It is the movie you know except for the very last minute. Believe me, you will never watch that movie the same again.

This is a fanmix of Peter Weir's classic The Truman Show, reimagined as a psychological thriller in the style of Hitchcock/Lynch, viewed exclusively through Truman's perspective.

Adrift in space, the Starbuggers discover the Gemini 12, a derelict with a powerful secret onboard - a device capable of time travel.
Shortly afterwards, they receive a distress call from themselves, 15 years older.
200 years earlier, the Boys from the Dwarf discover a stasis leak on Deck 12 leading back to the ship as it was before the radiation leak that killed the crew.
Across two time zones, Lister and the posse are going to unravel a mystery 3 million years in the making, and face the consequences of their own actions that they haven't actually done yet but possibly definitely will have going to be taken place in the future.
Simple as that.

Jump back on Jump Street! An all new and longer extended cut of Lord and Miller's reboot of the classic TV series!

Seven extended, alternate and deleted scenes have been reintegrated into the film, adding 5 more minutes of Jenko's and Schmidt's high school infiltration!

I watched Love and Monsters when it first became available during quarantine and I was pleasantly surprised what a great movie and somewhat of a hidden gem it is. It has a great balance of humor, heart and its fair share of scary monsters.

I've put back all but 1 of the deleted scenes if for nothing other than to just spend a few extra minutes in this world created in the film.

The only real change I made to the film is moving the fate of Clyde and Minnow to a mid-credits scene so as to not takeaway from the emotional high we feel at the end of the film. Making a joke about Joel at this point was a little out of place and we as an audience needed to arrive at the end of the film feeling uplifted by the swell of the music as Joel becomes a leader.

By cutting out scenes that are out of character and using alternant or deleted material form the movie I wanted to give this movie a different feel. I also rescored scenes with different music to recontextualize or emphasize different moments in the movie.

In this sequel to Army of Darkness, our bumbling hero Ash Williams has enjoyed 25 years of local celebrity in his hometown of Elk Grove, Michigan. For hundreds of years, the evil demon Ruby has wandered the Earth, searching for the Necronomicon Ex-Mortis. When a drug-fueled mistake results in a passage from the Necronomicon being read aloud, Ruby's plan is set into motion and the forces of evil return to our world to destroy mankind. It is up to Ash, his trusty sidekick Pablo, and the descendants of his long-lost knightly companions to send evil back to Hell one last time.

This fanedit is my love letter to John Carpenter's classic horror film "The Thing" but also to that beautiful decade that was the 80s. There are many, many movie and pop culture references throughout; there's a new soundtrack, alternate dialog, new visual effects (some so subtle only the most hardcore The Thing fans will notice) and more Easter eggs than Palmer's got dutchies. Basically, I threw everything but the kitchen sink at this Thing.

One of the slighter offerings from the Hughes/Candy stable of films but a really fun time none the less. Unfortunately things are dragged down by an unnecessary romantic subplot.

Removed narrative clutter for a more fitting tribute to these legendary comics.

A guy named Guy and his buddy Buddy argue about Guy's dream girl until she mysteriously appears to be real. Could this be the moment Guy's been waiting for his whole life? Or could there be some dark secret held by this mysterious girl?

In a funkadelic future Los Angeles, a jaded ex-cop hunts down three androids designed to look human, and he isn’t too concerned about killing a human by “mistake.” Whoopsie.

Laurel and Hardy's first feature recut as a (rather long) short.

Part of an ongoing project to convert the “Avatar: The Last Airbender” series into an alternative, less "bite-sized" format, this edit connects the first three episodes into a single narrative, removing all blackouts/titles/credits. Some tweaks to humour and minor changes to narrative have been made, such as a less melodramatic exit for Aang, tweaks to dialogue to foreshadow episode 3, and a slight shift in the order of events.

A simple extended edition re-inserting all of the deleted scenes featured on the Blu-Ray to the best of my ability.

A rescored version of Mel Brooks Spaceballs with some classic John William's tunes to crank up the Star Wars vibe.

In anticipation of Jackass Forever, I used Jackass 2.5 and 3.5, as well as all of the deleted scenes and outtakes to create new feature length films.
Basically, these are Jackass 2.5 and 3.5, but cutting out all the interview and talking head segements, and then adding more deleted scenes into the films, and restructuring them a little, with new openings and endings.

Almost nothing has been left on the cuttting room floor, as this is just about everything that has been released.

Rango the chameleon undergoes a mind-expanding vision quest.

An archaeological dig uncovers the fossilized remains of Fry's dog Seymour, with the possibility of creating a clone complete with his original personality and memories intact.

Consecution X features nine shorts by six editors, all based on animated source material. Spanning comedy, drama, adventure and fantasy, there's sure to be something for everyone.

Originally written as a wise-cracking Raymond Chandler detective yarn with supernatural elements; the tone shifted once Eddie Murphy was cast in the central role. Out went the sardonic quips from the script and in their place Murphy attempted to ad-lib new jokes throughout most scenes. But the spark wasn’t there the same way it had been for his previous hits and test audiences were not kind.

Their consensus was that at 2 hours the film was too long and slow. And it was decided the orchestral score by John Barry was not helping with the pacing. So with only a couple of weeks to go before its release date the choice was made to chop 30 minutes out of the runtime and replace the music. So Michel Colombier was drafted in to hastily deliver a contemporary synth soundtrack instead.

Usually these abandoned scores are lost to time. But thankfully La-La Land Records released a 3 disc set containing the entirety of John Barry’s discarded work. So its time to see what the film might have been like with the original Barry score.

Eddie Murphy may be the Chosen One... but John Barry is the Unchosen One!

HOOK has enough flaws that it shouldn't work. But it does! The good parts pack enough emotional punch to carry the movie. This edit retains those good parts, cuts over half-an-hour of weak parts, tidies up much in between, and adds two deleted scenes. It keeps Peter's character development front and center, makes his and Hook's characters more consistent, and vastly improves the pacing.

This is probably the closest you'll ever get to see Hughes' original cut of the movie before the studio forced him to cut it down to 97 minutes, a normal length for the type of film it was, at the time it was produced. John Hughes said getting the film greenlit by Universal wasn't easy because the executives complained there were no bare breasts, no party scene, no guys drinking beer, or other things they thought a teenage picture needed at that time.

I felt there were 2 unanswered questions in this movie. Both answers were found in deleted scenes. So I added the 2 deleted scenes back in.