The very first Suicide Squad movie ever made (originally in everything but name), now trimmed to make it less cheesy and more worthy of being both called a proper Suicide Squad film and a spin-off of the Arkham videogames.

President elect Lex Luthor uses an approaching Kryptonite meteor en route to Earth to convince people that Superman is mentally unbalanced, making him a danger to everyone. Batman and Power Girl assist Superman as all of them become public enemy number one. With the meteor approaching and Lex himself proving unhinged, can anybody avert disaster?

The Der Stolz Edition of Inglourious Basterds extends the film as four new and extended scenes are masterfully integrated back into the film, reincorperating 6 minutes of new footage.

All new footage with German speaking has been subtitled to match the rest of the film, to engage the audience with an even deeper cut of this masterpiece.

Jurassic World is my second favourite movie in the Jurassic Park franchise but I personally find it flawed in several ways.

The All Super, No Hero Edition adds back 10 new, extended and alternate scenes, extending Wade Wilson's typical origin story by 5 minutes.

Insert fourth wall break here.

The Incredible Hulk: Struggle for Control aims to fit better in the MCU. Informative exposition from the deleted scenes is added, while trimmed for pacing. It shows more of Banner and Ross' motivations, less Betty, less close-up CGI Hulk, more Doc Samson, and more SHIELD:
- Several deleted scenes are added (back) in that add depth to Banner and Ross' characters and makes their motivations clearer. E.g. Banner trying to shoot himself in the opening scene, and Ross saying "He wants to get rid of it. [...] I want what's inside of him."
- Betty in Hulk (2003) was a plausible scientist working with genius Bruce, who showed a strength of character consistent with the comics. Disappointingly, 2008 Betty shows neither. Betty's aspirated one-or-two word lines while staring in the middle distance, suggest that she's constantly at a loss for what to do or think. She is trimmed to look less clueless.
- The CGI is frustrating. The Hulk's steroids-ripped body looks less real than Hulk 2003 and repeatedly fails to inhabit the space it's in. The close-ups look the weakest. They got trims when their bodies failed to convince.
- Fleshing out Doc Samson's character helps to flesh out both Bruce and Betty's. Also, I find the perspective interesting to see how an ordinary human responds when a super-powered person enters his life.
- SHIELD's presence reaffirms the continuity within the MCU. Added to their minor mention in the film is Marvel's One-Shot "The Consultant" as post-credit scene.

The re-telling of the Eastrail 177 Trilogy with a new narrative structure to facilitate surprises, adjustments to reveals, new parallels, new opening and closings and much much more. One can be surprised again.

Redundant threads (marriage issues from Unbreakable and Dr Fletcher from Slpit) and over- exposition (from Glass) have been removed. Scoring has been adjusted to permit music motifs to run through the narrative consistently, Deleted material has been used only where the narrative requires it.

New opening and closing titles have been created and all crew are credited (source IMDB).

The original movie has been re-visualized as long lost VHS recording of a Network television show from 1986. It has been edited into a typical 47 minute length episode with created Opening & Closing Titles and commercial breaks. Authentic commercials from 1986 (of a lower video quality) have been used. The movie has been reframed/cropped as 640x480 with Pan & Scan where needed, and slightly degraded with the use of Gaussian Blur and a VHS tracking overlay to help sell the illusion of VHS.

Main Changes:
No V.O. - "Show, don't tell" philosophy (try to give more discovery of mysteries to the viewer) means no voiceover at all - not even the memory voiceover from Gaff as Deckard looks at the origami unicorn. The goal is to tell the story with the emotions of the characters instead of spoon-feeding info.

No Unicorn Dream - For me, the "Deckard is a replicant" question is more interesting as an open-ended question than the execution we got, so no unicorn dreams here. The audience today is much more aware of the tech and concepts of the movie than the average 80s viewer, so the movie keeps the original spirit but leaves more dots to connect for the modern viewer.

More Pollution - I love all the new higher Res releases of Blade Runner, but to me the better resolution removed a lot of the gitty pollution-like vibe to the world of Blade Runner. Here, the outside scenes are adjusted to feel dirtier, which also allowed me to insert upscaled footage of deleted scenes that hopefully stand out less.

No Dates - all references to the year dates are removed.

No "Trapped Rachael" Scene - I know I am going to get hate for this but there is one particualr part of this film which has not aged well. People like to say this movie is about replicants because of Roy Batty and crew, but simutaneously write off how utter fucked up Rachael's experience must be too, arguing that the scene is needed to show an aspect Deckards growth in regards how he treats replicants, how he fundamentally sees them.