For those who enjoy the Director’s Cut but perhaps not its middle-age melodrama.

The Restoration of A Star is Born was a tremendous accomplishment which was also the first of its kind.
It is also one which many believe to be flawed, due to its use of stills to fill in the visual gaps on what is a complete audio of the roadshow version.

This version reconstructs the unavailable and IGNORED 154 min Theatrical Version in its entirety with no bells or whistles.

This version adds to the reconstructed Theatrical Cut 3 musical numbers including the crucial proposal scene.
There is no Intermission, Exit Music or Overture.
This is my GOTO version and includes the newly constructed ending as intended by George Cukor in HD.

This is a fanmix of Peter Weir's classic The Truman Show, reimagined as a psychological thriller in the style of Hitchcock/Lynch, viewed exclusively through Truman's perspective.

This version reconstructs the Roadshow version from the restored Blu Ray RT 176min, removes all the stills, but retains as much audio as possible while also adding in new elements including the reconstructed Overture, Intermission in full and Exit Music together with full credits AND a newly constructed ending as intended by George Cukor in HD.

By cutting out scenes that are out of character and using alternant or deleted material form the movie I wanted to give this movie a different feel. I also rescored scenes with different music to recontextualize or emphasize different moments in the movie.

This Edit combines seven Nicolas Cage films into one strange nightmarish journey!

This is Spicediver's 1080p high definition rebuild of Dune The Alternative Edition Redux, his 2012 fanedit (in 480 standard definition) of David Lynch's 1984 science fiction film.

This is all the cuts made by the original editor upgraded to HD

24 minutes cut from the film, the pacing is upped and the story is clearer. Less time is spent on subplots, but the important elements remain. Some music homages to the TV series have been added.

A savage and unsentimental a film. Except for an embarrassingly sentimental, sappy prologue and epilogue. This is a version without schmaltz that does not pander to the audience.

Removed narrative clutter for a more fitting tribute to these legendary comics.

This fan edit splits up The Batman (2022) movie into a four episode miniseries, making the 3 hour epic more digestible and providing a Graphic Novel type experience. The narrative changes slightly with little cuts here and there, some rearranged and re-scored scenes, a deleted scene added back in and a new ending.

This takes the ultimate edition of Batman V Superman and centres the film on Bruce Wayne.

I have tried to recreate the Superman Epic as it was originally conceived by Richard Donner, following the shooting script whenever possible and before the movie was cut in half. This is Superman I and II as a complete motion picture.

A guy named Guy and his buddy Buddy argue about Guy's dream girl until she mysteriously appears to be real. Could this be the moment Guy's been waiting for his whole life? Or could there be some dark secret held by this mysterious girl?

More grit, Less 80s humor, some scoring tweaks and more credible.

A streamlined and fast-paced narrative, in the structural and musical spirit of either the Lord of the Rings franchise or the original, epic score. Season 3 in 3 hours and 4 minutes - either with Howard Shore or the original Game of Thrones score.

The main source for this edit is the Director's Cut blu-ray, with all unique footage of the Theatrical Cut put back in, while also retaining the small amount of unique DC footage. The HD DC footage looks fantastic but the SD TC footage looks extremely poor, however, I've attempted to grade it to match and added film grain to try and make it look a bit more like terrible 16mm or 8mm footage, rather than terrible videotape. Not wanting to crop the already blurry TC footage any further, I've elected to letterbox the DC footage to match the 1.66:1 ratio of the TC. The difference is still obvious though.

A short edit comprised almost entirely from scenes and deleted scenes on Naboo. This is intended as a companion piece to my Attack of the Clones No Naboo Cut.

The Narrative differes from AOTC in that the story takes place after the Clone Wars have begun and Anakin and Padme have already fallen in love. Apart from a short scene at the start it all takes place on Naboo.

The main source is the 'Director's Cut' workprint blu-ray, with every possible extra shot/scene added from the 'Broadcast Version' blu-ray.

A restoration of the 170-minute extended cut of the film, shown on ABC over two nights in 1996.

This isn't a heavy edit, it's mostly a restructure. The 10-minute 'Second Battle of the Somme' sequence, which occurs 3/4 of the way through and does not feature Joey, derails the movie. So the Somme sequence is shifted to the start, to form a new flashback/prologue and is now in black & white with an added old-fashioned vignette, further separating it visually from the main body of the movie, suggesting something of the past about it and creating a contrast with the vibrant colourful countryside of the first Devon scenes. The fact that the Somme sequence already featured no score, unlike the lushly orchestrated John Williams scenes that follow it, was a bonus distancing factor. We will now not really see Albert again until the end of the film, just a brief glimpse of his face, lit by the guns that Joey is dragging, only informing us that Albert has joined up. The 2-minute cutaway back to Albert in England disrupted the otherwise entirely Joey focused narrative, so that is simply deleted. There are a few more minor cuts to massage the new continuity and to slightly delay certain aspects of the story. On-screen chapter titles are added (in the same style and font as the existing time/place titles), acknowledging the episodic nature of the story and who owns, or cares for Joey in those episodes.

Building on 'The Implicit Cut' as a foundation, this new cut makes various changes in order to accommodate the possibility that 'The Haunting' is all in Eleanor's mind. Changes include a new opening and ending, tweaked dialogue and a narrative structure that never leaves Eleanor's side. This edit can be viewed both with or without internal monologue.

The Extended Cut with the early structure altered back to that of the Theatrical Cut.

Part of an ongoing project to convert the “Avatar: The Last Airbender” series into an alternative, less "bite-sized" format, this edit connects the first three episodes into a single narrative, removing all blackouts/titles/credits. Some tweaks to humour and minor changes to narrative have been made, such as a less melodramatic exit for Aang, tweaks to dialogue to foreshadow episode 3, and a slight shift in the order of events.

AVATAR: The Final Cut aims to put Avatar's best foot forward by removing unnecessary narration and extending character development. The extended edition, while better than the theatrical by far, was lacking a 3D release. This edit not only fixes the main problem of the film, but also brings an all new 3D version of the extended experience.

With his mother dead and his father at war, Seita takes it upon himself to protect and raise his younger sister Setsuko during WWII.

The re-telling of the Eastrail 177 Trilogy in SPLIT UNBREAKABLE GLASS was the first part of an experiment to retool these movies with a new narrative structure to facilitate surprises, adjustments to reveals, new parallels, new opening and closings and much much more. One can be surprised again.

In what may be a fanediting first, this version takes extensive material NOT used in SPLIT UNBREAKABLE GLASS (Dr Fletcher and David's marital issues) and tells the same (or similar tale) as an alternate version of the events from a very different perspective. Over 50% of this version of events is newly repuposed and previously unused and differently structured. With a different resolution and enough left untold to permit both edits to surprise and re-reveal, UNBREAKABLE GLASS SPLIT and SPLIT UNBREAKABLE GLASS can be watched in any order and still shine a BRIGHT light on M/ Night Shyamalan's genius, patience and discipline in anchoring these characters in the real world.

You Only Live Twice - the film where Bond becomes Japanese. Hmmm, I've always struggled with that one. There's loads to enjoy in what was supposed to be Connery's swan song as 007, but it's also a film which has not aged particularly well, primarily because of the awkward plot line which sees Bond literally undergo a cosmetic procedure to look Japanese. It never really worked back in the 60's, but now it just comes across as uncomfortable and insulting in some ways.
On the plus side however, this is a gorgeous looking film, with incredible production design and a proper travelogue feel to it.

A supposition of the version that bombed in 1988.

"A guy comes in from out of town. He doesn't have a past - at least not one he wants to talk about. He gets a job in a used-car lot. It's one of those typical small towns from the movies of the 1940s and 1950s, the kind of backwater where the other guy on the job is a nerd, and the boss is a blowhard with a bum ticker - but the boss' wife is this great broad with blond hair and big eyelashes and when she gets up in the morning she puts on her negligee just when the other women in town are taking theirs off. Oh, and the bookkeeper at work is this innocent young girl who is intimidated, for mysterious reasons, by the vicious creep who lives in a shack outside of town." - Roger Ebert (1990)

A man finds himself shipwrecked on an island, with his every attempt to escape by sea foiled by a large red turtle.

An archaeological dig uncovers the fossilized remains of Fry's dog Seymour, with the possibility of creating a clone complete with his original personality and memories intact.

A young boy undergoing chemotherapy at hospital discovers an incredible secret. (Original in French with English subtitles; alternate English audio track also available).

All dialogue has been removed. Andy's story is told through visuals and music.

Consecution X features nine shorts by six editors, all based on animated source material. Spanning comedy, drama, adventure and fantasy, there's sure to be something for everyone.

This edit retells the story of Joker in four parts and leans into the unreliable nature of the character.

This edit began with a need to cut all the jokes that ruined the tension of the action, and the pacing of the dialogue. Underneath all those bad jokes was a strong and intense film, so those jokes and attempts at humor were cut. And added deleted scenes were put in to ehance the dramatic feel.

New credits
Trimmed a few scenes.
Replaced the original William Olvis score with Angelo Badalamenti where possible.
A new altered open ending

7 minutes of deleted footage has been added back into the film to bring The Place Beyond the Pines to its maximum length whilst maintaining continuity.

This edit aims to improve on the pace of the original in areas where it is unnecessarily slow, as well as remove all reference to the spiders.

This edit has focus on Neil McCauley (Robert De Niro) and removes a lot of scenes from the other characters.
This way the movie gets a higher pacing and reduces the running time by 53 minutes.
And I wanted to change the ending as well
This version all belongs to Neil McCauley.

HOOK has enough flaws that it shouldn't work. But it does! The good parts pack enough emotional punch to carry the movie. This edit retains those good parts, cuts over half-an-hour of weak parts, tidies up much in between, and adds two deleted scenes. It keeps Peter's character development front and center, makes his and Hook's characters more consistent, and vastly improves the pacing.

A hybrid cut of the theatrical and Director's Cut of Amadeus, losing most of the added scenes from the latter but keeping the Constanze/Salieri subplot intact.

This is probably the closest you'll ever get to see Hughes' original cut of the movie before the studio forced him to cut it down to 97 minutes, a normal length for the type of film it was, at the time it was produced. John Hughes said getting the film greenlit by Universal wasn't easy because the executives complained there were no bare breasts, no party scene, no guys drinking beer, or other things they thought a teenage picture needed at that time.

This edit is a follow-up to my previous prequel edits, Faster More Intense and Sanded Down.

It's in some ways a bit more conservative than my other two prequel edits, and probably one of the more conservative Revenge of the Sith edits in general. While the first two prequels are movies I don’t enjoy because of their flaws, ROTS is a movie that I enjoy despite it’s flaws, I just wish it could be better.

The Haunting (1963), more or less as you remember it, but with all internal monologue removed. The opening and closing narration is retained. Also featured is an alternate audio option with the internal monologue kept but significantly trimmed.

Jaws 2 has been called a competent yet unnecessary sequel - and in many ways that's certainly true. However, I've always loved the film, almost to the same degree of Spielberg's original masterpiece. In my eyes, it doesn't even need a fanedit, but I thought the opportunity was there to present a streamlined, fun and dare I say more powerful version of this great sequel.