The same movie without the Epilogue.

The greedy Trade Federation has established a blockade of warships around the planet of Naboo and threatened her people with starvation. It is up to a small band of heroes, including two jedi, a queen, and a young boy from Tattooine, to save the people of Naboo from the sinister Nute Gunray and his fellow Neimoidians.

A grindhouse version with a higher pacing.

The Living Daylights makes for a striking introduction to Timothy Dalton's iteration of James Bond (particularly after the Roger Moore era), not to mention a charming and exciting throwback to classical espionage adventures and the Ian Fleming novels themselves. It is, however, also held back by the sensibilities of the time, antiquated pacing (even for when it was released), and an apparent desire to not stray too far from the campier and leerier vibes of the films that preceded it.
The aim of this edit was to bring the standard of the film up to that of the central performance. I wanted to bring out the exciting, thrilling and romantic qualities of the film whilst downplaying its flaws, all while giving the technical execution of the film a more modern edge.

Jump back on Jump Street! An all new and longer extended cut of Lord and Miller's reboot of the classic TV series!

Seven extended, alternate and deleted scenes have been reintegrated into the film, adding 5 more minutes of Jenko's and Schmidt's high school infiltration!

Are You A Sonic Fan? Are You A Fan Of The Film Franchise BUT...
- You Don't Like The Human Sub-Plots, Especially THAT DARN FAKE WEDDING!
- You Wish Sonic Was Less Childish,
- And You Want SOME FREAKING CRUSH 40 IN THESE MOVIES!!!

WELL YOU ARE IN LUCK!

Introducing “Sonic The Hedgehog: The Live And Learn Cut”. The idea of this fan edit is to combine both movies into one action packed fast paced Sonic Adventure that focuses on him becoming a true hero and finding friends and family along the way!

And of course, As the Sonic Fan base has been craving ever since the release of the first movie, I will also add in Music from across the Sonic Franchise. This includes Music from Sonic Adventure 1-2, Heroes, 06, Unleashed and more!

I watched Love and Monsters when it first became available during quarantine and I was pleasantly surprised what a great movie and somewhat of a hidden gem it is. It has a great balance of humor, heart and its fair share of scary monsters.

I've put back all but 1 of the deleted scenes if for nothing other than to just spend a few extra minutes in this world created in the film.

The only real change I made to the film is moving the fate of Clyde and Minnow to a mid-credits scene so as to not takeaway from the emotional high we feel at the end of the film. Making a joke about Joel at this point was a little out of place and we as an audience needed to arrive at the end of the film feeling uplifted by the swell of the music as Joel becomes a leader.

The Book of Eli, if it were a PG-13 action movie.

This edit pares off some runtime to improve pacing, and edits certain aspects of the story so the main characters enter the story without prior knowledge of each other.

Going to see Crystal Skull on opening night is probably the worst cinematic experience I've ever had. You could just feel the room deflate, all the energy disappear, the excitement turned to disappointment. I hated it.

However, time has been kinder than expected to the film. Maybe it's comparing it to what passes for modern "adventure" filmmaking, but it's sort of outdated style kind of works in its favor. There's a lot of things that do work about it. Harrison Ford and the rest of the cast are game. Though it's kind of a "left hand" movie from Spielberg, he's still the greatest movie director of our lifetimes, so it's still got some great visuals and action. The story could be intriguing.

By cutting out scenes that are out of character and using alternant or deleted material form the movie I wanted to give this movie a different feel. I also rescored scenes with different music to recontextualize or emphasize different moments in the movie.

A darker take on the Star Wars sequel trilogy, End of Skywalker transforms The Force Awakens, The Last Jedi and The Rise of Skywalker into a single movie with an all-new, more cohesive story focused on the connection between Rey and Kylo and their uncertain relationship to the Jedi and the Force. Major cuts and changes, not least of which is the use of the Japanese dubs to allow for rewritten dialogue and new English subtitles, results in a thrilling, reimagined Star Wars experience that acts as a definitive end to the Skywalker saga.

Note: This fanedit requires you do not understand the Japanese language.

The Complete Riddle reintegrates two deleted scene back into the latest and longest Batman endevour. Six minutes have been edited into the film, making the film now over 3 hours.

The famous deleted Arkham scene is back in the film, where it was intended to be, along with one other scene.

Fueled by remorse and vengeance, a high schooler named Terry McGinnis revives the role of Batman. Under the supervision of an elderly Bruce Wayne, he fights crime in a harsh, futuristic Gotham.

This is a TV to Movie edit of Batman Beyond.

This Edit combines seven Nicolas Cage films into one strange nightmarish journey!

Star Wars with a rocking soundtrack! Heavy Star Wars takes the existing action and adventure, trimming away unnecessary story/action/bad acting, and replaces the soundtrack with Rock music!

This edit removes the extensive expository dialogue from Gordon, makes the Penguin a strong mob-boss (not a buffoon), changes Batman's overall arc, and restructures the storyline to remove and replace the studio tacked-on flood/shooter ending.

At 2 hours and 32 minutes, "The Batman Unmasked" doesn't redefine the original source but delivers a leaner thriller while maintaining the essential mood and story.

After fulfilling a contract killing in Los Angeles, a French hit man becomes the target of a hit himself and tries to flee back to Paris.

Enjoy Scaperat's original vision, with updated visual fidelity, sound design, and transitions. I have been working on enhancing and revising this classic edit by Scaperat.

Batman & Robin DEEP FREEZE doesn't attempt to be as serious as The Batman or as dark as the Nolan trilogy, but something closer to the feel of The Animated Series, just in live form. Mr. Freeze, now a more sympathetic villain, has little to no one-liners, Bane is completely excised and Poison Ivy isn't created by a mad scientist pushing her into a shelf. There is no Elliot Goldenthal Batman theme, but a lot of his music is still included. New opening titles and a small set of end credits have been created (and of course giving Bill Finger the credit he deserves).

VENOM has stolen the statue of liberty and discovered the true identity of M.A.S.K leader Matt Tracker. With the fate of an important American symbol and M.A.S.K itself under threat, can Matt and the team hold it together and prevent VENOM from taking everything and everyone they know apart?

This is all the cuts made by the original editor upgraded to HD

24 minutes cut from the film, the pacing is upped and the story is clearer. Less time is spent on subplots, but the important elements remain. Some music homages to the TV series have been added.

A savage and unsentimental a film. Except for an embarrassingly sentimental, sappy prologue and epilogue. This is a version without schmaltz that does not pander to the audience.

This fan edit splits up The Batman (2022) movie into a four episode miniseries, making the 3 hour epic more digestible and providing a Graphic Novel type experience. The narrative changes slightly with little cuts here and there, some rearranged and re-scored scenes, a deleted scene added back in and a new ending.

This takes the ultimate edition of Batman V Superman and centres the film on Bruce Wayne.

I have tried to recreate the Superman Epic as it was originally conceived by Richard Donner, following the shooting script whenever possible and before the movie was cut in half. This is Superman I and II as a complete motion picture.

A guy named Guy and his buddy Buddy argue about Guy's dream girl until she mysteriously appears to be real. Could this be the moment Guy's been waiting for his whole life? Or could there be some dark secret held by this mysterious girl?

More grit, Less 80s humor, some scoring tweaks and more credible.

A less serious retelling of John Rambo's story. Rambo himself is a narrator who tells us story of his life in Forrest Gump fashion - the main narrative is the story from "First Blood" while second and third movie (along with some more additional material) become flashbacks of his earlier adventures. Everything is tied with John's quest to find and face three mysterious bears colonel Trautman told him about. Or maybe he took it a little bit too literally? Sex, guns and Rock'n'Roll along the way, not exactly John Rambo you were familiar with.

A streamlined and fast-paced narrative, in the structural and musical spirit of either the Lord of the Rings franchise or the original, epic score. Season 3 in 3 hours and 4 minutes - either with Howard Shore or the original Game of Thrones score.

In a funkadelic future Los Angeles, a jaded ex-cop hunts down three androids designed to look human, and he isn’t too concerned about killing a human by “mistake.” Whoopsie.

The trip to Naboo has been cut and instead Anakin and Padme go straight to Tattoine after leaving Corouscant. In the Jedi council scene Mace Windu now does not tell Anakin to take Padme to Naboo instead Yoda tells him to hide out on Tatooine with Padme.

From Padme packing her bags until the Funeral of Anakin's Mom almost all scenes have been rearranged.

Obi Wan's investigation into Kamino and who created the clone army has him doing more detective work, gathering more clues and now has a satisfying conclusion to the Sifo Dyas mystery.

Various cuts and trims to Anakins dialogue to create a stronger character and beter romantic arc with Padme.

Scenes cut:
Anakin and Padme traveling to Naboo as refugees.
All the Naboo scenes (with the exception of the Fireside Conversation scene which now will take place on the Lars Moisture farm on Tatooine. The scene now comes in between Anakin returning with the dead body of his mother and her funeral).

Added deleted scenes:
Padme in the Senate.
Obi Wan and Mace Windu on the landing platform as Obi Wan is leaving for Kamino.
Obi Wan with Analysis droids (This scene now takes place on Kamino after he talks to Jango Fett. The Droid dialogue will be replaced so that when they analyze the Dart they discover the toxic poison comes from the Moons of Bogden.)
Anakin and Padme speak with Dooku on Geonosis.
Anakin and Padme are sentenced to death by Poggle on Geonosis.

This is a leaner version of Black Widow that adds back in multiple deleted scenes

Two main goals here, beyond just the general nips and tucks. ONE - Give the film more of an OT vibe with color correction, film grain, and new music throughout. TWO - Improve Anakin’s story. I find his fall to the dark side in the theatrical film to be rather sudden and unconvincing. So here my job was to sort of smooth out the kinks - trying to make Anakin more sure of himself and his allegiance to Palpatine before the turn, and then somewhat softening his words and actions after the turn. There’s a lot of subtle little changes and tweaks that went into this all across the film, but I do feel like the sum is that his story in this version is more believable.

This is a "Rey Nobody" edit, removing her link to Palpatine. The other major change is that Leia dies toward the beginning of the film, removing her from the plot.

The core idea is to strengthen the ties to The Force Awakens and The Last Jedi to give a clear character arc to both Rey and Kylo Ren.

I also removed some unnecessary jokes and tidied up some action beats. The goal is to create a fun, engaging movie that satisfies as an ending to these character's stories.

To make a version of the movie for those of us that are not fans of the Scooby Doo B-plot with Millie Bobby Brown (MBB). She only appears in a brief cameo now.

It was important to keep the flow of the main plot while trimming a lot of fat. Lots of trimming even during the main plot; cutaways, repeated dialog etc. It was crucial to me that it still felt like an actual movie while watching this; not just a supercut of the battle scenes or leave you feeling like pieces are missing.

The movie is about the united states war on drugs and what does it mean for the ones affected by it, actively and passively. We get to experience it through Kate (as she´s us) and aren´t able to fathom the politics of it.
Additionally Taylor Sheridan incorporated the view of a mexican police officer, named SIlvio. That´s the point where my thoughts and edit comes in. As Sheridans approach and intend is just, i never connected to SIlvio and his fight to provide for his family. Perhaps we shouldn´t. Therefore i got the feeling that the movies grip is loosen on me. So i thought:
What would it be like, if all reference to silvios background is cut and he´s just a corrupt cop who´s merly a tool for both sites? Alejandro certainly doesn´t care much as well as the cartel.
What this war does to mexican people is a little more in-depth with Solimas Sequel.

A movie of The Punisher that feels more in line with the character and takes out the overindulgence the movie tends to have.

A legendary hitman known as Babayka, comes out of retirement to seek revenge, igniting a killing spree across Rome and New York City.

Moved the pre credits Skydive sequence till after the monastary scene.
Used the precredits scene from A View To A Kill as the new opeing for Moonraker.
Removed Jaws having a girlfriend and many of the Wile E. Coyote comedy slapstick involving Jaws.
Removed the gondola-hovercraft in St. Marks square.
And lastly toned down some of the other silly gags such as the use of the Magnificent Seven theme, but still tried to keep the tone of Moonraker fun and lighthearted.

Part of an ongoing project to convert the “Avatar: The Last Airbender” series into an alternative, less "bite-sized" format, this edit connects the first three episodes into a single narrative, removing all blackouts/titles/credits. Some tweaks to humour and minor changes to narrative have been made, such as a less melodramatic exit for Aang, tweaks to dialogue to foreshadow episode 3, and a slight shift in the order of events.

The X-Men must unite again for the first time to defeat Apocalypse!

An extended cut of a movie that's already too long, but also wasn't long enough. Adding back some much needed character moments and connective tissue to a movie that moved a little too fast.

17 new and extended scenes have been added back into the film for a longer, fully and more complete conquest of the mighty Apocalypse!

The usual removal of superfluous shots and scenes for a tighter narrative and less distraction, plus a remixed beginning for a little misdirection.

AVATAR: The Final Cut aims to put Avatar's best foot forward by removing unnecessary narration and extending character development. The extended edition, while better than the theatrical by far, was lacking a 3D release. This edit not only fixes the main problem of the film, but also brings an all new 3D version of the extended experience.

The re-telling of the Eastrail 177 Trilogy in SPLIT UNBREAKABLE GLASS was the first part of an experiment to retool these movies with a new narrative structure to facilitate surprises, adjustments to reveals, new parallels, new opening and closings and much much more. One can be surprised again.

In what may be a fanediting first, this version takes extensive material NOT used in SPLIT UNBREAKABLE GLASS (Dr Fletcher and David's marital issues) and tells the same (or similar tale) as an alternate version of the events from a very different perspective. Over 50% of this version of events is newly repuposed and previously unused and differently structured. With a different resolution and enough left untold to permit both edits to surprise and re-reveal, UNBREAKABLE GLASS SPLIT and SPLIT UNBREAKABLE GLASS can be watched in any order and still shine a BRIGHT light on M/ Night Shyamalan's genius, patience and discipline in anchoring these characters in the real world.

You Only Live Twice - the film where Bond becomes Japanese. Hmmm, I've always struggled with that one. There's loads to enjoy in what was supposed to be Connery's swan song as 007, but it's also a film which has not aged particularly well, primarily because of the awkward plot line which sees Bond literally undergo a cosmetic procedure to look Japanese. It never really worked back in the 60's, but now it just comes across as uncomfortable and insulting in some ways.
On the plus side however, this is a gorgeous looking film, with incredible production design and a proper travelogue feel to it.

This edit combines the two original Matrix sequels into a single cohesive film that serves as the epic conclusion to Neo's arc.