Frank Miller's Dark Knight Returns is the key graphic novel that modernized and re-energized the Batman character in 1986. Previously, most people knew Batman only from the colorful 1966 TV show or the silly Superfriends cartoons. Of course, many other artists have contributed to Batman's evolution throughout the years, such as Alan Moore, Neil Adams, Jim Aparo, Denny O'Neil and Dick Giordano. Without Dark Knight Returns, however, Tim Burton's Batman or any of the later movies wouldn't have existed. Basically, the character of Batman is what he is today thanks to Frank Miller's masterpiece.

In 2012, Warner released an animated adaptation of the graphic novel which was completely misunderstood by the creative team. Many of the things that made the graphic novel great were ignored or re-interpreted poorly. The first offence they committed was to divide the story in 2 chapters instead of the original 4, thus they had to reorganize the structure to make that change work even if it was nonsensical. Other changes made that didn’t make sense include: introducing the Joker as a drooling idiot; the bright-as-day action sequences with Batman in kung-fu fights that lasted comically long; the awful narration that replaced the tortured inner dialogue from the graphic novel that made it seem like Bruce Wayne was senile, etc. The list goes on and on.

A more streamlined Justice League cut with added deleted scenes from trailers and bonus material. I’ve tried to keep it in the spirit of the previous films as much as possible, while still keeping the lighter tone. This is to improve the balance between the Joss Whedon reshoots and what Zack Snyder originally shot.

Two years ago, in the final battle between Superman and Zod, Metropolis was destroyed. Now the city is slowly rebuilding, but some wounds never truly heal, and a dark vigilante has emerged from the shadows to bring justice to the man responsible. Featuring material from both versions of the film, Mr. Blue presents a faster paced, action packed recut of the most highly anticipated comic book movie of all time

Gotham's crime bosses are in fear. A mysterious dark crusader is bent on wiping out the city's heads of crime, for good. All evidence points towards the Batman. Has the cape crusader crossed the line and become the very thing he has sworn to protect Gotham from, or has a darker presence emerged in the night?
Watch the mystery unfold in DigModiFicaTion's TV cut of Mask of the Phantasm. See the origin of the Batman in episodic form, presented as a pilot series of the Emmy winning Batman: The Animated Series.

Featuring:
- Batman: The Animated Series Opening and Closing Credits
- Custom Mask of the Phantasm Title Cards
- Previously on Batman openings
-Removal of visually suggestive themes to align with 90's TV

'No Justice' refocuses "Batman v. Superman" on its central conflict between Man and God. All aspects of its 'Dawn of Justice' subtitle are excluded: Wonder Woman, the Justice League, Doomsday, Darkseid and the Kryptonian ship. These omissions create a more coherent and accessible story, intended for a wider audience.

The main change is that the Martha-name-correlation as the basis for Batman's change of mind is removed and replaced by Lois Lane's work to discover how Lex Luthor manipulated them all. That major change led to all the other changes in this fanedit, that imho benefit the movie.

The Killing Joke is one of the most widely popular Joker stories and has been referenced by both Tim Burton and Heath Ledger in how those versions of the Joker were brought to life. The story sees the Joker try to carry out one of his most devious plots, all to make a point that it takes only one bad day for a person to snap. While the Joker carries out his nefarious plot, Batman struggles with the idea that he and his arch-nemesis are locked in a battle that will ultimately lead to one of their deaths.

'Man of Tomorrow' is a narrative experiment that combines Man of Steel and Batman V. Superman into one film. The goal was to use material from both films to form a single, feature-length, 3-act structure that focuses on Superman.