It is the movie you know except for the very last minute. Believe me, you will never watch that movie the same again.

This is a fanmix of Peter Weir's classic The Truman Show, reimagined as a psychological thriller in the style of Hitchcock/Lynch, viewed exclusively through Truman's perspective.

Adrift in space, the Starbuggers discover the Gemini 12, a derelict with a powerful secret onboard - a device capable of time travel.
Shortly afterwards, they receive a distress call from themselves, 15 years older.
200 years earlier, the Boys from the Dwarf discover a stasis leak on Deck 12 leading back to the ship as it was before the radiation leak that killed the crew.
Across two time zones, Lister and the posse are going to unravel a mystery 3 million years in the making, and face the consequences of their own actions that they haven't actually done yet but possibly definitely will have going to be taken place in the future.
Simple as that.

Jump back on Jump Street! An all new and longer extended cut of Lord and Miller's reboot of the classic TV series!

Seven extended, alternate and deleted scenes have been reintegrated into the film, adding 5 more minutes of Jenko's and Schmidt's high school infiltration!

I watched Love and Monsters when it first became available during quarantine and I was pleasantly surprised what a great movie and somewhat of a hidden gem it is. It has a great balance of humor, heart and its fair share of scary monsters.

I've put back all but 1 of the deleted scenes if for nothing other than to just spend a few extra minutes in this world created in the film.

The only real change I made to the film is moving the fate of Clyde and Minnow to a mid-credits scene so as to not takeaway from the emotional high we feel at the end of the film. Making a joke about Joel at this point was a little out of place and we as an audience needed to arrive at the end of the film feeling uplifted by the swell of the music as Joel becomes a leader.

By cutting out scenes that are out of character and using alternant or deleted material form the movie I wanted to give this movie a different feel. I also rescored scenes with different music to recontextualize or emphasize different moments in the movie.

In this sequel to Army of Darkness, our bumbling hero Ash Williams has enjoyed 25 years of local celebrity in his hometown of Elk Grove, Michigan. For hundreds of years, the evil demon Ruby has wandered the Earth, searching for the Necronomicon Ex-Mortis. When a drug-fueled mistake results in a passage from the Necronomicon being read aloud, Ruby's plan is set into motion and the forces of evil return to our world to destroy mankind. It is up to Ash, his trusty sidekick Pablo, and the descendants of his long-lost knightly companions to send evil back to Hell one last time.

This fanedit is my love letter to John Carpenter's classic horror film "The Thing" but also to that beautiful decade that was the 80s. There are many, many movie and pop culture references throughout; there's a new soundtrack, alternate dialog, new visual effects (some so subtle only the most hardcore The Thing fans will notice) and more Easter eggs than Palmer's got dutchies. Basically, I threw everything but the kitchen sink at this Thing.

One of the slighter offerings from the Hughes/Candy stable of films but a really fun time none the less. Unfortunately things are dragged down by an unnecessary romantic subplot.

Removed narrative clutter for a more fitting tribute to these legendary comics.

A guy named Guy and his buddy Buddy argue about Guy's dream girl until she mysteriously appears to be real. Could this be the moment Guy's been waiting for his whole life? Or could there be some dark secret held by this mysterious girl?

In a funkadelic future Los Angeles, a jaded ex-cop hunts down three androids designed to look human, and he isn’t too concerned about killing a human by “mistake.” Whoopsie.

Laurel and Hardy's first feature recut as a (rather long) short.

Part of an ongoing project to convert the “Avatar: The Last Airbender” series into an alternative, less "bite-sized" format, this edit connects the first three episodes into a single narrative, removing all blackouts/titles/credits. Some tweaks to humour and minor changes to narrative have been made, such as a less melodramatic exit for Aang, tweaks to dialogue to foreshadow episode 3, and a slight shift in the order of events.

A simple extended edition re-inserting all of the deleted scenes featured on the Blu-Ray to the best of my ability.

A rescored version of Mel Brooks Spaceballs with some classic John William's tunes to crank up the Star Wars vibe.

In anticipation of Jackass Forever, I used Jackass 2.5 and 3.5, as well as all of the deleted scenes and outtakes to create new feature length films.
Basically, these are Jackass 2.5 and 3.5, but cutting out all the interview and talking head segements, and then adding more deleted scenes into the films, and restructuring them a little, with new openings and endings.

Almost nothing has been left on the cuttting room floor, as this is just about everything that has been released.

Rango the chameleon undergoes a mind-expanding vision quest.

An archaeological dig uncovers the fossilized remains of Fry's dog Seymour, with the possibility of creating a clone complete with his original personality and memories intact.

Consecution X features nine shorts by six editors, all based on animated source material. Spanning comedy, drama, adventure and fantasy, there's sure to be something for everyone.

Originally written as a wise-cracking Raymond Chandler detective yarn with supernatural elements; the tone shifted once Eddie Murphy was cast in the central role. Out went the sardonic quips from the script and in their place Murphy attempted to ad-lib new jokes throughout most scenes. But the spark wasn’t there the same way it had been for his previous hits and test audiences were not kind.

Their consensus was that at 2 hours the film was too long and slow. And it was decided the orchestral score by John Barry was not helping with the pacing. So with only a couple of weeks to go before its release date the choice was made to chop 30 minutes out of the runtime and replace the music. So Michel Colombier was drafted in to hastily deliver a contemporary synth soundtrack instead.

Usually these abandoned scores are lost to time. But thankfully La-La Land Records released a 3 disc set containing the entirety of John Barry’s discarded work. So its time to see what the film might have been like with the original Barry score.

Eddie Murphy may be the Chosen One... but John Barry is the Unchosen One!

HOOK has enough flaws that it shouldn't work. But it does! The good parts pack enough emotional punch to carry the movie. This edit retains those good parts, cuts over half-an-hour of weak parts, tidies up much in between, and adds two deleted scenes. It keeps Peter's character development front and center, makes his and Hook's characters more consistent, and vastly improves the pacing.

This is probably the closest you'll ever get to see Hughes' original cut of the movie before the studio forced him to cut it down to 97 minutes, a normal length for the type of film it was, at the time it was produced. John Hughes said getting the film greenlit by Universal wasn't easy because the executives complained there were no bare breasts, no party scene, no guys drinking beer, or other things they thought a teenage picture needed at that time.

I felt there were 2 unanswered questions in this movie. Both answers were found in deleted scenes. So I added the 2 deleted scenes back in.

Tony Benedict receives a tip from the Night Fox fueling his revenge on Danny Ocean and his team.

Superhero Movie is almost forgotten parody of the comic book hero genre, and a very short one at that, running at barely 75 minutes.
The Full Hourglass integrates 30 new, extended and alternate scenes, jokes gags and more for a brand new way to see the Dragonfly's origin!
Sixteen minutes have been added to the film, to create a more complete spoof experience!

The Der Stolz Edition of Inglourious Basterds extends the film as four new and extended scenes are masterfully integrated back into the film, reincorperating 6 minutes of new footage.

All new footage with German speaking has been subtitled to match the rest of the film, to engage the audience with an even deeper cut of this masterpiece.

The All Super, No Hero Edition adds back 10 new, extended and alternate scenes, extending Wade Wilson's typical origin story by 5 minutes.

Insert fourth wall break here.

The original movie has been re-visualized as long lost VHS recording of a Network television show from 1986. It has been edited into a typical 47 minute length episode with created Opening & Closing Titles and commercial breaks. Authentic commercials from 1986 (of a lower video quality) have been used. The movie has been reframed/cropped as 640x480 with Pan & Scan where needed, and slightly degraded with the use of Gaussian Blur and a VHS tracking overlay to help sell the illusion of VHS.

Airplane! Long Haul Edition integrates all the deleted and extended scenes from the TV Cut, using a 16mm scan of an original print of the rare cut.

Eight new and extended scenes have been restored and reintegrated into the film, adding three minutes of new gags, jokes and laughs.

The More Roads Edition adds back 8 new scenes, shots and moments into the second installment of one of the greatest movie trilogies of all time. Four minutes of new footage has been added in from a variety of sources to create the longest version of the film.

AtoBtoX is a chronologically restructured version of Deadpool with the deleted and extended scenes reinstated.

A sadly not so expansive extended cut of the 2nd live-action Scooby-Doo film.

Three extended and deleted scenes have been added back into the film, integrating 3 minutes of new footage.

With a shorter runtime, cut awkward jokes and poor VFX shots, and improved monster effects compositions in the finale, RePlucked offers a tighter, cleaner, better version of Willard Hyuck's 1986 film.

This edit transforms a feature-length slasher movie in a (mostly) sanitized 80's sitcom.

The live-action Scooby-Doo film from the early 2000s has now been extended with 7 new deleted and extended scenes, including a new alternate opening.

Eight minutes of restored and reintegrated footage has now been woven back into the classic Mystery Inc. Caper!

My first fan-edit deserved a new look since the original movie was finally released at a considerably higher quality on Blu-ray in April of 2020

As an avid golfer, there are some great golf moments in this movie. There is unfortunately an over-the-top “80s romance” too, which hasn’t aged that well. My editing goal is to focus on the golf.

In this new version, Molly is edited to be “less damsel-like” and seems smarter, more confident. And the golf gets the highlight it deserves with this new upgrade to the film quality.

When I was preparing the cover art, I found an awesome set photos with a monotone color grading that has a cool blue tint. I loved the way the photo felt classic and special. The set photos felt almost “Rat Pack” cool. I love the original movie and especially the new HD release, but the overall color saturation and obviously dated technology made it feel dated as well IMO. So I dove back in and tested an idea.

Personally, I love the new “cool blue noir” look. The footage feels more timeless, and the old technology isn’t as distracting. The fashion looks less distracting too, allowing to focus on the golf.

Both the "Timeless" B&W version and the original color version are available.

The story of 5 friends form Erie, PA who find themselves on a journey of wonder as they rise the charts doing that thing they do.

Danny Madigan is a huge fan of Jack Slater, an action hero played by Arnold Schwarzenegger. When his best friend, Nick the projectionist, gives him a magic ticket to the newest Jack Slater movie, Danny is transported into Slater's world, his number one hero where the good guys always win. It's a dream come true for Danny, but things take a turn for the worse when one of Slater's enemies, Benedict the hit man, gets a hold of the ticket and ends up in Danny's world. Slater and Danny must join forces to stop him at all costs before it'll be the end of Jack Slater.

Once upon a time... in the Golden Age of 1960s Hollywood, Rick Dalton (Leonardo Dicaprio), star of hit TV series such as “Bounty Law”, along with his stunt double Cliff (Brad Pitt) is on the downtrend, his failure
of a glamorous film career has left him with nothing. His self-confidence isn’t helped by superstar Sharon Tate (Margot Robbie) moving in next door to him. But when he gets the opportunity to work on another tv western,
Rick is going to prove to Hollywood and himself that he still has what it takes. And the best part is there is no pointless Manson Family Sub-Plot to get in the way of that.

This edit aims to streamline Joker into a story of class struggle (though a bit of a tongue in cheek one) and less of a Scorsese pastiche superimposed on the Batman universe.

The Elemental Expansion Edition aims to create the longest possible cut with footage taken from trailers, TV Spots and the Blu-Ray bonus scenes.

This cut adds 11 new scenes, shots and lines, expanding the runtime with 7 new minutes of footage, as well as restructing the ending of the film for a more fluid finale, with the mid-credits now being attached to the rest of the film.

Crank: The SOS Cut is a faster paced cut down version of the original two films. In this edit I mainly remove multiple characters and shorten conversations so it sticks purely to the action,

A time-warped swinger must get hip quick and discover that there's no free love in the 90's while stopping a bald man with an eye deformity and his plan to hold the world hostage with a nuclear drill for a hefty ransom.

The Shagadelic Special Edition adds 5 more minutes with 10 extended and added scenes for more wacky hijinks with the UK's favourite gentleman spy.

I made Nesmith's first visit to the ship a little more ambiguous by deleting the shot of the limo being beamed up. And I restored Gwen's f-bomb.

The dreadful manifestation of the evil sixteenth-century tyrant, Vigo the Carpathian, threatens to plunge the entire city into darkness unless the selfless Ghostbusters take action. Can they stop New York from being sucked down into the 10th level of hell - again?

Five deleted, alternate and extended scenes have been masterfully reintegrated into the movie. adding four more minutes of footage to the repetitive sequel we all know and tolerate.

A simple, unnecessary, but fun extended edition to "the ninth film by Quentin Tarantino", Once Upon a Time in Hollywood.

I've reinserted all deleted scenes, making the runtime just a couple minutes over three hours, adding twenty-three minutes of footage to the film.

I appreciate what Jim Carrey and Ron Howard did for the movie, but the problem with Carrey's humor is that it was great in the 90's, but now it just feels a bit much. I really liked A LOT of what they did to flesh out the story, I tried to keep it more focused on the story and less on giving Jim Carrey several minutes of complete improv sessions.

A simple extended edition of Spider-Man: Far From Home, reintegrating three deleted scenes back into the film, adding four extra minutes of content.

The Scott Pilgrim film adaptation did not have a straightforward production history. It was written and filmed while the final volume of the original comic book series, Scott Pilgrim’s Finest Hour, had not yet been released; and a substantial amount of the movie had to be cut or reshot due to the MPAA® rating rules changing during production.

These changes meant that, for example, characters would not be allowed to smoke on-screen (leading to a much shorter, reshot first date, in which there is unfortunately less chemistry between the leads), and certain words had to be bleeped out or scenes cut entirely to remove them. Many others were simply cut for time.

While the altered ending that also resulted from these reshoots is more faithful to the comic book and more true to the characters, many of the other changes appear to be driven less by the filmmakers’ creative vision and more by the various externalities of the movie industry.