Inspired by the shorter format of Marvel's Special Presentations, THE LEGEND OF THE GHOST RIDER is a tight introduction to the character of Johnny Blaze with an "all killer, no filler" approach.

This fan edit reimagines the Twin Peaks film and all of its deleted scenes by cutting it into a 3 episode mini series that mimics the style of the first two seasons of the show.

The most significant aspects of this edit are:

1) It combines Fire Walk With Me and The Missing Pieces deleted scenes into 3 episodes.
2) The storyline has been reordered, so that the Laura Palmer plotline appears first and the Chet Desmond/Deer Meadow plotline is intercut with it.
3) There is a custom intro for each episode like in the original show.

Episode titles:
Episode 1 - The Owl Ring
Episode 2 - The Path to The Pink Room
Episode 3 - Beyond Angels & Owls

The year is 2024.

Industrial pollution has destroyed the ozone layer, leaving the planet at the mercy of deadly ultraviolet rays. An electromagnetic Shield now protects the Earth by blocking all light from the Sun. Humanity was saved but it has been living in perpetual darkness for decades. A general malaise hangs over the world as society slowly crumbles.

A small group believes the Ozone layer has repaired itself and that the Shield is no longer necessary. They seek out an aging Connor MacLeod for help. But forces from MacLeod’s distant past have also returned. And they aim to finish him off once and for all...

After braving all the dangers of Counter-Earth, Peter Parker returns to his own world...some are overjoyed and cherish the promise of tomorrow, while others see nothing but broken promises. Will it deter Peter? Find out in this epilogue to the short-lived 1999 animated series Spider-Man Unlimited!

Recently I tasked myself with piecing together a three or so minute short that tied up the storylines of the 1999 animated series Spider-Man Unlimited, which was unceremoniously cancelled on a cliffhanger.

I decided to do a little fun A.I-assisted follow up my last Captain Planet edit by adding or 'altering' scenes from various episodes to give the show something of a vintage TV trope: The hero and the baddie having a flirtatious love/hate relationship. Since one for Doctor Blight and Planet didn't exist in the show, I had to make it up myself!

The Lion King has be released on home media several times over, with changes being made along the way. Many of these changes were for the better, but some of them were for the worse. This fanedit of the film serves to take some of the better changes from earlier releases of the film and add them back into a more high quality, later edition copy of the film. Also included are more songs!

As a huge fan of the original Creepshow, I've always been disappointed by the sequel. For one thing, it only has three stories instead of the original film's five. And the lack of original composer John Harrison's iconic score didn't help. This FanMix adds a story and the original Creepshow theme, as well as reordering the stories and trimming one to improve pace, to bring Creepshow 2 up as close as possible to the standard of its predecessor.

As we approach the 15th anniversary in March 2024, I'm immensely excited to release this new version of the 2009 Watchmen movie. At first, it sounded simple. Just add the squid back in. But I decided it was really an opportunity to expand the movie beyond that. Using voice cloning and footage from the 2019 sequel miniseries, I was able to add back in major plot points from the comic. And by inserting nearly the entire Under the Hood feature as an in-world 60 Minutes type interview, I've expanded the world and story significantly.

I’ll go through both broad strokes and in intricate detail in other sections.

Using Hal9000's edit as my baseline, I wanted to mainly fix the Leia Mary Poppins scene by making it appear Luke saves her by using The Force. This required a major reshuffling of scenes to make this work. Now Luke has one more heroic moment saving her sister rather than the ridiculous scene we got in theaters.

After 15+ years of noodling, I've finally landed on a version of the prequels that I prefer. The main concept is to fix AOTC, the weakest link that brings down the other two, and make TPM lead into it, and ROTS build from it.

The biggest problem I have with these movies isn’t necessarily the content. There’s some stuff I’m not crazy about, such as midichlorians and some of Anakin’s whiney, creepy behavior, sure. However, the biggest problem to me is in the minute to minute pacing. They just feel… weird? Off? Something’s not quite right in every single scene. The most egregious example is AOTC, where seemingly nobody talks like a human being, characters stand around clearly waiting for their cue, and much of the action mostly falls flat.

Even worse, the love story doesn’t work, partly because I think they focused on it way too much. The dialogue between Anakin and Padme is shockingly strange, but the chemistry between the two actors is definitely there. Just letting them spend time together would have sold it enough.

So I’m taking another crack at the Prequels, but I’m starting with AOTC, the biggest problem with the trilogy. Once I get that working, I can build up to it with TPM, and off of it with ROTS. The idea here is to go into every scene and remove that disjointed, stagey, unnatural feeling that permeates the film. Action will be pumped up and pacey, conversations will have that zing that they’re lacking, and the movie will move along at a steady pace.

After 15+ years of noodling, I've finally landed on a version of the prequels that I prefer. The main concept is to fix AOTC, the weakest link that brings down the other two, and make TPM lead into it, and ROTS build from it.

The biggest problem I have with these movies isn’t necessarily the content. There’s some stuff I’m not crazy about, such as midichlorians and some of Anakin’s whiney, creepy behavior, sure. However, the biggest problem to me is in the minute to minute pacing. They just feel… weird? Off? Something’s not quite right in every single scene. The most egregious example is AOTC, where seemingly nobody talks like a human being, characters stand around clearly waiting for their cue, and much of the action mostly falls flat.

Even worse, the love story doesn’t work, partly because I think they focused on it way too much. The dialogue between Anakin and Padme is shockingly strange, but the chemistry between the two actors is definitely there. Just letting them spend time together would have sold it enough.

So I’m taking another crack at the Prequels, but I’m starting with AOTC, the biggest problem with the trilogy. Once I get that working, I can build up to it with TPM, and off of it with ROTS. The idea here is to go into every scene and remove that disjointed, stagey, unnatural feeling that permeates the film. Action will be pumped up and pacey, conversations will have that zing that they’re lacking, and the movie will move along at a steady pace.

There’s a lot of PT edits out there, and I’m not the most technically accomplished editor to tackle them. However, I think my particular knack for action and pace (I’m aware of my strengths as well as my faults) will make these stand out.

After 15+ years of noodling, I've finally landed on a version of the prequels that I prefer. The main concept is to fix AOTC, the weakest link that brings down the other two, and make TPM lead into it, and ROTS build from it.

The biggest problem I have with these movies isn’t necessarily the content. There’s some stuff I’m not crazy about, such as midichlorians and some of Anakin’s whiney, creepy behavior, sure. However, the biggest problem to me is in the minute to minute pacing. They just feel… weird? Off? Something’s not quite right in every single scene. The most egregious example is AOTC, where seemingly nobody talks like a human being, characters stand around clearly waiting for their cue, and much of the action mostly falls flat.

Even worse, the love story doesn’t work, partly because I think they focused on it way too much. The dialogue between Anakin and Padme is shockingly strange, but the chemistry between the two actors is definitely there. Just letting them spend time together would have sold it enough.

So I’m taking another crack at the Prequels, but I’m starting with AOTC, the biggest problem with the trilogy. Once I get that working, I can build up to it with TPM, and off of it with ROTS. The idea here is to go into every scene and remove that disjointed, stagey, unnatural feeling that permeates the film. Action will be pumped up and pacey, conversations will have that zing that they’re lacking, and the movie will move along at a steady pace.

There’s a lot of PT edits out there, and I’m not the most technically accomplished editor to tackle them. However, I think my particular knack for action and pace (I’m aware of my strengths as well as my faults) will make these stand out.

This is for people who think “Please don’t edit Andor, it’s already perfect… I’d take it as movies though.”

This is Andor season one, rearranged into four movies of roughly two hours each, removing no content whatsoever, just focused on smoothly presenting each major A-plot as a movie whilst moving the supporting B-plots around to keep each movie as focused as possible, so each movie is self-contained and easily digestible.

When you watch this I want you to feel like WBD released a brand new 4 hour Blu ray of Superman without any new fancy VFX or anything. It is just a straight up re-edit utilizing all HD footage possible to drastically improve the movie. NO major changes, I don't want you to notice that I edited anything. I'm just trying to make the best film possible using all the available high quality footage. I almost want to call it THE SIMPLE MAN'S CUT.

I wanted to make a different version of this quite boring remake that Gus Van Sant gave us.
Cut out a lot of scenes to speed things up and rescore it with a 80's vibe.

A three-part horror anthology hosted by Boris Karloff.

1. The Telephone. Giallo-style thriller in which a woman is terrorised by her former pimp after his escape from prison, and tries to escape him with the help of her lesbian lover, who has a dark secret of her own.
2.The Wurdalak. A vampire-like monster who preys on his family
3. The Drop of Water. A nurse steals a ring from the corpse of a dead spiritualist, which naturally tries to get it back.