For me, The Northman is one of the best movies released in 2022. I just wanted to extend it a little bit more with the deleted scenes included in the 4K UHD.

It is the same movie that we love, but extended.

To make a slightly different movie keeping the supernatural touch that it was left ambiguous in the original movie.

Ridley Scott's "The Last Duel" gives some interesting opportunities for editing work. Not only the narration is non-linear here, but we see some events from various points of view. So, what if we try to transform it to more linear narration, choose between those viewpoints along the way, or mix them together, to get a different take on this story?

For those who enjoy the Director’s Cut but perhaps not its middle-age melodrama.

The Restoration of A Star is Born was a tremendous accomplishment which was also the first of its kind.
It is also one which many believe to be flawed, due to its use of stills to fill in the visual gaps on what is a complete audio of the roadshow version.

This version reconstructs the unavailable and IGNORED 154 min Theatrical Version in its entirety with no bells or whistles.

This version adds to the reconstructed Theatrical Cut 3 musical numbers including the crucial proposal scene.
There is no Intermission, Exit Music or Overture.
This is my GOTO version and includes the newly constructed ending as intended by George Cukor in HD.

This is a fanmix of Peter Weir's classic The Truman Show, reimagined as a psychological thriller in the style of Hitchcock/Lynch, viewed exclusively through Truman's perspective.

This version reconstructs the Roadshow version from the restored Blu Ray RT 176min, removes all the stills, but retains as much audio as possible while also adding in new elements including the reconstructed Overture, Intermission in full and Exit Music together with full credits AND a newly constructed ending as intended by George Cukor in HD.

This is the reconstructed version of the Roadshow with is 40 minutes longer in 720p and STEREO.

By cutting out scenes that are out of character and using alternant or deleted material form the movie I wanted to give this movie a different feel. I also rescored scenes with different music to recontextualize or emphasize different moments in the movie.

This Edit combines seven Nicolas Cage films into one strange nightmarish journey!

This is Spicediver's 1080p high definition rebuild of Dune The Alternative Edition Redux, his 2012 fanedit (in 480 standard definition) of David Lynch's 1984 science fiction film.

This is all the cuts made by the original editor upgraded to HD

24 minutes cut from the film, the pacing is upped and the story is clearer. Less time is spent on subplots, but the important elements remain. Some music homages to the TV series have been added.

A savage and unsentimental a film. Except for an embarrassingly sentimental, sappy prologue and epilogue. This is a version without schmaltz that does not pander to the audience.

Removed narrative clutter for a more fitting tribute to these legendary comics.

This fan edit splits up The Batman (2022) movie into a four episode miniseries, making the 3 hour epic more digestible and providing a Graphic Novel type experience. The narrative changes slightly with little cuts here and there, some rearranged and re-scored scenes, a deleted scene added back in and a new ending.

This takes the ultimate edition of Batman V Superman and centres the film on Bruce Wayne.

I have tried to recreate the Superman Epic as it was originally conceived by Richard Donner, following the shooting script whenever possible and before the movie was cut in half. This is Superman I and II as a complete motion picture.

A guy named Guy and his buddy Buddy argue about Guy's dream girl until she mysteriously appears to be real. Could this be the moment Guy's been waiting for his whole life? Or could there be some dark secret held by this mysterious girl?

More grit, Less 80s humor, some scoring tweaks and more credible.

A streamlined and fast-paced narrative, in the structural and musical spirit of either the Lord of the Rings franchise or the original, epic score. Season 3 in 3 hours and 4 minutes - either with Howard Shore or the original Game of Thrones score.

The main source for this edit is the Director's Cut blu-ray, with all unique footage of the Theatrical Cut put back in, while also retaining the small amount of unique DC footage. The HD DC footage looks fantastic but the SD TC footage looks extremely poor, however, I've attempted to grade it to match and added film grain to try and make it look a bit more like terrible 16mm or 8mm footage, rather than terrible videotape. Not wanting to crop the already blurry TC footage any further, I've elected to letterbox the DC footage to match the 1.66:1 ratio of the TC. The difference is still obvious though.

A short edit comprised almost entirely from scenes and deleted scenes on Naboo. This is intended as a companion piece to my Attack of the Clones No Naboo Cut.

The Narrative differes from AOTC in that the story takes place after the Clone Wars have begun and Anakin and Padme have already fallen in love. Apart from a short scene at the start it all takes place on Naboo.

The main source is the 'Director's Cut' workprint blu-ray, with every possible extra shot/scene added from the 'Broadcast Version' blu-ray.

A restoration of the 170-minute extended cut of the film, shown on ABC over two nights in 1996.

This isn't a heavy edit, it's mostly a restructure. The 10-minute 'Second Battle of the Somme' sequence, which occurs 3/4 of the way through and does not feature Joey, derails the movie. So the Somme sequence is shifted to the start, to form a new flashback/prologue and is now in black & white with an added old-fashioned vignette, further separating it visually from the main body of the movie, suggesting something of the past about it and creating a contrast with the vibrant colourful countryside of the first Devon scenes. The fact that the Somme sequence already featured no score, unlike the lushly orchestrated John Williams scenes that follow it, was a bonus distancing factor. We will now not really see Albert again until the end of the film, just a brief glimpse of his face, lit by the guns that Joey is dragging, only informing us that Albert has joined up. The 2-minute cutaway back to Albert in England disrupted the otherwise entirely Joey focused narrative, so that is simply deleted. There are a few more minor cuts to massage the new continuity and to slightly delay certain aspects of the story. On-screen chapter titles are added (in the same style and font as the existing time/place titles), acknowledging the episodic nature of the story and who owns, or cares for Joey in those episodes.

Building on 'The Implicit Cut' as a foundation, this new cut makes various changes in order to accommodate the possibility that 'The Haunting' is all in Eleanor's mind. Changes include a new opening and ending, tweaked dialogue and a narrative structure that never leaves Eleanor's side. This edit can be viewed both with or without internal monologue.

The Extended Cut with the early structure altered back to that of the Theatrical Cut.

Part of an ongoing project to convert the “Avatar: The Last Airbender” series into an alternative, less "bite-sized" format, this edit connects the first three episodes into a single narrative, removing all blackouts/titles/credits. Some tweaks to humour and minor changes to narrative have been made, such as a less melodramatic exit for Aang, tweaks to dialogue to foreshadow episode 3, and a slight shift in the order of events.

AVATAR: The Final Cut aims to put Avatar's best foot forward by removing unnecessary narration and extending character development. The extended edition, while better than the theatrical by far, was lacking a 3D release. This edit not only fixes the main problem of the film, but also brings an all new 3D version of the extended experience.