FanFix
Rocketman: Diamond Edition
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January 18, 2020
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121
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This edit aims to provide a more complete, satisfying and enjoyable telling of Elton John’s story, particularly for fans. Deleted scenes are restored, including Elton’s first suicide attempt and a subplot regarding the AIDS crisis. Two egregious factual inaccuracies are removed: Elton taking his last name from John Lennon (the real-life origin, from blues singer Long John Baldry, is well-known) and Elton playing his ‘80s hits in the ‘60s. The tone and pacing are also improved by cutting Elton’s last argument with his mother (a miserable scene that is too similar to the argument with Bernie Taupin directly following it). Finally, a couple musical Easter eggs are added to the film’s score.
December 29, 2019
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117
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James Bond changed in the 1980s. With the retirement of Roger Moore and introduction of Timothy Dalton, we transition from action movie with-a-wink to spy thriller. Well... mostly.
Dalton, inspired by the novels, presents a colder, more cynical Bond. His approach to win the confidence of a beautiful woman behind the Cold War's Iron Curtain, reminds of Richard Burton's performance in the Spy Who Came In From The Cold.
Perhaps the filmmakers feared that changing Bond overnight from the suave, cheery gentleman to a cynical smoking alcoholic, would feel as jarring to the audience as dislocating your shoulder. Perhaps they were right to fill Dalton's first adventure with comedic moments. In hindsight, however, we know the audience responded just fine to the comparable transition from suave and jocular Pierce Brosnan to steely-eyed and cynical Daniel Craig.
Dalton, inspired by the novels, presents a colder, more cynical Bond. His approach to win the confidence of a beautiful woman behind the Cold War's Iron Curtain, reminds of Richard Burton's performance in the Spy Who Came In From The Cold.
Perhaps the filmmakers feared that changing Bond overnight from the suave, cheery gentleman to a cynical smoking alcoholic, would feel as jarring to the audience as dislocating your shoulder. Perhaps they were right to fill Dalton's first adventure with comedic moments. In hindsight, however, we know the audience responded just fine to the comparable transition from suave and jocular Pierce Brosnan to steely-eyed and cynical Daniel Craig.
December 23, 2019
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89
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Brief Synopsis:
I appreciate what Jim Carrey and Ron Howard did for the movie, but the problem with Carrey's humor is that it was great in the 90's, but now it just feels a bit much. I really liked A LOT of what they did to flesh out the story, I tried to keep it more focused on the story and less on giving Jim Carrey several minutes of complete improv sessions.
Avengers: Assembled
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December 07, 2019
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272
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Brief Synopsis:
An epic two-in-one edit of Avengers: Infinity War and Avengers: Endgame. Seamlessly combining the two films, along with credits scenes from Ant-Man and the Wasp and Captain Marvel. Additionally, there has been much cut from both films to remove some of the crappy dialogue and humour, to make for the most digestible and tolerable rewatch experience.
Passengers: Aurora
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November 16, 2019
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83
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The original release is a pretty boring movie, we follow Chris Pratt's character, Jim, throughout the film, and see his personal struggles with his fate, and his relationship with Jennifer Lawrence's character, Aurora, flourish. If you've seen the movie then you know the plot, but, if you haven't, then that's all I can really tell you without ruining it.
Essentially what this edit does is rearrange the movie to follow Aurora, which makes for a much more interesting viewing experience - activating the psychological elements that the original film set up.
Essentially what this edit does is rearrange the movie to follow Aurora, which makes for a much more interesting viewing experience - activating the psychological elements that the original film set up.
November 02, 2019
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102
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This is a follow-up to my Force Awakens edit “The Ford Awakens”, where Han Solo survived the events of that movie…due to having zero footage of him to use in the Last Jedi, I had to give him a minimal role in the film. He only appears on-screen once (in the scene where he meets Luke…yes, he meets Luke), and the rest of his appearances are represented by various soundbites from the original trilogy, each carefully selected to connect to certain scenes in the third act.
October 18, 2019
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73
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Halloween Resurrection came after the success of Halloween H20: Twenty Years Later, where it appeared that Laurie Strode had once and for all destroyed infamous serial killer and her brother, Michael Myers, aka The Shape. Therefore, trying to explain away just how he could have survived such a definitive and crowd pleasing ending, was always going to put the film makers involved in another sequel in a very difficult position. That aside, Resurrection decided to kill off Laurie Strode in the first 10 minutes of the film.
The rest of the film played with the concept of a media company, Dangertainment, inviting some lucky teenage entrants to try and spend a night in the house of Michael Myers, on Halloween no less. This concept, with all the web cameras etc was actually quite an intriguing one to bring to the series. However, annoying characters such as Freddie (played by Busta Rhymes) reduced the film to a bit of an embarrassment, especially when it came to poking fun at Michael and having Freddie defeat him by using his kung fu no less.
The rest of the film played with the concept of a media company, Dangertainment, inviting some lucky teenage entrants to try and spend a night in the house of Michael Myers, on Halloween no less. This concept, with all the web cameras etc was actually quite an intriguing one to bring to the series. However, annoying characters such as Freddie (played by Busta Rhymes) reduced the film to a bit of an embarrassment, especially when it came to poking fun at Michael and having Freddie defeat him by using his kung fu no less.
October 14, 2019
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126
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If the following strikes you as esoteric, I invite you to peruse the forums of Originaltrilogy.com.
I do not consider this a full-blown fan edit, as I am primarily hybridizing existing official versions of the film, keeping changes I can appreciate and excluding those I feel hinder the film. Of course, this is highly subjective, and everyone's perfect blend would be slightly different.
I do not consider this a full-blown fan edit, as I am primarily hybridizing existing official versions of the film, keeping changes I can appreciate and excluding those I feel hinder the film. Of course, this is highly subjective, and everyone's perfect blend would be slightly different.
October 14, 2019
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121
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Brief Synopsis:
Having satiated my restlessness with the Star Wars prequels, I wanted to put together a custom 'Special Edition' of the original trilogy to place on my shelf alongside the original, theatrical versions (currently represented by Harmy's Despecialized Editions). I thought about calling them the "So You've Decided To Watch The Special Edition" version, because they wouldn't be intended as one's sole version of the films. Rather, a companion piece to the original versions, as a Special Edition should be.
October 12, 2019
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121
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Brief Synopsis:
A hybrid version of Star Wars, combining the best of the original version and the special edition, using both official and unofficial sources... as well as several unique enhancements and edits to try and modernize the film just a tad.
October 09, 2019
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108
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Brief Synopsis:
I removed a few wires, took out some things that I thought were kind of dumb, removed Kurgan's eyes flickering when he pops the blades out of his sword's hand guard and removed all references to Connor winning The Prize.
October 01, 2019
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124
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In this specially restructured fanedit of Superman Returns, Clark comes to terms more immediately with what he's left behind, and there is a more likeable and conflicted Lois who isn't so cagey around Kal.
September 15, 2019
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127
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Brief Synopsis:
Licence to Kill stands out in the Bond series for its sense of danger, brutal villains, and Timothy Dalton's driven 007 – but it's got problems, including off-tone comedy, perplexing love interests, and an obligation to franchise expectations. Licence to Kill: Recut aims to eliminate these problems.
September 14, 2019
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123
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Brief Synopsis:
The Living Daylights stands out in the Bond series for its mix of Cold War espionage and escapist adventure, its tender romance, and Timothy Dalton’s vulnerable 007 – but it’s got problems, including ineffective villains, unnecessary comedy, and an overcomplicated plot. The Living Daylights: Recut aims to eliminate these problems.
September 07, 2019
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88
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A version of 'Dick Tracy' that's a little tighter, with more consistent characterization for Dick and Tess.
August 12, 2019
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121
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A defiant James Bond heads back into the field to stop insidious cyber terrorist Sylva from exacting his revenge on M. Who will be left standing when the job's done?
August 09, 2019
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136
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Spectre was an attempt by Eon Productions and director Sam Mendes to embrace the grandiose nature of the Bond films of yesteryear, both in terms of the locales used, the scope of the picture and in bringing back the arch villain Blofeld and the Spectre organisation. Whilst it was wildly successful at the box-office, the reception on the film was very mixed. Some reveled in the large scale nature of the film, whilst others cited a poor script, lacklustre direction and a poorly executed idea of linking all the Daniel Craig Bond films together - not to mention the little controversial storyline regarding Blofeld being related to Bond as an adoptive brother.
July 28, 2019
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132
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Brief Synopsis:
Young Han Solo joins a band of smugglers on his first major heist and is introduced to Chewbacca and Lando Calrissian.
July 17, 2019
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93
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B+ edit number 3 is a light trimming of the excellent 80’s cult B-movie “The Hidden”. As per usual, the narrative is kept mostly intact, with light trims for pacing and cuts made in favour of removing poor FX, weak acting, trashy elements and misplaced humour. With only 4 minutes cut, The Hidden: B+ Movie Edition is marginally shorter, but considerably tighter, with a tone more consistent and suited to its higher tier script.
July 05, 2019
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97
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Even though I appreciated Mandys style and revenge story, I found it to be unnecessarily long for the genre and a little meandering especially in the first hour.
June 14, 2019
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82
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Anchorman 2, but funny. And 36 minutes shorter.
Crafted using a mixture of the Theatrical, Unrated, Super-Sized Version, and blu-ray supplemental material, the aim of this edit was to create a funnier, tighter film worthy of being a successor to the first Anchorman. Entire subplots have been removed, and jokes have been pulled from all commercially available material, resulting in a much more focused film and, in my opinion at least, a much funnier one as well.
Crafted using a mixture of the Theatrical, Unrated, Super-Sized Version, and blu-ray supplemental material, the aim of this edit was to create a funnier, tighter film worthy of being a successor to the first Anchorman. Entire subplots have been removed, and jokes have been pulled from all commercially available material, resulting in a much more focused film and, in my opinion at least, a much funnier one as well.
June 07, 2019
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336
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The first half of BABYLON 5’s season 5 is dominated by the telepath story arc Phoenix Rising, where Lyta develops from a direction-less character on the periphery to a focused
key character. It's more enjoyable by making Byron less pretentious and a little less prominent. He is a catalyst for Lyta rather than a driving force in his own right. Other storylines in these episodes are unchanged.
key character. It's more enjoyable by making Byron less pretentious and a little less prominent. He is a catalyst for Lyta rather than a driving force in his own right. Other storylines in these episodes are unchanged.
May 28, 2019
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140
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Story structure remains essentially the same as the original 3 part tv movie. A few continuity corrections. The only significant edit/cut is the conversation between Adama and Apollo about going down to Caprica. Otherwise, the biggest changes are FX enhancement to many scenes (eg. adding planets to the background), replacing dodgy FX shots (eg. Cylon Basestar descending on Carrillon) or background mattes and making some of the battle sequences less repetitive, while trying to maintain the visual look of the original without going overboard with CGI.
May 07, 2019
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57
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Here is G'Kar's last tale. His performance is thoroughly enjoyable. As always. Originally much in Legend of the Rangers detracted from G'Kar's adventure. Not anymore. Now you can enjoy your favorite Narn in a solid story of exploration, intrigue, and humor.
May 04, 2019
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120
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Brief Synopsis:
Revenge of the Sith: Rebalanced is a fan edit of Episode III that sets out to attain the following goals:
1. Keep the best parts while trimming substantial amounts of droid slapstick, exposition, and bloated editing.
2. Shift Anakin's fall to the dark side away from Padmé, and toward Palpatine.
3. Learn from existing edits, use the best of their ideas, and fine-tune each and every scene.
4. Make as seamless and professional an edit as possible. So many fan edits have great ideas, but you can tell if the music is a little uneven, or if the rhythm of a sequence gets off balance. I wanted to create a version that you could watch without knowing anything changed. If an edit, however ideal, resulted in a noticeable glitch, it had to go.
1. Keep the best parts while trimming substantial amounts of droid slapstick, exposition, and bloated editing.
2. Shift Anakin's fall to the dark side away from Padmé, and toward Palpatine.
3. Learn from existing edits, use the best of their ideas, and fine-tune each and every scene.
4. Make as seamless and professional an edit as possible. So many fan edits have great ideas, but you can tell if the music is a little uneven, or if the rhythm of a sequence gets off balance. I wanted to create a version that you could watch without knowing anything changed. If an edit, however ideal, resulted in a noticeable glitch, it had to go.
April 25, 2019
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182 minutes
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Brief Synopsis:
I want to focus on the story of the Titanic in 1912 - not the additional story set to 1997, and the sinking of the ship. I want to focus on the humanity. I want to focus on the brutality. And I want to put the tragedy in focus. I want us to see how the people - not just Jack and Rose, dealt with the disaster, and how the rich felt for the poor, and how the poor felt for the rich. There is so much kindness and humanity along with the brutality of this story, and much of it is in the narrative already - but overshadowed by the focus on Jack and Rose. And much of it is in the deleted scenes already.
April 22, 2019
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134
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Brief Synopsis:
We explore one possible road to mankind's first encounter with extraterrestial life. Curiosity and the scientific method clash with fear, religion, and greed. Along the way everyone's beliefs are tested. The film is a tribute to Carl Sagan who spent his life popularizing scientific inquiry, who tirelessly championed the search for extraterrestial life, and who stimulated the awe and sense of wonder in all of us. The edit is about Dr. Arroway's personal journey more than mankind's journey. Her perseverance against the odds and despite resistance. Palmer Joss, the alien, and Mr. Kitz are less frustrating, and the last quarter of the film is greatly improved. As epilogue Dr. Sagan himself talks about Contact, science, and religion (audio excerpt from 1985 Studs Terkel interview).
April 19, 2019
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299
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Brief Synopsis:
This cut removes Azog as the main villain from the story. The side quests are also gone and the main focus remains on Bilbo's adventure. In addition most of the over-the-top action, violence and silly moments are gone, while still providing a functioning narrative.
April 18, 2019
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138
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Brief Synopsis:
This is a conservative fan edit that I feel greatly improves the tone and watching experience by removing a lot of the corny jokes and a few cheesy lines, and changing the color grade a bit so it isn't so oversaturated.
April 16, 2019
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140
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Brief Synopsis:
The Avengers and their allies must be willing to sacrifice all in an attempt to defeat the powerful Thanos before his blitz of devastation and ruin puts an end to the universe but this time with less jokes and possibly even less in the nearby future.
April 13, 2019
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135
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This edit removes all references to Bond being old. Instead, he is simply old-fashioned and off his game due to injury. Additionally, a new gun barrel sequence opens the movie, two scenes are rescored, and the Roger Moore-esque casino brawl is removed, among other changes.
April 02, 2019
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146
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Brief Synopsis:
This uses The Assembly Cut as it's base and introduces Theatrical Cut elements that I have a preference for. I also attempt to clean up the colour and contrast imbalances in certain composite shots. I also add extra FX for dramatic effect in places, to improve visually on the original or to technically facilitate differences in lighting between the 2 versions when using footage for the same scenes.
April 01, 2019
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98
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Inspired partially by a scene from the ending of the Superman II redux by booshman, this "fourth option" edit allows you to view the Donner cut of Superman II in almost it's unaltered entirety with yet another alternative outcome, one that does not include the time travel, amnesia kiss, or even the heartbreak of a Lois/Clark break-up.
March 26, 2019
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136
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BLACK PANTHER: WAKANDA FOREVER is a light edit. We see more of King T'Chaka and his brother early on, establishing the old king as a less idealized character. A glimpse of young T’Challa as contrast to Erik’s childhood. The weakest CGI shots are trimmed from the rhinos in battle and the climax in the mine. T'Challa at the United Nations is extended and placed before his trip to Oakland, giving it the weight it deserves.
March 18, 2019
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140
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Brief Synopsis:
Rekindled is a mostly conservative edit that attempts to improve The Last Jedi experience by trimming or removing some of the weaker sections. Canto Bight has been greatly condensed, Leia's spacewalk removed, and Rose no longer crashes into Poe, to name a few changes. It is always difficult to find the right balance between humor and drama, but this cut hopes to retain the lighthearted spirit of Star Wars while removing parts that distract from the story.
March 17, 2019
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61
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A dome, a doofus, an (annoyed grunt), experience Homer to the Max in this shortened take on the Simpsons movie.
March 10, 2019
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145
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Spoilers....
This edit tightens up some narrative dialogue here and there and trims off some excess shots, all for being too on the nose essentially, but isn't too heavy handed with it as Wallace's monologues remain in full - If only to provide a deeper psychological framing for Luv's own psychotic tendencies. Where it is heavy handed is in the complete removal of the character Mariette. She is still technically present in one or two places, but cropped out and pushed back into the the periphery as an extra. This edit also re grades the colour of the film to that of a more neutral palette and pulls the fogged in stylized highlights back out to a realistic luminescence.
This edit tightens up some narrative dialogue here and there and trims off some excess shots, all for being too on the nose essentially, but isn't too heavy handed with it as Wallace's monologues remain in full - If only to provide a deeper psychological framing for Luv's own psychotic tendencies. Where it is heavy handed is in the complete removal of the character Mariette. She is still technically present in one or two places, but cropped out and pushed back into the the periphery as an extra. This edit also re grades the colour of the film to that of a more neutral palette and pulls the fogged in stylized highlights back out to a realistic luminescence.
March 09, 2019
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123
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Brief Synopsis:
The third and final installment of my “Arkenstone” edit trilogy. Like before, I’ve tried to keep the focus as much as possible on Bilbo, Thorin and Gandalf, while still giving the various side characters their moments to shine, without drawing attention away from the main story.
February 10, 2019
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91
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The theatrical cut was full of lines which were very on the nose. Additionally, there was a subplot, involving Motoko's mother, that went nowhere. These issues have been addressed in the Lean & Mean cut. Moreover the beginning of the movie was re-edited to mimic the way the original animated movie starts. To this purpose, the credits scene was rescored using Kenji Kaway new rendition of the original main theme. Scenes from the very beginning of the movie have been used to create a flashback sequence that now appears much later. Multiple scenes where shortened, lines of dialogues were either deleted or altered or used in different contexts. The cemetery scene was restored to its original state and purpose. As far as I can tell, in the theatrical cut it was sliced in 2 to accomodate for the character of Motoko's mother, which I presumed was added at a later time to address the whitewashing controversy and to make up for the deleted scenes which included the character of Paz.
February 05, 2019
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89
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When a villain cold to the touch and a woman who's kiss is lethal to the touch cross paths with Batman and Robin, emotions flare and tension heats up. Will the dynamic duo go into meltdown?
February 01, 2019
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114
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Brief Synopsis:
The arc reactor has triggered an arms race and is poisoning Tony Stark. Filled with self-doubt and alcohol, Stark must rise above his inner demons to contain the arms race, to overcome his enemies, and to find a cure.
Vanko is a determined but minor villain who never rises to Stark's level. Hammer, though naive, is more ruthless in his thirst for power. I imagine him in a future story as enabler for villains. And Pepper mostly stands by her man instead of the angry on-again-off-again relationship. Iron Man 2 introduces Black Widow and War Machine, and sets the stage for the Avengers movie.
Vanko is a determined but minor villain who never rises to Stark's level. Hammer, though naive, is more ruthless in his thirst for power. I imagine him in a future story as enabler for villains. And Pepper mostly stands by her man instead of the angry on-again-off-again relationship. Iron Man 2 introduces Black Widow and War Machine, and sets the stage for the Avengers movie.
February 01, 2019
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141
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Brief Synopsis:
With friends like these, who needs enemies? This is the big AVENGERS battle you've been waiting for, a CIVIL WAR of Team IRON MAN versus team CAPTAIN AMERICA!
When the Avengers fight villains, things break and people get hurt. Do our heroes share the blame? Should, and can, they be held accountable? Many politicians think so and Tony Stark agrees.
The Sokovia Accords are the United Nations' response to the tragedies in New York, Sokovia, Korea, London, Washington DC, and Lagos. This will enforce registration and formal training of the super-human community, and establish accountability for their actions and operations around the globe.
Captain America disagrees. Steve Rogers will not relinquish his freedom to choose, nor hide his responsibility behind politicians' decisions. The disagreement is violently forced to a conclusion when Bucky Barnes, the Winter Soldier, seems to bomb a U.N. meeting that kills the king of Wakanda. The Avengers must choose between loyalty to the law or loyalty to their friends.
Tony and Steve take a stand on conflicting principles. Tense and divided, everyone is distracted: Tony by people's pain and death he is (in-)directly responsible for, Steve by the explosive reappearance of Bucky, Black Panther by the death of his father, and Vision by Scarlet Witch. Nobody listens, culminating in a giant, spectacular battle of Avengers versus Avengers.
When the Avengers fight villains, things break and people get hurt. Do our heroes share the blame? Should, and can, they be held accountable? Many politicians think so and Tony Stark agrees.
The Sokovia Accords are the United Nations' response to the tragedies in New York, Sokovia, Korea, London, Washington DC, and Lagos. This will enforce registration and formal training of the super-human community, and establish accountability for their actions and operations around the globe.
Captain America disagrees. Steve Rogers will not relinquish his freedom to choose, nor hide his responsibility behind politicians' decisions. The disagreement is violently forced to a conclusion when Bucky Barnes, the Winter Soldier, seems to bomb a U.N. meeting that kills the king of Wakanda. The Avengers must choose between loyalty to the law or loyalty to their friends.
Tony and Steve take a stand on conflicting principles. Tense and divided, everyone is distracted: Tony by people's pain and death he is (in-)directly responsible for, Steve by the explosive reappearance of Bucky, Black Panther by the death of his father, and Vision by Scarlet Witch. Nobody listens, culminating in a giant, spectacular battle of Avengers versus Avengers.
January 19, 2019
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99
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My edit of Halloween (2018) aims to tighten up the pacing while eliminating some of the more polarizing elements of the film like Sartain wearing Michael's mask. I also made a point to eliminate some of the more cringeworthy lines throughout when possible and added in a deleted scene to help with a bit of character development. Doesn't reinvent the wheel but also not a minor edit that took an hour to do.
January 18, 2019
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71
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The 1978 Edit really aims to take Rob Zombie's Halloween and make it closer in tone to its predecessor. The entire white trash family angle is gone, Michael never speaks as a child, and both the gore and language have really been toned down. The pacing is very lean and tight. Almost the entire movie has been rescored with a lot of music coming from the soundtrack to Halloween 2018.
January 16, 2019
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87
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I've worked out a way of having Han live throughout the entire movie, and he accompanies Rey on her search for Luke at the end.
Other changes so far include
- Leia sensing the Starkiller's attack on the republic
- R2 awakens when BB8 first finds him
- No lightsaber duel with Kylo, Rei, or Finn.
- Planets Daquar and Tokondana are now the same world
- Han and Chewie's explosives bring down the shields (special credit to Last Impressions for this idea)
Other changes so far include
- Leia sensing the Starkiller's attack on the republic
- R2 awakens when BB8 first finds him
- No lightsaber duel with Kylo, Rei, or Finn.
- Planets Daquar and Tokondana are now the same world
- Han and Chewie's explosives bring down the shields (special credit to Last Impressions for this idea)
December 24, 2018
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112
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'Thunderball' is a spectacular Bond movie that needs more focus, and less water. The fanedit 'Thunderball: The Kiss Kiss Bang Bang Cut' cuts nine minutes of water and nine more to streamline the story and to make Bond's steam-room romp consensual..
December 21, 2018
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101
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Enjoy the Christmas spirit with a fanedit of the modern movie adaptation of the beloved Charlie and the Chocolate Factory by Roald Dahl! Faneditor theryaney has made a few changes to this family movie that includes a lengthy colour-correction of the film that portrays snow more realistically, the removal of Willy Wonka's flashbacks and the entire subplot involving his childhood, and also an ending closer to the original book.
December 19, 2018
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140
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Order of the Phoenix is actually one of my favorite HP movies, alongside Prisoner of Azkaban. The movie is fast-paced, often intense, and it has big stakes for our characters. I think the movie’s biggest flaw is its feeling of complete dissonence from the rest of the series, feeling much less like a Harry Potter movie and much more like a drama/thriller piece. Therefore, my biggest priority has been to establish a greater connection between this and the rest of the series - including remastered versions (by myself) for Voldemort’s Theme, A Window to the Past, Hogwart’s Theme, Neville’s (upcoming DH) theme, Gilderoy Lockhart’s Theme (now more of a Dark Arts Class theme), Quidditch Theme and more.
The movie has also been color graded to remove the heavy reliance on blue, as well inclusion of two deleted scenes, removal of Filch as an idiot and a lot of new SFX and even new scenes.
The movie has also been color graded to remove the heavy reliance on blue, as well inclusion of two deleted scenes, removal of Filch as an idiot and a lot of new SFX and even new scenes.
December 02, 2018
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117
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This edit includes various visual and audio elements from all released versions of Blade Runner in an attempt to make it the best available presentation with a few narrative edits for personal preference. Most notable inclusions are the technical updates from The Final Cut, with the visual elements re-graded to match the legacy colour tones of the previous releases - and particular attention being paid to literally preserving the original portions of the legacy frames as well as grading the changes where masking was appropriate. The film's narrative follows more closely the Workprint and tacitly rejects Ridley Scott's attempts to render the human/replicant philosophical analogue as effectively superficial. This version takes out any connection to references made by Scott in interviews and indeed the Director's Cut relating to Deckard's origins. Instead this film is content to literally study/contrast the philosophical state of all the humanity on display or lack thereof from all participants.
November 27, 2018
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94
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It's 2017, and Peter Capaldi's time as The Doctor is up. Determined to perform one last defiant act of kindness, the good man makes his journey into night battling the forces of the Mondassian Cybermen, a battle which brings him to death's door. On the brink of death he is saved by his loyal companion Bill Potts and brought to the safety of the TARDIS. Bill heads off on her own journey, leaving The Doctor to experience the miracle of the time lords...
...Or rather would have if Chris Chibnall hadn't been a sodding diva and opted not to start his run with a christmas special, forcing Steven Moffat to helm one more special which just about disgraced and sullied the memory of William Hartnell, undermined the conclusion to Bill's story and dragged out a regeneration with a speech that seemingly went on forever before Capaldi let the part go.
...Or rather would have if Chris Chibnall hadn't been a sodding diva and opted not to start his run with a christmas special, forcing Steven Moffat to helm one more special which just about disgraced and sullied the memory of William Hartnell, undermined the conclusion to Bill's story and dragged out a regeneration with a speech that seemingly went on forever before Capaldi let the part go.