A fresh attempt to implement Roger Ebert's suggestion for the climax of Psycho by cutting down five minutes of anticlimactic psychiatric exposition that would already be obvious to modern viewers. A new, more seamless edit than the one apparently used by Stomachworm in their original version of this edit.

• Disclaimer: Another edit admittedly for a small audience – those that likes Dune 2021 but thought the 1984 version was too confusing. Not for Lynch fans as probably too much is cut for them.

Paul Atreides, a brilliant and gifted young man born into a great destiny beyond his understanding, must travel to the most dangerous planet in the universe to ensure the future of his family and his people. As malevolent forces explode into conflict over the planet's exclusive supply of the most precious resource in existence - a commodity capable of unlocking humanity's greatest potential - only those who can conquer their fear will survive.

This edit focuses on Paul’s journey to awakening, telling only a part one story while avoiding Lynch's wild third act altogether, leaving the weirder parts for the theoretical Part 2 and avoiding the audience-distancing elements until they would have better understanding of the Dune Universe.

This should just be an exciting teaser, using Lynch's visuals, into the world of Frank Herbert's Dune and make you want to learn more. There are many nods to deeper meaning of motivations that can be found in the book for the other characters, but if their arc is not fully filmed in high quality, I try to just give them enough to be interesting and warrant a deeper dive into the source material.

To make a version of the movie for those of us that are not fans of the Scooby Doo B-plot with Millie Bobby Brown (MBB). She only appears in a brief cameo now.

It was important to keep the flow of the main plot while trimming a lot of fat. Lots of trimming even during the main plot; cutaways, repeated dialog etc. It was crucial to me that it still felt like an actual movie while watching this; not just a supercut of the battle scenes or leave you feeling like pieces are missing.

Alien: Resurrection Resurrected is a definitive cut of the 1997 cult classic, combining the best from both official cuts of the film.

Laurel and Hardy's first feature recut as a (rather long) short.

The main source is the 'Director's Cut' workprint blu-ray, with every possible extra shot/scene added from the 'Broadcast Version' blu-ray.

Tightened up the editing/pacing, removed all the unnecessary exposition dumps & cut moments where the Dark Entity slips into humor.

Beyond my normal tightening up of the editing/pacing & giving the film a more consistent tone, I've also removed as much of the 'Haunted House' element as possible, making it easier to tie this one into the continuity of the rest of the series.

Luke Skywalker has vanished.
In his absence, the sinister
FIRST ORDER has risen from
the ashes of the Empire and
will stop at nothing until
Skywalker, the last Jedi, has
been destroyed.

As the peaceful New
Republic struggles to fight
this resurgent menace,
General Leia Organa gathers
her allies and leads a brave
RESISTANCE. She is
desperate to find her brother
Luke and restore hope to the
galaxy.

Searching for clues to Luke’s
whereabouts, Leia’s most
daring pilot has been
intercepted by the First Order
on the desert planet of
Jakku…

The movie is about the united states war on drugs and what does it mean for the ones affected by it, actively and passively. We get to experience it through Kate (as she´s us) and aren´t able to fathom the politics of it.
Additionally Taylor Sheridan incorporated the view of a mexican police officer, named SIlvio. That´s the point where my thoughts and edit comes in. As Sheridans approach and intend is just, i never connected to SIlvio and his fight to provide for his family. Perhaps we shouldn´t. Therefore i got the feeling that the movies grip is loosen on me. So i thought:
What would it be like, if all reference to silvios background is cut and he´s just a corrupt cop who´s merly a tool for both sites? Alejandro certainly doesn´t care much as well as the cartel.
What this war does to mexican people is a little more in-depth with Solimas Sequel.

A movie of The Punisher that feels more in line with the character and takes out the overindulgence the movie tends to have.

My goal here was, as always, to tighten the editing & remove filler- but I've also put more emphasis on the "Face Your Fears & Believe In Yourself" theme, which heavily alters the ending.

My goal here was mostly just to tighten up the editing & remove filler.
The altered ending of NoES [raymix] helps bridge the story together.

Aside from tightening up the editing/pacing, my main goal here was to change original ending- creating something that feels conclusive & also builds a bridge into the sequels.

With this being an episode dealing with the TARDIS as the enemy, I chose to use music more electronic sounding, so Forbidden Planet seemed like a nice addition. I also felt like there were some plot holes on why Susan went nuts earlier on in the episode.

Taking 7 short episodes and editing them down to 2 thrilling longer episodes, this is an edit that I'm VERY proud of. The Daleks continue to be menacing while the Thal's are more mysterious until we learn they are our friends.

In this edit, the Doctor and the gang initially meet in the same way, but when we land in the cavemen era, the story pushes forward a lot more. Major plotlines with no payoff are gone and we see how they learn to work together to escape their situation.

This is a fan edit of the original movie serial retold as one feature length film.

A legendary hitman known as Babayka, comes out of retirement to seek revenge, igniting a killing spree across Rome and New York City.

Moved the pre credits Skydive sequence till after the monastary scene.
Used the precredits scene from A View To A Kill as the new opeing for Moonraker.
Removed Jaws having a girlfriend and many of the Wile E. Coyote comedy slapstick involving Jaws.
Removed the gondola-hovercraft in St. Marks square.
And lastly toned down some of the other silly gags such as the use of the Magnificent Seven theme, but still tried to keep the tone of Moonraker fun and lighthearted.