This edit aims to provide a more complete, satisfying and enjoyable telling of Elton John’s story, particularly for fans. Deleted scenes are restored, including Elton’s first suicide attempt and a subplot regarding the AIDS crisis. Two egregious factual inaccuracies are removed: Elton taking his last name from John Lennon (the real-life origin, from blues singer Long John Baldry, is well-known) and Elton playing his ‘80s hits in the ‘60s. The tone and pacing are also improved by cutting Elton’s last argument with his mother (a miserable scene that is too similar to the argument with Bernie Taupin directly following it). Finally, a couple musical Easter eggs are added to the film’s score.

What would a modern day Blade Runner score by Vangelis sound like? This edit rescores Blade Runner 2049 with new music from the composer’s 2016 album Rosetta and his Blade Runner tribute album from 2007. The music is supplemented by some earlier Vangelis tracks, as well as material by John Barry and others. No music from the original Blade Runner is used, except when sampled by Vangelis on the BR tribute album. In addition, the edit is approx. 15 minutes shorter, mainly from trimming Wallace’s scenes to a minimum and cutting Gaff and Rachael.

When Captain America awakens after 70 years of suspended animation, he must navigate a modern world where nothing is black and white and conspiracy lurks around every corner.

Steve Rogers is transformed into Captain America, the star-spangled super soldier who must save the world from the mad Red Skull, leader of the Nazi deep science division Hydra.

After a secret mission in Mexico City, James Bond has one more loose end to tie up.