President elect Lex Luthor uses an approaching Kryptonite meteor en route to Earth to convince people that Superman is mentally unbalanced, making him a danger to everyone. Batman and Power Girl assist Superman as all of them become public enemy number one. With the meteor approaching and Lex himself proving unhinged, can anybody avert disaster?

The All Super, No Hero Edition adds back 10 new, extended and alternate scenes, extending Wade Wilson's typical origin story by 5 minutes.

Insert fourth wall break here.

The Incredible Hulk: Struggle for Control aims to fit better in the MCU. Informative exposition from the deleted scenes is added, while trimmed for pacing. It shows more of Banner and Ross' motivations, less Betty, less close-up CGI Hulk, more Doc Samson, and more SHIELD:
- Several deleted scenes are added (back) in that add depth to Banner and Ross' characters and makes their motivations clearer. E.g. Banner trying to shoot himself in the opening scene, and Ross saying "He wants to get rid of it. [...] I want what's inside of him."
- Betty in Hulk (2003) was a plausible scientist working with genius Bruce, who showed a strength of character consistent with the comics. Disappointingly, 2008 Betty shows neither. Betty's aspirated one-or-two word lines while staring in the middle distance, suggest that she's constantly at a loss for what to do or think. She is trimmed to look less clueless.
- The CGI is frustrating. The Hulk's steroids-ripped body looks less real than Hulk 2003 and repeatedly fails to inhabit the space it's in. The close-ups look the weakest. They got trims when their bodies failed to convince.
- Fleshing out Doc Samson's character helps to flesh out both Bruce and Betty's. Also, I find the perspective interesting to see how an ordinary human responds when a super-powered person enters his life.
- SHIELD's presence reaffirms the continuity within the MCU. Added to their minor mention in the film is Marvel's One-Shot "The Consultant" as post-credit scene.

The re-telling of the Eastrail 177 Trilogy with a new narrative structure to facilitate surprises, adjustments to reveals, new parallels, new opening and closings and much much more. One can be surprised again.

Redundant threads (marriage issues from Unbreakable and Dr Fletcher from Slpit) and over- exposition (from Glass) have been removed. Scoring has been adjusted to permit music motifs to run through the narrative consistently, Deleted material has been used only where the narrative requires it.

New opening and closing titles have been created and all crew are credited (source IMDB).

The original movie has been re-visualized as long lost VHS recording of a Network television show from 1986. It has been edited into a typical 47 minute length episode with created Opening & Closing Titles and commercial breaks. Authentic commercials from 1986 (of a lower video quality) have been used. The movie has been reframed/cropped as 640x480 with Pan & Scan where needed, and slightly degraded with the use of Gaussian Blur and a VHS tracking overlay to help sell the illusion of VHS.

Shortened to 133 minutes, focused on action and main plotline, with most of the character backstories removed or significantly shortened, this version relates heavily to 70s aesthetics but is not limited to it. The movie got used, damaged look and most of the music was replaced with some 70s (but not only) funk, rock, and cues taken from another movie soundtracks and some TV series themes.

Remixed version of Zack Snyder's Justice League is 47 minutes shorter, restructured and reframed to 2.31:1 with some theatrical additions and new opening credits sequence based on "Motherbox clip". Some scenes has been rearranged - for example: Bruce Wayne starts searching for Aquaman after the "history lesson" and we meet Flash earlier. Most of the sequel baits present in official version are gone, also removed are many scenes which were not necessary to keep the plot going. Movie ends just like theatrical cut without extended epilogue.

This divisive little piece of now-obscure Superman media was released around the peak of marketing for Superman Returns. It's been widely criticised by fans of Superman: The Animated Series for, amongst other things, inconsistent continuity and characterisations (particularly with Lex Luthor) as well as bait-and-switch storytelling revolving around Clark wanting to share his secret with Lois Lane.

Many fans were disappointed that this film felt more like an Elseworlds tale and not an authentic 'bridge' between Superman: TAS and Justice League.

I've gone back and forth on whether or not I should do this for a while, but recently I watched a pretty good 50 or so minute version of it from an editor called Fanedit895. This version realized the potential of the story by rearranging scenes and deleting all sequences with Lex Luthor to avoid even touching on his characterizations, as well as removing the bait-and-switch so Lois knows.

So impressed was I that I decided the time had come to tackle this head on myself, but I wanted to set it apart from what this editor had managed, and have decided to try to cut it down to a TV episode length.

The edit went through several versions, and, through consultation with both Fanedit885 and FE.org's very own MusicEd921, the version available here was finally cranked out. It's fascinating to see just how much good was buried under all the more unnecessary stuff and that you can edit this in a number of interesting ways.

The Shadow Knows celebrates the gorgeous sets and costumes (using the Shout Factory blu-ray as source) and Jerry Goldsmith's score (adding cues from the Intrada CDs). Ying-Ko's backstory is shown through three dreams, letting the film open in medias res on the bridge. The dreams build up in awfulness: recurring reminders of his ruthless past.
One of the most influential and long-lived pulp characters, The Shadow has been a radio drama host/character, the hero of 325 novels, and has appeared in comics, TV shorts and films since 1930. Building on Walter Gibson's stories from 1939-1940, The Shadow fights his nemesis, Shiwan Khan, who plans to take over the world by holding New York City to ransom with an atom bomb. Using his power "to cloud men’s minds”, the Shadow comes to the city’s rescue with guns blazing.

Superman II has already had its history of different official and unofficial, so doing a new cut of the film isn't reinventing the reel or anything.

This Expanded version uses the Donner Cut as a basis, and adding in footage and scenes from the Theatrical Cut and a few other sources to try and to assemble a more complete version of Donner's own cut.

As an adult I have never felt a ton of love for due to the outrageous color scheme, and the makeup fx were always downright nuts to me as well. Its amazing that this came out the year after the first Burton Batman movie - its a complete ripoff, blasphemous in retrospect really. I can't believe I didn't notice back then it was THIS similar to the Batman. Hindsight is 20/20.

But I was amazed at how I could actually appreciate everything in this movie without all the color - even the makeup isn't quite as bad - it seems like THE PERFECT movie that a Young Bruce Wayne would have watched. There are so many similarities to Batman, besides of course the Elfman soundtrack: Big Boy seems like a hybrid of the Joker and the Penguin, Dick Tracy seems like Batman if he were a cop, the "Kid" is basically Robin. Elliot Ness similarities, sure, but this is a superhero before there were superheroes. Its so weird how much this copies and tries to be a prequel. I don't think I noticed before with all the color and ridiculous makeup. But it also hit some pretty iconic "noir" beats too.

Main Changes:

• B&W

• More noir vibes, more adult focus. Tracy edited to have a bit more confidence, less doubt, except when it comes to women.

• Original songs trimmed when the narrative allows, Miles Davis added where possible.

• Removed excess shots of bad makeup.

• Lots of dumb lines removed or edited for pacing.

• Big Boy lines are trimmed to seem darker and more menacing, less of a parody.
(That worked well for a while. Then, he had a few jokes that landed that I couldn't remove. So Big Boy starts off more menacing, but I let Pacino off the leash after a while.)

...

AtoBtoX is a chronologically restructured version of Deadpool with the deleted and extended scenes reinstated.

To create the Superman epic per the shooting script befor the movie was chopped in half by the producers when money ran out and the ending of the first half was changed.

The 1979 SUPERMAN: THE MOVIE was plagued with issues during production leading to many changes which resulted in two films being release (Superman and Superman II) which significantly differed from what was originally intended. When the producers started to run out of money, they removed the intended cliffahanger from the first movie leading to the second movie needing so many changes that the director left or was replaced (depending on the acocunts you read). This present the original vision in a truncated form to get into the action with many newly completed deleted scenes, fixes and much much more per the shooting script.

The 1979 SUPERRMAN: THE MOVIE was plagued with issues during production leading to many changes which resulted in two films being released (Superman and Superman II) which significantly differed from what was originally intended; a single epic movie. As money ran out the producers changed the end of SUPERMAN to the film we now know. This now is as close to the original structure, no turning back time, no Lois gets squised, as you can get. The cliffhanger lead in to SUPERMAN II: The Donner cut or the forthcoming SUPERMAN II Extended .

The Amazing Spider-Man 2 in the simplest and most cohesive structure that it can be.

TASM2: Spark of Life goes far to re-edit action sequences with new and extended shots to allow a clearer perception of events, cut a lot of the unimportant subplots out (Parker Parents, Aunt May, Oscorp/Rhino/Sinister 6, Plane Crash, etc.), adding portions of deleted scenes back in, refocusing the story on whats important, and overall trying to bring some closure to a duology that tried to be a franchise.

Once Upon a Super Duper Deadpool 2 differs from the original source simply because it has two additional versions of the movie interwoven with it.

• Alfred's dream vacation story is scrubbed.
• All mentions of autopilot are scrubbed.
• The history eraser program is minimized and is no longer a motivation for Selina after Batman saves her from the thugs.
• Countdown to Core Meltdown Timecodes added to Bruce's scenes in the pit to spread out the timing of Bruce's recovery.
• Any verbal mention of time outside of a more evenly paced decent into chaos are removed.
• Bruce dies at the end.
• Blake gets the bag without being called Robin.
• Gordon doesn’t go back to work. He’s lucky he’s not being prosecuted for his perjury, at the minimum!

This edit combines Thor: Ragnarok with Infinity War while keeping the focus on Thor.

The Marvelous Edition extends the film with five new scenes, while also replacing four scenes with alternate version, including the opening and ending of the film, and even a new post credits scene...

Eighteen minutes has been added to the runtime, however thirteen minutes has been cut, meaning this version is five minutes longer than the theatrical.

Thor: The Dark World is not the best film, as it was heavily meddled with in editing and reshoots as the theatrical cut is a bit of a mess. The Converged Edition attempts to restructure the film with the addition of several deleted scenes to how it may of been originally cut together, to better the plot and characters.

An edit of an almost perfect X-Men film that adds the best of the official Extended Edition to the Theatrical cut, while also trimming and cutting bits and pieces here and there. A few jokes, lines, Mystique moments, breaking of the time-travel rules and the ending have been cut and changed from the film as to better the overall story and narrative thrust.

The same Spider-Man: Homecoming you love with a pinch of added responsibility.

This is The Amazing Spider-Man with all its deleted scenes PLUS the Roosevelt subplot from the second movie added to the first movie. This is the full extent of the promised Untold Story without polluting the overstuffed second movie.

Main Changes:
• Remove and much “Comic Book” exposition as possible
• Hide Dr. Staple’s POV and motives until Kevin is shot (to make her seem synonymous with the public view of these people)
• Remove Dr. Staple trying to work with Casey to save Kevin (the Black Clover Society simply plans to kill him)
• Keep the question about the validity of the Kevin and David’s superhero claims in question as long as possible
• Changed the ending to make Mr. Glass the cause of the worldwide video release

Superman - Last Son presents 2013's Man of Steel in a more linear, less bombastic manner that focuses more on character development and plot progression.

Wonder Woman 1918 is an entirely new experience from the 2017 original, with tighter pacing, a better climax, and zero connection to the larger DCEU.

In CAPTAIN MARVEL - IT’S 1995 ... YonRogg appears a good guy longer, so we're not yelling at Carol for half the movie that “He's lying to you!". Their rescue mission is clarified. The Skrull memory-machine is more straightforward because you can't make memories on the fly. That’s not how remembering works! No AT&T joke. An extra moment of Coulson and Fury. The mid-credit scene is cut and offered as a separate clip, so you can watch this movie before Avengers 1 and not yell "Oh come on! I didn’t want to see that yet! I first want to enjoy Avengers 1 through 3."

The Adamantium cut reincorperates the best of the cut and deleted material from Logan to create an extended edition of the Wolverine's final outing.

Four new extended and deleted scenes have been integrated into the film, adding five of new footage into the film.

In early 2000, Sam Raimi was approached by Columbia Pictures to direct and produce a TV Pilot for a new series based on the popular Marvel comic book character Spider-Man. After a series of script drafts, the pilot was cast with a few big names and filmed in late 2001. Ultimately, the pilot was passed on and locked away in Columbia's vaults, and was not released in any form officially, but a VHS tape was passed around after the production was complete, in the form of low-generation bootleg VHS tapes.

Presented here for the first time as a high quality VHS copy, it's the unaired pilot of Spider-Man: The Series!

The Sakaaran Edition aims to create the longest cut of Thor; Ragnarok using all of the legally available material with finished VFX, This cut reinserts the alternate Odin death scene, as originally shown to take place in New York rather than Norway as shown in many early trailers.

Five new alternate, extended and deleted scenes have been reinserted into the film, adding nine minutes of new footage into the film.

This edit featured a restructured narrative and 9 reinstated deleted scenes

The Enemy WIthin cuts over 20 minutes from the film, and adds back a selection of deleted scenes from the trailers as well as the official Editor's Cut, and trims various lines and subplots. Sandman is no longer Uncle Ben's killer, cheesy scenes and moments are gone, creating a much tighter and potentially darker film.

Swing by for a fresh ride, as Spider-Man 3 is cut down into the best film it can be.

The Wolverine - Fully Unleashed incorperates all of the unique and extended shots and footage from the Theatrical Cut of the film and reintegrates them back into the official Extended Cut along with the Alternate Ending included on the Blu-Ray for what is the most complete version of the film.

The Elemental Expansion Edition aims to create the longest possible cut with footage taken from trailers, TV Spots and the Blu-Ray bonus scenes.

This cut adds 11 new scenes, shots and lines, expanding the runtime with 7 new minutes of footage, as well as restructing the ending of the film for a more fluid finale, with the mid-credits now being attached to the rest of the film.

The Justice League: Ultimate Edition, aims to reinsert as much deleted footage from trailers, TV spots, promo material, behind the scenes featurettes, VFX Reels, Blu-Ray deleted scenes and a few fanedits to create the longest possible version of the Theatrical Cut.
It's not anything too spectacularly different, but it's four minutes longer with almost 70 alternate, deleted, extended and new shots and scenes added to the running time. Everything has been painstakingly colour matched with the theatrical footage and rescored with the OST with added SFX where needed to fill gaps.
This isn't any fancy Snyder Cut, but more of the movie you saw in cinemas with a few extra moments sprinkled throughout.

Main aims:

#1 Reorder the narrative
#2 Reinstate several deleted scenes

#1 'Thor: Odinson?' is an attempt to maintain an air of mystery around Thor and leave the audience to question whether he truly is the son of Odin. In the original when Natalie Portman finds Thor in the desert she questions where he came from leading the viewer to immediately be shown Asgard in all its glory. This edit will delay that reveal until Lady Sif and the warriors three arrive on earth effectively switching the first and second act.

#2 There are some wonderful deleted scenes which add development to both Thor and Loki. I reinstated two deleted scenes in this edit.

Dark Dimensions aims to trim and cut all of the ill-timed or dated jokes for a more timeless spiritual journey into the Mystic Arts as we experience it along with Strange. Gone is the extended prologue with the Ancient One, the Beyonce jokes and the overly long and drawn out gags to allow for the film to flow a little more naturally with an even tone throughout. Experience the battle against the forces from the Dark Dimension in a more enjoyable and concise way.

Steve Rogers, a rejected military soldier, transforms into Captain America after taking a dose of a "Super-Soldier serum". But being Captain America comes at a price as he attempts to take down a war monger and a terrorist organization.

The Star Spangled Edition integrates back into the film three deleted,and extended scenes that were cut, but now have been added back for two more minutes of new footage.

The Ultimate Comics Cut takes the best of the almost finished deleted scenes from the official “Alternate Universe Mode”. Five of the over thirty new minutes of deleted, alternate and unused scenes have been reintegrated into the film for an expanded new experience.

Logan battles his primal paternal intuition as he makes his way through a dark fairy tale landscape filled with southern gothic grotesqueries. As his health fails him he finds himself operating on instincts he thought long lost, as if his destiny were already decided. As he passes into the realm of myth he finally realizes what he had been fighting for all those years.

Brilliant neurosurgeon Stephen Strange must find a way to heal his ailing body. His quest brings him to Kamar-Taj in Nepal where he studies under the Ancient One, who teaches him the ways of magic and alternate realities. With new skills of interdimensional travel and spells, Strange soon discovers that he must protect the world from a deadly enemy who is out to destroy it.

The Mystical Cut extends the magical film with a few new scenes and an all new ending. Three new deleted and extended scenes with the alternate film conclusion have been masterfully reintegrated adding two more minutes into the theatrical cut.

Months back, clickbait merchants and rumour mongers were keen to share news that there would be some kind of Deadpool connection in the ill-fated Dark Phoenix movie. While this somewhat manifested a year earlier in Deadpool 2 with the X-Men's cameo in that film, there was no surprise cameo from Wade for this.

So while binging both movies I worked out a way of integrating several choice scenes from Deadpool 2 into a cut of Dark Phoenix that gives the movie not just something that brings two well received X-Film franchises together (and yes, the fact both of these films have the same initials in their titles doesn't escape me), but also provides closure to the series that doesn't corrupt the timeline the way the original version of Dark Phoenix did, and also sets up a hypothetical fifth film in the First Class timeline to show the saga of the X-Men really ought to have continued.

Two other minor tweeks aside, I left the rest of the movie alone

A simple extended edition of Spider-Man: Far From Home, reintegrating three deleted scenes back into the film, adding four extra minutes of content.

An epic two-in-one edit of Avengers: Infinity War and Avengers: Endgame. Seamlessly combining the two films, along with credits scenes from Ant-Man and the Wasp and Captain Marvel. Additionally, there has been much cut from both films to remove some of the crappy dialogue and humour, to make for the most digestible and tolerable rewatch experience.

Good intentions wreak havoc when Tony Stark unwittingly creates Ultron, a terrifying A.I. monster who vows to achieve "world peace" via mass extinction.

Inspired by SamSpider3’s own extended cut, this adds all-new deleted and extended scenes with finished VFX being masterfully reintegrated into the movie. adding 10 new scenes and 11 more minutes of footage.

Jean Grey begins to develop incredible powers that corrupt and turn her into the Dark Phoenix. Now the X-Men will have to decide if the life of a team member is worth more than all of humanity.

All deleted and extended scenes, plus an alternate ending have been masterfully reintegrated into the movie. adding 5 new scenes and 4 more minutes of footage.

In this specially restructured fanedit of Superman Returns, Clark comes to terms more immediately with what he's left behind, and there is a more likeable and conflicted Lois who isn't so cagey around Kal.

Peter Parker is beset with troubles in his failing personal life as he battles a brilliant scientist named Doctor Otto Octavius.

An edit of the already amazing Spider-Man 2.1 to fix some of the less than great alternate scenes added to the extended cut of the film.

This is a conservative fan edit that I feel greatly improves the tone and watching experience by removing a lot of the corny jokes and a few cheesy lines, and changing the color grade a bit so it isn't so oversaturated.