Ripley is rescued by a deep salvage team after being in hypersleep for 57 years. The moon that the Nostromo visited has been colonized, but contact is lost. This time, colonial marines have superior firepower, but will that be enough?

Inspired by my media teacher's hatred for the early Hadley's Hope scenes in Aliens (the only reason that we watched the theatrical cut in class was due to these 2 scenes in the SE), I've created my own cut as a half way point between the Special Edition and the Theatrical without the Hadley's Hope sequence.

Uncertain times, but you can still count on a Doctor to sort you out, a Relive the trip of a lifetime with this special edition fanedit of 'Rose'. This edit makes use of shots and sequences from the 2005 TV Spot “The Trip of A Lifetime”, there's also a brand new ending.

The series five premiere of Doctor Who, The Eleventh Hour, slightly extended utilising footage from promotional tv spots and a "Meanwhile In The TARDIS" mini-sode.

A special edition of the Doctor Who series seven premiere episode 'Asylum of the Daleks' bookmarked by two of the 'Pond Life' shorts, it also makes use of a DVD-exclusive prequel sequence.

Buck Rogers is an air-force pilot and astronaut on a deep-space mission. An accident freezes him in an orbit that returns Buck to Earth 500 years later. In the year 2491 he is found and revived by the Draconians, under the command of Princess Ardala. Back on Earth, Buck learns that society has been rebuilt over centuries following a holocaust. He must adjust to the 25th century, and convince its people that the Draconians are planning to conquer Earth.

The Enterprise arrives at the planet Ekos, in search of Federation historian John Gill, only to discover it is at war with its neighbouring planet Zeon. Gill is not heard from, so Kirk and Spock travel back in time to investigate what went wrong, and prevent the all-out war.

A simple extended edition of Spider-Man: Far From Home, reintegrating three deleted scenes back into the film, adding four extra minutes of content.

An epic two-in-one edit of Avengers: Infinity War and Avengers: Endgame. Seamlessly combining the two films, along with credits scenes from Ant-Man and the Wasp and Captain Marvel. Additionally, there has been much cut from both films to remove some of the crappy dialogue and humour, to make for the most digestible and tolerable rewatch experience.

Suppose Rose didn't revive Captain Jack? Suppose there was no real foreshadowing of The Doctor regenerating before he made his farewell speech? Suppose no longer, this edit will make this a reality

The Darklighter Cut masterfully reintegrates all of the scenes with Luke, Biggs and their friends at the Toche Station to where they were in the original shooting script. Five new deleted and extended scenes have been restored and edited back into the classic film adding six more minutes of footage, introducing Luke far earlier than in the theatrical cut.

On planet Karn, a good man comes to realise there is no need for a Doctor anymore, In 2013, something terrible is awakening in London's National Gallery; in 1562, a murderous plot is afoot in Elizabethan England; and somewhere in space an ancient battle reaches its devastating conclusion.

The original release is a pretty boring movie, we follow Chris Pratt's character, Jim, throughout the film, and see his personal struggles with his fate, and his relationship with Jennifer Lawrence's character, Aurora, flourish. If you've seen the movie then you know the plot, but, if you haven't, then that's all I can really tell you without ruining it.

Essentially what this edit does is rearrange the movie to follow Aurora, which makes for a much more interesting viewing experience - activating the psychological elements that the original film set up.

The Babylon 5 Project aims to focus on the arc stories of the TV show by creating a series of films. This creates a more streamlined rewatch of Babylon 5 for those who want to maximize the arc without having to watch the mostly stand-alone episodes with arc storylines in them.

This is a follow-up to my Force Awakens edit “The Ford Awakens”, where Han Solo survived the events of that movie…due to having zero footage of him to use in the Last Jedi, I had to give him a minimal role in the film. He only appears on-screen once (in the scene where he meets Luke…yes, he meets Luke), and the rest of his appearances are represented by various soundbites from the original trilogy, each carefully selected to connect to certain scenes in the third act.

Good intentions wreak havoc when Tony Stark unwittingly creates Ultron, a terrifying A.I. monster who vows to achieve "world peace" via mass extinction.

Inspired by SamSpider3’s own extended cut, this adds all-new deleted and extended scenes with finished VFX being masterfully reintegrated into the movie. adding 10 new scenes and 11 more minutes of footage.

Not to be confused with DS9's 'Playing God', this edit combines Star Trek: The Original Series 'The Ultimate Computer' and 'The Omega Glory' into one extended episode, with the events of 'The Omega Glory' taking place on the planet that M5 orbits during the first half of 'The Ultimate Computer'.

If the following strikes you as esoteric, I invite you to peruse the forums of Originaltrilogy.com.

I do not consider this a full-blown fan edit, as I am primarily hybridizing existing official versions of the film, keeping changes I can appreciate and excluding those I feel hinder the film. Of course, this is highly subjective, and everyone's perfect blend would be slightly different.

Having satiated my restlessness with the Star Wars prequels, I wanted to put together a custom 'Special Edition' of the original trilogy to place on my shelf alongside the original, theatrical versions (currently represented by Harmy's Despecialized Editions). I thought about calling them the "So You've Decided To Watch The Special Edition" version, because they wouldn't be intended as one's sole version of the films. Rather, a companion piece to the original versions, as a Special Edition should be.

Jean Grey begins to develop incredible powers that corrupt and turn her into the Dark Phoenix. Now the X-Men will have to decide if the life of a team member is worth more than all of humanity.

All deleted and extended scenes, plus an alternate ending have been masterfully reintegrated into the movie. adding 5 new scenes and 4 more minutes of footage.

School Reunion is the perfect marriage of Classic and New Who, paving the way for the future mega-hit that was the Sarah Jane Adventures, and giving us emotional closure between The Doctor and the best of his companions (besides Ace) intrepid journalist Sarah Jane Smith.

Count me among the hopeless romantics who don’t feel the show loses a step if The Doctor gets involved romantically with a companion….provided it’s done right…which, frankly, it seldom ever is. It only works in retrospect, and many a time, it works with companions that the writers aren’t forcing into a relationship with the time lord. Donna, Jo, Sarah Jane, they’re remembered fondly in this way because they earned their closeness with The Doctor, because they either complimented him or took him to task, meaning well and looking out for him in the process. These companions were there for him as friends and equals first, and that’s what drew us to them, and it’s also what drew The Doctor to them in the end also.

So when Ten said goodbye to Sarah, I refused to accept he was putting him behind her, and the ongoing saga at the time vindicated that belief as they would meet several more time, with each instance we gained a little more insight into Sarah’s thoughts and feelings towards the man as she built a life without him. In my headcanon, long past the unfortunate end of SJA, a very much alive Sarah is visited upon one more time by The Doctor, revisiting the face of his tenth or seventh incarnation, and they elope, ultimately conceiving the young lady we see recruiting Kate Winslet and the lady off Ever Decreasing Circus against Nazi Eldritch and supercomputer Behemoth in Dark Season

Oh, wait, you’ve never heard of that? Google it, it can also be found on Youtube. If you still haven’t seen it, you haven’t been born yet.

Not exactly the edit you're expecting. This isn't a Dark Water/Death In Heaven combo, frankly I find Death In Heaven rather droll as a concluding half, it's not exactly a resoundingly upbeat climax either.

With Clara and Doc giving in to their lies, Missy killing Osgood, and the Brig being given the ol' 'Telos Special', if Kate had died maybe it would a wee bit more memorably bleak but overall it's a dud and I would much rather fix it's first part...that, or the very least muck about with it as much as possible without care or consideration for the second half.

An edit combining Star Trek TOS episodes 'The Way To Eden' and 'Requiem For Methuselah' into one extended episode, with the connective tissue being that the Synthococcusnovae disease and 'Eden' planet in the former, are now both represented in the latter, with 'Eden' being Flint's planet.

This episode could do with a nice spring clean.

There really isn’t a hell of a lot of point to the sexism deflection that this episode pads itself out with. Within the context of current history, I suppose there’s some fleeting relevancy, but Doctor Who ought to be timeless, and it’s characters should not be dragged down into political soap boxing, however subtle or unsubtle. This is what has killed the show for many a true fan, and as much as I still love the show, it does make me cringe a little too. It’s like attending a council meeting with your parents on a Sunday, reminding you of the real world awaiting you in the week ahead. What happened to weekend/holiday escapism?

The Men in Black Duology follows the exploits of J and K, the scum fighting super-agents who are members of a top secret organisation established to monitor alien activity on Earth.

The Intergalactic Edition adds deleted scenes, an all-new ending and reinstates the original plot of MIB before reshoots with alternate and extended scenes being masterfully reintegrated into the movie. adding 9 new scenes and 5 more minutes of footage.

Young Han Solo joins a band of smugglers on his first major heist and is introduced to Chewbacca and Lando Calrissian.

Marty McFly must go back in time to the Wild West of 1885 to rescue his friend Doc Brown, who he has discovered is due for a fatal showdown with one of bad guy Biff's nasty ancestors.

One deleted scene have been masterfully reintegrated into the movie adding one more minute of footage. (kind of contradicts the title doesn't it?)

B+ edit number 3 is a light trimming of the excellent 80’s cult B-movie “The Hidden”. As per usual, the narrative is kept mostly intact, with light trims for pacing and cuts made in favour of removing poor FX, weak acting, trashy elements and misplaced humour. With only 4 minutes cut, The Hidden: B+ Movie Edition is marginally shorter, but considerably tighter, with a tone more consistent and suited to its higher tier script.

A twenty-three minute trim of the Eighth Series Doctor Who episode “Listen”, focusing entirely on the Orson Pink storyline and trimming Clara’s disastrous date with Danny Pink so they only screw up just the once.

The first half of BABYLON 5’s season 5 is dominated by the telepath story arc Phoenix Rising, where Lyta develops from a direction-less character on the periphery to a focused
key character. It's more enjoyable by making Byron less pretentious and a little less prominent. He is a catalyst for Lyta rather than a driving force in his own right. Other storylines in these episodes are unchanged.

An edit combining Star Trek: The Original episodes' 'For the World is Hollow and I have Touched the Sky' and 'The Paradise Syndrome' into one extended episode.

Story structure remains essentially the same as the original 3 part tv movie. A few continuity corrections. The only significant edit/cut is the conversation between Adama and Apollo about going down to Caprica. Otherwise, the biggest changes are FX enhancement to many scenes (eg. adding planets to the background), replacing dodgy FX shots (eg. Cylon Basestar descending on Carrillon) or background mattes and making some of the battle sequences less repetitive, while trying to maintain the visual look of the original without going overboard with CGI.

Here is G'Kar's last tale. His performance is thoroughly enjoyable. As always. Originally much in Legend of the Rangers detracted from G'Kar's adventure. Not anymore. Now you can enjoy your favorite Narn in a solid story of exploration, intrigue, and humor.

Revenge of the Sith: Rebalanced is a fan edit of Episode III that sets out to attain the following goals:

1. Keep the best parts while trimming substantial amounts of droid slapstick, exposition, and bloated editing.

2. Shift Anakin's fall to the dark side away from Padmé, and toward Palpatine.

3. Learn from existing edits, use the best of their ideas, and fine-tune each and every scene.

4. Make as seamless and professional an edit as possible. So many fan edits have great ideas, but you can tell if the music is a little uneven, or if the rhythm of a sequence gets off balance. I wanted to create a version that you could watch without knowing anything changed. If an edit, however ideal, resulted in a noticeable glitch, it had to go.

In the time of the space age, a future ship's crew lands on a planet on a mission of peaceful first contact. The distrusting inhabitants, however, punish the spacemen for their intrusion, by recreating a famous Western gunfight, with the men forced to take on the roles of the ill-fated cowboys.

This edit combines together the stories ‘The Naked Time’, ‘Tomorrow is Yesterday’ and ‘Assignment: Earth’ into a three-weekly story arc, with each episode leading into the next, with the premise that the Enterprise is stuck in time, or is at odds with time.

Kirk is convinced to take Spock's living spirit back to Vulcan...to do so he risks his and his entire crew's careers. Even if their mission to the unstable planet Genesis, the final resting place of their friend, is a success, the punishment for their disobedience awaits them...

We explore one possible road to mankind's first encounter with extraterrestial life. Curiosity and the scientific method clash with fear, religion, and greed. Along the way everyone's beliefs are tested. The film is a tribute to Carl Sagan who spent his life popularizing scientific inquiry, who tirelessly championed the search for extraterrestial life, and who stimulated the awe and sense of wonder in all of us. The edit is about Dr. Arroway's personal journey more than mankind's journey. Her perseverance against the odds and despite resistance. Palmer Joss, the alien, and Mr. Kitz are less frustrating, and the last quarter of the film is greatly improved. As epilogue Dr. Sagan himself talks about Contact, science, and religion (audio excerpt from 1985 Studs Terkel interview).

This is a Silent Movie edit of “Creature From The Black Lagoon”, re-scored using John Williams’ “Jaws” soundtrack. It makes even heavier trims to the narrative than my B+ edit, removing a further 20 minutes, resulting in a sort of atmospheric “super-cut”.

Narratively, I’ve gone for a different twist on the prologue, aiming for a similar tone to that of Metropolis. Where possible I have also tried to make dialogue reference notable lines from Jaws. Scene-wise I’ve been more liberal with the cutting, removing whole events and pairing up scenes in order to make my new, shorter narrative fit.

This uses The Assembly Cut as it's base and introduces Theatrical Cut elements that I have a preference for. I also attempt to clean up the colour and contrast imbalances in certain composite shots. I also add extra FX for dramatic effect in places, to improve visually on the original or to technically facilitate differences in lighting between the 2 versions when using footage for the same scenes.

The Thirdspace TV movie originally aired part way through season 5 of Babylon 5, but actually takes place during the events of season 4. This edit converts the movie into two regular episodes of the series that can be watched as part of season 4, removing the "this is a flashback" opening narration. A number of additional cuts have been made to part two to fit within the standard episode runtime.

Rekindled is a mostly conservative edit that attempts to improve The Last Jedi experience by trimming or removing some of the weaker sections. Canto Bight has been greatly condensed, Leia's spacewalk removed, and Rose no longer crashes into Poe, to name a few changes. It is always difficult to find the right balance between humor and drama, but this cut hopes to retain the lighthearted spirit of Star Wars while removing parts that distract from the story.

Spoilers....

This edit tightens up some narrative dialogue here and there and trims off some excess shots, all for being too on the nose essentially, but isn't too heavy handed with it as Wallace's monologues remain in full - If only to provide a deeper psychological framing for Luv's own psychotic tendencies. Where it is heavy handed is in the complete removal of the character Mariette. She is still technically present in one or two places, but cropped out and pushed back into the the periphery as an extra. This edit also re grades the colour of the film to that of a more neutral palette and pulls the fogged in stylized highlights back out to a realistic luminescence.

The theatrical cut was full of lines which were very on the nose. Additionally, there was a subplot, involving Motoko's mother, that went nowhere. These issues have been addressed in the Lean & Mean cut. Moreover the beginning of the movie was re-edited to mimic the way the original animated movie starts. To this purpose, the credits scene was rescored using Kenji Kaway new rendition of the original main theme. Scenes from the very beginning of the movie have been used to create a flashback sequence that now appears much later. Multiple scenes where shortened, lines of dialogues were either deleted or altered or used in different contexts. The cemetery scene was restored to its original state and purpose. As far as I can tell, in the theatrical cut it was sliced in 2 to accomodate for the character of Motoko's mother, which I presumed was added at a later time to address the whitewashing controversy and to make up for the deleted scenes which included the character of Paz.

This is an edit of RoboCop that attempts to recreate the heavily censored Network Television presentation in HD. The movie is cropped and pan-and-scanned to 4:3 like old TV broadcasts, and there are fade in and outs every 15ish minutes to emulate where commercial breaks would be. Swears are replaced with less offending words like "freaking", "forget", "bonehead", and "bologna". Violence is heavily trimmed down and cut as well, for example, Clarence swerves around Emil near the end instead of running him down.

This fan edit is an Extended Edition of Marc Webb's The Amazing Spider-Man. I inserted all but one of the deleted scenes included in the Blu-Ray into the movie, making for a more complete and satisfying experience.

This is an editing project combining material from Jurassic World and Jurassic World: Fallen Kingdom into a flashback structure.

I've worked out a way of having Han live throughout the entire movie, and he accompanies Rey on her search for Luke at the end.

Other changes so far include

- Leia sensing the Starkiller's attack on the republic
- R2 awakens when BB8 first finds him
- No lightsaber duel with Kylo, Rei, or Finn.
- Planets Daquar and Tokondana are now the same world
- Han and Chewie's explosives bring down the shields (special credit to Last Impressions for this idea)

Luke Skywalker and his friends continue their battle against the evil Empire. Experience one of the greatest science fiction stories of all time in this edition that is sure the thrill your younglings without scaring them at the same time. Will Luke and his friends bring freedom to the galaxy or will the Empire put an end to their rebellion once and for all....

This edit includes various visual and audio elements from all released versions of Blade Runner in an attempt to make it the best available presentation with a few narrative edits for personal preference. Most notable inclusions are the technical updates from The Final Cut, with the visual elements re-graded to match the legacy colour tones of the previous releases - and particular attention being paid to literally preserving the original portions of the legacy frames as well as grading the changes where masking was appropriate. The film's narrative follows more closely the Workprint and tacitly rejects Ridley Scott's attempts to render the human/replicant philosophical analogue as effectively superficial. This version takes out any connection to references made by Scott in interviews and indeed the Director's Cut relating to Deckard's origins. Instead this film is content to literally study/contrast the philosophical state of all the humanity on display or lack thereof from all participants.

It's 2017, and Peter Capaldi's time as The Doctor is up. Determined to perform one last defiant act of kindness, the good man makes his journey into night battling the forces of the Mondassian Cybermen, a battle which brings him to death's door. On the brink of death he is saved by his loyal companion Bill Potts and brought to the safety of the TARDIS. Bill heads off on her own journey, leaving The Doctor to experience the miracle of the time lords...

...Or rather would have if Chris Chibnall hadn't been a sodding diva and opted not to start his run with a christmas special, forcing Steven Moffat to helm one more special which just about disgraced and sullied the memory of William Hartnell, undermined the conclusion to Bill's story and dragged out a regeneration with a speech that seemingly went on forever before Capaldi let the part go.