The Expanded Edition aims to extend The Phantom Menace to its maximum possible length with finished effects.

Fourteen new, alternate and extended scenes have been masterfully restored added back into Episode I with 6 more minutes of footage.

Airplane! Long Haul Edition integrates all the deleted and extended scenes from the TV Cut, using a 16mm scan of an original print of the rare cut.

Eight new and extended scenes have been restored and reintegrated into the film, adding three minutes of new gags, jokes and laughs.

Rocketman: Long, Long Time Edition adds back 10 new, extended and alternate scenes, as well as incorperating 4 extended and alternate musical numbers. Over 30 minutes of new footage has been re-edited into the film, but 9 minutes has been cut out, as a lot of the musical numbers have been replaced with these new alternate versions.

The More Roads Edition adds back 8 new scenes, shots and moments into the second installment of one of the greatest movie trilogies of all time. Four minutes of new footage has been added in from a variety of sources to create the longest version of the film.

AtoBtoX is a chronologically restructured version of Deadpool with the deleted and extended scenes reinstated.

This is a full extension of Super 8 with all deleted scenes added back in

LOOPER is an excellent movie, with a few rabbit holes which the deleted scenes go some way to plugging. These scenes also flesh out some additional important character moments, plus there is a new opening credit sequence (I hate when there are no opening credits).

Close Encounter exists in 3 versions. The Theatrical Cut 133 min, The Special Edition, 138 min and the Director's Cut 135 min. All have varied combinations of scenes, some unique to one version. This edit brings them all material together AND fixes the awful blu ray grading which dialled back the intense lighting of the last 20 minutes which flooded theatres and made you feel you were there. This has been fixed.

A sadly not so expansive extended cut of the 2nd live-action Scooby-Doo film.

Three extended and deleted scenes have been added back into the film, integrating 3 minutes of new footage.

Combining aspects of the theatrical release and the extended cut this edit features 4 deleted scenes, a full colour regrade, new subtitles and some rescoring.

A simple, unnecessary, but fun extended edition to "the ninth film by Quentin Tarantino", Once Upon a Time in Hollywood.

I've reinserted all deleted scenes, making the runtime just a couple minutes over three hours, adding twenty-three minutes of footage to the film.

Brilliant neurosurgeon Stephen Strange must find a way to heal his ailing body. His quest brings him to Kamar-Taj in Nepal where he studies under the Ancient One, who teaches him the ways of magic and alternate realities. With new skills of interdimensional travel and spells, Strange soon discovers that he must protect the world from a deadly enemy who is out to destroy it.

The Mystical Cut extends the magical film with a few new scenes and an all new ending. Three new deleted and extended scenes with the alternate film conclusion have been masterfully reintegrated adding two more minutes into the theatrical cut.

A simple extended edition of Spider-Man: Far From Home, reintegrating three deleted scenes back into the film, adding four extra minutes of content.

Gluttony. Greed. Sloth. Wrath. Pride. Lust. Envy. Two cops track a brilliant and elusive killer who orchestrates a string of horrific murders, each kill targeting a practitioner of one of the Seven Deadly Sins. The Sinful Cut extends an almost perfect film with an all new opening an several deleted scenes. Six new and extended scenes have been masterfully reintegrated into the movie with 6 more minutes of Fincher Footage.

The Darklighter Cut masterfully reintegrates all of the scenes with Luke, Biggs and their friends at the Toche Station to where they were in the original shooting script. Five new deleted and extended scenes have been restored and edited back into the classic film adding six more minutes of footage, introducing Luke far earlier than in the theatrical cut.

The Scott Pilgrim film adaptation did not have a straightforward production history. It was written and filmed while the final volume of the original comic book series, Scott Pilgrim’s Finest Hour, had not yet been released; and a substantial amount of the movie had to be cut or reshot due to the MPAA® rating rules changing during production.

These changes meant that, for example, characters would not be allowed to smoke on-screen (leading to a much shorter, reshot first date, in which there is unfortunately less chemistry between the leads), and certain words had to be bleeped out or scenes cut entirely to remove them. Many others were simply cut for time.

While the altered ending that also resulted from these reshoots is more faithful to the comic book and more true to the characters, many of the other changes appear to be driven less by the filmmakers’ creative vision and more by the various externalities of the movie industry.

A strange black entity from another world bonds with Peter Parker and causes inner turmoil as he contends with new villains, temptations, and revenge. This edit combines the Theatrical and somewhat newly released Editor's Cut as well as some shots from the trailers to create the longest possible cut of Spider-Man 3.