Haunted by a tragedy that broke her world apart, Jessica Jones settles in Hell's Kitchen, New York City, and opens her own detective agency, called Alias Investigations. She discovers that the source her trauma, a mind-controlling sociopath named Kilgrave, has cheated death. She uses her abilities, super and otherwise to find him before he can hurt anyone else.

This is a fanmix of Peter Weir's classic The Truman Show, reimagined as a psychological thriller in the style of Hitchcock/Lynch, viewed exclusively through Truman's perspective.

I've removed the “flashback scene” from Vertigo to align with a) the source novel “D’entre Les Morts” and b) Alfred Hitchcock’s longtime screenwriter/uncredited collaborator Joan Harrison’s insistence that the movie worked better without this scene, which gives away a major plot twist nearly half an hour before the film's climax. Prior to its theatrical release, Harrison arranged for a screening of her cut for Hitchcock and his wife Alma, James and Gloria Stewart and the film’s producer Herbert Coleman, which ended with a divided audience. Ultimately the film’s producer and distributors swayed Hitchcock to their side and the scene stayed in, with Hitchcock later stating that he preferred suspense to surprise.

Fueled by remorse and vengeance, a high schooler named Terry McGinnis revives the role of Batman. Under the supervision of an elderly Bruce Wayne, he fights crime in a harsh, futuristic Gotham.

This is a TV to Movie edit of Batman Beyond.

At 2 hours and 32 minutes, "The Batman Unmasked" doesn't redefine the original source but delivers a leaner thriller while maintaining the essential mood and story.

This is all the cuts made by the original editor upgraded to HD

This fan edit splits up The Batman (2022) movie into a four episode miniseries, making the 3 hour epic more digestible and providing a Graphic Novel type experience. The narrative changes slightly with little cuts here and there, some rearranged and re-scored scenes, a deleted scene added back in and a new ending.

A streamlined and fast-paced narrative, in the structural and musical spirit of either the Lord of the Rings franchise or the original, epic score. Season 3 in 3 hours and 4 minutes - either with Howard Shore or the original Game of Thrones score.

This is a leaner version of Black Widow that adds back in multiple deleted scenes

A fresh attempt to implement Roger Ebert's suggestion for the climax of Psycho by cutting down five minutes of anticlimactic psychiatric exposition that would already be obvious to modern viewers. A new, more seamless edit than the one apparently used by Stomachworm in their original version of this edit.

The movie is about the united states war on drugs and what does it mean for the ones affected by it, actively and passively. We get to experience it through Kate (as she´s us) and aren´t able to fathom the politics of it.
Additionally Taylor Sheridan incorporated the view of a mexican police officer, named SIlvio. That´s the point where my thoughts and edit comes in. As Sheridans approach and intend is just, i never connected to SIlvio and his fight to provide for his family. Perhaps we shouldn´t. Therefore i got the feeling that the movies grip is loosen on me. So i thought:
What would it be like, if all reference to silvios background is cut and he´s just a corrupt cop who´s merly a tool for both sites? Alejandro certainly doesn´t care much as well as the cartel.
What this war does to mexican people is a little more in-depth with Solimas Sequel.

The Extended Cut with the early structure altered back to that of the Theatrical Cut.

The usual removal of superfluous shots and scenes for a tighter narrative and less distraction, plus a remixed beginning for a little misdirection.

This edit retells the story of Joker in four parts and leans into the unreliable nature of the character.

This edit began with a need to cut all the jokes that ruined the tension of the action, and the pacing of the dialogue. Underneath all those bad jokes was a strong and intense film, so those jokes and attempts at humor were cut. And added deleted scenes were put in to ehance the dramatic feel.

New credits
Trimmed a few scenes.
Replaced the original William Olvis score with Angelo Badalamenti where possible.
A new altered open ending

This edit combines all three of the Lunar themed episodes into one extended TV movie.

This edit aims to improve on the pace of the original in areas where it is unnecessarily slow, as well as remove all reference to the spiders.

This edit aims to keep the ambiguity of whether Reese can be trusted and if his story is even true for as long as possible. The audience is learning information along with Sarah instead of being way ahead of her.

- Replace the majority of the music with music from other films in the series.
- Up the pace. This movie has a weird structure in that there really isn't a big action scene till almost halfway through the film, and then it's just non-stop action for the second half. The middle third of the film needs some serious trims to get the film moving.
- Remove a lot of the over the top John Woo moments. I love John Woo, and I definitely still want it to feel like a John Woo film, but they go so hard on some of his trademarks that it ventures into parody. Slow motion scenes that drag on or show the same shot from 5 different angles will be trimmed. Some of the slow-mo will be trimmed just for action pacing.

Even with the shutting down of the X-Files, Mulder & Scully find themselves once again uncovering clues to the ongoing government conspiracy they have been seeking to uncover for the last 5 years.

File X-S5E21 - Mulder and Scully discover a government coverup in connection to an alien virus.
File X-S5E22 - The X-Files have been shut down and Scully has vanished after suddenly falling ill to what Mulder believes is an alien virus.

An Irish terrorist seeks revenge on Jack Ryan and his family after the death of his brother at the hands of Ryan.

Shutter Island retold in the style of Memento. Scenes have been rearranged and the story altered to give a new ending.

This puts back the original ending that preview test audiences saw, upscaled and improved.

Leonard Shelby can't make new memories. He can remember everything up until the night that his wife was murdered, but everything that happens after fades within a few minutes. Ever since that night, Leonard has been searching for the man that killed his wife, John G.

Leonard wakes up in a motel room and receives a phone call. 5 hours later, Leonard pulls up to a tattoo parlor with information that could enable him to finally track down John G and get revenge. The two plotlines proceed chronologically in parallel until they both culminate in a shocking conclusion.

Moonraker is the film that famously sent Bond to outer space. After the success of The Spy Who Loved Me, the producers wanted to go one step further and go even bigger. That, combined with the obvious influence felt by successful films like Star Wars and Close Encounters of the Third Kind, led to one of the most successful but divisive films in the series' long history.

A tighter, more focused story of savvy criminal defense lawyer, known for doing the right thing for the wrong people, who decides to use his connections for some quick cash. But the House always wins in the end.

There are some great scenes and monologues in this movie that I wanted to highlight, and some terrible acting and monologues I wanted to remove. For MANY reasons, I ended up removing the whole Malkina subplot and kept her to a simple strong woman that was to intimidating for Reiner. Then, there simply wasn't enough character development (with good writing) for any of the women IMO, so I ended up focusing on the POV of the Counselor mainly, removing most all the scenes without the Counselor or Reiner involved. With a tandem story of the drug shipment's journey from Juarez to Chicago.

The film has been expanded with 7 minutes of footage from La La Land

Part Special Project/part Fan-fix of a Hitchcock classic, this edit favours the parent's perspective with an aim to keep the audience just as much in the dark. Cuts and trims for pacing have been made with the modern viewer in mind, along with the removal of unnecessary exposition and awkward humour. The intro, outro and Albert Hall sequences have also been re-scored with more recent and polished recordings (original audio also included).

A View to a Kill is often classified as Roger Moore's one outing too far - in other words, it's the Bond film where he's too old to play the part. However, that in itself has never bothered me - why can't we have an older version of Bond anyways? But there's little doubt that A View to a Kill is not a perfect Bond film. From the ill advised use of the Beach Boys song "California Girls" during the opening ski chase, to the over use of sexual innuendos which even for Moore are a little too much, to the inconsistent quality of editing and choreography for some of the fight scenes, there's still plenty to fix here for a faneditor.

JAWS 2 - Extended with every last scrap of analog and digital deleted footage available

MI6 agent, James Bond, earns his 00 agent license to kill and becomes the infamous 007.

Spider-Man 3 Back and Black follows the struggles between Peter Parker and Mary Jane Watson's relationship, and also more focuses on the side of Sandman and not as much focusing the attention on Venom.

Zach's synopsis: By removing Edward Norton’s voiceover, FIGHT CLUB gets to be a much more introspective and artsy film.

All I've done past that is adjust and restructure some shots to flow better with the lack of narration.

After the success of Timothy Dalton's first outing as James Bond in The Living Daylights, anticipation was high for the follow up. However, with a more ruthless take on the character and more violence which caused particular trouble in the UK market where it became the first Bond film to receive a 15 rating, Licence To Kill did suffer somewhat at the box office. It was still a hit, but due to legal issues it would be the last Bond film for 7 long years and the last Dalton Bond film.

It's a shame, as the film on the whole has a lot to offer. Dalton is terrific as Bond, arguably the closest anyone has got to playing the character as Fleming wrote him, and Robert Davi's Sanchez is one of the most realistic and finest villains in the long history of the series. However, the film is not without its problems. Considering John Glen is an experienced Bond director, the film feels somewhat clumsy at times, particularly in some of the editing and most noticeably in the performance of Talisa Soto as Sanchez's girlfriend, Lupe. Also, such is the serious nature of Dalton's Bond, the few attempts at humor do not work that well.

A simple, unnecessary, but fun extended edition to "the ninth film by Quentin Tarantino", Once Upon a Time in Hollywood.

I've reinserted all deleted scenes, making the runtime just a couple minutes over three hours, adding twenty-three minutes of footage to the film.

While SCREAM 4 was mostly considered as a return to form after the lackluster third installment, I still believed that the pacing and overall tone of the film could be improved with the addition of deleted scenes and the removal of some humor and other bits that hurt the movie.

Gluttony. Greed. Sloth. Wrath. Pride. Lust. Envy. Two cops track a brilliant and elusive killer who orchestrates a string of horrific murders, each kill targeting a practitioner of one of the Seven Deadly Sins. The Sinful Cut extends an almost perfect film with an all new opening an several deleted scenes. Six new and extended scenes have been masterfully reintegrated into the movie with 6 more minutes of Fincher Footage.

Licence to Kill stands out in the Bond series for its sense of danger, brutal villains, and Timothy Dalton's driven 007 – but it's got problems, including off-tone comedy, perplexing love interests, and an obligation to franchise expectations. Licence to Kill: Recut aims to eliminate these problems.

The Living Daylights stands out in the Bond series for its mix of Cold War espionage and escapist adventure, its tender romance, and Timothy Dalton’s vulnerable 007 – but it’s got problems, including ineffective villains, unnecessary comedy, and an overcomplicated plot. The Living Daylights: Recut aims to eliminate these problems.

Millionaire loaner Nicholas Van Orton receives a birthday present from his brother, a game to bring fun to his life, or take it all away….

Spectre was an attempt by Eon Productions and director Sam Mendes to embrace the grandiose nature of the Bond films of yesteryear, both in terms of the locales used, the scope of the picture and in bringing back the arch villain Blofeld and the Spectre organisation. Whilst it was wildly successful at the box-office, the reception on the film was very mixed. Some reveled in the large scale nature of the film, whilst others cited a poor script, lacklustre direction and a poorly executed idea of linking all the Daniel Craig Bond films together - not to mention the little controversial storyline regarding Blofeld being related to Bond as an adoptive brother.

B+ edit number 3 is a light trimming of the excellent 80’s cult B-movie “The Hidden”. As per usual, the narrative is kept mostly intact, with light trims for pacing and cuts made in favour of removing poor FX, weak acting, trashy elements and misplaced humour. With only 4 minutes cut, The Hidden: B+ Movie Edition is marginally shorter, but considerably tighter, with a tone more consistent and suited to its higher tier script.