered and individual shots also re-ordered in places for flow, pace, transition and dramatic effect.

Wraith has created 3 version of BRÃœNO – this is the real deal: Taking the fullest version he went in and took out anything unfunny, repetitious or not good. This reduces the monster UBER edit and reworks scenes etc to create a tru fanedit….some extra material is in, some actual Theatrical material is out… Result …hopefully wall to wall laughs or embarrassment.

The extra extended or additional five deleted scenes could have easily remained in the final cut. In fact the removal of Ned’s first attempt creates a continuity error in the final release version which in this extended version is corrected.

The additional sexy scenes all add depth to the character, plot and critically the fims suspense.

This aims to turn the ALIEN VERSUS PREDATOR movies into a single and WORTHY member of BOTH franchises.

This extends Borat with 22 minutes of more uniquely funny Borat style scenes.