Latest Fanedits

The dreadful manifestation of the evil sixteenth-century tyrant, Vigo the Carpathian, threatens to plunge the entire city into darkness unless the selfless Ghostbusters take action. Can they stop New York from being sucked down into the 10th level of hell - again?

Five deleted, alternate and extended scenes have been masterfully reintegrated into the movie. adding four more minutes of footage to the repetitive sequel we all know and tolerate.

The Man With The Golden Gun is now taken a little more seriously, which means no silly karate fight outside of the karate school, a shorter boat chase without the annoying kid selling an elephant statue and most importantly, no J.W. Pepper (which unfortunately meant losing the entire car chase).

Roger Moore's first foray into the spy world of Bond was a pretty good start in terms of seriousness, but some of the outdated slang and J.W. Pepper really kills the feeling of this being a classic James Bond movie. Also, the boat chase was like 20 minutes long.

This edit brings together Prometheus and Alien: Covenant in one single movie of 148 minutes, that sticks as close as possible to the atmosphere of the very first Alien, whitout ruining its lore and mythology like the original movies did.

In the time of the Space Age, young Charles Evans is transferred to the starship Enterprise. Sole survivor of a crash eighteen years earlier, he is welcomed aboard with open arms. The boy, however, harbours a dangerous secret.

Go Like Hell is a light but (in my opinion) substantial edit that tightens and focuses the narrative of Ford v. Ferrari, resulting in what I believe is a stronger film. I loved the original release, but even in theatres found myself questioning the authenticity of some aspects, causing a dissatisfaction that I felt wasn't necessary.

Buck’s thirst for adventure overcomes his longing for the past. Buck, Wilma, Duke, and Brigadier Gordon (a wonderful guest-role by Buster Crabbe, who played Buck Rogers in the 1930s) must find and stop the villains who poison the Directorate’s pilots: a sorcerer (Jack Palance chews the scenery gloriously) and his slave army, hiding in a mountain stronghold.
The buddy-flick energy between Buck and Not-Tom-Jones is an enjoyable addition to Buck's many female co-stars and the only one until Hawk in season 2 (Dr Huer is wonderful, but not Buck's buddy).

The Ultimate Comics Cut takes the best of the almost finished deleted scenes from the official “Alternate Universe Mode”. Five of the over thirty new minutes of deleted, alternate and unused scenes have been reintegrated into the film for an expanded new experience.

The Babylon 5 Project aims to focus on the arc stories of the TV show by creating a series of films. This creates a more streamlined rewatch of Babylon 5 for those who want to maximize the arc without having to watch the mostly stand-alone episodes with arc storylines in them.

In the time of the Space Age, a Starfleet vessel from Earth arrives at the planet Triacus to discover their scientific group are all dead. Disturbingly, the children are unaffected.

Ripley is rescued by a deep salvage team after being in hypersleep for 57 years. The moon that the Nostromo visited has been colonized, but contact is lost. This time, colonial marines have superior firepower, but will that be enough?

Inspired by my media teacher's hatred for the early Hadley's Hope scenes in Aliens (the only reason that we watched the theatrical cut in class was due to these 2 scenes in the SE), I've created my own cut as a half way point between the Special Edition and the Theatrical without the Hadley's Hope sequence.

Following the original shooting script for the film, shuffling around a lot in the first 2 thirds and adding back deleted scenes to fill some gaps in the story, I've tried to restore the film back to how it was originally structured.

Nothing major has been cut, it's the same terror-filled film you remember, just restructured for a fresh experience. Strap once more to believe in the boogeyman like never before.

Uncertain times, but you can still count on a Doctor to sort you out, a Relive the trip of a lifetime with this special edition fanedit of 'Rose'. This edit makes use of shots and sequences from the 2005 TV Spot “The Trip of A Lifetime”, there's also a brand new ending.

The series five premiere of Doctor Who, The Eleventh Hour, slightly extended utilising footage from promotional tv spots and a "Meanwhile In The TARDIS" mini-sode.

A special edition of the Doctor Who series seven premiere episode 'Asylum of the Daleks' bookmarked by two of the 'Pond Life' shorts, it also makes use of a DVD-exclusive prequel sequence.

Logan battles his primal paternal intuition as he makes his way through a dark fairy tale landscape filled with southern gothic grotesqueries. As his health fails him he finds himself operating on instincts he thought long lost, as if his destiny were already decided. As he passes into the realm of myth he finally realizes what he had been fighting for all those years.

Buck Rogers is an air-force pilot and astronaut on a deep-space mission. An accident freezes him in an orbit that returns Buck to Earth 500 years later. In the year 2491 he is found and revived by the Draconians, under the command of Princess Ardala. Back on Earth, Buck learns that society has been rebuilt over centuries following a holocaust. He must adjust to the 25th century, and convince its people that the Draconians are planning to conquer Earth.

The Enterprise arrives at the planet Ekos, in search of Federation historian John Gill, only to discover it is at war with its neighbouring planet Zeon. Gill is not heard from, so Kirk and Spock travel back in time to investigate what went wrong, and prevent the all-out war.

After the success of Timothy Dalton's first outing as James Bond in The Living Daylights, anticipation was high for the follow up. However, with a more ruthless take on the character and more violence which caused particular trouble in the UK market where it became the first Bond film to receive a 15 rating, Licence To Kill did suffer somewhat at the box office. It was still a hit, but due to legal issues it would be the last Bond film for 7 long years and the last Dalton Bond film.

It's a shame, as the film on the whole has a lot to offer. Dalton is terrific as Bond, arguably the closest anyone has got to playing the character as Fleming wrote him, and Robert Davi's Sanchez is one of the most realistic and finest villains in the long history of the series. However, the film is not without its problems. Considering John Glen is an experienced Bond director, the film feels somewhat clumsy at times, particularly in some of the editing and most noticeably in the performance of Talisa Soto as Sanchez's girlfriend, Lupe. Also, such is the serious nature of Dalton's Bond, the few attempts at humor do not work that well.

A simple, unnecessary, but fun extended edition to "the ninth film by Quentin Tarantino", Once Upon a Time in Hollywood.

I've reinserted all deleted scenes, making the runtime just a couple minutes over three hours, adding twenty-three minutes of footage to the film.

Brilliant neurosurgeon Stephen Strange must find a way to heal his ailing body. His quest brings him to Kamar-Taj in Nepal where he studies under the Ancient One, who teaches him the ways of magic and alternate realities. With new skills of interdimensional travel and spells, Strange soon discovers that he must protect the world from a deadly enemy who is out to destroy it.

The Mystical Cut extends the magical film with a few new scenes and an all new ending. Three new deleted and extended scenes with the alternate film conclusion have been masterfully reintegrated adding two more minutes into the theatrical cut.

The 'Entirely Respectable Editions' seek to remove all material that is silly, overplayed, misjudged, overly comical, ridiculous and generally inconsistent with the more serious tone established in the earlier 'Lord of the Rings' Trilogy. It is not a radical restructure, or a two-film cut and does not set out to streamline narrative, quicken pacing, or remove characters and plot-threads. The more time we spend in Middle Earth the better, I just want Middle Earth to be a more sensible place while we're there.

While SCREAM 4 was mostly considered as a return to form after the lackluster third installment, I still believed that the pacing and overall tone of the film could be improved with the addition of deleted scenes and the removal of some humor and other bits that hurt the movie.

This edit aims to provide a more complete, satisfying and enjoyable telling of Elton John’s story, particularly for fans. Deleted scenes are restored, including Elton’s first suicide attempt and a subplot regarding the AIDS crisis. Two egregious factual inaccuracies are removed: Elton taking his last name from John Lennon (the real-life origin, from blues singer Long John Baldry, is well-known) and Elton playing his ‘80s hits in the ‘60s. The tone and pacing are also improved by cutting Elton’s last argument with his mother (a miserable scene that is too similar to the argument with Bernie Taupin directly following it). Finally, a couple musical Easter eggs are added to the film’s score.

Months back, clickbait merchants and rumour mongers were keen to share news that there would be some kind of Deadpool connection in the ill-fated Dark Phoenix movie. While this somewhat manifested a year earlier in Deadpool 2 with the X-Men's cameo in that film, there was no surprise cameo from Wade for this.

So while binging both movies I worked out a way of integrating several choice scenes from Deadpool 2 into a cut of Dark Phoenix that gives the movie not just something that brings two well received X-Film franchises together (and yes, the fact both of these films have the same initials in their titles doesn't escape me), but also provides closure to the series that doesn't corrupt the timeline the way the original version of Dark Phoenix did, and also sets up a hypothetical fifth film in the First Class timeline to show the saga of the X-Men really ought to have continued.

Two other minor tweeks aside, I left the rest of the movie alone

James Bond changed in the 1980s. With the retirement of Roger Moore and introduction of Timothy Dalton, we transition from action movie with-a-wink to spy thriller. Well... mostly.
Dalton, inspired by the novels, presents a colder, more cynical Bond. His approach to win the confidence of a beautiful woman behind the Cold War's Iron Curtain, reminds of Richard Burton's performance in the Spy Who Came In From The Cold.
Perhaps the filmmakers feared that changing Bond overnight from the suave, cheery gentleman to a cynical smoking alcoholic, would feel as jarring to the audience as dislocating your shoulder. Perhaps they were right to fill Dalton's first adventure with comedic moments. In hindsight, however, we know the audience responded just fine to the comparable transition from suave and jocular Pierce Brosnan to steely-eyed and cynical Daniel Craig.

Long ago the Skeksis eradicated the Gelfling clans to preserve their dominion over the world of Thra. Now, a lone Gelfling, Jen, must fulfill an ancient prophesy to heal the Crystal of Power and restore order to his world.

After re-energizing the present-day Turtles, the Turtles of the past have only 3 hours to get back to their time, or they will all cease to exist. Meanwhile, during the 15 hours it took to re-energize the Turtles, the remainder of Dregg's invasion fleet has been completed and has been unleashed on the city and now the Turtles and Carter have to stop Dregg, Krang, and Shredder.

Taking a few things here and there from "The Empty Hearse" I have created "The Reichenbach Fall: The Bollocks Edition", or, for anyone who likes to romanticise, The Sherlolly Cut, where I've made Anderson's theory at the beginning of Empty Hearse official as the climax to this story, and thus canonising Sherlock and Molly, with Sherlock hanging out with her in exile, the edit ends with Sherlock looking to get back into the game after two years of laying low, he wants Molly to help him, Molly wants dinner...and we leave it there at that. The end. Toss seasons three and four aside, and go down with this 'ship!

I appreciate what Jim Carrey and Ron Howard did for the movie, but the problem with Carrey's humor is that it was great in the 90's, but now it just feels a bit much. I really liked A LOT of what they did to flesh out the story, I tried to keep it more focused on the story and less on giving Jim Carrey several minutes of complete improv sessions.

A simple extended edition of Spider-Man: Far From Home, reintegrating three deleted scenes back into the film, adding four extra minutes of content.

An epic two-in-one edit of Avengers: Infinity War and Avengers: Endgame. Seamlessly combining the two films, along with credits scenes from Ant-Man and the Wasp and Captain Marvel. Additionally, there has been much cut from both films to remove some of the crappy dialogue and humour, to make for the most digestible and tolerable rewatch experience.

Gluttony. Greed. Sloth. Wrath. Pride. Lust. Envy. Two cops track a brilliant and elusive killer who orchestrates a string of horrific murders, each kill targeting a practitioner of one of the Seven Deadly Sins. The Sinful Cut extends an almost perfect film with an all new opening an several deleted scenes. Six new and extended scenes have been masterfully reintegrated into the movie with 6 more minutes of Fincher Footage.

Suppose Rose didn't revive Captain Jack? Suppose there was no real foreshadowing of The Doctor regenerating before he made his farewell speech? Suppose no longer, this edit will make this a reality

The Darklighter Cut masterfully reintegrates all of the scenes with Luke, Biggs and their friends at the Toche Station to where they were in the original shooting script. Five new deleted and extended scenes have been restored and edited back into the classic film adding six more minutes of footage, introducing Luke far earlier than in the theatrical cut.

On planet Karn, a good man comes to realise there is no need for a Doctor anymore, In 2013, something terrible is awakening in London's National Gallery; in 1562, a murderous plot is afoot in Elizabethan England; and somewhere in space an ancient battle reaches its devastating conclusion.

The original release is a pretty boring movie, we follow Chris Pratt's character, Jim, throughout the film, and see his personal struggles with his fate, and his relationship with Jennifer Lawrence's character, Aurora, flourish. If you've seen the movie then you know the plot, but, if you haven't, then that's all I can really tell you without ruining it.

Essentially what this edit does is rearrange the movie to follow Aurora, which makes for a much more interesting viewing experience - activating the psychological elements that the original film set up.

The Babylon 5 Project aims to focus on the arc stories of the TV show by creating a series of films. This creates a more streamlined rewatch of Babylon 5 for those who want to maximize the arc without having to watch the mostly stand-alone episodes with arc storylines in them.

This is a follow-up to my Force Awakens edit “The Ford Awakens”, where Han Solo survived the events of that movie…due to having zero footage of him to use in the Last Jedi, I had to give him a minimal role in the film. He only appears on-screen once (in the scene where he meets Luke…yes, he meets Luke), and the rest of his appearances are represented by various soundbites from the original trilogy, each carefully selected to connect to certain scenes in the third act.

Good intentions wreak havoc when Tony Stark unwittingly creates Ultron, a terrifying A.I. monster who vows to achieve "world peace" via mass extinction.

Inspired by SamSpider3’s own extended cut, this adds all-new deleted and extended scenes with finished VFX being masterfully reintegrated into the movie. adding 10 new scenes and 11 more minutes of footage.

Halloween Resurrection came after the success of Halloween H20: Twenty Years Later, where it appeared that Laurie Strode had once and for all destroyed infamous serial killer and her brother, Michael Myers, aka The Shape. Therefore, trying to explain away just how he could have survived such a definitive and crowd pleasing ending, was always going to put the film makers involved in another sequel in a very difficult position. That aside, Resurrection decided to kill off Laurie Strode in the first 10 minutes of the film.

The rest of the film played with the concept of a media company, Dangertainment, inviting some lucky teenage entrants to try and spend a night in the house of Michael Myers, on Halloween no less. This concept, with all the web cameras etc was actually quite an intriguing one to bring to the series. However, annoying characters such as Freddie (played by Busta Rhymes) reduced the film to a bit of an embarrassment, especially when it came to poking fun at Michael and having Freddie defeat him by using his kung fu no less.

Not to be confused with DS9's 'Playing God', this edit combines Star Trek: The Original Series 'The Ultimate Computer' and 'The Omega Glory' into one extended episode, with the events of 'The Omega Glory' taking place on the planet that M5 orbits during the first half of 'The Ultimate Computer'.

If the following strikes you as esoteric, I invite you to peruse the forums of Originaltrilogy.com.

I do not consider this a full-blown fan edit, as I am primarily hybridizing existing official versions of the film, keeping changes I can appreciate and excluding those I feel hinder the film. Of course, this is highly subjective, and everyone's perfect blend would be slightly different.

Having satiated my restlessness with the Star Wars prequels, I wanted to put together a custom 'Special Edition' of the original trilogy to place on my shelf alongside the original, theatrical versions (currently represented by Harmy's Despecialized Editions). I thought about calling them the "So You've Decided To Watch The Special Edition" version, because they wouldn't be intended as one's sole version of the films. Rather, a companion piece to the original versions, as a Special Edition should be.

A hybrid version of Star Wars, combining the best of the original version and the special edition, using both official and unofficial sources... as well as several unique enhancements and edits to try and modernize the film just a tad.

I removed a few wires, took out some things that I thought were kind of dumb, removed Kurgan's eyes flickering when he pops the blades out of his sword's hand guard and removed all references to Connor winning The Prize.

Jean Grey begins to develop incredible powers that corrupt and turn her into the Dark Phoenix. Now the X-Men will have to decide if the life of a team member is worth more than all of humanity.

All deleted and extended scenes, plus an alternate ending have been masterfully reintegrated into the movie. adding 5 new scenes and 4 more minutes of footage.

In this specially restructured fanedit of Superman Returns, Clark comes to terms more immediately with what he's left behind, and there is a more likeable and conflicted Lois who isn't so cagey around Kal.

The Scott Pilgrim film adaptation did not have a straightforward production history. It was written and filmed while the final volume of the original comic book series, Scott Pilgrim’s Finest Hour, had not yet been released; and a substantial amount of the movie had to be cut or reshot due to the MPAA® rating rules changing during production.

These changes meant that, for example, characters would not be allowed to smoke on-screen (leading to a much shorter, reshot first date, in which there is unfortunately less chemistry between the leads), and certain words had to be bleeped out or scenes cut entirely to remove them. Many others were simply cut for time.

While the altered ending that also resulted from these reshoots is more faithful to the comic book and more true to the characters, many of the other changes appear to be driven less by the filmmakers’ creative vision and more by the various externalities of the movie industry.

School Reunion is the perfect marriage of Classic and New Who, paving the way for the future mega-hit that was the Sarah Jane Adventures, and giving us emotional closure between The Doctor and the best of his companions (besides Ace) intrepid journalist Sarah Jane Smith.

Count me among the hopeless romantics who don’t feel the show loses a step if The Doctor gets involved romantically with a companion….provided it’s done right…which, frankly, it seldom ever is. It only works in retrospect, and many a time, it works with companions that the writers aren’t forcing into a relationship with the time lord. Donna, Jo, Sarah Jane, they’re remembered fondly in this way because they earned their closeness with The Doctor, because they either complimented him or took him to task, meaning well and looking out for him in the process. These companions were there for him as friends and equals first, and that’s what drew us to them, and it’s also what drew The Doctor to them in the end also.

So when Ten said goodbye to Sarah, I refused to accept he was putting him behind her, and the ongoing saga at the time vindicated that belief as they would meet several more time, with each instance we gained a little more insight into Sarah’s thoughts and feelings towards the man as she built a life without him. In my headcanon, long past the unfortunate end of SJA, a very much alive Sarah is visited upon one more time by The Doctor, revisiting the face of his tenth or seventh incarnation, and they elope, ultimately conceiving the young lady we see recruiting Kate Winslet and the lady off Ever Decreasing Circus against Nazi Eldritch and supercomputer Behemoth in Dark Season

Oh, wait, you’ve never heard of that? Google it, it can also be found on Youtube. If you still haven’t seen it, you haven’t been born yet.