An Irish terrorist seeks revenge on Jack Ryan and his family after the death of his brother at the hands of Ryan.

It (A Film) is a fanmix/fanfix of It (2017) and It: Chapter Two (2019). Both films have been combined and restructured to follow Stephen King's novel as close as possible. This edit also intends to re-work Chapter Two to address some of the weaker aspects of the sequel and improve the film.

Rocketman: Long, Long Time Edition adds back 10 new, extended and alternate scenes, as well as incorperating 4 extended and alternate musical numbers. Over 30 minutes of new footage has been re-edited into the film, but 9 minutes has been cut out, as a lot of the musical numbers have been replaced with these new alternate versions.

The 1st and 3rd acts of The Place Beyond the Pines are intercut to highlight the similarities between Luke Glanton and his son.

With over 900 changes this is the ultimate fix. Two F Bombs remain

This puts back the original ending that preview test audiences saw, upscaled and improved.

This edit cuts down Series 1 of Peaky Blinders into a feature length film. The focus of the film is on Tommy Shelby, the expansion of the Peaky Blinders gang, and its rivalries with Campbell’s police force, Billy Kimber’s Gang, and the Lee Gang, with the IRA and Freddy Thorne’s communists being secondary antagonists.

To create the Superman epic per the shooting script befor the movie was chopped in half by the producers when money ran out and the ending of the first half was changed.

The 1979 SUPERMAN: THE MOVIE was plagued with issues during production leading to many changes which resulted in two films being release (Superman and Superman II) which significantly differed from what was originally intended. When the producers started to run out of money, they removed the intended cliffahanger from the first movie leading to the second movie needing so many changes that the director left or was replaced (depending on the acocunts you read). This present the original vision in a truncated form to get into the action with many newly completed deleted scenes, fixes and much much more per the shooting script.

The 1979 SUPERRMAN: THE MOVIE was plagued with issues during production leading to many changes which resulted in two films being released (Superman and Superman II) which significantly differed from what was originally intended; a single epic movie. As money ran out the producers changed the end of SUPERMAN to the film we now know. This now is as close to the original structure, no turning back time, no Lois gets squised, as you can get. The cliffhanger lead in to SUPERMAN II: The Donner cut or the forthcoming SUPERMAN II Extended .

An improved preservation of the The Godfather Part 3 Director's Cut using La Coda color grade as the basis, with extra stuff too.

Both Thunderbirds movies suffer from pacing issues (quite slow), very light on scoring (due to budget constraints) and just generally not as good as any of the 32 episodes. These edits turn them into full blown TV episodes as they would have been in 60's but in HD and widescreen, with score enhancements and ad bumpers. WARNING: This may be puppets and "childrens TV", but the dialogue is no t patronizing, dialogue is mature idiom (not childish) and "people" get shot in cold blood or die !!!! 60s childrens TV was full on gruesome, thank heavens.

This fan-edit combines the original Japanese version of the original 1954 Godzilla film and the American re-edit called "Godzilla, King of the Monsters!" It adds the additional footage of Raymond Burr's character Steve Martin and others created for the American version to the original Japanese cut, keeping both Steve and almost all of the scenes with the original cast, extending the run-time to over an hour and 40 minutes. This way, you get the best of both worlds, with the brilliance of the original Japanese masterpiece and the great acting and iconic lines of Raymond Burr that I (and I’m sure many others) have lots of nostalgia for. This is a great edit for people who like both the American and Japanese cuts for their own merits and don’t want to have to pick between the two when revisiting the original Godzilla, and is also a great way to introduce someone to the franchise if you’re not sure which version to show them.

Leonard Shelby can't make new memories. He can remember everything up until the night that his wife was murdered, but everything that happens after fades within a few minutes. Ever since that night, Leonard has been searching for the man that killed his wife, John G.

Leonard wakes up in a motel room and receives a phone call. 5 hours later, Leonard pulls up to a tattoo parlor with information that could enable him to finally track down John G and get revenge. The two plotlines proceed chronologically in parallel until they both culminate in a shocking conclusion.

The Godfather, The Godfather Part 2 and 3 are monumental masterpieces. This Godfather Magnum Opus will over two movies restore all available HD material to a total run time of 602 min. A few minutes never seen in HD, making it the longest possible chronological version ever seen and UNCENSORED! PLUS, the original ending of Part 3, which MUST be in full and not truncated as it was in Coda, has been restored (together with the 14 mins removed from Coda).

The Godfather, The Godfather Part 2 and 3 are monumental masterpieces. This Godfather Magnum Opus will over two movies restore all available HD material to a total run time of 602 min, with a few minutes never seen in HD, making it the longest possible chronological version ever seen and UNCENSORED!

With a shorter runtime, cut awkward jokes and poor VFX shots, and improved monster effects compositions in the finale, RePlucked offers a tighter, cleaner, better version of Willard Hyuck's 1986 film.

SULLY: MIRACLE ON THE HUDSON (2016) as directed by Clint Eastwood is an amazing film. The original movie focuses on the crash investigation and the political blame game, while exploring Sully's background and the actual Miracle Landing through multiple flashbacks from different points of view. The intent of the 155 Fan Edit is to remove all of the investigation storyline and just show the Miracle Landing in a single, linear narrative.

This is a tribute to a Sinbad edit that was never completed. I have completed it for him and for people who want to watch it.

After the success of Timothy Dalton's first outing as James Bond in The Living Daylights, anticipation was high for the follow up. However, with a more ruthless take on the character and more violence which caused particular trouble in the UK market where it became the first Bond film to receive a 15 rating, Licence To Kill did suffer somewhat at the box office. It was still a hit, but due to legal issues it would be the last Bond film for 7 long years and the last Dalton Bond film.

It's a shame, as the film on the whole has a lot to offer. Dalton is terrific as Bond, arguably the closest anyone has got to playing the character as Fleming wrote him, and Robert Davi's Sanchez is one of the most realistic and finest villains in the long history of the series. However, the film is not without its problems. Considering John Glen is an experienced Bond director, the film feels somewhat clumsy at times, particularly in some of the editing and most noticeably in the performance of Talisa Soto as Sanchez's girlfriend, Lupe. Also, such is the serious nature of Dalton's Bond, the few attempts at humor do not work that well.

A simple, unnecessary, but fun extended edition to "the ninth film by Quentin Tarantino", Once Upon a Time in Hollywood.

I've reinserted all deleted scenes, making the runtime just a couple minutes over three hours, adding twenty-three minutes of footage to the film.

This edit aims to provide a more complete, satisfying and enjoyable telling of Elton John’s story, particularly for fans. Deleted scenes are restored, including Elton’s first suicide attempt and a subplot regarding the AIDS crisis. Two egregious factual inaccuracies are removed: Elton taking his last name from John Lennon (the real-life origin, from blues singer Long John Baldry, is well-known) and Elton playing his ‘80s hits in the ‘60s. The tone and pacing are also improved by cutting Elton’s last argument with his mother (a miserable scene that is too similar to the argument with Bernie Taupin directly following it). Finally, a couple musical Easter eggs are added to the film’s score.

The original release is a pretty boring movie, we follow Chris Pratt's character, Jim, throughout the film, and see his personal struggles with his fate, and his relationship with Jennifer Lawrence's character, Aurora, flourish. If you've seen the movie then you know the plot, but, if you haven't, then that's all I can really tell you without ruining it.

Essentially what this edit does is rearrange the movie to follow Aurora, which makes for a much more interesting viewing experience - activating the psychological elements that the original film set up.