The Complete Riddle reintegrates two deleted scene back into the latest and longest Batman endevour. Six minutes have been edited into the film, making the film now over 3 hours.

The famous deleted Arkham scene is back in the film, where it was intended to be, along with one other scene.

Fueled by remorse and vengeance, a high schooler named Terry McGinnis revives the role of Batman. Under the supervision of an elderly Bruce Wayne, he fights crime in a harsh, futuristic Gotham.

This is a TV to Movie edit of Batman Beyond.

This edit removes the extensive expository dialogue from Gordon, makes the Penguin a strong mob-boss (not a buffoon), changes Batman's overall arc, and restructures the storyline to remove and replace the studio tacked-on flood/shooter ending.

At 2 hours and 32 minutes, "The Batman Unmasked" doesn't redefine the original source but delivers a leaner thriller while maintaining the essential mood and story.

Enjoy Scaperat's original vision, with updated visual fidelity, sound design, and transitions. I have been working on enhancing and revising this classic edit by Scaperat.

Batman & Robin DEEP FREEZE doesn't attempt to be as serious as The Batman or as dark as the Nolan trilogy, but something closer to the feel of The Animated Series, just in live form. Mr. Freeze, now a more sympathetic villain, has little to no one-liners, Bane is completely excised and Poison Ivy isn't created by a mad scientist pushing her into a shelf. There is no Elliot Goldenthal Batman theme, but a lot of his music is still included. New opening titles and a small set of end credits have been created (and of course giving Bill Finger the credit he deserves).

This fan edit splits up The Batman (2022) movie into a four episode miniseries, making the 3 hour epic more digestible and providing a Graphic Novel type experience. The narrative changes slightly with little cuts here and there, some rearranged and re-scored scenes, a deleted scene added back in and a new ending.

Blueyoda made an incredibly accurate-to-the-comic edit of the terrible theatrical release of Batman : The Killing Joke. For me though, it still didn't capture the darkness I felt when I originally read the comic, lingering on each page to soak it all in, before I moved to the next daunting page. As much as this was about Batman and Joker coming to terms with their similar motivations to become who they are, this was always more of a Joker story, with Batman reacting to it.

Mine breaks comic accuracy for a more cinematic experience, all about the vibe, lots of dialogue cut here and there. Batman talks less, hopefully more stoic. Little FX touches too, like trying to extend Gordon looking up at Batman out of the cage and making is pupils go from tiny to normal to emphasize his mental state better.

As Bruce Wayne reconnects with Selina Kyle, his alter ego's eternal enemy is hell bent on proving a point, and nooone, not Thomas Elliot or Barbara Gordon, are going to stand in the way of that

Inspired by what we know of earlier versions of the film, with my own preferences injected, this is an extended and resequenced version of Batman Forever.

The original adaptation of the concise graphic novel had added material to "pad it up" to a feature length running time to justify the price tag of a DVD or blu-ray. Unfortunately most of the added material is garbage. This removes almost all the added material and restores this to a proper adaptation of the graphic novel.

The very first Suicide Squad movie ever made (originally in everything but name), now trimmed to make it less cheesy and more worthy of being both called a proper Suicide Squad film and a spin-off of the Arkham videogames.

Frank Miller's Dark Knight Returns is the key graphic novel that modernized and re-energized the Batman character in 1986. Previously, most people knew Batman only from the colorful 1966 TV show or the silly Superfriends cartoons. Of course, many other artists have contributed to Batman's evolution throughout the years, such as Alan Moore, Neil Adams, Jim Aparo, Denny O'Neil and Dick Giordano. Without Dark Knight Returns, however, Tim Burton's Batman or any of the later movies wouldn't have existed. Basically, the character of Batman is what he is today thanks to Frank Miller's masterpiece.

In 2012, Warner released an animated adaptation of the graphic novel which was completely misunderstood by the creative team. Many of the things that made the graphic novel great were ignored or re-interpreted poorly. The first offence they committed was to divide the story in 2 chapters instead of the original 4, thus they had to reorganize the structure to make that change work even if it was nonsensical. Other changes made that didn’t make sense include: introducing the Joker as a drooling idiot; the bright-as-day action sequences with Batman in kung-fu fights that lasted comically long; the awful narration that replaced the tortured inner dialogue from the graphic novel that made it seem like Bruce Wayne was senile, etc. The list goes on and on.

• Less populous motivations throughout, more focus on the current problems being a result of the lie that Bruce and Gordon created.
• Bruce is not old and hurt at the beginning.
• Countdown to Core Meltdown Timecodes added to Bruce's scenes in the pit to spread out the timing of Bruce's recovery.
• Bruce dies at the end.

This edit aims to streamline Joker into a story of class struggle (though a bit of a tongue in cheek one) and less of a Scorsese pastiche superimposed on the Batman universe.

The Justice League: Ultimate Edition, aims to reinsert as much deleted footage from trailers, TV spots, promo material, behind the scenes featurettes, VFX Reels, Blu-Ray deleted scenes and a few fanedits to create the longest possible version of the Theatrical Cut.
It's not anything too spectacularly different, but it's four minutes longer with almost 70 alternate, deleted, extended and new shots and scenes added to the running time. Everything has been painstakingly colour matched with the theatrical footage and rescored with the OST with added SFX where needed to fill gaps.
This isn't any fancy Snyder Cut, but more of the movie you saw in cinemas with a few extra moments sprinkled throughout.

When a villain cold to the touch and a woman who's kiss is lethal to the touch cross paths with Batman and Robin, emotions flare and tension heats up. Will the dynamic duo go into meltdown?

Batman: The Man Who Laughs tries to amplify the strengths of The Dark Knight while omitting some of its weaknesses. Pacing is tightened up, some scenes are restructured, rescored, reordered, or omitted altogether. Lines of dialogue and humor that seemed out of place omitted as well. I usually fanedit awful movies. Here I wanted to take a very good movie and make it the best it could be (IMO).

A more streamlined Justice League cut with added deleted scenes from trailers and bonus material. I’ve tried to keep it in the spirit of the previous films as much as possible, while still keeping the lighter tone. This is to improve the balance between the Joss Whedon reshoots and what Zack Snyder originally shot.

Two years ago, in the final battle between Superman and Zod, Metropolis was destroyed. Now the city is slowly rebuilding, but some wounds never truly heal, and a dark vigilante has emerged from the shadows to bring justice to the man responsible. Featuring material from both versions of the film, Mr. Blue presents a faster paced, action packed recut of the most highly anticipated comic book movie of all time

Gotham's crime bosses are in fear. A mysterious dark crusader is bent on wiping out the city's heads of crime, for good. All evidence points towards the Batman. Has the cape crusader crossed the line and become the very thing he has sworn to protect Gotham from, or has a darker presence emerged in the night?
Watch the mystery unfold in DigModiFicaTion's TV cut of Mask of the Phantasm. See the origin of the Batman in episodic form, presented as a pilot series of the Emmy winning Batman: The Animated Series.

Featuring:
- Batman: The Animated Series Opening and Closing Credits
- Custom Mask of the Phantasm Title Cards
- Previously on Batman openings
-Removal of visually suggestive themes to align with 90's TV

'No Justice' refocuses "Batman v. Superman" on its central conflict between Man and God. All aspects of its 'Dawn of Justice' subtitle are excluded: Wonder Woman, the Justice League, Doomsday, Darkseid and the Kryptonian ship. These omissions create a more coherent and accessible story, intended for a wider audience.

The main change is that the Martha-name-correlation as the basis for Batman's change of mind is removed and replaced by Lois Lane's work to discover how Lex Luthor manipulated them all. That major change led to all the other changes in this fanedit, that imho benefit the movie.

The Killing Joke is one of the most widely popular Joker stories and has been referenced by both Tim Burton and Heath Ledger in how those versions of the Joker were brought to life. The story sees the Joker try to carry out one of his most devious plots, all to make a point that it takes only one bad day for a person to snap. While the Joker carries out his nefarious plot, Batman struggles with the idea that he and his arch-nemesis are locked in a battle that will ultimately lead to one of their deaths.

'Man of Tomorrow' is a narrative experiment that combines Man of Steel and Batman V. Superman into one film. The goal was to use material from both films to form a single, feature-length, 3-act structure that focuses on Superman.

The Dark Knight Rises has some of the strongest elements of the trilogy, but is ultimately weighed down by its bloated running time, illogical narrative (especially in the 3rd act), jokey one-liners, and arguably, the failure to stick the landing in the film's final moments. This edit aims to strip down the finale of Nolan's trilogy to its core, emphasising the stronger aspects of the story and hopefully offering a more emotionally satisfying conclusion to Batman's story as a whole.

The Dark Knight is undoubtedly the crowning achievement of Nolan's Bat-Trilogy. It is rightly considered a classic of modern cinema, however, it is still victim to many of the flaws that plague the trilogy as a whole, including poor humour, weak performances from supporting characters, clunky exposition and jarring narrative details. This edit attempts to tighten up The Dark Knight, trimming those elements that detracted from this wonderful film, hopefully allowing what remains to be all the more enjoyable as a result.

Batman Begins is a great origin story, establishing the gritty and realistic tone that would come to define Nolan's trilogy. Unfortunately, the film is also weighed down by numerous issues, including clunky exposition, poor attempts at humour, distracting CGI effects, and an overly yellow colour grade in many scenes. This edit attempts to fix those issues, hopefully strengthening this already great film and allowing its stronger elements to shine through.

After a transfer from Chicago, James Gordon arrives in Gotham City, a city filled with corruption and violence. He will try to fight back, and bring hope in the city, while a mysterious masked man starts his own war against crime and corruption.

This is a collection of tv clips, televised reviews, television appearances made by the cast, and commercials regarding the theatrical release of The Dark Knight.

Background on the 1989 Batman film. Contains: The Making of Batman, Premiere Movie Special, Various news reports from 20/20, Entertainment Tonight, A Current Affair, MovieTime, TV Commercials.

Batman (1989) minus the Bruce Wayne-Vicki Vale romance subplot, and closer in tone and facts to the original comic books.

Batman faces Catwoman for the first time and finds that he is captivated by her feline beauty. Catwoman exploits her power over Batman and proves that pussy is in total control!

The live-action and animated worlds of Batman collide, as the Caped Crusader struggles to find his true identity within himself after being poisoned by Scarecrow’s fear toxin.

James Gordon: One of Gotham’s finest. How can he trust this “Batman” he knows so little about?

Based off the hit graphic novel ‘The Killing Joke’, this tells the story the tragic story of Barbara Gordon’s transition from Batgirl to Oracle.

A taste of what might have been if the powers that be had opted to bring the Caped Crusader back to TV rather than the movies in the late 80s. This particular “episode” focuses on the Joker’s origin.

The worst film in the series going back to its roots! An infomercial, with an annoyed voice over guy and a guest appearance by everybody’s favorite overlord.

When Barbara decides to visit her uncle Alfred at the Wayne manner,her life is changed forever.

Inspired by the “Hush” comic series for Batman, this is about when Batman first encounters Catwoman. Here we find that maybe Batman isn’t perfect, and that women always rule over our minds and our hearts.

Using footage from several Christian Bale movies and music from The Dark Knight, this story paints a grisly portrait of the psychological effect of guilt.

This is a short animated film Prequel to Batman, Batman Returns, Batman Forever, Batman & Robin, and Batman Beyond (my fan edit) that shows who Bruce Wayne was before he became Batman, marking the numerical first in Animated Prequels/Sequels to the original franchise that the faneditor plans on making.

This fanedit creates a continuous storyline between Batman Begins and Superman Returns. The stories are told in parallel, as both Bruce Wayne and Clark Kent return home, their adventures then converge in an astounding battle of the titans.

Batman is more cynical and Harvey more of an idealist. This version of TDL has an improved pacing and comes in a more “detective” style, making The Joker more mysterious.

A chronological re-order of the entire film for a fresh new ride.

The Red Hood. Vicious. Methodical. Lethal. Who is he, and what is his connection to both Batman and The Joker?

Batman faces his ultimate challenge as the mysterious Red Hood takes Gotham City by firestorm. One part vigilante, one part criminal kingpin, Red Hood begins cleaning up Gotham with the efficiency of Batman, but without following the same ethical code. Killing is an option. And when the Joker falls in the balance between the two, hard truths are revealed and old wounds are reopened.

This fan edit trusts the audience by removing exposition which tells too much story rather than allowing the viewer to experience the adventure and solve the mystery along with Batman, and Batman himself is now in character: a man of action!

A more streamlined version of Batman Begins, with fewer cheesy jokes, less un-Batman-like behavior and, most importantly, a more tolerable Katie Holmes.

Batman faces off against Ra’s Al Ghul when Dick Grayson is kidnapped away at college. Bruce is then reunited with a one time love, Talia, who he later finds out is the daughter of the felon who has kidnaped his young ward.

To make a family friendly, obnoxious, out-dated, 1980s version of the first Batman movie by adding more Pop Songs and upping the color to be big and bright. What the Red Book Edition of Batman Forever and the De-Assified Edition of Batman & Robin did to those movies, 1980s Edition should do the opposite to Batman ’89.