The longer 1996 cut of the 1971 Disney classic with the worst instances of redubbed dialogue removed, a little less "With a Flair" and a lot more translation.

A streamlined and fast-paced narrative, in the structural and musical spirit of the Lord of the Rings franchise. Season 2 in 3 hours and 4 minutes - either with Howard Shore or the original Game of Thrones score.

I've always loved the Harry Potter books, but the movies have been pretty hit or miss for me. I completely love what they have made, but there are many scenes of poor acting, or bad character choices that are completely fixable.

My main goals overall:
- Create light edits that don't try to reimagine or create anything new, but rather just enhance the original movies
- Remove small annoyances and some poor performances (Harry shushing Ron, Barty Crouch Jr tongue flicks, dumbing down Hagrid, etc)
- Retain as much world building as possible (Clock in the Weasley's home, monster roar at housekeeping in PoA, etc)
- Keep the original music to their own movies, except for a few rare occasions
- Tighten up action wherever I could

Goals for Deathly Hallows p2:
- Incorporate a select few deleted scenes
- Change young Lily's eyes to blue
- Fix bad writing and acting wherever possible

I've always loved the Harry Potter books, but the movies have been pretty hit or miss for me. I completely love what they have made, but there are many scenes of poor acting, or bad character choices that are completely fixable.

My main goals overall:
- Create light edits that don't try to reimagine or create anything new, but rather just enhance the original movies
- Remove small annoyances and some poor performances (Harry shushing Ron, Barty Crouch Jr tongue flicks, dumbing down Hagrid, etc)
- Retain as much world building as possible (Clock in the Weasley's home, monster roar at housekeeping in PoA, etc)
- Keep the original music to their own movies, except for a few rare occasions
- Tighten up action wherever I could

Goals for Deathly Hallows p1:
- Incorporate a select few deleted scenes
- Fix bad writing and acting wherever possible

Two main goals here, beyond just the general nips and tucks. ONE - Give the film more of an OT vibe with color correction, film grain, and new music throughout. TWO - Improve Anakin’s story. I find his fall to the dark side in the theatrical film to be rather sudden and unconvincing. So here my job was to sort of smooth out the kinks - trying to make Anakin more sure of himself and his allegiance to Palpatine before the turn, and then somewhat softening his words and actions after the turn. There’s a lot of subtle little changes and tweaks that went into this all across the film, but I do feel like the sum is that his story in this version is more believable.

This is a "Rey Nobody" edit, removing her link to Palpatine. The other major change is that Leia dies toward the beginning of the film, removing her from the plot.

The core idea is to strengthen the ties to The Force Awakens and The Last Jedi to give a clear character arc to both Rey and Kylo Ren.

I also removed some unnecessary jokes and tidied up some action beats. The goal is to create a fun, engaging movie that satisfies as an ending to these character's stories.

• Disclaimer: Another edit admittedly for a small audience – those that likes Dune 2021 but thought the 1984 version was too confusing. Not for Lynch fans as probably too much is cut for them.

Paul Atreides, a brilliant and gifted young man born into a great destiny beyond his understanding, must travel to the most dangerous planet in the universe to ensure the future of his family and his people. As malevolent forces explode into conflict over the planet's exclusive supply of the most precious resource in existence - a commodity capable of unlocking humanity's greatest potential - only those who can conquer their fear will survive.

This edit focuses on Paul’s journey to awakening, telling only a part one story while avoiding Lynch's wild third act altogether, leaving the weirder parts for the theoretical Part 2 and avoiding the audience-distancing elements until they would have better understanding of the Dune Universe.

This should just be an exciting teaser, using Lynch's visuals, into the world of Frank Herbert's Dune and make you want to learn more. There are many nods to deeper meaning of motivations that can be found in the book for the other characters, but if their arc is not fully filmed in high quality, I try to just give them enough to be interesting and warrant a deeper dive into the source material.

I've always loved the Harry Potter books, but the movies have been pretty hit or miss for me. I completely love what they have made, but there are many scenes of poor acting, or bad character choices that are completely fixable.

My main goals overall:
- Create light edits that don't try to reimagine or create anything new, but rather just enhance the original movies
- Remove small annoyances and some poor performances (Harry shushing Ron, Barty Crouch Jr tongue flicks, dumbing down Hagrid, etc)
- Retain as much world building as possible (Clock in the Weasley's home, monster roar at housekeeping in PoA, etc)
- Keep the original music to their own movies, except for a few rare occasions
- Tighten up action wherever I could

Goals for Half-Blood Prince:
- Incorporate most of the deleted scenes
- Try to establish Harry and Ginny's connection better
- Cut out as much bad acting, dialog and writing as I could

I've always loved the Harry Potter books, but the movies have been pretty hit or miss for me. I completely love what they have made, but there are many scenes of poor acting, or bad character choices that are completely fixable.

My main goals overall:
- Create light edits that don't try to reimagine or create anything new, but rather just enhance the original movies
- Remove small annoyances and some poor performances (Harry shushing Ron, Barty Crouch Jr tongue flicks, dumbing down Hagrid, etc)
- Retain as much world building as possible (Clock in the Weasley's home, monster roar at housekeeping in PoA, etc)
- Keep the original music to their own movies, except for a few rare occasions
- Tighten up action wherever I could

Goals for Order of the Phoenix:
- Incorporate most of the deleted scenes
- Cut out as much bad acting, dialog and writing as I could

I've always loved the Harry Potter books, but the movies have been pretty hit or miss for me. I completely love what they have made, but there are many scenes of poor acting, or bad character choices that are completely fixable.

My main goals overall:
- Create light edits that don't try to reimagine or create anything new, but rather just enhance the original movies
- Remove small annoyances and some poor performances (Harry shushing Ron, Barty Crouch Jr tongue flicks, dumbing down Hagrid, etc)
- Retain as much world building as possible (Clock in the Weasley's home, monster roar at housekeeping in PoA, etc)
- Keep the original music to their own movies, except for a few rare occasions
- Tighten up action wherever I could

Goals for Goblet of Fire:
- Remove the Ron and Harry's broken friendship subplot
- Cut out as much bad acting, dialog and writing as I could
- Take out all instances of the Crouch Jr tongue flicks

Part of an ongoing project to convert the “Avatar: The Last Airbender” series into an alternative, less "bite-sized" format, this edit connects the first three episodes into a single narrative, removing all blackouts/titles/credits. Some tweaks to humour and minor changes to narrative have been made, such as a less melodramatic exit for Aang, tweaks to dialogue to foreshadow episode 3, and a slight shift in the order of events.

I've always loved the Harry Potter books, but the movies have been pretty hit or miss for me. I completely love what they have made, but there are many scenes of poor acting, or bad character choices that are completely fixable.

My main goals overall:
- Create light edits that don't try to reimagine or create anything new, but rather just enhance the original movies
- Remove small annoyances and some poor performances (Harry shushing Ron, Barty Crouch Jr tongue flicks, dumbing down Hagrid, etc)
- Retain as much world building as possible (Clock in the Weasley's home, monster roar at housekeeping in PoA, etc)
- Keep the original music to their own movies, except for a few rare occasions
- Tighten up action wherever I could

Goals for the Prisoner of Azkaban:
- This is my favorite movie and will probably have the least changes
- Trim some of the poor performances (Hermione's laughing, some of Harry's acting)
- Cut out some of the one liners and poorly written lines and scenes (Neville's "I'm okay" joke, Hermione mocking Trelawney, and Harry always needing to get a final word in)
- Reduce some of the more over the top stuff (Trim the whole whomping willow scene)

AVATAR: The Final Cut aims to put Avatar's best foot forward by removing unnecessary narration and extending character development. The extended edition, while better than the theatrical by far, was lacking a 3D release. This edit not only fixes the main problem of the film, but also brings an all new 3D version of the extended experience.

The re-telling of the Eastrail 177 Trilogy in SPLIT UNBREAKABLE GLASS was the first part of an experiment to retool these movies with a new narrative structure to facilitate surprises, adjustments to reveals, new parallels, new opening and closings and much much more. One can be surprised again.

In what may be a fanediting first, this version takes extensive material NOT used in SPLIT UNBREAKABLE GLASS (Dr Fletcher and David's marital issues) and tells the same (or similar tale) as an alternate version of the events from a very different perspective. Over 50% of this version of events is newly repuposed and previously unused and differently structured. With a different resolution and enough left untold to permit both edits to surprise and re-reveal, UNBREAKABLE GLASS SPLIT and SPLIT UNBREAKABLE GLASS can be watched in any order and still shine a BRIGHT light on M/ Night Shyamalan's genius, patience and discipline in anchoring these characters in the real world.

This edit combines the two original Matrix sequels into a single cohesive film that serves as the epic conclusion to Neo's arc.

I've always loved the Harry Potter books, but the movies have been pretty hit or miss for me. I completely love what they have made, but there are many scenes of poor acting, or bad character choices that are completely fixable.

My main goals overall:
- Create light edits that don't try to reimagine or create anything new, but rather just enhance the original movies
- Remove small annoyances and some poor performances (Harry shushing Ron, Barty Crouch Jr tongue flicks, dumbing down Hagrid, etc)
- Retain as much world building as possible (Clock in the Weasley's home, monster roar at housekeeping in PoA, etc)
- Keep the original music to their own movies, except for a few rare occasions
- Tighten up action wherever I could

Goals for the Chamber of Secrets:
- Trim down the movie a bit to make it more in line with the lengths of the other movies
- Cut out some of the one liners and poorly written lines and scenes (Harry shushing Ron a couple times, and Harry always needing to get a final word in)
- Reduce some of the more over the top stuff (Harry almost falling out of the car, Harry holding the sword by the bloody blade in Dumbledore's office, Lucius trying to Avada Kedavra Harry)

Removed the intermission and single musical number that I was never fond of.

Combines both films into one narratively satisfying epic ending. Subplots are removed, incredible sequences don't exist, all to make it feel like it was intended as one movie.

Mixes elements of the two released versions to give viewers a new take on this eighties classic.

A man finds himself shipwrecked on an island, with his every attempt to escape by sea foiled by a large red turtle.

The warrior Guts decides that he must part ways with his group, the Band of the Hawk, but the group's leader Griffith has other ideas.

With the arrival of a new monk to the abbey at Kells, Brendan learns about an unfinished book that can turn darkness into light.

Frodo Baggins and Samwise Gamgee are given a serious undertaking by the Council of Elrond, but find they have an unwanted follower...

A young boy undergoing chemotherapy at hospital discovers an incredible secret. (Original in French with English subtitles; alternate English audio track also available).

A group of soldiers and alchemists struggle with the consequences of their actions during the war in Ishval.

Consecution X features nine shorts by six editors, all based on animated source material. Spanning comedy, drama, adventure and fantasy, there's sure to be something for everyone.

Originally written as a wise-cracking Raymond Chandler detective yarn with supernatural elements; the tone shifted once Eddie Murphy was cast in the central role. Out went the sardonic quips from the script and in their place Murphy attempted to ad-lib new jokes throughout most scenes. But the spark wasn’t there the same way it had been for his previous hits and test audiences were not kind.

Their consensus was that at 2 hours the film was too long and slow. And it was decided the orchestral score by John Barry was not helping with the pacing. So with only a couple of weeks to go before its release date the choice was made to chop 30 minutes out of the runtime and replace the music. So Michel Colombier was drafted in to hastily deliver a contemporary synth soundtrack instead.

Usually these abandoned scores are lost to time. But thankfully La-La Land Records released a 3 disc set containing the entirety of John Barry’s discarded work. So its time to see what the film might have been like with the original Barry score.

Eddie Murphy may be the Chosen One... but John Barry is the Unchosen One!

I am a huge King fan and I particularly love The Stand. I was very excited for the new miniseries adaptation coming to Paramount Plus last year. It was a great cast and creative team, and was going to be 9 episodes long, which meant they could tell a lot more of the story than in the previous miniseries.

However... it was kind of a dud. They made the absolutely puzzling decision of telling the story out of order, which makes a lot of the events feel pointless and aimless because you're getting a pay off before you get the full set up. It's the equivalent of telling someone the punchline of a joke, then over explaining how you got to the punchline.

They also didn't really tell much more of the story. Huge swaths of the plot were rushed through or completely cut out. It really was a bit of a mess.

But! There's a lot of good stuff in there. So, I'm removing the confusing narrative structure and cutting tons of footage out to create a Trilogy of films that tell the story of The Stand.

The adventure you remember... only with considerably tighter pacing, enhanced stop motion, and more.

Frank Herbert's Dune is a fantastic miniseries adaptation of the original novel, but what would it look like as a feature length film?

Ladyhawke has had a reputation of having mix feelings on the soundtrack. The general consensus is that the 80's Alan Parsons/Scott Powell soundtrack just hasn't aged well. Using the work of Jerry Goldsmith from the little known film "Lionheart", I have rescored probably about 95% of Ladyhawke using this timeless medieval fantasy score.

A fan edit that combines The Hobbit trilogy into one film that closely follows the book and also sits better with The Lord of the Rings film trilogy with regards to visuals / physics / combat. However, other than atmosphere, each story's tone and narrative will still be distinct without any forced references; the focus has been brought back to Bilbo's adventure with only a few subtle nods to the ensuing trilogy remaining.

This edit is a follow-up to my previous prequel edits, Faster More Intense and Sanded Down.

It's in some ways a bit more conservative than my other two prequel edits, and probably one of the more conservative Revenge of the Sith edits in general. While the first two prequels are movies I don’t enjoy because of their flaws, ROTS is a movie that I enjoy despite it’s flaws, I just wish it could be better.

The Hobbit is changed.

I see it in the Films.
I read it on the Forums.
I tell it, on the web.

Much that once was, is cut. And none now live, who remember it.


It began with the forging of the Great Edits.

Three films were given to the nerds, immortal, wisest and fairest of all beings.

Seven years to the Editors. Redesigners, and craftsmen of the Forum Walls.

And Five, Five Edits were gifted to the Academy, who above all else, revise for hours.

For within these edits was bound the length and the skill to govern each film.

But they were all of them deceived, for another edit was made.

In the land of Indoors, in the fires of "My Room," the Dark Lord Stromboli forged in secret, a master edit, to combine all others.

And into this edit he poured his creativity, his talents, and his will to culminate all Five.

One Edit to Rule Them All.

The re-telling of the Eastrail 177 Trilogy with a new narrative structure to facilitate surprises, adjustments to reveals, new parallels, new opening and closings and much much more. One can be surprised again.

Redundant threads (marriage issues from Unbreakable and Dr Fletcher from Slpit) and over- exposition (from Glass) have been removed. Scoring has been adjusted to permit music motifs to run through the narrative consistently, Deleted material has been used only where the narrative requires it.

New opening and closing titles have been created and all crew are credited (source IMDB).

The Expanded Edition aims to extend The Phantom Menace to its maximum possible length with finished effects.

Fourteen new, alternate and extended scenes have been masterfully restored added back into Episode I with 6 more minutes of footage.

It (A Film) is a fanmix/fanfix of It (2017) and It: Chapter Two (2019). Both films have been combined and restructured to follow Stephen King's novel as close as possible. This edit also intends to re-work Chapter Two to address some of the weaker aspects of the sequel and improve the film.

Return of the Jedi: Possessed is edited to be closer in tone and pacing to the classic Episodes IV and V. The story beats and plot are all the same, but it is less silly, campy, and cheesy.

Star Wars: Abridged is meant to tell the Skywalker saga as succinctly as possible, taking all nine films and cutting them down to three. While many narrative threads remain the same, some have been vastly altered.

Star Wars: Abridged is meant to tell the Skywalker saga as succinctly as possible, taking all nine films and cutting them down to three. While many narrative threads remain the same, some have been vastly altered.

It's the same classic edit of Attack of the Clones by the Phantom editor, but now presented in HD!