Haunted by a tragedy that broke her world apart, Jessica Jones settles in Hell's Kitchen, New York City, and opens her own detective agency, called Alias Investigations. She discovers that the source her trauma, a mind-controlling sociopath named Kilgrave, has cheated death. She uses her abilities, super and otherwise to find him before he can hurt anyone else.

Lois Lane gets rescued by a mystery man and endeavours to find him and tell his story. We are taken through a story of discovery and a man's determination to make up for the loss of his father. This fanedit rearranges the original scene order and removes many flashbacks, while adding much colour grading to accentuate the mood of each scene. It also refocuses the movie on Lois and Clark, removing much of the subplots of the military and the People of Metropolis.

From a shallow POV, the original movie is a mix of “The Wolverine” (Japan setting) and Logan (Dies at the end, mentors protégé.) But since the script is a rip off of the 1950s film D.O.A., we lean into that – trying to leave some mystery as long as possible. I love that part of Huntress's mythos is that she crusades to put an end to the crime families. All the violence in this edit is focused on yakuza gangs, so I think this edit ends up working well within the overall idea of Helena Bertinelli, pre New-52. Also that Varrick's agency could actually be Spyral.

Oliver and Barry awaken to discover they have been body swapped! To solve this mystery, they will need the help of Supergirl and travel the lengths of the DCU, from Gotham City to the cosmic beyond. All the while, a mysterious entity known as the Monitor, watches and evaluates their every move.

Lawyer by day, vigilante by night, Matthew Murdock was blinded as a young boy. Without his sight, his other senses became enhanced to superhuman levels. He now uses his abilities to stop criminals in the rough New York neighborhood of Hell's Kitchen. His efforts are not welcomed by Wilson Fisk, a powerful businessman who hides in the shadows.

The same movie without the Epilogue.

Super powered Nazis from a parallel world invade!
What is their ultimate goal and can our Arrowverse Heroes stop them?!?!

Essentially, this project aims to restore James Mangold's original vision for the film, before the studio enforced changes to the script. Knowledge of the original script, and how it was changed, comes directly from Mangold himself as well as behind the scenes commentary. The "identity reveal" of Silver Samurai being the real villain was definitely not part of that script, and Viper was also added because the studio wanted a villain with superpowers. So in this edit, she's been reduced to almost non-existence in the film as well.

Specifically, this edit completely removes the third act and any prior scenes or shots setting it up. The effect of cutting this is that it eliminates a plot-hole fuelled twist that comes totally out of left field, but that it also returns the story to being told almost exclusively from Logan's point-of-view; thus honouring Mangold's original vision, for a small-scale neo-noir grounded in real world stakes -- rather than a VFX heavy tent-pole designed to compete with bigger-scale films from that year.

I have helped Silver Screen Samurai come up with the broad strokes of the final act, but they created the first nightmare and the end of the ninja battle until the airport scene all on their own, in order to fulfil their vision completely.

CHANGES INTRODUCED IN 2.0:
Added back deleted Harada backstory (absent in 1.0)
New transition to final battle, created by Silver Screen Samurai

By cutting out scenes that are out of character and using alternant or deleted material form the movie I wanted to give this movie a different feel. I also rescored scenes with different music to recontextualize or emphasize different moments in the movie.

The Complete Riddle reintegrates two deleted scene back into the latest and longest Batman endevour. Six minutes have been edited into the film, making the film now over 3 hours.

The famous deleted Arkham scene is back in the film, where it was intended to be, along with one other scene.

The Champion's Edition is an all-new extended cut of the Thor Threquel, that reinstates an alternate Dr Strange scene, as compared to my last version which removed him entirely. All new VFX has been completed, and full-frame IMAX sequences have been integrated.

Nine new, extended, alternate and deleted scenes have been reinserted into the film, adding 13 minutes of new footage into the film.

I merged Dark Phoenix with X-Men: The Last Stand and a little bit of X-Men: Apocalypse.

Fueled by remorse and vengeance, a high schooler named Terry McGinnis revives the role of Batman. Under the supervision of an elderly Bruce Wayne, he fights crime in a harsh, futuristic Gotham.

This is a TV to Movie edit of Batman Beyond.

At 2 hours and 32 minutes, "The Batman Unmasked" doesn't redefine the original source but delivers a leaner thriller while maintaining the essential mood and story.

Captain America's "Civil War" made us choose between Duty and Friends. It pitted friends and colleagues against each other. Eternals presents this dilemma with far higher stakes. Now we have Duty not just to a government but to the parent/creator, and going against that duty will impact billions of lives. Now the Friends aren't just colleagues for years, but family for millenia.
The stakes are life-or-death high, yet the audience is left largely indifferent because ten (10!) new heroes compete for limited screen-time and character development. None of them earn a place in our hearts the way that better fleshed-out, and relatable, heroes like Captain Rogers and Tony Stark have.
Eternals isn't the best Marvel movie but it is unique and interesting. It deserves criticism, but even more than that it deserves wider viewing.

Enjoy Scaperat's original vision, with updated visual fidelity, sound design, and transitions. I have been working on enhancing and revising this classic edit by Scaperat.

Batman & Robin DEEP FREEZE doesn't attempt to be as serious as The Batman or as dark as the Nolan trilogy, but something closer to the feel of The Animated Series, just in live form. Mr. Freeze, now a more sympathetic villain, has little to no one-liners, Bane is completely excised and Poison Ivy isn't created by a mad scientist pushing her into a shelf. There is no Elliot Goldenthal Batman theme, but a lot of his music is still included. New opening titles and a small set of end credits have been created (and of course giving Bill Finger the credit he deserves).

This fan edit uses the Snyder Cut as the foundational source but transitions over the course of the edit into the Whedon third act.

This fan edit splits up The Batman (2022) movie into a four episode miniseries, making the 3 hour epic more digestible and providing a Graphic Novel type experience. The narrative changes slightly with little cuts here and there, some rearranged and re-scored scenes, a deleted scene added back in and a new ending.

This takes the ultimate edition of Batman V Superman and centres the film on Bruce Wayne.

I have tried to recreate the Superman Epic as it was originally conceived by Richard Donner, following the shooting script whenever possible and before the movie was cut in half. This is Superman I and II as a complete motion picture.

A guy named Guy and his buddy Buddy argue about Guy's dream girl until she mysteriously appears to be real. Could this be the moment Guy's been waiting for his whole life? Or could there be some dark secret held by this mysterious girl?

This is a leaner version of Black Widow that adds back in multiple deleted scenes