Blade Runner 2049: New Vangelis Cut

Blade Runner 2049: New Vangelis Cut

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Blade Runner 2049: New Vangelis Cut
Faneditor Name:
Original Movie Title:
Franchise:
Fanedit Type:
Original Release Date:
2017
Original Running Time:
163
Fanedit Release Date:
Fanedit Running Time:
149
Time Cut:
14
Available in HD?
Brief Synopsis:
What would a modern day Blade Runner score by Vangelis sound like? This edit rescores Blade Runner 2049 with new music from the composer’s 2016 album Rosetta and his Blade Runner tribute album from 2007. The music is supplemented by some earlier Vangelis tracks, as well as material by John Barry and others. No music from the original Blade Runner is used, except when sampled by Vangelis on the BR tribute album. In addition, the edit is approx. 15 minutes shorter, mainly from trimming Wallace’s scenes to a minimum and cutting Gaff and Rachael.
Intention:
To provide a fresh experience by rescoring BR2049 with new music by Vangelis.
Other Sources:
- Blade Runner Trilogy 25th Anniversary [Disc 3] (Vangelis)
- Jagged Edge Original Motion Picture Soundtrack (John Barry)
- Rosetta (Vangelis)
image
Special Thanks:
-Thanks to Plissken1138 for viewing and providing feedback, and also to my family.
Release Information
MP4/M4V/MOV
Editing Details:
From the original BR2049 score, only two tracks still feature in their entirety (“Mesa” and “Someone Lived This”), alongside about a dozen excerpts from other tracks, which are abbreviated or combined with new music. The rest of the score is replaced. 48 new tracks – including 35 by Vangelis, 7 by John Barry (from Jagged Edge soundtrack) and 6 by other artists – contribute to score, source music and sound design. The most significant Vangelis tracks are listed below:

- Launch Approval
- Beaubourg Part I
- Mail from India
- BR Downtown
- Dream in an Open Place
- Beaubourg Part II
- Spotkanie Z Matka
- Starstuff
- Piano in an Empty Room
- Mission Accomplie (Rosetta’s Waltz)
- No Expectation Boulevard
- Dimitri’s Bar
- Sweet Solitude
- Philae’s Descent
- Atom Blaster
- Thermo Vision
- Sunlight
- Exo Genesis
- Movement 3 (from Soil Festivities)
- Perfume Exotico
- Origins (Arrival)
- Perihelion
- Elegy
- Return to the Void
- Physical Energy
- Albedo 0.06
- Rosetta
- Up and Running
Cuts and Additions:
Note: This list includes only changes that are additional to rescoring. Changes related to rescoring (i.e. adding new music and trimming footage to fit music) are not listed.

- Added fanedit disclaimer.
- Changed the wording slightly in opening text crawl.
- Cut shot of eye opening and moved it to end of film (where the shot is played in reverse, so the eye closes instead).
- Trimmed Sapper bashing K into wall. Difficult to believe K would survive that much head trauma.
- Edited black levels in city shots so that detail can be seen easier.
- Reduced the film’s green tint to bring out detail and colour in several scenes.
- Cropped out subtitles of woman shouting at K in apartment. It’s not important to know what she says.
- Cut Sapper’s voiceover (“You new models are happy scraping the shit… because you’ve never seen a miracle”) when K is flying to Wallace Corp. Not needed.
- Cropped out “Wallace Corporation, Earth Headquarters” location title. We can pick this up from context.
- Reordered shots of Wallace Corp exterior so they flow better. We see the base of the towers first, then K’s spinner near top of the towers, before cutting to interior.
- Cut Luv in her office with a client. Nothing notable here, except a reference to “pleasure models” from the original Blade Runner. This edit generally leans away from nostalgia.
- Cut Luv’s line “Makes one feel desire” so that she simply says, “It is invigorating being asked personal questions. Do you enjoy your work, officer?” I thought it was weird that so many women hit on K in this movie (Joi, Luv, Mariette, Joshi). So I wanted this interaction to be more about Luv trying awkwardly to connect with K, rather than anything sexual.
- Cut Gaff in retirement home. K learns nothing here and the scene exists mostly for nostalgia.
- Cut all of Wallace’s dialogue in his first scene after line “Can you at least pronounce a child is born?” Jared Leto’s cliché lines and cartoon villain acting are terrible. The scene now ends with Wallace saying “But there is a child… Bring it to me.”
- Cut Wallace inspecting and killing newborn replicant. Wallace doesn’t merit this much screentime, and the violence is totally unnecessary.
- Trimmed shot of Coco bleeding on floor. Again, unnecessary.
- Cut location title when K and Joi visit the dump / orphanage. They’ve left the heart of the city (communicated by sign reading “Now Leaving Greater Los Angeles”), that’s all we need to know.
- Cut Ana staring at K and smiling after she offers to view his memory. She looks infatuated, for some reason (see earlier note about female characters hitting on K).
- Cut K and Joi discussing consequences of K deleting her from the console. I wanted to pick up the pace here, and Joi's death later doesn’t have a huge impact anyway.
- Changed colour of the imprint from K’s fall on the hotel carpet. The red imprint looks like blood, which is confusing, so I made it closer to orange.
- Cut Frank Sinatra hologram. It’s not impressive after seeing the other holograms, and “One For My Baby” isn’t very subtle. The jukebox now plays a Nelson Riddle instrumental of “Artificial Flowers” instead.
- Cut Freysa’s line “That’s why Sapper let you kill him.” This doesn’t match what we saw earlier. Sapper put up a fight, and K beat him.
- Cut Freysa’s line “When the time comes, I will show her to the world, and she will lead our army.” From what we’ve seen of Ana, the idea of her leading the replicant army is ridiculous.
- Cut Mariette’s line “More human than humans.” This is a pointless reference to the original movie, and it doesn’t make sense for the replicant resistance to use Tyrell’s old motto as an inspirational quote.
- Cut Freysa’s line “You must kill Deckard.” Freysa has no reason to be so cold. Presumably she cares about Deckard, if not as a former friend than at least as a fellow replicant and the father of Ana. Besides, the “kill Deckard” idea is still implied without being spoken.
- Cut Wallace’s line “All the courage in the world cannot alter fact.” No need to elaborate on his previous line about the jumping fish.
- Added line “Tyrell’s final trick: procreation” after Wallace’s line “To teach them all to fly.” In this edit, Wallace’s goal is simply to create replicants who can reproduce – for what reason, we don’t know. One can guess Wallace wants to be like God, or his ambition is endless, or whatever. It’s not important to the story being told.
- Cut Wallace suggesting that Deckard and Rachael were designed to fall in love and his discussion of that idea. This is bad fan fiction, unsupported by events of the original movie.
- Cut Rachael clone. It almost looks like her, but not quite, so it doesn’t work in my opinion. I also thought it was gross and sexist to kill off Sean Young’s character before the story started, and then trot out a young fantasy version of her and kill her again onscreen.
- Cut K’s flashback to Sapper saying “Because you’ve never seen a miracle” when K is standing on bridge. Not necessary and Freysa’s voiceover works better by itself.
- Inserted shot of Ana’s hand touching artificial snow while K is dying.
- Cut Ana’s line “Just a moment. Beautiful, isn’t it?” so final scene is purely visuals and music.
- Inserted fanedit name, faneditor credit and custom end credits, including complete list of new music.
Preview

User reviews

3 reviews

Overall rating 
 
9.6
Audio/Video Quality 
 
9.7  (3)
Visual Editing 
 
10.0  (3)
Audio Editing 
 
10.0  (3)
Narrative 
 
9.7  (3)
Enjoyment 
 
9.3  (3)
Overall rating 
 
9.8
Audio/Video Quality 
 
10.0
Visual Editing 
 
10.0
Audio Editing 
 
10.0
Narrative 
 
9.0
Enjoyment 
 
10.0

When I saw BR2049 in theaters, my only complaint was that the soundtrack wasn't quite cutting it: this fanedit solved this problem and made an already great film into a near perfect one; the new Vangelis soundtrack really makes the world of the movie feel so much deeper and more alive in my opinion.

The narrative is also made leaner through the excision of unnecessary "nostalgia-fodder" and some dialog i, like PE, found a bit annoying (namely, too many women hitting on K). I think cutting Wallace's screen time actually makes him into a much more menacing figure, hidden the shadows, although the dialogue in his intro now feels a bit clunky, especially on first watch.

The editing is flawless, and except for a few aesthetic remarks (I would've cut K screaming from the memory lab scene and I would've just got rid of the eye closeup entirely instead of placing it at the end, which I find a wee bit distracting) I have nothing but praise for this edit. Absolutely recommended!

User Review

Do you recommend this edit?
Yes
Format Watched?
MP4/AVI/etc. (HD)
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(Updated: December 06, 2018)
Overall rating 
 
9.5
Audio/Video Quality 
 
10.0
Visual Editing 
 
10.0
Audio Editing 
 
10.0
Narrative 
 
10.0
Enjoyment 
 
9.0

Ok, so first off, I do have to say that I DO and DON'T recommend this edit, but hear me out.

The narrative is perfect. I'm a huge fan of BR2049 and love the theatrical release as it stands. I think the original release is still a 10/10, but there were a couple of very minor things left to be desired revolving around Wallace, which this edit does remove...to its benefit. When I heard the editor removed the Rachael scene, I thought for sure he was bonkers. However, having seen the edit he made to that scene, I can totally understand the choice. Does it change the scene, making it better? I don't know about that. I did feel like it lent more of an emotional impact on Deckard's part for sure. I also like the drastic removal of most of Wallace's scenes, but mostly because I just wasn't a huge fan of the floating eye bots and the birth of a replicate bits, which are gone in this edit. So yeah, as far as the narrative goes, I didn't notice much if anything cut besides the Wallace and Rachael bits. Narratively, it's perfect. (Not that the theatrical wasn't)

Now, as for the bigger change here: The soundtrack. This is where I don;t recommend this edit... I would say maybe half of it worked kinda mostly, while the other half felt out of place and some tracks felt too were familiar. Suffice to say, I wasn't a fan of the new Vangelis soundtrack. I think maybe the Vangelis should stay with the original Blade Runner where it felt appropriate. This movie is 30 years later, and should have a fitting soundtrack that feels new, not a throwback soundtrack. When I got this edit, I thought for sure that I would be enamored by a Vangelis soundtrack, but I just wasn't. It doesn't feel right to me.

Anyways, soundtrack aside, the editing is technically perfect from my perspective. I don't know what magic was used to replace the soundtrack, but it was mixed in there well. As for the narrative and editing, I found zero issues. Honestly, if I could have THIS edit with the ORIGINAL BR2049 soundtrack, that would be fantastic.

User Review

Do you recommend this edit?
Yes
Format Watched?
MP4/AVI/etc. (HD)
Was this review helpful to you? 
Overall rating 
 
9.4
Audio/Video Quality 
 
9.0
Visual Editing 
 
10.0
Audio Editing 
 
10.0
Narrative 
 
10.0
Enjoyment 
 
9.0

My reviews are a personal opinion of what i enjoy and not an indication of a good or bad edit. We all have different likes and what floats my boat sinks another. So please don't let my opinion stop you from viewing any fanedit...not that it would

Having recently watched Problem Eliminator's BR2049 Vangelis Cut i can say that for me it is 90% there. My go to version has been TM2YC's Aerodynamik which does a marvelous job of cutting the space and moving the film along at an accelerated pace. Problem Eliminator's reduces the films length but does so by chopping various scenes. I can honestly say that i never really had a problem with Wallace and was a little bit weary of having so much of his screen time trimmed but this really works for the better. The replicant birth does now seem rather unnecessary. All other cuts and trims especially cutting the Frank Sinatra jukebox add to the enjoyment of BR 2049 but i am still undecided whether i'd prefer to keep the Rachael clone scene. Either the Deckard flashback of Rachael scene has to go or the clone scene has to go - you can't have both and P.E chose to remove the clone scene.
All dialogue trims are perfect and as i discussed with Problem Eliminator before i viewed his edit the area in between dialogue allows the space to add Vangelis sublime instrumentation... and every film could do with a little more Vangelis.
I liked the original score - Zimmer has been at the top of his game recently: take the Interstellar, Man of Steel & Dunkirk OST's as reference. I wanted the BR2049 to be a little more emotive and at times in this cut it really works. The roof top kiss between K and Joi is where the new music is a 10/10 absolutely perfect... but there are times when i feel the music is amiss and the original music is better, take for instance - I didn't like the music choice when K first returns to Los Angeles after killing Sapper, it sounded a little too middle eastern and took me out of the cityscape... also the chase scene at the end before Luv's shuttle crashes into the sea i preferred the original and i also preferred the theatrical versions music at the end, which i deemed highly emotional. These are the only three scenes whereby i prefer the original - all other cuts and music choices are spot on.
Well done P.E I'll definitely be watching this version again in the future. Highly recommended

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