This is a fanmix of Peter Weir's classic The Truman Show, reimagined as a psychological thriller in the style of Hitchcock/Lynch, viewed exclusively through Truman's perspective.

I've removed the “flashback scene” from Vertigo to align with a) the source novel “D’entre Les Morts” and b) Alfred Hitchcock’s longtime screenwriter/uncredited collaborator Joan Harrison’s insistence that the movie worked better without this scene, which gives away a major plot twist nearly half an hour before the film's climax. Prior to its theatrical release, Harrison arranged for a screening of her cut for Hitchcock and his wife Alma, James and Gloria Stewart and the film’s producer Herbert Coleman, which ended with a divided audience. Ultimately the film’s producer and distributors swayed Hitchcock to their side and the scene stayed in, with Hitchcock later stating that he preferred suspense to surprise.

Fueled by remorse and vengeance, a high schooler named Terry McGinnis revives the role of Batman. Under the supervision of an elderly Bruce Wayne, he fights crime in a harsh, futuristic Gotham.

This is a TV to Movie edit of Batman Beyond.

The infamous flop shortened by half an hour, distracting side-plots removed from the film to hopefully make it feel a little more buoyant.

At 2 hours and 32 minutes, "The Batman Unmasked" doesn't redefine the original source but delivers a leaner thriller while maintaining the essential mood and story.

This is all the cuts made by the original editor upgraded to HD

This fan edit splits up The Batman (2022) movie into a four episode miniseries, making the 3 hour epic more digestible and providing a Graphic Novel type experience. The narrative changes slightly with little cuts here and there, some rearranged and re-scored scenes, a deleted scene added back in and a new ending.

A streamlined and fast-paced narrative, in the structural and musical spirit of either the Lord of the Rings franchise or the original, epic score. Season 3 in 3 hours and 4 minutes - either with Howard Shore or the original Game of Thrones score.

This is a leaner version of Black Widow that adds back in multiple deleted scenes

A fresh attempt to implement Roger Ebert's suggestion for the climax of Psycho by cutting down five minutes of anticlimactic psychiatric exposition that would already be obvious to modern viewers. A new, more seamless edit than the one apparently used by Stomachworm in their original version of this edit.

The movie is about the united states war on drugs and what does it mean for the ones affected by it, actively and passively. We get to experience it through Kate (as she´s us) and aren´t able to fathom the politics of it.
Additionally Taylor Sheridan incorporated the view of a mexican police officer, named SIlvio. That´s the point where my thoughts and edit comes in. As Sheridans approach and intend is just, i never connected to SIlvio and his fight to provide for his family. Perhaps we shouldn´t. Therefore i got the feeling that the movies grip is loosen on me. So i thought:
What would it be like, if all reference to silvios background is cut and he´s just a corrupt cop who´s merly a tool for both sites? Alejandro certainly doesn´t care much as well as the cartel.
What this war does to mexican people is a little more in-depth with Solimas Sequel.

The Extended Cut with the early structure altered back to that of the Theatrical Cut.

The usual removal of superfluous shots and scenes for a tighter narrative and less distraction, plus a remixed beginning for a little misdirection.

This edit retells the story of Joker in four parts and leans into the unreliable nature of the character.

This edit began with a need to cut all the jokes that ruined the tension of the action, and the pacing of the dialogue. Underneath all those bad jokes was a strong and intense film, so those jokes and attempts at humor were cut. And added deleted scenes were put in to ehance the dramatic feel.

New credits
Trimmed a few scenes.
Replaced the original William Olvis score with Angelo Badalamenti where possible.
A new altered open ending

This edit combines all three of the Lunar themed episodes into one extended TV movie.

This edit aims to improve on the pace of the original in areas where it is unnecessarily slow, as well as remove all reference to the spiders.

This edit aims to keep the ambiguity of whether Reese can be trusted and if his story is even true for as long as possible. The audience is learning information along with Sarah instead of being way ahead of her.

- Replace the majority of the music with music from other films in the series.
- Up the pace. This movie has a weird structure in that there really isn't a big action scene till almost halfway through the film, and then it's just non-stop action for the second half. The middle third of the film needs some serious trims to get the film moving.
- Remove a lot of the over the top John Woo moments. I love John Woo, and I definitely still want it to feel like a John Woo film, but they go so hard on some of his trademarks that it ventures into parody. Slow motion scenes that drag on or show the same shot from 5 different angles will be trimmed. Some of the slow-mo will be trimmed just for action pacing.

Even with the shutting down of the X-Files, Mulder & Scully find themselves once again uncovering clues to the ongoing government conspiracy they have been seeking to uncover for the last 5 years.

File X-S5E21 - Mulder and Scully discover a government coverup in connection to an alien virus.
File X-S5E22 - The X-Files have been shut down and Scully has vanished after suddenly falling ill to what Mulder believes is an alien virus.

An Irish terrorist seeks revenge on Jack Ryan and his family after the death of his brother at the hands of Ryan.

Shutter Island retold in the style of Memento. Scenes have been rearranged and the story altered to give a new ending.

This puts back the original ending that preview test audiences saw, upscaled and improved.

Leonard Shelby can't make new memories. He can remember everything up until the night that his wife was murdered, but everything that happens after fades within a few minutes. Ever since that night, Leonard has been searching for the man that killed his wife, John G.

Leonard wakes up in a motel room and receives a phone call. 5 hours later, Leonard pulls up to a tattoo parlor with information that could enable him to finally track down John G and get revenge. The two plotlines proceed chronologically in parallel until they both culminate in a shocking conclusion.

Moonraker is the film that famously sent Bond to outer space. After the success of The Spy Who Loved Me, the producers wanted to go one step further and go even bigger. That, combined with the obvious influence felt by successful films like Star Wars and Close Encounters of the Third Kind, led to one of the most successful but divisive films in the series' long history.

After the success of Timothy Dalton's first outing as James Bond in The Living Daylights, anticipation was high for the follow up. However, with a more ruthless take on the character and more violence which caused particular trouble in the UK market where it became the first Bond film to receive a 15 rating, Licence To Kill did suffer somewhat at the box office. It was still a hit, but due to legal issues it would be the last Bond film for 7 long years and the last Dalton Bond film.

It's a shame, as the film on the whole has a lot to offer. Dalton is terrific as Bond, arguably the closest anyone has got to playing the character as Fleming wrote him, and Robert Davi's Sanchez is one of the most realistic and finest villains in the long history of the series. However, the film is not without its problems. Considering John Glen is an experienced Bond director, the film feels somewhat clumsy at times, particularly in some of the editing and most noticeably in the performance of Talisa Soto as Sanchez's girlfriend, Lupe. Also, such is the serious nature of Dalton's Bond, the few attempts at humor do not work that well.

A simple, unnecessary, but fun extended edition to "the ninth film by Quentin Tarantino", Once Upon a Time in Hollywood.

I've reinserted all deleted scenes, making the runtime just a couple minutes over three hours, adding twenty-three minutes of footage to the film.

While SCREAM 4 was mostly considered as a return to form after the lackluster third installment, I still believed that the pacing and overall tone of the film could be improved with the addition of deleted scenes and the removal of some humor and other bits that hurt the movie.

Gluttony. Greed. Sloth. Wrath. Pride. Lust. Envy. Two cops track a brilliant and elusive killer who orchestrates a string of horrific murders, each kill targeting a practitioner of one of the Seven Deadly Sins. The Sinful Cut extends an almost perfect film with an all new opening an several deleted scenes. Six new and extended scenes have been masterfully reintegrated into the movie with 6 more minutes of Fincher Footage.

A New York cabbie and author of a conspiracy theory newsletter seeks the aid of a government employee after he falls victim to a conspiracy that threatens his life.

When Captain America awakens after 70 years of suspended animation, he must navigate a modern world where nothing is black and white and conspiracy lurks around every corner.

Die Hard is the pinnacle of action movie goodness in my opinion and cannot be improved upon as its completely perfect as it is. However as its one of my favourite films I was intrigued whether I could put a different spin on it to give it some fresh appeal. It struck me that as McClane spends nearly the entire runtime of the movie apart from all the other protagonists I could maybe use splitscreen to give the impression of multiple events taking place at once. Thus the idea for Die Hard 'til Midnight was born, and the edit evolved as a Die Hard/24 style (semi) real-time thriller.

I'm a big fan of Tim Krabbe's horror novel The Golden Egg and George Sluizer's 1988 movie adaptation Spoorloos. That shocking ending gave me nightmares for weeks. The 1993 American remake didn't work. The story is too blunt and tragic for the Hollywood standards, and to change that is to kill the most terrifying aspect of the film. I do think the US version has a lot going for it tho. Jeff Bridges is completely terrifying and Kiefer is a more likeable lead (which would make the character's fate even more painful to watch).

That's why I decided to recut the film, removing the dumb changes and preserving the essence of the story and its terrifying conclusion. I'm pretty sure it's been done before, but I decided to do my own version and share it with whoever might be interested.