I've worked out a way of having Han live throughout the entire movie, and he accompanies Rey on her search for Luke at the end.

Other changes so far include

- Leia sensing the Starkiller's attack on the republic
- R2 awakens when BB8 first finds him
- No lightsaber duel with Kylo, Rei, or Finn.
- Planets Daquar and Tokondana are now the same world
- Han and Chewie's explosives bring down the shields (special credit to Last Impressions for this idea)

Luke Skywalker and his friends continue their battle against the evil Empire. Experience one of the greatest science fiction stories of all time in this edition that is sure the thrill your younglings without scaring them at the same time. Will Luke and his friends bring freedom to the galaxy or will the Empire put an end to their rebellion once and for all....

This edit includes various visual and audio elements from all released versions of Blade Runner in an attempt to make it the best available presentation with a few narrative edits for personal preference. Most notable inclusions are the technical updates from The Final Cut, with the visual elements re-graded to match the legacy colour tones of the previous releases - and particular attention being paid to literally preserving the original portions of the legacy frames as well as grading the changes where masking was appropriate. The film's narrative follows more closely the Workprint and tacitly rejects Ridley Scott's attempts to render the human/replicant philosophical analogue as effectively superficial. This version takes out any connection to references made by Scott in interviews and indeed the Director's Cut relating to Deckard's origins. Instead this film is content to literally study/contrast the philosophical state of all the humanity on display or lack thereof from all participants.

It's 2017, and Peter Capaldi's time as The Doctor is up. Determined to perform one last defiant act of kindness, the good man makes his journey into night battling the forces of the Mondassian Cybermen, a battle which brings him to death's door. On the brink of death he is saved by his loyal companion Bill Potts and brought to the safety of the TARDIS. Bill heads off on her own journey, leaving The Doctor to experience the miracle of the time lords...

...Or rather would have if Chris Chibnall hadn't been a sodding diva and opted not to start his run with a christmas special, forcing Steven Moffat to helm one more special which just about disgraced and sullied the memory of William Hartnell, undermined the conclusion to Bill's story and dragged out a regeneration with a speech that seemingly went on forever before Capaldi let the part go.

Knowing how many different takes there are on The Phantom Menace - and has been since 1999 (!), what stood out for me very clear since the beginning, apart from a bunch of what I thought were brilliant ideas that could work - was to make it different. Not make it a Fanedit, but a FanFix - more of a remake, if you will. Only then could it actually be worth many years of my time.

I grew up with the love of Star Wars and the excitement around The Phantom Menace and the prequel trilogy, but I never felt the magic stay with me for The Phantom Menace and Attack of the Clones (and to a degree RotS as well) as it did with the Original Trilogy. This was the red herring that made me interested in the creation and intellectual process behind the making of TPM, that made me realize the lost potential and go for a search on how to make it work. And thus The Ancient Lore was born.

In 2023, the entire human race is on the brink of extinction. Sentinels, originally created to kill mutants now hunt all of mankind. The remaining survivors cannot stand against the onslaught of the Sentinel army. In order to save the future, Wolverine is sent back to 1973 in order to stop the war before it even starts.

The Rogueless Cut aims to completely remove Rogue from the offical self-titled "Rogue Cut", allowing the film to breath by removing a pointless subplot. It retains all of the new material from the Rogue Cut, without the bloat of Anna Paquin. No offence to Miss Paquin intended.

What would a modern day Blade Runner score by Vangelis sound like? This edit rescores Blade Runner 2049 with new music from the composer’s 2016 album Rosetta and his Blade Runner tribute album from 2007. The music is supplemented by some earlier Vangelis tracks, as well as material by John Barry and others. No music from the original Blade Runner is used, except when sampled by Vangelis on the BR tribute album. In addition, the edit is approx. 15 minutes shorter, mainly from trimming Wallace’s scenes to a minimum and cutting Gaff and Rachael.

This edit mixes the original 1982 Blade Runner with 2017's Blade Runner 2049, making one compelling movie (within a reasonable running time). The focus of the film is about replicant's ability to love and have children / create life. The film cuts between Deckard's investigations and Officer K's. Footage from the original Blade Runner will be presented in black and white, to differentiate between past and future scenes.

What if Amy and Rory weren't zapped back in time? Find out in this special fanmix which sees Amy and Rory reflect on their adventures with the Doctor and must decide once and for all if the monsters are all worth it. Once you know what's coming, it's written in stone.

I have recut the 2008 Cloverfield so the characters don’t seem so self centered, removed many cringe scenes (‘You know who Superman is?’) and removing all the flashback footage to create a more focused and tightened story.

Spoilers of course. Though usually people come here knowing the score.
This edit aims to eradicate the paternal cause of some questionable narrative that essentially removed the viewer from the fantasy of adventure and also other complaints I had with the level of schlock falling lower than was necessary. It also aims to strike a balance for those that didn’t mind or could live with certain things like cgi bugs or iconic atomic silhouettes... Cutting the best part of twenty minutes was as far as I’d like to go to try to keep a feature length feel. There be aliens ahead, but differently presented...

This cut removes the whole side plot on Canto Bight and focuses on the journey of our main heroes. It further changes the fate of some key characters as well as their motivations and lets them shine in a new light, providing some surprises for viewers of the original film along the way.

A streamlined version of the original movie, with snappier dialogue and action but no major scenes removed. The same film you remember, yet half an hour shorter.

Just like Thor's haircut, this edit trims off the more over-the-top elements and leaves us with a cleaner, more presentable movie.

The Battle of Scarif is just under 50 minutes long, making it a nice little companion piece to the original theatrical release. Alternatively, you could watch this right before A New Hope! The main point of this edit is to focus on the epic battle sequence from Rogue One, while also adding elements to make it fit in more with the other Star Wars films

Summoned by an old friend, The Doctor and Clara navigate their way through a trap street, and fall into the most fateful and consequential of snares.

My two part edit focuses on the fictional narrative of Nat Geo's Mars taking place between the years 2033 and 2037. The 2016 documentary element has been left on the cutting room floor.

6 episodes of the Clone Wars TV series edited into a seamless theatrical Star Wars movie including the classic opening crawl and Pan shot. This is the fifth instalment of my Clone Wars Movie Series and centres on the Return of Darth Maul... see how he survived his defeat to Obi-Wan Kenobi in The Phantom Menace to eventually appear in Solo: A Star Wars Story and the Rebels TV series.

The Doctor and his companions face off against deadly Daleks and the rampaging River Song in two specially edited adventures set against the backdrop of World War II.

It’s the same Star Wars: The Last Jedi you pondered over, cleared of distractions. The trip to the casino of Canto Bight is truncated, the Caretakers of Ach-To are removed, and a few scenes are rearranged, allowing Rian Johnson’s story to shine. Strap in for a contemplative journey not experienced since The Empire Strikes Back.

Back to the Future's sequels were filmed at the same time. It feels that they planned one sequel and realized there was too much material to put it all in one movie. Instead of trimming the story, they padded it to make two cinema-length movies. In today's age of binge-watching, this results in "fast-forward" moments of repetitive exposition and repeating opening and closing scenes. Back To The Future 3 - Marty Changes History removes the padding to create a stream-lined, less convoluted story that combines smoothly with Back to the Future 2 - Biff Changes Time for a double-feature viewing experience.

Back to the Future's sequels were filmed at the same time. It feels that they planned one sequel and realized there was too much material to put it all in one movie. Instead of trimming the story, they padded it to make two cinema-length movies. In today's age of binge-watching, this results in "fast-forward" moments of repetitive exposition and repeating opening and closing scenes. Back to the Future 2 - Biff Changes Time removes the padding to create a stream-lined, less convoluted story that combines smoothly with Back To The Future 3 - Marty Changes History for a double-feature viewing experience.

The Moment has come, and the Doctor must decide what kind of men he is fated to become

Marty McFly, a 17-year-old high school student, is accidentally sent thirty years into the past in a time-traveling DeLorean invented by his close friend, the maverick scientist Doc Brown. The Greater Scott Edition extends Back to the Future to it's longest possible length using a variety of sources. All deleted and extended scenes have been masterfully reintegrated into the movie. adding 10 new scenes and 8 more minutes of footage.

'Where Rebels Dare' takes an already decent Star Wars movie and makes it a bit more Star-Warsy. We now open with a traditional crawl and scene wipes are used. The amount of "fan service" is reduced and the plot is reordered.

After being accidentally sent 30 years into the past in a time-travelling DeLorean invented by mad scientist Dr. Emmett Brown, teenager Marty McFly has to find a way to return to the future safely. This edit aims to provide a realistic view on the events of Back to the Future and what would happen if they were in the real world.

With Flash Gordon, along with his faithful companions, Dale Arden and Doctor Zarkov, having twice before thwarted his evil plans for conquest of the universe, Ming the Merciless renews his assault on the Earth, this time by coating the inhabited portions of the planet with a deadly dust, which strikes its victims down with the unyielding Purple Death.

Flash, Dale, and Zarkov must journey through the far reaches of space to the forest kingdom of Arboria, on the planet Mongo, to enlist the aid of Prince Barin and his Tree Men, where, with the additional assistance of Queen Fria of Frigia and her soldiers, Flash and his friends must discover a way to put a stop to the Purple Death and disrupt the nefarious plans of Ming and his minions.

This is a feature-length cut of the 1940 public domain serial 'Flash Gordon Conquers the Universe', with Larry "Buster" Crabbe, Carol Hughes, Charles Middleton, Frank Shannon, and Anne Gwynne. Despite the dodgy science, improbable escapes, cheesy special effects, sometimes wooden acting, and juvenile story, 'Flash Gordon: Ming Strikes Back' provides a glimpse into how 'Star Wars' may have looked to an audience in 1940.

My main problem with 'Blade Runner 2049' was the insanely slow pace of the editing/cutting. Every line had a vast gap after it and every shot lingered for too long, even if nothing whatsoever was happening in the shot and the camera was motionless. I love long movies but when a film is nearly 3-hours, careless and lax editing is a crime. It's like they assembled all the footage and forgot to go through and tighten everything up like a good editor should. So I was interested in making a cut of this film that focused (almost) entirely on improving the pace of the cuts. The same film/experience but edited properly. An experiment in doing a fanedit that doesn't actually remove anything!

This is the second entry in the "B+ Movie Project", a series of edits that seek to improve on older films, while still maintaining the charm and narrative of the original cut. #2 happens to be another Jack Arnold film, and similarly to Creature from the Black Lagoon, this has had a lot of chaff removed. I’ve tried to strike a balance between promptly setting things up and improving the pacing, while also maintaining some of the atmosphere in the latter half of the film, where the tone starts to become more philosophical.

This edit comes with two audio options:

- B+ Narrative (default) – heavily trimmed narration. Anything that I felt was too pretentious or didn’t add anything is removed and rescored.
- Purist Narrative – lightly trimmed narration. The original voice-over has been preserved as much as possible, with some compromise being made due to the streamlined nature of the edit.

The Hill Valley Chronicles takes the enormously popular Back To The Future Trilogy and adapts it to a 'Quantum Leap' style 30 minute teatime TV show comprising of ten episodes. This new adaptation puts a fresh spin on the trilogy by reshaping the narrative so the parallel events of November 12 1955 in the trilogy collide with each other in action packed fashion.

The Doctor meets his new assistants, Nardole and Bill, as he begins to honor a promise to look over a fallen friend for a thousand years.

11 years have passed since Sarah Connor was targeted by a cyborg from the future. Now her son, John, the future leader of the human resistance, is the target for a newer, more deadly terminator. Once again, the resistance has managed to send a warrior to protect John and his mother. The battle for tomorrow has begun...

This edit adds the scene of the T-1000 searching John’s room into the Special Edition. This scene was included in the Special Extended Edition on the official disc, but you also had to watch the alternate ending to see it. Now you don’t.

The original 'Source Code' is a good film, but is let down by a shallow and poorly executed twist ending. "Version 1.2" removes the last minute "life" theme and shifts the emphasis to Captain Colter Stevens receiving dignity and closure before embracing his fate. A handful of other small changes have also been made (see cutlist). [UPDATED to "Version 1.3" on June 2023]

"The Gill-man" is the first entry in the "B+ Movie Project", a series of edits that seek to improve on older B films, but still maintain the charm and narrative of the original cut.

If you found CFTBL boring, you should find this engaging. If you liked CFTBL, you may find yourself liking "Gill-man" even more. It was intentional that nothing immediately obvious should be removed, but that the film would simply come across as better paced and more entertaining as a result of the numerous tiny trims.

Recut the 3 episodes (126minutes) into a single movie (100minutes). I streamlined the narrative by focusing on only two story arcs -- Barry and Ollie. Gone is the Kid Flash and Prof. Stein subplots as they are unnecessary to drive the main plot. Also, significantly cut the Arrow episode so it feels less like an anniversary celebration episode, thus stopping the story dead in its tracks, and more like it is part of the Dominator's plan.

This is a black and white silent edition of the Star Wars saga presented in the form of a old serial. No voices, 4:3 aspect ratio (Pan & Scan), no sound effects, dialogue cards, only John Williams music. This video is Episode VII (55 minutes).

This is an attempt to take the two parter Sarah Jane Adventures serial "The Wedding of Sarah Jane Smith" and turn it into one of the 2009 Doctor Who specials for outgoing Doctor David Tennant.

'Man of Steel: A Symbol of Hope' does not try to radically reshape MOS because I liked most of it already. I just wanted to tweak the character of Superman to make him feel more heroic. So if you hated everything about the original MOS, then this isn't the FanFix for you. There are several 10-minute chunks of this edit that are unchanged (aside from the regrade) but when I did change something, I hope it feels significant.

Paradise is an editing project combining Prometheus and Alien: Covenant into a single, David-centric narrative.

Rise of the Rebellion is a light fanfix of what I consider to be the second best Star Wars movie currently released. This edit differs from others in that it does not drastically reduce the length, narrative focus of the movie or add any John Williams cues. Rise of the Rebellion seeks to restore heroes to the movie by slightly shifting their motivations and actions to produce a story that is filled with brave heroes and less distractions.

In 2008, a relatively unknown Faneditor going by the name of Adywan shook the Fanediting galaxy with his release of 'Star Wars: Revisited'. From that day, Faneditors and film enthusiasts from around the world (and we'd like to think throughout the galaxy…) have waited in eager anticipation for the continuation of Adywan's Revisited saga. That day has arrived! Prepare yourself to relive the magic of Star Wars with Adywan's 'The Empire Strikes Back Revisited'.

Come watch the speeders fly, the heroes flee and the sabers clash in this instant Fanediting classic. We'll see you in a galaxy far, far away…

David Cronenberg's 'Videodrome' edited to have a tone and style reminiscent of Shinya Tsukamoto's 'Tetsuo: The Iron Man'. The narrative remains broadly the same but is substantially cut down with far less exposition; the video is presented in high-contrast B&W, and the fanedit features a new score. Additionally, some new elements have been added to reinforce Max's diminishing ability to differentiate between reality and television.

This is a simple extended edition of Star Wars Episode III: Revenge of the Sith. It includes the deleted subplot featuring Mon Mothma and Bail Organa, and Yoda's arrival on Dagobah.

The biggest difference here, is that a half an hour movie is now trimmed down to a standard TV pilot, where everything the Fox studio clearly had 100% control over is gone, and what we have left is something better paced and hopefully more enjoyable.

The 1974 television series, using the episodes " Escape From Tomorrow", "The Legacy" and "The Trap", recut into a movie that now fits into the original movie series continuity.

The Dark Side of the Force has awakened. Risen from the ashes of the Empire, the First Order seeks to destroy the New Republic and once again shroud the galaxy in darkness. The mysterious Kylo Ren has extinguished the new Jedi order. Without the guidance of the Force, who will stand and resist against this growing threat?

Watch the story you've come to love in a brand new way with DigModiFicaTion's edit, Heir to the Force. Featuring all new special effects, music, and mystery. Experience the awakening. (Extended reveal of Kylo Ren; Original OT Falcon turret sfx; TFA, EU & John Williams cues to enhance scenes; Holograms; A new ending).

Where other edits have changed the sequences surrounding Starkiller Base (Hal9000) or simply attempted to minimize over the top humor (ironman23), this edit leaves the key sequences in place, is more aggressive in it's edits to remove silliness and extends Kylo Ren's parentage reveal as well as gently addressing the issue of R2-D2 being asleep and Snoke's non-Star Warsy looking hologram. This edit also removes the distraction of Luke from the end of the movie.

The Electronic Killer

For many years the planet Zeist lived in peace and harmony until the robots they had created to protect their world turned against them. A war that lasted for many years turned the once blue skies of the planet Zeist into darkness. On the final days of the war a cyborg escaped to the nearest Galaxy but little did he know a young Space Marine was close behind. Now the war will continue on our planet.

Mad Man

A murderous psychopath break out of a mental hospital during a power blackout and lay siege to a bunch of teenagers on holiday

Bootstrap Edition consolidates the trilogy into a single movie, and rewrites the time travel rules from a paradox ridden headache of alternate timelines into a streamlined causal loop.

Star Wars with a rocking soundtrack! Heavy Star Wars takes the existing action and adventure, trimming away unnecessary story/action/bad acting, and replaces the soundtrack with Rock music!

'Darkman Lives!' is the first in a soon to be series of pulp style edits. In this edition of the film, MusicEd921 has converted the film to black and white, excised some of the sillier moments, created a new introduction for Durant, and many more other cuts to bring this film closer to its pulp routes.