Star Wars: Episode VIII - The Last Jedi: LegendaryFeatured
This is intended as constructive; I enjoy TLJ quite a bit and, given my history with producing fan edits, it was inevitable that I would attempt something like this. What this project is NOT intended as is an indictment of Disney or Rian Johnson. Rather, this is my way of engaging with the film and putting a slight spin on it.
This film subverts audience/fan expectation at many points. While this edit doesn't seek to reverse this, some instances of this were addressed in order to (hopefully) allow the film to do this while still feeling like part 8 of a 9-part story.
Regarding General Hux: It is not my intention to "rescue" this character, as he is rightfully played as a youthful, arrogant Neo-Nazi buffoon. The changes made to his character in this edit are intended to allow him to remain somewhat threatening, at least up until Kylo Ren takes over as Supreme Leader toward the end.
The humor in this film has been pruned, though a great deal of humor has been retained. Star Wars has always relied on humor, though has never strayed into Spaceballs territory. For example, as much as I enjoyed the "iron/spaceship" gag, it felt like something from a parody of Star Wars rather than something within it. This was my guideline. Humor is very subjective, so I attempted to thread the needle as best I could.
This edit does not attempt to alter Rey's character in any meaningful way. Her natural talent for using the Force and heroic escapades are necessary to get the film's story in motion. Her triple-TIE combo shot was removed from the battle of Crait in the conventional interest of "less is more," and is not intended as a commentary of Rey herself. Also, the removal of a single detail during Kylo Ren's conversation with her about her parents is not intended to in any way alter the fact that her parents were "nobody," but merely to address a potential continuity oddity when compared to TFA depicting her parents as leaving Jakku in the process of abandoning her.
All things considered, this fan edit is intended as a lightweight alternative to other edits which remove large swaths of the film. Similar to my edits of the Star Wars prequel trilogy, if you are hoping for a massive overhaul that fundamentally alters the movie, this isn't the edit for you.
- NTSC DVD-5
- Chapter stops
- Subtitles (English and French)
- Trimmed Paige kicking the ladder slightly
- [Reinstated Hux being berated by Snoke (V2 change)]
- Used poppasketti’s audio to change the emphasis as Luke tosses the lightsaber (V2 change)
- Reinstated the 'Luke Has a Moment' deleted scene (Audio transition tweaked slightly by poppasketti in V2)
- Reinstated the deleted scene where Poe gives Finn back his jacket (with scene transition provided by OT.com user pleasehello) (Audio transition tweaked slightly by poppasketti in V2)
⁃ [Reinstated Finn telling Rose to breathe at their first meeting (V2 change)]
⁃ Removed Rose repeating, “They can track us through lightspeed.“
⁃ Removed both appearances from the ‘Caretakers’ on Ach-to (with a visual effects shot courtesy of OT.com user snooker)
⁃ Trimmed away the lone porg who gives Chewie the doughy eyes, though leaving the joke intact otherwise
⁃ Removed Luke’s line to R2, “Nothing can make me change my mind.”
⁃ Cut down the first sequence at Canto Bight to focus solely on finding the master codebreaker (also removing sounds of coins rattling around inside BB8 in two shots)
- Blended the original Anakin lightsaber ignition sound with the existing different sounds for two shots
- Made it appear as though Finn and Rose follow DJ out of the cell, briefly elude the guards, and the scene ends. Next time we see the trio, they are already in hyperspace (also removing the implication in the later scene that BB8 helped steal the ship).
⁃ Removed Rey asking Kylo Ren is he has a cowl to put on
- Added a center wipe transition from the scene with Finn, Rose, and DJ in hyperspace to the fleet losing their medical frigate
- Used a few shots from a deleted scene to remove the iron/spaceship gag, which borrowed from an old spoof which laughed at Star Wars rather than along with Star Wars (film speck removed by OT.com user poppasketti)
⁃ Trimmed some of the comedy with BB8 being placed under a basket
⁃ Trimmed the heavy, direct hinting before Snoke’s death, using musical score from TFA (courtesy of OT.com user poppasketti)
⁃ Removed the detail from Kylo Ren that Rey’s parents are buried in the Jakku desert, as this seems at odds with the vision we saw in The Force Awakens.
⁃ Moved the scene with Luke and Yoda to immediately prior to Leia looking out over Crait (using audio and video provided by OT.com user Darthrush)
⁃ Removed Finn’s line about the battering ram canon being “old Death Star tech,” and in V2 reinstated Poe’s line, “A what now?”
⁃ The crate Luke sits on as he talks with Leia is now stationary and motionless, unaffected by him (effect provided by OT.com user poppasketti)
⁃ Removed Rey’s triple-TIE combo shot, with the Falcon’s involvement in the battle being first revealed with its shadow sweeping by and a single TIE being shot down
⁃ Trimmed Hux ordering fighters to follow the Falcon, leaving this poor tactical move to be attributed to Kylo Ren’s emotional priorities
⁃ Removed Finn’s line, “Oh, they hate that ship!”
- [Reinstated Finn’s full self-sacrifice sequence (V2 change)]
⁃ After Rose saves Finn, removed her line about not “fighting what we hate” and “saving what we love.”
- Removed spot on the sun as Luke gazes out after collapsing, which caused some presumably inadvertent misdirection for some upon first viewing (courtesy of OT.com user poppasketti)
- Snuck in a Wilhelm scream... somewhere in the movie.
I already made a review but I had to do a new one for V2. I know this is an unpopular opinion but I enjoyed the Last Jedi, and this edit just makes me like it even more. This should have been the cut of the film Rian Johnson went with, and after watching the edit you can't really go back to the original.
PROS: I loved the incorporation of the deleted scenes especially with Luke.
The commentary track is really fun to listen to and shows that Hal has a really deep understanding of Last Jedi and Star Wars as a whole.
Loved the placement of the Yoda scene.
Loved Snoke's death in this edit.
Improved pacing and great reduction of Canto Bight Sequence.
Cheesiness is greatly cut from the film.
NO MORE CARETAKERS!
CONS: Luke throwing the lightsaber bit has been done much better in other edits. (It's still a joke)
Comedy could have been reduced a bit more.
It's not as fun to watch as other radical edits in that it maybe changes too little.
Great Edit that serves more as just a better cut of the movie rather than a Fun Fanedit.
Been a long time since I watched the original and this is the first fan-edit I've seen.
The pacing is leagues better. Distracting tone-shifting humor and repetitive exposition has been trimmed and makes for much smoother scenes.
The excised sections of Canto Bight does absolute wonders, amazing how much more tolerable that section of the movies is. Do not miss it at all, almost forgot that it should have happened. You're more invested in the immediate action and forget that there was this whole slog about back-story and saving animals. Didn't feel too brief for me.
I'm not sure why the slave boy is still at the end. Where'd he get the ring? Is he oppressed? Is the New Order the reason he's oppressed? Where is he located, is it somewhere that the New Order is causing problems? There's no context for that scene. It also just bothers me that he's so clean. Those slave children just look like L.A. child actors to me.
Editing is very tasteful and a lot of the fixes are effective in their simplicity. I think the poppasketti music cue for the lightsaber toss is inspired and the removal of Roses' line after her crash introduces enough ambiguity that you don't know WHY she's being contradictory to her values rather than knowing the reason and it not making sense.
I did not like Finn and Roses' meeting scene in the original and this is better but it does feel a little odd. I looked at the change list and saw that the "breathe" line was re-instated but I'm not sure why. I saw this cold, didn't read the change-list or any forum discussions before and that popped out at me as un-warranted for him to say. She doesn't get excited enough for that to make sense, the shot really holds on him like it's a big joke but there was not much of a set-up.
I could do without Leia flying. It doesn't make me angry like it does with some, but it just strikes me as a bit silly. It doesn't look very convincing and it's not staged or directed in a way that feels powerful to me. Like, I have some problems with the hyperspace jump kamikaze scene on a story level but I can't deny the visual power. It's arresting, but I can't say the same for Leia flying.
Ultimately, the movie doesn't get better for me on a fundamental level. There's things that make sense to me even less than they did the first time. I more and more don't really understand what this movie is about or what Rian Johnson is actually trying to say. I get to the end of the movie and have so many questions about what this really adds to the discussion of myth in popular culture. It's subervise in ways that seem to really only work for people that already agree with its perspective, Johnson doesn't really use much rhetoric. There's not a lot of writing or filmmaking that's being used to help along people that aren't on board. I'm all for subversion, but you got to be a little more deft with your tools when you're working in pulp.
I'm not sure I'm really interested in a more radical edit, though. I have things I'd prefer to be changed but they wouldn't make my overall opinion of the base movie different. I think HAL9000 makes this just about as polished as it can be. A wonderful piece of editing and much easier of a watch.
Watched the 720 mp4 and it looked great, a very good encode for its size.
The Last Jedi's Thematic expansion on the entire saga up to this point is incredible, and idiots who complain that it's "not in line with George's vision" are fooling themselves. The problem is, this theme of the past dying so the new can take hold isn't exactly noticed when there's these distractions that pull us away from it.
Thankfully, they're removed seamlessly here. I won't go into much detail, because I'd just basically be describing the same movie. I will say I never noticed the incredible arc of Poe's character before, or the incredible subtle aspects of Ren's arc, because the non-thematic nature of certain scenes Johnson didn't know how to cut distract us from them. (which I should say is more the fault of SCHEDULING DEADLINES for these kind of blockbuster films creating enough stress of management he might not have had time to perfect it to a Tee, so I don't blame him and I never will. This is very much still his film, if not moreso now thanks to HAL9000)
The only real issue I have with this edit, and it's only a nitpick but a symbolic one nonetheless, is that the last scene feels less meaningful now. I still get its purpose and strength, but by cutting the earlier scene that sets it up it just seems to have less pre-established weight. The basis for the Rebellion inspiring this kid is a bit lost without a scene to establish the hope they LITERALLY gave to him by giving him the ring. It still has thematic power and perfectly closes the thematic arc of the film, just with slightly less emotional weight than before.
But this is a nitpick... JUST LIKE EVERY COMPLAINT AGAINST THIS FILM:
Which is why you wisely chose not to take out the film so much as things Johnson didn't have time to take out of the film with artistic foresight himself. He had almost 4 hours of content to edit in a little less than 6 weeks, and when you arrogant people can do better THAN you can criticize him. This cut is now closer to his vision.
~Silver Screen Samurai~
I have watched the theatrical version 3 times now - once in theatres, twice on blu-ray - and not that I didn't love it, but I did have issues. This cut, however, fixes most, if not all, of my issues, and I do wish this was the cut in theatres. Thank you, Hal and the rest of the people involved from OT.com.