The Man With The Golden Gun is now taken a little more seriously, which means no silly karate fight outside of the karate school, a shorter boat chase without the annoying kid selling an elephant statue and most importantly, no J.W. Pepper (which unfortunately meant losing the entire car chase).

Roger Moore's first foray into the spy world of Bond was a pretty good start in terms of seriousness, but some of the outdated slang and J.W. Pepper really kills the feeling of this being a classic James Bond movie. Also, the boat chase was like 20 minutes long.

This edit of the 1968 masterpiece tightens up the pacing and eliminates some of the parts that are too "In your face". I've also removed some of the stuff that I just didn't get and had to look up online to understand (Mostly the rape scene). So anything that was only understandable if you had read the book is now gone.

This is the most complete version of the film Serenity. All deleted scenes have been added back in and whenever possible, they have been scored with music from the score composed by David Newman.

The second chapter in the Serenity Chronicles finds the Firefly crew harboring two Alliance fugitives and looking for any job they can find to keep their ship flying. The more time they spend hiding from the Alliance, the more Simon Tam fears for his sister River's mental stability as she begins to show signs of aggression that could endanger everyone on board.

Desperation will take the crew of Serenity down a dark and dangerous road. A high risk gamble to help River and a heist job for the most ruthless gangster in the 'verse will lead the crew to question their own morals - even if it leads to their demise.

The Chronicles of Serenity follows the story of Malcolm Reynolds, a soldier who fought for the losing side of the Unification War. After losing his faith in the bloodiest battle of the war, he takes to the skies in a firefly-class transport ship seeking whatever jobs he can get to keep flying. Enter a ragtag crew and some passengers with secrets of their own and you have the beginning of an epic 3-part adventure that mixes Sci-Fi and Westerns like never before.

Sent to Earth from a dying planet to later grow up and become its savior, Superman is given an epic treatment by director Richard Donner. The Up, Up and Away Edition tightens up the pacing of the film while still retaining the overall story that was told when Christopher Reeve proved a man could fly back in 1978. Since most edits of this film combine Superman I and II as Richard Donner was intending on telling one large story, this edition focuses primarily on Superman I. Witness Kal El's journey from boy to man and from man to Superman without the appearance of the three Kryptonian outlaws, constant bickering between Lex Luthor and his henchman Otis, why Clark shouldn't use the word "swell," a complimentary pimp, a voice over of Lois' inner thoughts, and without the need to turn back time. Richard Donner presented us with a classic tale for the ages. This edition tinkers with the film ever so slightly so you can get up, up and away sooner with the man of steel.

This edit of Moonraker tries to eliminate a lot of the silliness that was prominent in what is considered one of the cheesiest Bond films of all. A few quick cuts has now made Jaws seem more threatening, Bond a little more clever since now he isn’t saying something stupid every 30 seconds (“Play it again, Sam!”), and some of the eye rolling scenes have been scrapped. I have also completely rescored the cable car fight and the speed boat chase as well as added additional sound effects to those scenes.