A.K.A. The version that nobody asked for

I used Zack Snyder’s Justice League as the base, with scenes from Joss Whedon’s Justice League and some scenes and ideas from Wakeupkeo’s "Rise of the Motherboxes" to make a slightly extended, but also trimmed version of Zack Snyder's Justice League.

This is the entire second season of See cut down to one action packed, epic movie. This is the third part in a planned 4-part series that will condense the entirety of the show into a film format. Season 2 of See changes the tone of the show rather drastically, becoming a lot more action/adventure focused while also broadening the scope of the world. This film is longer than the previous two, but contains the arc of an entire season's worth of story. This film is also a lot more action-packed, with intense fight scenes and epic battles.

Zack Snyder's Dawn of Justice aims to replicate the style of Snyder's Justice League, by breaking the story down into multiple chapters that give focus to the various subplots and streamline the movie.

Would Spaceballs be even funnier with some of the weaker moments removed... AND the entire score replaced from David Lynch's Dune? I think so!

Tagline: What do you stand for ?

As Phoenix travels to Maya's hometown, supernatural forces seem to be doing everything in their power to keep them apart again. Ghosts, a disgraced hero, and a hitman leaving behind an enigmatic card... When chaos invades your world, can you sacrifice your morals to save the people you love ?

A mysterious blonde woman kills one of a psychiatrist's patients, and then goes after the high-class call girl who witnessed the murder.A mysterious blonde woman kills one of a psychiatrist's patients, and then goes after the high-class call girl who witnessed the murder.

Lightweight edit with the aim of re-incorporating five deleted scenes to Adam McKay's The Big Short (2015) to extend the film approximately seven minutes. Also fixed one goofed line during the Securitization Forum.

This is Christopher Caldwell and Zeek Earl's award-winning Sci-Fi Space Western with an enhanced score featuring the delicate music of Agnes Obel. Cee and her father Damon will risk one last trip to the dangerous "Green Moon" of Bakhroma to secure a better future for their small family. Along the way, they must contend with pirates, mercenaries, and a toxic atmosphere, all intent on keeping them from their prize.

Wonder Woman 84 with a proper 80’s soundtrack! The goal was to give WW84 a proper 80’s soundtrack as if the movie studio licensed and properly scored the movie. The action sequences become music videos while preserving the dialogue and sound effects.

I wanted to make a faster paced Noir version in black/white.
And to rescore it with German krautrock legends Tangerine Dream.

I’ve always loved the philosophical questions that the Blade Runner world poses. So I was very excited for Black Lotus, but ended up feeling frustrated at the end of almost every episode in season one, despite so many positives. Odd pacing in dialogue, weak writing, and an overall slow pace. The flashback episode was excruciating. After accepting that it is what it is, I tried to make the best of what we got.

No dialogue. All adrenaline. Limbo presents an intense, monochrome edit of Dunkirk as a non-stop series of events involving only the perspectives of soldiers at the beach. This is NOT a silent film since music, background voices, and sounds of stress still remain. But key dialogue are removed to serve the creative decisions.

"Let's Do It For Johnny!" takes the extended cut of "The Outsiders" and replaces most of the 60s rock music with the background music from the theatrical release. This elevates the experience of watching "The Outsiders" so that you can watch it with its complete beginning, end, and a few scenes in the middle, and not be bombarded with off-tone music. However, I did keep the extended music to a few of the scenes where I felt it fit the tone, like Johnny's death scene, the ending scene, the sunset poem scene, and a few others.

After I finally saw the theatrical cut of No Time To Die (NTTD) I wanted to create a new version so Bond lives, and also be much, much shorter overall.
I thought NTTD was an over-bloated mess. It has beautiful imagery yes. Some of the shootouts and tense scenes are awesome to watch in the environments they're happening in. The callback to On Her Majesty's Secret Service (OHMSS) was actually nice to see, but the Dr. No callback not so much. I know Bond's wife dies in OHMSS so someone dying at the end of NTTD makes sense, like poetry. But I thought the poetry was kind of bad, so I rewrote it and made them all live in a wholesome Bond sort of way.
Also, the original death scene where we get all the various character's reactions to Bond being obliterated by hellfire had me laughing. I was cringing. The music was swelling! Had me dying... The story is mostly very full of itself, but the cinematography and action was fantastic.

Very small changes. The only narrative changes come at the end and they too are subtle. Which makes sense because the original movie is terrific.

The Kenobi show, trimmed down to a movie length. This series started life as a movie script, and the show just feels like a movie stretched to six hours. This keeps most of the main plot point, but makes it fit as an easily digestible Star Wars film.

All the interconnected Marvel Studios products become a massive, perfectly structured TV series, to make the journey of the Earth’s Mightiest superheroes the most epic adventure ever.

In order to enjoy the MCU in the most orderly, apprehensible and dynamic way possible, all the interconnected MCU becomes a TV show: reordered, reformatted, post credits scenes rearranged to avoid spoilers, detailed “previously” recaps created and some key deleted scenes added to each episode. Including all the One-Shots, Disney+ Marvel TV shows, Specials... even commercials! Plus, crossover with the X-Men (FOX) and Spider-Man (Sony) alternate universes in a narratively consistent way.