SEELE battles NERV to initiate third impact in the groundbreaking conclusion to the original "Neon Genesis: Evangelion" in a way you've never seen before!

Following the events of Infinity War & Endgame, an overwhelmed Peter Parker hopes to escape from the pressures around him by going on a school trip to Europe. But when trouble follows him everywhere, he will realize there's no rest for a weary superhero.

The adventure you remember... only with considerably tighter pacing, enhanced stop motion, and more.

This edit has focus on Neil McCauley (Robert De Niro) and removes a lot of scenes from the other characters.
This way the movie gets a higher pacing and reduces the running time by 53 minutes.
And I wanted to change the ending as well
This version all belongs to Neil McCauley.

Frank Herbert's Dune is a fantastic miniseries adaptation of the original novel, but what would it look like as a feature length film?

Ladyhawke has had a reputation of having mix feelings on the soundtrack. The general consensus is that the 80's Alan Parsons/Scott Powell soundtrack just hasn't aged well. Using the work of Jerry Goldsmith from the little known film "Lionheart", I have rescored probably about 95% of Ladyhawke using this timeless medieval fantasy score.

A fan edit that combines The Hobbit trilogy into one film that closely follows the book and also sits better with The Lord of the Rings film trilogy with regards to visuals / physics / combat. However, other than atmosphere, each story's tone and narrative will still be distinct without any forced references; the focus has been brought back to Bilbo's adventure with only a few subtle nods to the ensuing trilogy remaining.

From the mind of Sylvester Stallone comes one of the most eagerly awaited television series in history. Spanning 14 years, we follow the life of an unknown boxers rise to fame, Rocky Balboa, in Rocky - The Series.

This edit is a follow-up to my previous prequel edits, Faster More Intense and Sanded Down.

It's in some ways a bit more conservative than my other two prequel edits, and probably one of the more conservative Revenge of the Sith edits in general. While the first two prequels are movies I don’t enjoy because of their flaws, ROTS is a movie that I enjoy despite it’s flaws, I just wish it could be better.

I felt there were 2 unanswered questions in this movie. Both answers were found in deleted scenes. So I added the 2 deleted scenes back in.

The Hobbit is changed.

I see it in the Films.
I read it on the Forums.
I tell it, on the web.

Much that once was, is cut. And none now live, who remember it.


It began with the forging of the Great Edits.

Three films were given to the nerds, immortal, wisest and fairest of all beings.

Seven years to the Editors. Redesigners, and craftsmen of the Forum Walls.

And Five, Five Edits were gifted to the Academy, who above all else, revise for hours.

For within these edits was bound the length and the skill to govern each film.

But they were all of them deceived, for another edit was made.

In the land of Indoors, in the fires of "My Room," the Dark Lord Stromboli forged in secret, a master edit, to combine all others.

And into this edit he poured his creativity, his talents, and his will to culminate all Five.

One Edit to Rule Them All.

The Amazing Spider-Man 2 rebalanced, with deleted scenes added, motivations strengthened, pacing & structure improved, and plotlines that distract from the main conflict removed.

The Fall of the Pacific is a non-stop war film about the World War II Pacific Theatre from the Attack of Pearl Harbor to the Battle of Midway. Using scenes from the films Pearl Harbor, Midway and music from the Halo series soundtracks, The Fall of the Pacific is a pure war film, with all the cherry picked best military scenes from the two original movies, and an epic soundtrack to bridge them together.

As a big fan of the out of order structure of Tarantino's scripts I always wanted to recreate his original vision of this film. But some deleted scenes play a big part in his version and they were only available in pretty low quality. The special edition Arrow released recently brought the scenes still in SD but upscaled to 1080p, so the blend with the official HD footage wouldn't look too jarring. And of course, Tarantino's original ending was reinstated, which I always preferred anyway.

With added grindhouse effects, lots of re-scoring, deleted scenes restored and additional sequences created with footage from other movies, this version of "Machete" is meant to deliver a little more fun than original, theatrical version. Watching while not completely sober may be advised.

Inspired by what we know of earlier versions of the film, with my own preferences injected, this is an extended and resequenced version of Batman Forever.

The Snyder Cut and the Theatrical Cut, mixed and blended to create a theatrically viable version of Justice League.

- Replace the majority of the music with music from other films in the series.
- Up the pace. This movie has a weird structure in that there really isn't a big action scene till almost halfway through the film, and then it's just non-stop action for the second half. The middle third of the film needs some serious trims to get the film moving.
- Remove a lot of the over the top John Woo moments. I love John Woo, and I definitely still want it to feel like a John Woo film, but they go so hard on some of his trademarks that it ventures into parody. Slow motion scenes that drag on or show the same shot from 5 different angles will be trimmed. Some of the slow-mo will be trimmed just for action pacing.

An Irish terrorist seeks revenge on Jack Ryan and his family after the death of his brother at the hands of Ryan.

This edit is based upon the straight chronology of the Theatrical Cut, interweaved with much of the Final Cut’s additional material. I also excised anything that insults audience intelligence or prevents this film from being the sweeping, ever-moving-forward epic it so desperately wants to be.

With over 900 changes this is the ultimate fix. Two F Bombs remain

These two movies turn Star Trek Picard into two classic style Trek Movies with a 3 act structure and many hundered of changes, scoring tweaks, and much much more

"Avengers Age Of Ultron is a little more grown up than the first one, a little scarier, a little funkier." Joss Whedon.

THAT WAS A LIE! The goal is to keep that original promise. Removing the worst of the humor, creating a threatening villain and tightening up the pace of the final act, transforming the movie from an underwhelming letdown into a worthwhile sequel to the original.

Frank Miller's Dark Knight Returns is the key graphic novel that modernized and re-energized the Batman character in 1986. Previously, most people knew Batman only from the colorful 1966 TV show or the silly Superfriends cartoons. Of course, many other artists have contributed to Batman's evolution throughout the years, such as Alan Moore, Neil Adams, Jim Aparo, Denny O'Neil and Dick Giordano. Without Dark Knight Returns, however, Tim Burton's Batman or any of the later movies wouldn't have existed. Basically, the character of Batman is what he is today thanks to Frank Miller's masterpiece.

In 2012, Warner released an animated adaptation of the graphic novel which was completely misunderstood by the creative team. Many of the things that made the graphic novel great were ignored or re-interpreted poorly. The first offence they committed was to divide the story in 2 chapters instead of the original 4, thus they had to reorganize the structure to make that change work even if it was nonsensical. Other changes made that didn’t make sense include: introducing the Joker as a drooling idiot; the bright-as-day action sequences with Batman in kung-fu fights that lasted comically long; the awful narration that replaced the tortured inner dialogue from the graphic novel that made it seem like Bruce Wayne was senile, etc. The list goes on and on.

AtoBtoX is a chronologically restructured version of Deadpool with the deleted and extended scenes reinstated.

My goal was to streamline the storylines of the main characters through all three movies, as if the end was planned from the beginning. Kylo and Rey were of course most important.

• Kylo’s arc is pretty well fleshed out already, the most cohesive character arc of the ST, imo. As much as possible stays for Kylo.

• Rey needs to stay a nobody. And she slowly discovers her powers. She does not hit a stormtrooper with her first shot, and she less powered along the way as much as possible. She is just a special “nobody.”

• Poe’s character arc is nowhere near as complex as Kylo, but pretty much laid out for us.

• Finn is not force sensitive. This means he does not ever make and successful attacks with the lightsaber as well. Only once does he ask Rey about a boyfriend, from then on he keeps friendship motivations. Admittedly, Finn kinda disappears in the final fight, but there are just too many absurd parts to leave him in (no horses on spaceships in this cut!)

• Characters like Hux and Rose have been severely sidelined as they just do not have satisfying character arcs. Both simply fade out of importance in the final movie, but I hope I have not made it too obvious. Hux is no spy, simply muscled out by other power hungry commanders. I loved Rose in TLJ, but without adequate character development in TROS, it was best to minimize her to simply a person helping Finn on HIS character arc. Consequently, the scenes at Canto Bight are greatly reduced, and Rose and Finn simply do not pilot speeders at the battle of Crait.

Then I also audited the whole edit, based on a great youtube video essay about “showing, not telling.”
...

1997. The future.

Snake Plissken is pulling off one of the most daring heists of the late 20th Century at the Colorado Fedaral Reserve, but with the United States Police Force is hot on his heels, will he be able to ... ESCAPE FROM COLORADO?

To create the Superman epic per the shooting script befor the movie was chopped in half by the producers when money ran out and the ending of the first half was changed.

The 1979 SUPERMAN: THE MOVIE was plagued with issues during production leading to many changes which resulted in two films being release (Superman and Superman II) which significantly differed from what was originally intended. When the producers started to run out of money, they removed the intended cliffahanger from the first movie leading to the second movie needing so many changes that the director left or was replaced (depending on the acocunts you read). This present the original vision in a truncated form to get into the action with many newly completed deleted scenes, fixes and much much more per the shooting script.

The 1979 SUPERRMAN: THE MOVIE was plagued with issues during production leading to many changes which resulted in two films being released (Superman and Superman II) which significantly differed from what was originally intended; a single epic movie. As money ran out the producers changed the end of SUPERMAN to the film we now know. This now is as close to the original structure, no turning back time, no Lois gets squised, as you can get. The cliffhanger lead in to SUPERMAN II: The Donner cut or the forthcoming SUPERMAN II Extended .

Both Thunderbirds movies suffer from pacing issues (quite slow), very light on scoring (due to budget constraints) and just generally not as good as any of the 32 episodes. These edits turn them into full blown TV episodes as they would have been in 60's but in HD and widescreen, with score enhancements and ad bumpers. WARNING: This may be puppets and "childrens TV", but the dialogue is no t patronizing, dialogue is mature idiom (not childish) and "people" get shot in cold blood or die !!!! 60s childrens TV was full on gruesome, thank heavens.

LOOPER is an excellent movie, with a few rabbit holes which the deleted scenes go some way to plugging. These scenes also flesh out some additional important character moments, plus there is a new opening credit sequence (I hate when there are no opening credits).

James Bond, in Brosnan's second adventure, is as much a boy with toys as he is a dinosaur from the Cold War. We meet media mogul Carver who will push countries to war if it sells more newspapers. After Bond secures nuclear missiles in the outstanding opening sequence, he finds a GPS encoder and an ex-girlfriend. The trail leads him to Asia where he teams up with Chinese spy Wai Lin. Together they must find a stealth vessel and stop the UK from declaring war on China.

This fanedit restores K.D. Lang's song to the opening credits (Sheryl Crow now plays over the closing credits). The edit is faster paced, with fewer lame jokes, less wooden acting, and fewer machine guns.

The Amazing Spider-Man 2 in the simplest and most cohesive structure that it can be.

TASM2: Spark of Life goes far to re-edit action sequences with new and extended shots to allow a clearer perception of events, cut a lot of the unimportant subplots out (Parker Parents, Aunt May, Oscorp/Rhino/Sinister 6, Plane Crash, etc.), adding portions of deleted scenes back in, refocusing the story on whats important, and overall trying to bring some closure to a duology that tried to be a franchise.

With a shorter runtime, cut awkward jokes and poor VFX shots, and improved monster effects compositions in the finale, RePlucked offers a tighter, cleaner, better version of Willard Hyuck's 1986 film.

Moonraker is the film that famously sent Bond to outer space. After the success of The Spy Who Loved Me, the producers wanted to go one step further and go even bigger. That, combined with the obvious influence felt by successful films like Star Wars and Close Encounters of the Third Kind, led to one of the most successful but divisive films in the series' long history.

It's the same classic edit of Attack of the Clones by the Phantom editor, but now presented in HD!

Major Changes:

• All scenes that show a digitized young "real" Kevin Flynn are removed. Clu is the only one to wear the Young Kevin face.

• Scenes in the real world are extremely trimmed – we are in the world of TRON by the 11th minute of the movie. No sequel bait, no franchise seeds.

• Terrible dialogue is trimmed wherever possible to remove the cringe factor. (Lots of “whats his problem” and “now this I can do” type stuff.)

• Quorra is edited to be less the "born sexy yesterday" trope (a woman defined both by her immense sex appeal and her intense childlike naivety, a figure created almost entirely to be leered over or as a prize to be won by the male protagonist.)

• The “infinitely wise and infinitely naïve” aspects of the ISOs, and that they will “CHANGE THE WORLD,” is downplayed. Kevin simply feels responsible for her life, teaching her and protecting her, like the father he SHOULD have been to Sam.

• Tron’s final change of sides is adjusted slightly. Some of his lines were removed (more mysterious) and his color change happened during the mental change. This allows him to simply “turn off” in the water instead of looking like there's a chance he is coming back when his color changes in the water. That was just confusing.

• "Show, don’t tell" principles in effect as much as possible.

Combining aspects of the theatrical release and the extended cut this edit features 4 deleted scenes, a full colour regrade, new subtitles and some rescoring.

This is a tribute to a Sinbad edit that was never completed. I have completed it for him and for people who want to watch it.