An extended version of the James Mangold Restoration (JMR), with all the f-bombs and all the extended scenes, and the yellow suit ending. and a more fleshed out character arc for Harada.

All the interconnected Marvel Studios products become a massive, perfectly structured TV series, to make the journey of the Earth’s Mightiest superheroes the most epic adventure ever.

In order to enjoy the MCU in the most orderly, apprehensible and dynamic way possible, all the interconnected MCU becomes a TV show: reordered, reformatted, post credits scenes rearranged to avoid spoilers, detailed “previously” recaps created and some key deleted scenes added to each episode. Including all the One-Shots, Disney+ Marvel TV shows, Specials... even commercials! Plus, crossover with the X-Men (FOX) and Spider-Man (Sony) alternate universes in a narratively consistent way.

Marvel: Unite takes the MCU Infinity Saga films and splits them into a TV series format with hour-long episodes. Each episode has a multi-narrative structure featuring scenes from various different movies, all inter-cut together. The series roughly tries to mirror the theatrical experience, with the films placed in their intended release order with little content added or removed, just restructured to be more approachable and more "binge-able."

The purpose of this restoration is to recreate the IMAX 1.43:1 presentation of The Dark Knight Rises by combining the widescreen 2.39:1 footage from the Blu-ray and the IMAX 1.43:1 sequences from the Special Features of The Dark Knight Trilogy Blu-ray (Special Edition).
That way, throughout the film, the IMAX scenes expand top and bottom showcasing the full IMAX 1.43:1 frame (instead of the cropped 1.78:1 IMAX frame) while maintaining constant width as it would on an IMAX GT 1.43:1 screen.

The purpose of this restoration is to recreate the IMAX 1.43:1 presentation of The Dark Knight by combining the widescreen 2.39:1 footage from the Blu-ray and the IMAX 1.43:1 sequences from the Special Features of The Dark Knight Trilogy Blu-ray (Special Edition).
That way, throughout the film, the IMAX scenes expand top and bottom showcasing the full IMAX 1.43:1 frame (instead of the cropped 1.78:1 IMAX frame) while maintaining constant width as it would on an IMAX GT 1.43:1 screen.

"In the not too distant future,
police are powerless to stop
gangs of criminals
from terrorising good citizens.

But in Gotham City,
in the heart of urban America
it is the criminals who live in fear...
OF THE BAT-MAN"

Enjoy this noir classic as it was originally presented in the 1940s, and see if you can solve the mystery:
Who is the Bat-Man?

MANY valid criticisms have been made about this film, which means it will most likely be another trademark "Bad Movies Made Less Bad" edit. The main goals here are:
- Remove Amon's POV as much as possible
- Minimize the hypocrisy of the Justice Society morals
- Minimize the overt foreshadowing of Ishmael evil intentions.
- Minimize exposition.
- Replace some needle drops to be more culturally relevant thematically.

This edit extends the opening of the film by adding some Death In The Family material that is essentially just Red Hood deleted scenes. The movie plays out like a simple extended edition until the end credits roll where I decided to get creative with some new scenes I'd rather not spoil

The grand introduction of Kang the Conqueror to the MCU, featuring Ant-Man and his family! Kang found himself trapped in a place called the quantum realm and met a woman named Janet, She helped him to repair his ship but at the last moment she turned against him and locked his ships engine in stasis with her shrink-tech. Years later, Janet and her family (including Ant-Man) got drawn back down to the quantum realm and now is Kang's chance to escape with the help of Ant-Man, whether he wants to or not!

This BvS edit keeps the focus on the conflict between the titular heroes by removing all the interfering DCEU scenes and connections, also making edits to minimize some of the “infamous” elements and moments in the film. Nevertheless Snyder’s signature style remains intact.

False God retains all UE scenes that strengthen Lois and Clark’s respective investigations and Luthor’s manipulations but controversial elements have been alleviated (Lex’s ticks reduced, more respectful/hopeful ending). Removal of the DCEU connections close the door to the JL movie but leaves it open for the Wonder Woman (2017) 'self-contained' solo movie to connect.

After being held captive in an Afghan cave, billionaire engineer Tony Stark creates a unique weaponized suit of armor to fight Jeff Bridges.

As the first Iron Man film has been airing on FX as an extended cut with deleted scenes for years, I figured I could make a HD version of it, so we don't have to wait for it to come on TV.

A minor edit of The Dark Knight Rises
I really like this movie, the least of the Dark Knight trilogy, but I do like it a lot.
I was never crazy about the ending though. To be more specific, that fact that Batman survives even though we see him fly away with the bomb. How and when did he get out of The Bat?
In this edit I try to remedy that.

Venom wasn't terrible, but it wasn't great. By cutting a few scenes I've been able to tighten the pacing and make it slightly more enjoyable than the theatrical cut.

The Virtual Workprint, as edited by Josh Janson one of the more well-known edits of the film, is still my preferred cut of the film despite it's poor video quality. The HD Rebuild uses the most recent Blu-Ray to completely remake Josh Jenson's original edit from scratch in as high quality as possible.

The edit features 10 minutes of new footage, including 7 deleted scenes with an alternate opening and ending, and 10 additional shots and lines from trailers and more, while also trimming a few of the more over-the-top moments from the final film.

The origin of the world's first Bionic Man is revealed!

Using the season one premiere episode "Population: Zero" as a foundation, the viewer will learn our hero's bionic beginnings through flashbacks to previous tv movies and episodes, all the while retconning the roles of Oscar Goldman and Alan Oppenheimer's Dr. Wells in Steve's origin.

A.K.A. The version that nobody asked for

I used Zack Snyder’s Justice League as the base, with scenes from Joss Whedon’s Justice League and some scenes and ideas from Wakeupkeo’s "Rise of the Motherboxes" to make a slightly extended, but also trimmed version of Zack Snyder's Justice League.

Zack Snyder's Dawn of Justice aims to replicate the style of Snyder's Justice League, by breaking the story down into multiple chapters that give focus to the various subplots and streamline the movie.

Wonder Woman 84 with a proper 80’s soundtrack! The goal was to give WW84 a proper 80’s soundtrack as if the movie studio licensed and properly scored the movie. The action sequences become music videos while preserving the dialogue and sound effects.

All the interconnected Marvel Studios products become a massive, perfectly structured TV series, to make the journey of the Earth’s Mightiest superheroes the most epic adventure ever.

In order to enjoy the MCU in the most orderly, apprehensible and dynamic way possible, all the interconnected MCU becomes a TV show: reordered, reformatted, post credits scenes rearranged to avoid spoilers, detailed “previously” recaps created and some key deleted scenes added to each episode. Including all the One-Shots, Disney+ Marvel TV shows, Specials... even commercials! Plus, crossover with the X-Men (FOX) and Spider-Man (Sony) alternate universes in a narratively consistent way.

INVASION! EARTH-X! ELSEWORLDS! COUNTDOWN!
The Final Chapter is here!

The CRISIS has arrived!

The Multiverse is under attack and only the Heroes of the Arrowverse can save the day.
Bionic Bob takes the 5 part CW television event and unites it into a single epic movie experience!

Inspired by the structure of Zack Snyder's Justice League, Suicide Squad: Made to Fail is presented in 4 chapters that streamline and focus the overall story.

Part 1: The Worst of the Worst - Opens the film with the origins of the Enchantress and Harley Quinn, setting up the threat before introducing Amanda Waller as the heart of the story in this first part. Through her we are introduced to the Task Force X project, which subsequently introduces each member of the Suicide Squad in a totally new montage.

Part 2: Live For Me - The Joker and his relationship with Harley Quinn serves as the main thread of part 2, which opens with a flashback to the events that landed Harley in Belle Reve, and is bookended by the Joker planning her rescue. Juxtaposed is the relationship between Rick Flag and June Moon. When June becomes possessed by the Enchantress, Flag assembles the Suicide Squad to stop her.

Part 3: Everyone For Themselves - Deadshot becomes the main focus as he attempts to gain the trust of Col. Rick Flag and get the various sociopathic members of the Suicide Squad to work together to accomplish their first mission.

Part 4: Made to Fail - Against all odds, the Suicide Squad finally comes together as a team to take on the Enchantress and save the world... or die trying.

This short film is comprised of all of the "Superman's Family Album" segments at the end of each episode of the 1988 Ruby-Spears Superman TV cartoon. All together, the film tells the story of Clark Kent's infancy/childhood/adolescence in Smallville as he becomes Superman. A comfy, wholesome version of Superman's origin, perfect for a Saturday morning!

A story about Princess Shuri and her struggle to deal with the loss of family. The theatrical release fell over itself to tell multiple stories about multiple characters, this edit reduces the focus on other characters and remains fixed on Shuri and Namor.

Batman was/is a pretty solid film, but it does not get Bruce Wayne quite right, in my opinion. Also, the film itself does drag a bit. Therefore, wanted to see if a slimmed down version of the film would play better than the original. In my opinion, it does.

When the last survivor of an alien planet crash lands on Earth, his incredible superpowers cause a paradigm shift for the planets heroes.
Witness the story behind the formation of the most famous superhero team in comics history, the Justice League, as legends assemble to face threats the likes of which the world has never seen.

Seven of the most powerful superheroes battle foes in this animated series.

Batman is wrongly implicated in a series of murders of mob bosses actually done by a new vigilante assassin.

The Supreme Cut takes Captain Marvel's origin story and improves upon it by giving Carol Danvers a more defined character arc, from struggling Kree warrior to one of Earth's Mightiest Heroes - an Avenger

All the interconnected Marvel Studios products become a massive, perfectly structured TV series, to make the journey of the Earth’s Mightiest superheroes the most epic adventure ever.

In order to enjoy the MCU in the most orderly, apprehensible and dynamic way possible, all the interconnected MCU becomes a TV show: reordered, reformatted, post credits scenes rearranged to avoid spoilers, detailed “previously” recaps created and some key deleted scenes added to each episode. Including all the One-Shots, Disney+ Marvel TV shows, Specials... even commercials! Plus, crossover with the X-Men (FOX) and Spider-Man (Sony) alternate universes in a narratively consistent way.

Superman decides to remove all nuclear weapons from the earth, for the sake of world peace. His actions, however, kickstart a chain of events that may leave the world in pieces!

Mashup of Christopher Reeve Superman sequels II, II Donner Cut, III, and IV into one 3-hour film, like a greatest hits package. Inspired by Grant Morrison's All-Star Superman comic storyline.
Serves as a direct follow up to Superman 1978.
Both Lester and Donner scenes of Clark revealing his identity to Lois from Superman II are rejected, in favor of the apartment scene from Superman IV.
Richard Pryor’s character Gus is changed to a cybercriminal scheming with his “friends”, and who also just happens to be a big fan of Superman.
Scenes are rearranged to suggest Nuclear Man causes Superman to turn "Evil" and the Phantom Zone to break.

This is vastly different than the original cut. We have a new opening to recap the ending of Part 1 and a subsequent scene not seen in Part 1. The tone is less cartoonish and more balanced. There is a lot of new music and deleted material used to flesh out the movie. Much like Part 1 this has the focus on Peter and Gwen's relationship without all the other distractions.

Electro is pushed back to a secondary villain and Harry is brought up to being the primary villain. Electro's motivation is different as well. The accident simply drove him insane and he hears voices in his head.

As Scott Lang tries to spend the last of his days under house arrest, he's pulled into action once more by Hank Pym and Hope Van-Dyne as they team up and suit up to save someone from the Quantum Realm, while fighting a new adversery.

This edit aims to trim up a lot of ill-timed and poorly elongated jokes, adding back deleted material from the blu-ray, outtakes, trailers and TV spots, while also restoring an alternate opening with a mission in 1987, with a young Ant-Man and the Wasp.

Strap in, and get ready to see ANT-MAN AND THE WASP against THE GHOST IN THE MACHINE!

The people of Wakanda fight to protect their home from intervening world powers as they mourn the death of King T'Challa.

The Midnight Angel Edition reintegrates 4 new deleted scenes, and 10 more minutes of footage, as well as restructing the ending of the film for a more fluid finale, with the mid-credits now being attached to the rest of the film.

Originally released as an 8 part mini-series on Netflix, The Defenders was met with a lukewarm reception from fans and critics. This edit is a fairly straight-forward but thorough reduction to make this Marvel TV crossover faster paced and more excting.

After getting out of prison, burgler Scott Lang tries to reconnect with his daughter, as his ex-wife tries to keep him away. A desperate robbery gone askew puts him the radar of redacted government scientist Hank Pym, leading him down a path he could of never expected.

This is a tighter version of the film, cutting all of Hank's scenes until Scott meets him, as the film refocuses on his story and the journey he goes through to reunite with Cassie. A new deleted introduction to Hank has been reinserted into the film, other small elements have been cut, and one big infiltration sequence with an unneeded cameo has been entirely removed.

The Arrowverse Crisis Saga continues!
As the Crisis looms closer, the stakes become more dire!
Green Arrow must team up with his grown children from the future to build a weapon to save the Multiverse.
The Flash turns dark just when the world needs him most.
And a new foe emerges for the Martian Manhunter and Supergirl to face.
Will our heroes be victorious in their trials?
They better be! As only they can save us all from The Coming Crisis!

This is a TV to Movie Fan edit. It intertwines storylines from the CW series Arrow, The Flash and Supergirl. There are literally hundreds of cuts, trims and changes. The objective to keep the focus on our core heroes and jettison all filler plotlines.

So again as always people who are familiar with my edits know what's coming: A streamlines version of Spider-Man 3 that tries it's best to fit in with the previous two films. No Uncle Ben plot, Harry fakes his insomnia, Mary Jane isn't forced to break up are the biggest changes. It has only streamlined cuts that are seamless.

Warning: If you absolutely hate everything about the original, odds are you won't like this. That said, this is easily my most intrusive edit yet, with huge parts of the story flipped around.

The Phantom, the Ghost Who Walks, must stop the demented Xander Drax from obtaining the mystical Skulls of Touganda. If obtained Drax would cintia no the power to rule the world.

A mainly ZSJL restructured edit that lets the story unfold more naturally, that tightens up ZSJL and adds as much of the best parts of JWJL. More of JWJL Diana struggling with leadership,

"Wonder Woman 1984: Wings of Asteria" is a fan edit intended to be a more grounded alternative to the theatrical cut. It re-scopes the conflict to focus on events with the greatest impacts to the main characters while reducing plot holes and awkward moments.

There is a Crisis Coming.
A Crisis that threatens every life in the Multiverse.
And Three Arrowverse Heroes are the key to the survival of all of existence.

The Green Arrow embarks on a mission for the Monitor to create a weapon for the coming Crisis.
The Flash must prepare his Team for his prophesized demise so they can save billions of timelines.
And the Martian Manhunter, with the aid of Supergirl, must come to terms with his dark past so he can become the hero needed for the future.

A Crisis is coming, and the Countdown has begun!

This Fan Edit mixes various storylines from the series ARROW, THE FLASH and SUPERGIRL to tell the tale of the days leading up to Arrowverse crossover event of 2019 -- CRISIS ON INFINITE EARTHS!

All the interconnected Marvel Studios products become a massive, perfectly structured TV series, to make the journey of the Earth’s Mightiest superheroes the most epic adventure ever.

In order to enjoy the MCU in the most orderly, apprehensible and dynamic way possible, all the interconnected MCU becomes a TV show: reordered, reformatted, post credits scenes rearranged to avoid spoilers, detailed “previously” recaps created and some key deleted scenes added to each episode. Including all the One-Shots, Disney+ Marvel TV shows, Specials... even commercials! Plus, crossover with the X-Men (FOX) and Spider-Man (Sony) alternate universes in a narratively consistent way.

Thor Love and Thunder arrived in cinemas to the sounds of raucus laughter, and the sound of footsteps as people walked out of the cinema, disgusted at what a blundering fool Thor had become. Whilst many people enjoyed Taika Waititi's unique blend of humour and emotion, There are many people who felt he had taken it too far.

Thor Love and Thunder Minus Comedy takes the worst of the comedy out and aims to focus on Thor's emotional journey, rediscovering love and accentuating the threatening presence of Gorr the god-butcher.

Thor discovers that Gorr is aiming to kill all gods and sets out on a mission to raise an army to rescue the abducted children of Asgard. It's not yet clear how this army will come about but on the way, he meets the enigmatic Zeus whose allegiances are never quite clear, and rekindles a romance with Jane Foster who has her own secrets.

ZSJL was a major improvement to the travesty which occurred in 2017; however, Snyder’s 4 hour release was rushed in production and stuffed with significant filler. Releasing such a long cut, open matted, was probably more for production speed than artistic reasons. This cut re-scores, reduces, and rearranges this film for a more epic feel, with greater dramatic impact in a much shorter runtime.

This is my own take on editor, JobWillins, overall concept in his brilliant edit Man of Tomorrow, which merges Man of Steel and Batman v Superman into one film. See further details for how Son of Krypton differs from Man of Tomorrow.

In this edit the story now takes place entirely during 1918, the action sequences are much improved, young Diana receives a more serious portrayal, cartoonish comedy is toned down, and Steve is still funny-- but in scenes where it's warranted. This release intended to be Part 1 of a trilogy followed by my edits Son of Krypton and Justice League: Gods of Earth.

After a plane crash killed his billionaire parents, Danny Rand was raised by monks to become their guardian defender, known as the Iron Fist. However, Danny wanted nothing more than to go back home, unlike his new best friend Davos. With his new found powers, Danny makes his way back home to find that his friends don't recognize him and that his father's company is now run by a mysterious crime syndicate.

Danny seeks the aid of Colleen Wing, an experienced martial arts instructor yearning for a purpose to help him defeat the Hand and save his family legacy. Little does he know, this entire operation has been manipulated by an old friend who should not be walking among the living.

Like many of the other Disney+ MCU series, this clearly felt like it was originally envisioned as a film that was then stretched out to fill out a limited series. It's a good story with some great moments, but it drags on and is stretched too thin. This edit attempts to reorganize the fairly simple plot into a single film of 2 hours and 22 minutes, an average run time for an MCU film.

Clark Kent must reconnect with his past in order to defeat the corruption of his own vanity as the Man of Steel. He must also stop the potentially world ending plot of Lex Luthor who hopes to rule mankind through manipulating the nuclear arms market and making an evil clone of Superman. Will Clark force the world into peace and become the very despot his father imprisoned on Krypton, or will he achieve victory though the humble small-town morals of truth, justice, and the American way?