When I first saw the film, I enjoyed its bizarre energy and lack of self-awareness: it's a spectacle of misguided creativity (and a bit of a train wreck). However, the film regularly sags at certain points by becoming repetitive or confusing, which dilutes that enjoyment. By tightening it in this manner, I think it retains its momentum much better than the original.

As production begins on the third Stab film, based on the Woodsburo murders, suddenly the murders start again as Sidney is drawn back into the madness, where as the rules go out the window, and everybody is a suspect!

An all new alternate opening, alternate ending and deleted scenes are all reintegrated into the film, with 17 minutes of new footage now back in the film.

Two years about being terrorised by the Ghostface killer, someone new dons the mask and goes after Sidney Prescott as a slew of new killings start, as she tries to adapt to college life.

Two new, deleted and alternate scenes have been remastered and reintegrated into the film, with Scream 2 now being two minutes longer! What is it with twos!?

This is Luc Besson's "Leon" re-framed to be more Mathilda-centric, with Leon's story revealed more slowly, but also in a more ambiguous way. What brought him to this moment? You decide. Featuring many songs from the 80's and 90's, and leaning heavily into female vocalists, the soundscape taps onto Mathilda's motivations and emotional states at key moments in the story.

When the last survivor of an alien planet crash lands on Earth, his incredible superpowers cause a paradigm shift for the planets heroes.
Witness the story behind the formation of the most famous superhero team in comics history, the Justice League, as legends assemble to face threats the likes of which the world has never seen.

Live Free or Die Hard is my second favorite Die Hard movie (behind the original, of course). For most it is probably Die Hard - With A Vengeance, which I also love, but I have always enjoyed Live Free (except for one scene, the F35 scene).

For me it goes;
Die Hard – A nearly perfect movie.
Live Free – Slightly flawed, but I enjoy.
With a Vengeance – Nearly perfect.
Die Hard 2 – A good (but not great) action movie, with no glaring flaw that can be fixed by an edit and doesn’t necessarily need it anyway.
A Good Day to – Very flawed and just not a good movie at all. I already did an edit of it, trying to make it at least tolerable as part of a rewatch.
But back to the point of this post, Live Free or Die Hard. This edit uses the unrated version as the base and adds back in most of (if not all) that was removed from the theatrical to make the unrated version. The only things that were not added back are the lines that were directly replaced with a new line. And the biggest changes are to the F35 scene near the end.

White Water Summer was a solid piece of 80's escapist fun. However, it was painfully undercut by the insertion of cuts scenes and narration by Sean Astin that frame the events of the film as a flashback. The sole intention of this edit was to remove these cuts scenes and narration and to allow the film to play out in a linear fashion without the interruption of these intrusive moments.

A wandering gunfighter plays two rival families against each other in a town torn apart by greed, pride, and revenge.

"Uh-huh-huh, hey Beavis, these effects aren't so special..."

The purpose of this edit is to improve the low budget, outdated VFX so it still feels like a 1984 Terminator movie, but the laughable moments like painfully obvious Schwarzenegger mannequins and choppy stop motion animation are fixed.

This edit does not change the film's narrative or add deleted scenes.

My latest Hitchcock "micro-edit" -- while there's two widely available cuts of Strangers on a Train, the early preview edition (erroneously called the "British cut") and the theatrical edition (the "Hollywood cut"), neither reflected Hitchcock's preferred choice for the ending, which would end with the line "a very clever fellow" instead of the Warner Bros-demanded coda with the supporting characters. I've used the theatrical cut as the basis to restore Hitch's preferred ending.

This is a refined fanfix of Steven Soderbergh's "Unsane" that is more fully committed to the question at the centre of the film - is Sawyer delusional, or is her stalker working at the healthcare facility where she is being held for observation? This is achieved primarily by sticking to Sawyer's point of view wherever possible.

To make the movie more accessible I added traditional orchestral music (from the soundtrack of 'Spellbound' by Miklós Rózsa), and removed most of the 'electronic tonalities'.

The next in my series of Hitchcock micro-edits, "Marnie: The Evan Hunter Cut" is an attempt to showcase the 1964 Sean Connery/Tippi Hedren thriller without the sexual assault scene between the two married lead characters which appeared in the source material, to which original screenwriter Evan Hunter (aka crime novelist Ed McBain) objected.

Hitchcock insisted upon including the scene, saying "Evan, when he sticks it in her, I want that camera right on her face."

Hunter pleaded with Hitchcock not to use that scene, which lead to Hunter's dismissal from continued work on the film.

Although Hunter is no longer credited as the screenwriter on the finished film, I was nevertheless curious to see how this still-controversial and divisive Hitchcock classic played without that particular scene.

John Carpenter's Halloween Revisited: The Final Cut is the second part of a planned four-part fanedit series focusing on the storyline established in the recent H40 timeline, starting with Halloween 2018. This project presents a "canon" compliant, alternate extended version that lines up not only with the edits of this series but also most of the known continuities of the franchise: whether it is the H40 timeline, H20 timeline, or original timeline.

I am proud to present: John Carpenter's Halloween Revisited: The Final Cut.

Minutes after Laurie Strode (Jamie Lee Curtis), her daughter Karen (Judy Greer) and granddaughter Allyson (Andi Matichak) left masked monster Michael Myers (James Jude Courtney) caged and burning in the basement, Laurie is rushed to the hospital with life-threatening injuries, believing she finally killed her lifelong tormentor. But when Michael manages to free himself from Laurie's trap, his local massacre continues. As Laurie fights her pain and prepares to defend herself against him, a group of other survivors (Anthony Michael Hall, Kyle Richards, Nancy Stephens, Charles Cyphers) of Michael's first rampage decide to take matters into their own hands, forming a vigilante mob that sets out to hunt Michael down, once and for all. Evil will finally die.

For my next act of film blasphemy, noir classic Double Indemnity is stripped of its iconic narration and given a linear chronology. This is not intended as a fan-fix per se, but as an experiment in seeing how the film functions when its main storytelling device is removed and limited to an implicit visual narrative, rather than an explicit voice-over. In addition, moving the opening scene to the end allows for a little more mystery as to exactly how things play out.

A young, easy-going gunman worships and competes with an old gunfighter who only wants to retire.

Seven of the most powerful superheroes battle foes in this animated series.

Batman is wrongly implicated in a series of murders of mob bosses actually done by a new vigilante assassin.

There was a story about 2 brothers who had a natural talent for alchemy called Fullmetal Alchemist. This story was originally told in a manga, but before the manga was finished an anime was put out. The anime had to change and create some original story elements because the manga was still ongoing at the time.

After the manga had finished they wanted to revisit the anime with a version closer to the actual story told in the manga. This would be known as Fullmetal Alchemist: Brotherhood. The only thing was due to retreading some story elements told in the original anime, they shortened some story beats for FMAB.

Halloween Ends Revisited: The Final Cut is the first of a planned four-part series focusing on the storyline established in the H40 trilogy, starting with Halloween (2018). Although I loved Halloween Ends when it came out and it satisfied me in its intended aim, I can still see the flaws that a lot of people have problems with. With that in mind, I took the time to cut 20+ minutes of footage, replace one sequence, extend another sequence, and recolor the entire film to present a hopefully more enjoyable version of this divisive film.

I am proud to present Halloween Ends Revisited: The Final Cut.

Serving as a continuation to The Last Jedi - Consistency Edition, this edit modifies The Rise of Skywalker to be a more fulfilling end to the trilogy by smoothing out the plot, removing convoluted elements, and modifying aspects of the film to elevate the story.

An ongoing project that seeks to remaster classic episodes of Mystery Science Theater 3000 using the best available HD film sources in their original aspect ratio.

The Supreme Cut takes Captain Marvel's origin story and improves upon it by giving Carol Danvers a more defined character arc, from struggling Kree warrior to one of Earth's Mightiest Heroes - an Avenger

Back in October of 2022, Halloween Ends -- the third chapter of David Gordon Green's reboot trilogy of the Halloween franchise -- was released in theatres, billed as the "final explosive chapter in the Michael Myers/Laurie Strode story". The film proved to be quite divisive within the Halloween fandom due to choices made within the film regarding how Michael was handled and the introduction of new character, Corey Cunningham, who serves quite a large role within the film for the entirety of the film's runtime. Everyone has strong opinions regarding the film: you either love it or hate it.

Being in what appears to be a small minority, I enjoyed the movie for what it is, and its that enjoyment that made me want to create an extended edition that reintegrated all of the deleted and extended scenes to create the longest cut of the film possible. I am proud to present Halloween Ends: Extended Cut.

Wages of Fear improves the original structure of Sorcerer by introducing the prologue vignettes in a complimentary way, that feels more meaningful and purposeful, to help move the story along whilst also revealing important information about key characters, as their story in the present unfolds. Wages of Fear remains faithful to the original film in terms of editing style, music and overall pace but also layers some much-needed TLC over areas of the original edit that felt rushed or were jarring.

All the interconnected Marvel Studios products become a massive, perfectly structured TV series, to make the journey of the Earth’s Mightiest superheroes the most epic adventure ever.

In order to enjoy the MCU in the most orderly, apprehensible and dynamic way possible, all the interconnected MCU becomes a TV show: reordered, reformatted, post credits scenes rearranged to avoid spoilers, detailed “previously” recaps created and some key deleted scenes added to each episode. Including all the One-Shots, Disney+ Marvel TV shows, Specials... even commercials! Plus, crossover with the X-Men (FOX) and Spider-Man (Sony) alternate universes in a narratively consistent way.

BUT THERE ARE SO MANY HOBBIT EDITS! WHO IS THIS FOR?

This is a Movie-to-TV edit based on AdamDens' 'The Hobbit: The Original Two-Film Structure', with a few further tweaks.
Therefore, this edit will be most suitable for people who want-
* A high quality edit with well-considered changes, tightened and polished and with minimal frustration
* Tonal and visual consistency with the Lord of the Rings movies, and the retention of the majority of content which sets up its plotlines
* A digestible, episodic structure (8 episodes of ~50 mins each)

A making of video for the two Star Trek II Wrath of Khan edits to showcase the work of fan VFX artists.