Latest Fanedits

An epic two-in-one edit of Avengers: Infinity War and Avengers: Endgame. Seamlessly combining the two films, along with credits scenes from Ant-Man and the Wasp and Captain Marvel. Additionally, there has been much cut from both films to remove some of the crappy dialogue and humour, to make for the most digestible and tolerable rewatch experience.

Gluttony. Greed. Sloth. Wrath. Pride. Lust. Envy. Two cops track a brilliant and elusive killer who orchestrates a string of horrific murders, each kill targeting a practitioner of one of the Seven Deadly Sins. The Sinful Cut extends an almost perfect film with an all new opening an several deleted scenes. Six new and extended scenes have been masterfully reintegrated into the movie with 6 more minutes of Fincher Footage.

Suppose Rose didn't revive Captain Jack? Suppose there was no real foreshadowing of The Doctor regenerating before he made his farewell speech? Suppose no longer, this edit will make this a reality

The Darklighter Cut masterfully reintegrates all of the scenes with Luke, Biggs and their friends at the Toche Station to where they were in the original shooting script. Five new deleted and extended scenes have been restored and edited back into the classic film adding six more minutes of footage, introducing Luke far earlier than in the theatrical cut.

On planet Karn, a good man comes to realise there is no need for a Doctor anymore, In 2013, something terrible is awakening in London's National Gallery; in 1562, a murderous plot is afoot in Elizabethan England; and somewhere in space an ancient battle reaches its devastating conclusion.

The original release is a pretty boring movie, we follow Chris Pratt's character, Jim, throughout the film, and see his personal struggles with his fate, and his relationship with Jennifer Lawrence's character, Aurora, flourish. If you've seen the movie then you know the plot, but, if you haven't, then that's all I can really tell you without ruining it.

Essentially what this edit does is rearrange the movie to follow Aurora, which makes for a much more interesting viewing experience - activating the psychological elements that the original film set up.

The Babylon 5 Project aims to focus on the arc stories of the TV show by creating a series of films. This creates a more streamlined rewatch of Babylon 5 for those who want to maximize the arc without having to watch the mostly stand-alone episodes with arc storylines in them.

This is a follow-up to my Force Awakens edit “The Ford Awakens”, where Han Solo survived the events of that movie…due to having zero footage of him to use in the Last Jedi, I had to give him a minimal role in the film. He only appears on-screen once (in the scene where he meets Luke…yes, he meets Luke), and the rest of his appearances are represented by various soundbites from the original trilogy, each carefully selected to connect to certain scenes in the third act.

Good intentions wreak havoc when Tony Stark unwittingly creates Ultron, a terrifying A.I. monster who vows to achieve "world peace" via mass extinction.

Inspired by SamSpider3’s own extended cut, this adds all-new deleted and extended scenes with finished VFX being masterfully reintegrated into the movie. adding 10 new scenes and 11 more minutes of footage.

Halloween Resurrection came after the success of Halloween H20: Twenty Years Later, where it appeared that Laurie Strode had once and for all destroyed infamous serial killer and her brother, Michael Myers, aka The Shape. Therefore, trying to explain away just how he could have survived such a definitive and crowd pleasing ending, was always going to put the film makers involved in another sequel in a very difficult position. That aside, Resurrection decided to kill off Laurie Strode in the first 10 minutes of the film.

The rest of the film played with the concept of a media company, Dangertainment, inviting some lucky teenage entrants to try and spend a night in the house of Michael Myers, on Halloween no less. This concept, with all the web cameras etc was actually quite an intriguing one to bring to the series. However, annoying characters such as Freddie (played by Busta Rhymes) reduced the film to a bit of an embarrassment, especially when it came to poking fun at Michael and having Freddie defeat him by using his kung fu no less.

Not to be confused with DS9's 'Playing God', this edit combines Star Trek: The Original Series 'The Ultimate Computer' and 'The Omega Glory' into one extended episode, with the events of 'The Omega Glory' taking place on the planet that M5 orbits during the first half of 'The Ultimate Computer'.

If the following strikes you as esoteric, I invite you to peruse the forums of Originaltrilogy.com.

I do not consider this a full-blown fan edit, as I am primarily hybridizing existing official versions of the film, keeping changes I can appreciate and excluding those I feel hinder the film. Of course, this is highly subjective, and everyone's perfect blend would be slightly different.

Having satiated my restlessness with the Star Wars prequels, I wanted to put together a custom 'Special Edition' of the original trilogy to place on my shelf alongside the original, theatrical versions (currently represented by Harmy's Despecialized Editions). I thought about calling them the "So You've Decided To Watch The Special Edition" version, because they wouldn't be intended as one's sole version of the films. Rather, a companion piece to the original versions, as a Special Edition should be.

A hybrid version of Star Wars, combining the best of the original version and the special edition, using both official and unofficial sources... as well as several unique enhancements and edits to try and modernize the film just a tad.

I removed a few wires, took out some things that I thought were kind of dumb, removed Kurgan's eyes flickering when he pops the blades out of his sword's hand guard and removed all references to Connor winning The Prize.

Jean Grey begins to develop incredible powers that corrupt and turn her into the Dark Phoenix. Now the X-Men will have to decide if the life of a team member is worth more than all of humanity.

All deleted and extended scenes, plus an alternate ending have been masterfully reintegrated into the movie. adding 5 new scenes and 4 more minutes of footage.

In this specially restructured fanedit of Superman Returns, Clark comes to terms more immediately with what he's left behind, and there is a more likeable and conflicted Lois who isn't so cagey around Kal.

The Scott Pilgrim film adaptation did not have a straightforward production history. It was written and filmed while the final volume of the original comic book series, Scott Pilgrim’s Finest Hour, had not yet been released; and a substantial amount of the movie had to be cut or reshot due to the MPAA® rating rules changing during production.

These changes meant that, for example, characters would not be allowed to smoke on-screen (leading to a much shorter, reshot first date, in which there is unfortunately less chemistry between the leads), and certain words had to be bleeped out or scenes cut entirely to remove them. Many others were simply cut for time.

While the altered ending that also resulted from these reshoots is more faithful to the comic book and more true to the characters, many of the other changes appear to be driven less by the filmmakers’ creative vision and more by the various externalities of the movie industry.

School Reunion is the perfect marriage of Classic and New Who, paving the way for the future mega-hit that was the Sarah Jane Adventures, and giving us emotional closure between The Doctor and the best of his companions (besides Ace) intrepid journalist Sarah Jane Smith.

Count me among the hopeless romantics who don’t feel the show loses a step if The Doctor gets involved romantically with a companion….provided it’s done right…which, frankly, it seldom ever is. It only works in retrospect, and many a time, it works with companions that the writers aren’t forcing into a relationship with the time lord. Donna, Jo, Sarah Jane, they’re remembered fondly in this way because they earned their closeness with The Doctor, because they either complimented him or took him to task, meaning well and looking out for him in the process. These companions were there for him as friends and equals first, and that’s what drew us to them, and it’s also what drew The Doctor to them in the end also.

So when Ten said goodbye to Sarah, I refused to accept he was putting him behind her, and the ongoing saga at the time vindicated that belief as they would meet several more time, with each instance we gained a little more insight into Sarah’s thoughts and feelings towards the man as she built a life without him. In my headcanon, long past the unfortunate end of SJA, a very much alive Sarah is visited upon one more time by The Doctor, revisiting the face of his tenth or seventh incarnation, and they elope, ultimately conceiving the young lady we see recruiting Kate Winslet and the lady off Ever Decreasing Circus against Nazi Eldritch and supercomputer Behemoth in Dark Season

Oh, wait, you’ve never heard of that? Google it, it can also be found on Youtube. If you still haven’t seen it, you haven’t been born yet.

Licence to Kill stands out in the Bond series for its sense of danger, brutal villains, and Timothy Dalton's driven 007 – but it's got problems, including off-tone comedy, perplexing love interests, and an obligation to franchise expectations. Licence to Kill: Recut aims to eliminate these problems.

The Living Daylights stands out in the Bond series for its mix of Cold War espionage and escapist adventure, its tender romance, and Timothy Dalton’s vulnerable 007 – but it’s got problems, including ineffective villains, unnecessary comedy, and an overcomplicated plot. The Living Daylights: Recut aims to eliminate these problems.

Not exactly the edit you're expecting. This isn't a Dark Water/Death In Heaven combo, frankly I find Death In Heaven rather droll as a concluding half, it's not exactly a resoundingly upbeat climax either.

With Clara and Doc giving in to their lies, Missy killing Osgood, and the Brig being given the ol' 'Telos Special', if Kate had died maybe it would a wee bit more memorably bleak but overall it's a dud and I would much rather fix it's first part...that, or the very least muck about with it as much as possible without care or consideration for the second half.

A version of 'Dick Tracy' that's a little tighter, with more consistent characterization for Dick and Tess.

A number of years ago I stumbled upon a Godzilla fan edit called, “Godzilla and the Cradle of Eternity”.   Can’t remember where I found or downloaded from, and in trying to find the editor I came up empty in my online searches.   This edit combined (from the 2000s movie series) Godzilla Against Mechagodzilla and Godzilla Tokyo SOS into one movie.   This worked well as they were the only two in the Millennium series that were directly connected.  However the edit had its issues with some odd cuts, jumps in the music score or sound FX, and other aspects here and there. 

So, I decided to try and do my own version of the edit, titled “Godzilla vs MechaGodzilla: Battle for Eternity” (I liked the Eternity subtitle from the original fan edit, and adding “Battle for…” felt a bit classic Toho title). 

An edit combining Star Trek TOS episodes 'The Way To Eden' and 'Requiem For Methuselah' into one extended episode, with the connective tissue being that the Synthococcusnovae disease and 'Eden' planet in the former, are now both represented in the latter, with 'Eden' being Flint's planet.

This episode could do with a nice spring clean.

There really isn’t a hell of a lot of point to the sexism deflection that this episode pads itself out with. Within the context of current history, I suppose there’s some fleeting relevancy, but Doctor Who ought to be timeless, and it’s characters should not be dragged down into political soap boxing, however subtle or unsubtle. This is what has killed the show for many a true fan, and as much as I still love the show, it does make me cringe a little too. It’s like attending a council meeting with your parents on a Sunday, reminding you of the real world awaiting you in the week ahead. What happened to weekend/holiday escapism?

Changes in v2.0:
Warning screen added to the beginning of the film.
Updated intro sequence with “WW” shield instead of “HP” shield.
Two audio tracks are now available in the video file, a 5.1 surround sound and a 2.0 stereo track.
Adjusted audio volume on Tina ticket scene.
Adjusted Credence/Nagini scenes for coloring and smoother transition to adjacent scenes.


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In this edit, I have added all deleted scenes back to create a new experience for viewers. The introduction has been completely changed including the creation of a custom scene to establish more of Credence's trip from NY to Paris.

When Halloween was sold for broadcast to NBC in 1980, it became necessary to create additional scenes to fill the TV time slot. Using the crew of Halloween II, director John Carpenter commenced a three-day shoot of all-new scenes and alternate footage that was then added to the original version.

The TV Terror Cut is an attempt to add back these scenes from the TV cut into the feature film to created the longest version of Halloween.

The Men in Black Duology follows the exploits of J and K, the scum fighting super-agents who are members of a top secret organisation established to monitor alien activity on Earth.

The Intergalactic Edition adds deleted scenes, an all-new ending and reinstates the original plot of MIB before reshoots with alternate and extended scenes being masterfully reintegrated into the movie. adding 9 new scenes and 5 more minutes of footage.

A defiant James Bond heads back into the field to stop insidious cyber terrorist Sylva from exacting his revenge on M. Who will be left standing when the job's done?

Millionaire loaner Nicholas Van Orton receives a birthday present from his brother, a game to bring fun to his life, or take it all away….

Spectre was an attempt by Eon Productions and director Sam Mendes to embrace the grandiose nature of the Bond films of yesteryear, both in terms of the locales used, the scope of the picture and in bringing back the arch villain Blofeld and the Spectre organisation. Whilst it was wildly successful at the box-office, the reception on the film was very mixed. Some reveled in the large scale nature of the film, whilst others cited a poor script, lacklustre direction and a poorly executed idea of linking all the Daniel Craig Bond films together - not to mention the little controversial storyline regarding Blofeld being related to Bond as an adoptive brother.

Young Han Solo joins a band of smugglers on his first major heist and is introduced to Chewbacca and Lando Calrissian.

Marty McFly must go back in time to the Wild West of 1885 to rescue his friend Doc Brown, who he has discovered is due for a fatal showdown with one of bad guy Biff's nasty ancestors.

One deleted scene have been masterfully reintegrated into the movie adding one more minute of footage. (kind of contradicts the title doesn't it?)

Peter Parker is beset with troubles in his failing personal life as he battles a brilliant scientist named Doctor Otto Octavius.

An edit of the already amazing Spider-Man 2.1 to fix some of the less than great alternate scenes added to the extended cut of the film.

B+ edit number 3 is a light trimming of the excellent 80’s cult B-movie “The Hidden”. As per usual, the narrative is kept mostly intact, with light trims for pacing and cuts made in favour of removing poor FX, weak acting, trashy elements and misplaced humour. With only 4 minutes cut, The Hidden: B+ Movie Edition is marginally shorter, but considerably tighter, with a tone more consistent and suited to its higher tier script.

Part of an ongoing project to convert the “Avatar: The Last Airbender” series into a more cinematic format, this edit connects all 4 parts of the season 3 finale, removing all blackouts/titles/credits. Some minor changes to the narrative have been made, such as the cutting of “Loser Lord” and the re-placing of Zuko’s visit to his father at the end of the film. The Lion Turtle sequences are also now subtitled.

Even though I appreciated Mandys style and revenge story, I found it to be unnecessarily long for the genre and a little meandering especially in the first hour.

Replace a few shots in Apollo 13, using the the amazing 65mm footage from Apollo 11 (2019).

A twenty-three minute trim of the Eighth Series Doctor Who episode “Listen”, focusing entirely on the Orson Pink storyline and trimming Clara’s disastrous date with Danny Pink so they only screw up just the once.

Anchorman 2, but funny. And 36 minutes shorter.

Crafted using a mixture of the Theatrical, Unrated, Super-Sized Version, and blu-ray supplemental material, the aim of this edit was to create a funnier, tighter film worthy of being a successor to the first Anchorman. Entire subplots have been removed, and jokes have been pulled from all commercially available material, resulting in a much more focused film and, in my opinion at least, a much funnier one as well.

The first half of BABYLON 5’s season 5 is dominated by the telepath story arc Phoenix Rising, where Lyta develops from a direction-less character on the periphery to a focused
key character. It's more enjoyable by making Byron less pretentious and a little less prominent. He is a catalyst for Lyta rather than a driving force in his own right. Other storylines in these episodes are unchanged.

An edit combining Star Trek: The Original episodes' 'For the World is Hollow and I have Touched the Sky' and 'The Paradise Syndrome' into one extended episode.

Story structure remains essentially the same as the original 3 part tv movie. A few continuity corrections. The only significant edit/cut is the conversation between Adama and Apollo about going down to Caprica. Otherwise, the biggest changes are FX enhancement to many scenes (eg. adding planets to the background), replacing dodgy FX shots (eg. Cylon Basestar descending on Carrillon) or background mattes and making some of the battle sequences less repetitive, while trying to maintain the visual look of the original without going overboard with CGI.

Here is G'Kar's last tale. His performance is thoroughly enjoyable. As always. Originally much in Legend of the Rangers detracted from G'Kar's adventure. Not anymore. Now you can enjoy your favorite Narn in a solid story of exploration, intrigue, and humor.

Revenge of the Sith: Rebalanced is a fan edit of Episode III that sets out to attain the following goals:

1. Keep the best parts while trimming substantial amounts of droid slapstick, exposition, and bloated editing.

2. Shift Anakin's fall to the dark side away from Padmé, and toward Palpatine.

3. Learn from existing edits, use the best of their ideas, and fine-tune each and every scene.

4. Make as seamless and professional an edit as possible. So many fan edits have great ideas, but you can tell if the music is a little uneven, or if the rhythm of a sequence gets off balance. I wanted to create a version that you could watch without knowing anything changed. If an edit, however ideal, resulted in a noticeable glitch, it had to go.

In the time of the space age, a future ship's crew lands on a planet on a mission of peaceful first contact. The distrusting inhabitants, however, punish the spacemen for their intrusion, by recreating a famous Western gunfight, with the men forced to take on the roles of the ill-fated cowboys.

This edit combines together the stories ‘The Naked Time’, ‘Tomorrow is Yesterday’ and ‘Assignment: Earth’ into a three-weekly story arc, with each episode leading into the next, with the premise that the Enterprise is stuck in time, or is at odds with time.

Kirk is convinced to take Spock's living spirit back to Vulcan...to do so he risks his and his entire crew's careers. Even if their mission to the unstable planet Genesis, the final resting place of their friend, is a success, the punishment for their disobedience awaits them...

I want to focus on the story of the Titanic in 1912 - not the additional story set to 1997, and the sinking of the ship. I want to focus on the humanity. I want to focus on the brutality. And I want to put the tragedy in focus. I want us to see how the people - not just Jack and Rose, dealt with the disaster, and how the rich felt for the poor, and how the poor felt for the rich. There is so much kindness and humanity along with the brutality of this story, and much of it is in the narrative already - but overshadowed by the focus on Jack and Rose. And much of it is in the deleted scenes already.