The addition of various scenes from The Extended Edition from the Collectors 2 disc set, brand new shots, expansion of surround sound fidelity where possible, additional sound design, trimming of various original elements and a re-scored and re-edited finale. There has also been extensive repair, re-composition, grading and clean up work put into the project.

The aim of this project was to give the viewer a single intense Godzilla experience by combining the best elements from Godzilla (2014) with a streamlined Godzilla (2019) .

Brilliant neurosurgeon Stephen Strange must find a way to heal his ailing body. His quest brings him to Kamar-Taj in Nepal where he studies under the Ancient One, who teaches him the ways of magic and alternate realities. With new skills of interdimensional travel and spells, Strange soon discovers that he must protect the world from a deadly enemy who is out to destroy it.

The Mystical Cut extends the magical film with a few new scenes and an all new ending. Three new deleted and extended scenes with the alternate film conclusion have been masterfully reintegrated adding two more minutes into the theatrical cut.

The 'Entirely Respectable Editions' seek to remove all material that is silly, overplayed, misjudged, overly comical, ridiculous and generally inconsistent with the more serious tone established in the earlier 'Lord of the Rings' Trilogy. It is not a radical restructure, or a two-film cut and does not set out to streamline narrative, quicken pacing, or remove characters and plot-threads. The more time we spend in Middle Earth the better, I just want Middle Earth to be a more sensible place while we're there.

I appreciate what Jim Carrey and Ron Howard did for the movie, but the problem with Carrey's humor is that it was great in the 90's, but now it just feels a bit much. I really liked A LOT of what they did to flesh out the story, I tried to keep it more focused on the story and less on giving Jim Carrey several minutes of complete improv sessions.

As the title suggests, this edit removes all the unnecessary bloat that was added to the trilogy. Clocking in at just over five hours, this film aims to be as close as possible to what Jackson would've created in the originally planned two-part saga.

Michael Newman is a workaholic architect finds a universal remote that allows him to fast-forward and rewind to different parts of his life. But not everything lasts forever as Michael is about to find out, when the remote control begins to malfunction, causing Michael to deal with the consequences.

Click: Fast Forward is an edit that aims to fast forward through all the “Sanderisms” that plague Adam Sandler’s films and subsequently this one. Eleven minutes of bad and unfunny jokes, writing, acting has been cut from the film, presenting a more focused story with real heart and stakes.

Spoilers of course. Though usually people come here knowing the score.
This edit aims to eradicate the paternal cause of some questionable narrative that essentially removed the viewer from the fantasy of adventure and also other complaints I had with the level of schlock falling lower than was necessary. It also aims to strike a balance for those that didn’t mind or could live with certain things like cgi bugs or iconic atomic silhouettes... Cutting the best part of twenty minutes was as far as I’d like to go to try to keep a feature length feel. There be aliens ahead, but differently presented...

If you know the Frozen backstory inside out then this version might not be for you. This version is also not ideal for young kids as they may not enjoy flashbacks. But if you have never seen Frozen or forgotten most of the plot (or wanted to watch it with a friend that hasn’t seen it yet) then I think you might find this version somewhat more powerful than the original.

Just like Thor's haircut, this edit trims off the more over-the-top elements and leaves us with a cleaner, more presentable movie.

The Battle of Scarif is just under 50 minutes long, making it a nice little companion piece to the original theatrical release. Alternatively, you could watch this right before A New Hope! The main point of this edit is to focus on the epic battle sequence from Rogue One, while also adding elements to make it fit in more with the other Star Wars films

A new edit of The Hobbit, two years in the making, inspired by the original two-film script. The first film, The Gathering of the Clouds, tells the story of Bilbo, who is whisked away on an adventure to save the homeland of a band of thirteen dwarves by Gandalf the wizard. During his travels Bilbo discovers his own resourcefulness and courage, as a plot unfolds that might affect all the lands of Middle-Earth.

The Second film, There and Back Again, sees Bilbo and his companions tested as their adventure takes an unwelcome turn. Their quest becomes entangled in a battle for the fate of Middle-Earth. And yet, the greatest dangers may lie within. This high quality edit provides a more focused telling of the classic story, with completely restructured and even partially rewritten plot lines. It is heavily inspired by Tolkien lore. Each film has a clear beginning, middle, and end, both in plot lines and character arcs. The tone is more similar to The Lord of the Rings Trilogy, and it's color correction has been completely redone to create a visually consistent, five part saga.

This edit is a combination of the final 2 Harry Potter movies into one complete movie. Deleted scenes have been added back to create the ultimate extended edition for the uber Harry Potter fan to enjoy. Two scenes have been moved from their original movie locations in order to create a smooth transition between the two movies. Color correction has been done to ensure the two films have similar coloring throughout.

Back to the Future's sequels were filmed at the same time. It feels that they planned one sequel and realized there was too much material to put it all in one movie. Instead of trimming the story, they padded it to make two cinema-length movies. In today's age of binge-watching, this results in "fast-forward" moments of repetitive exposition and repeating opening and closing scenes. Back To The Future 3 - Marty Changes History removes the padding to create a stream-lined, less convoluted story that combines smoothly with Back to the Future 2 - Biff Changes Time for a double-feature viewing experience.

The first live-action superhero movie, released as a twelve-chapter serial, cut down to a 120-minute feature length film.

The next film in the Wizarding World extended edition set is Fantastic Beasts and Where to Find Them.. All deleted scenes have been added back into the movie. One scene was trimmed due to a repeated set of lines that appear later in the film. Scenes were color corrected to match the main film for seamless integration. As with my previous EE's, the audio has been mixed down to stereo. Captions are included in the M4V file.

Back to the Future's sequels were filmed at the same time. It feels that they planned one sequel and realized there was too much material to put it all in one movie. Instead of trimming the story, they padded it to make two cinema-length movies. In today's age of binge-watching, this results in "fast-forward" moments of repetitive exposition and repeating opening and closing scenes. Back to the Future 2 - Biff Changes Time removes the padding to create a stream-lined, less convoluted story that combines smoothly with Back To The Future 3 - Marty Changes History for a double-feature viewing experience.

With Flash Gordon, along with his faithful companions, Dale Arden and Doctor Zarkov, having twice before thwarted his evil plans for conquest of the universe, Ming the Merciless renews his assault on the Earth, this time by coating the inhabited portions of the planet with a deadly dust, which strikes its victims down with the unyielding Purple Death.

Flash, Dale, and Zarkov must journey through the far reaches of space to the forest kingdom of Arboria, on the planet Mongo, to enlist the aid of Prince Barin and his Tree Men, where, with the additional assistance of Queen Fria of Frigia and her soldiers, Flash and his friends must discover a way to put a stop to the Purple Death and disrupt the nefarious plans of Ming and his minions.

This is a feature-length cut of the 1940 public domain serial 'Flash Gordon Conquers the Universe', with Larry "Buster" Crabbe, Carol Hughes, Charles Middleton, Frank Shannon, and Anne Gwynne. Despite the dodgy science, improbable escapes, cheesy special effects, sometimes wooden acting, and juvenile story, 'Flash Gordon: Ming Strikes Back' provides a glimpse into how 'Star Wars' may have looked to an audience in 1940.

A streamlined and fast-paced narrative, in the structural and musical spirit of the Lord of the Rings franchise. Season 1 in 2 hours and 36 minutes, with the epic score of Howard Shore.

Harry Potter and the Boy Who Never Lived: Part 1 is a full-length fan edited film based on the Harry Potter series that explores an alternative magical universe in which Snape and Lily never grew apart, creating a number of ripple effects, one of which is that Harry Potter was never born. Through a restructured narrative and a number of special effects, the character Harry Potter is completely removed from the movie.

The belated follow-up to my “Arkenstone Edition” of AUJ, this edit aims to remove the bloat and improve the pacing of “The Desolation of Smaug”, while still retaining all the additional characters and storylines found in Peter Jackson’s retelling of the story.

The Hill Valley Chronicles takes the enormously popular Back To The Future Trilogy and adapts it to a 'Quantum Leap' style 30 minute teatime TV show comprising of ten episodes. This new adaptation puts a fresh spin on the trilogy by reshaping the narrative so the parallel events of November 12 1955 in the trilogy collide with each other in action packed fashion.

Recut the 3 episodes (126minutes) into a single movie (100minutes). I streamlined the narrative by focusing on only two story arcs -- Barry and Ollie. Gone is the Kid Flash and Prof. Stein subplots as they are unnecessary to drive the main plot. Also, significantly cut the Arrow episode so it feels less like an anniversary celebration episode, thus stopping the story dead in its tracks, and more like it is part of the Dominator's plan.

My inaugural fanedit and the first film in my set of Harry Potter extended editions. Certain deleted scenes have been incorporated that were not added back to the TV versions, or scenes created from other content to allow for the inclusion of a deleted scene. For PoA, all deleted scenes that have been released with the Blu-Rays have been reincorporated into the original movie.

The Goblet of Fire needs a much more cohesive tone to follow along with the rest, as the tone of the fourth movie is in many ways quite different from the rest of the series - not just in score and pacing, but in visual style and tone.

I also noticed how Goblet of Fire Director, Mike Newell, tried to get back in some of all the warm, golden, cozy colors of Columbus' entries, and when listening in on the Commentary Track I found it odd how these choices came into play. Prisoner of Azkaban had a silver/brown color palette to it that looked very lived-in and real, and then suddenly Mike Newell decided to throw all of that away - despite all the critical acclaim for the visual style of the Prisoner of Azkaban, because he always liked the warm tone of the Columbus' movies, yet he continued with the visual presentation (Hogwarts tracking shots and movie style editing) created by Alfonso in PoA.

The entire movie is tonally and stylistically confusing, and that was the most important thing for me to fix - along with franchise continuity.

There are some fleeting moments in Warcraft (2016) that demonstrate that it could have been not only the film to finally break the video game-to-film adaptation curse, but that it could have stood shoulder to shoulder with the best of fantasy movies. Sadly, these moments are lost in a script with poor dialog, a meaningless second act, and characters that have inconsistent motivations.

For starters, kidjupiter92 and I are going to hope to collaborate to a unified continuity canon with no sentinels, yet no time travel and we hope we can incorporate The Wolverine (Kuzuri) and the original trilogy in with the new movies without much confusion. So, this will be the official first installment of this new canon.

With that out of the way, let's get started. Among many changes, this is focused on Erik. So, we only meet a character Erik meets them or is connected to someone Erik knows like Moira is connected to Shaw and in turn Erik. Darwin's death and Angel's switch (it seems she was always with Shaw) will be cut.

In 2008, a relatively unknown Faneditor going by the name of Adywan shook the Fanediting galaxy with his release of 'Star Wars: Revisited'. From that day, Faneditors and film enthusiasts from around the world (and we'd like to think throughout the galaxy…) have waited in eager anticipation for the continuation of Adywan's Revisited saga. That day has arrived! Prepare yourself to relive the magic of Star Wars with Adywan's 'The Empire Strikes Back Revisited'.

Come watch the speeders fly, the heroes flee and the sabers clash in this instant Fanediting classic. We'll see you in a galaxy far, far away…

This is a simple extended edition of Star Wars Episode III: Revenge of the Sith. It includes the deleted subplot featuring Mon Mothma and Bail Organa, and Yoda's arrival on Dagobah. Additionally, I've made an alternate version of this that also includes Hal9000's revised ending from his Labyrinth of Evil edit in which Padme survives, plugging an infamous plot hole.