Star Wars: Episode IV - A New Hope: Custom Special Edition

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Star Wars: Episode IV - A New Hope: Custom Special Edition
Faneditor Name:
Tagline:
Somewhere in space, this could all be happening right now.
Franchise:
Fanedit Type:
Original Release Date:
1977
Original Running Time:
121
Fanedit Release Date:
Fanedit Running Time:
121
Available in HD?
Brief Synopsis:
Having satiated my restlessness with the Star Wars prequels, I wanted to put together a custom 'Special Edition' of the original trilogy to place on my shelf alongside the original, theatrical versions (currently represented by Harmy's Despecialized Editions). I thought about calling them the "So You've Decided To Watch The Special Edition" version, because they wouldn't be intended as one's sole version of the films. Rather, a companion piece to the original versions, as a Special Edition should be.
Intention:
I do not consider this a full-blown fan edit, as I am primarily hybridizing existing official versions of the film, keeping changes I can appreciate and excluding those I feel hinder the film. Of course, this is highly subjective, and everyone's perfect blend would be slightly different.
Other Sources:
The primary video source is the ‘19SE’ as presented by OohTeeDee. The primary audio source is the 1997 Special Edition theatrical DTS audio. Exceptions are described in the list of changes.
Special Thanks:
First and foremost, credit is due to OohTeeDee for presenting the 1080 and 2019 versions of the filM; CapableMetal, Jetrell1969, and SilverWook for their combined efforts at making the theatrical DTS audio from the 1997 Special Edition available; Harmy for producing the famed Despecialized Edition (used in V1 and V2); Team Negative 1 for producing 4K77; NeverArGreat for producing his technicolor version; Sir Ridley for visual FX work; ChainsawAsh for encoding a DTS mix; and MalàStrana for assisting with subtitles.
Release Information:
  • DVD
  • Digital
  • Digital
Special Features
This project is presented in 1080p BluRay-compliant video, with DTS and AC3 audio tracks, and subtitles in English, Spanish, and French.
Cuts and Additions:
Here follows a list of changes made to the primary video and audio sources for this project. 

***Video Changes, beginning from OohTeeDee’s color corrected ‘19SE’ transfer

- With help from Sir Ridley, retimed the “look sir droids” scene to the original theatrical version while retaining Special Edition imagery. The scene feels like the original version without resorting to its footage or shortening the scene to remove added shots (The following scene’s opening shot of the sandcrawler remains in its Special Edition version.)
- The ‘cone of light’ missing from the Special Edition version of R2 projecting Leia’s image in Luke’s garage has been restored (Sir Ridley provided FX to achieve this for V2, though in V3 this is achieved by using D+77)
- The entrance to Mos Eisley has been reconceptualized to feature as close as possible to the best of both the original and Special Edition versions. The intended effect is to retain some of the improved visuals while avoiding the poor pacing and tone of the Special Edition.
- Restored two shots of the Wolfman alien, who had been replaced for the Special Edition
- Removed an added ugly CGI stormtrooper dismounting a dewback outside the Cantina
- New subtitles for the Greedo scene have been added, borrowing from Catbus’ Project Threepio in order to match the look and feel of the originals as closely as possible
Removed the added floating CGI droid to the stormtroopers’ search of the streets
- Removed the scene between Han Solo and Jabba The Hutt added for the Special Edition, using a wipe transition rather than the original theatrical version’s crossfade in order to retain quality
- Thanks to Sir Ridley, a new FX shot depicts the Falcon traveling through hyperspace toward the Death Star, and the following cockpit interior has been updated to correctly appear to be traveling through hyperspace (this was done for continuity with a subsequent change)
- Restored blaster damage to the chests of Imperial officers in a few shots which were censored for the Special Edition
- Restored the original dianoga
- Thanks to laborious work from Sir Ridley, the Falcon’s interior is properly depicted as traveling through hyperspace, with a blue flicker present in the cockpit and through its windows. The establishing shot of the following scene has been gently modified without altering sync to depict the Falcon exiting hyperspace as it approaches Yavin IV.
- Recreated the original theatrical timing of the closing iris wipe, avoiding an awkward point at which the frame freezes during the Special Edition version


***Audio Changes, beginning from the 1997 Special Edition theatrical DTS audio mix:

- As a nod to the original mono mix, the Cantina band can be heard softly outside the Cantina, leading into the point at which the song has progressed when cut into the interior
- Used a line from the mono mix as Wedge flies to assist Luke, going from “Blast it, Biggs, where are you,” to “Blast it, Wedge, where are you?”
- Added a brief line from the radio drama after Biggs is killed, allowing Luke to react to the death of his friend to provide greater continuity to the scene between the two of them establishing them as friends in the Special Edition

(I have included an alternative audio track that omits the following audio change.)

- Altered Kenobi’s line to Luke introducing the lightsaber for continuity with the prequels. Rather than, “Your father wanted you to have this when you were old enough,” it now reads, “I wanted you to have this when you were old enough.”
Cover art by Hal9000 (DOWNLOAD HERE)
image

User reviews

3 reviews
Overall rating
 
9.7
Audio/Video Quality
 
10.0(3)
Visual Editing
 
10.0(3)
Audio Editing
 
9.7(3)
Narrative
 
9.7(3)
Enjoyment
 
9.7(3)
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Overall rating
 
9.3
Audio/Video Quality
 
10.0
Visual Editing
 
10.0
Audio Editing
 
10.0
Narrative
 
9.0
Enjoyment
 
9.0
Moving on in our re-watch of the Skywalker saga. (Just for fun, this time we're doing 1-4-7, 2-5-8, 3-6-9.)

The audio/video quality is of course top-notch. By HAL's own admission in the description, this isn't a completely new, revelatory take on the material, but an amalgam of several other edits. (Surprisingly, it sounds like Adywan wasn't one of the sources - which is fine, just unexpected.) The most noticeable thing here is the use of the mono mix for several moments. (It isn't mentioned in the list of changes, but I thought that sound like Aunt Beru's original actress, too.)

If you're looking for a subtle, straightforward edit of ANH that lets you watch it without all the stuff you don't like, but you want to just relax and watch the movie without thinking too hard about what might be changed, then this edit will make (switch to General Grevious voice) a finnne addition to your collection!

User Review

Do you recommend this edit?
Yes
Format Watched?
Digital
Report this review Comments (0) | Was this review helpful? 0 0
Overall rating
 
10.0
Audio/Video Quality
 
10.0
Visual Editing
 
10.0
Audio Editing
 
10.0
Narrative
 
10.0
Enjoyment
 
10.0
This edit finds the perfect balance between the Despecialized edit and Adywan's Revisited. While I also enjoy those edits, Hal's edits of the OT feel like what Lucas should have gone for back in '97. I had to look through the list of changes to determine all of the differences in this edit, but I mean that as the highest possible compliment because everything was seamlessly integrated. The video source is truly a game-changer, both in video quality and color accuracy. I agree with every compliment mentioned in lapis-molari's review, so read that too!

No need to break down my score as I have in other reviews - 10s all around.

User Review

Do you recommend this edit?
Yes
Format Watched?
Digital
Report this review Comments (0) | Was this review helpful? 0 0
(Updated: November 20, 2019)
Overall rating
 
9.9
Audio/Video Quality
 
10.0
Visual Editing
 
10.0
Audio Editing
 
9.0
Narrative
 
10.0
Enjoyment
 
10.0
Well, color me impressed: after HAL9000's tour-de-force on the Prequels (they are my go-to versions), he gets closer to my ideal of A New Hope than any other version I've seen.

It's always a treat to see an edit that's a labor of love, especially when it's a film you yourself love too.

There are lots of big-picture improvements to be found here: the color looks soooo much better than the blu-ray, Han shoots first, the weakest Special Edition CGI creatures are gone, and more. HAL9000 achieves this result while standing on the shoulders of giants, and combines their efforts to create a whole that is even better than their parts.

But what speaks most to the love invested in this edit are small details. The Cantina Band that is subtly heard outside the cantina. Luke calling Wedge instead of Biggs. The dual language track to give viewers their choice of Obi-Wan's line "Your father wanted..." or "I wanted...".

Does this replace all other versions for me? No, but it is at the top of the list.

Update: After comparing the audio on different systems (good stereo, pc, and headphones) and in Audacity, I notice the soundstage is flatter than the original blu-ray. Perhaps an imperfect setting at rendering?

P.S. For anyone who wants the subtitles to match Obi-Wan saying "Your father..." instead of "I...", PM me for the updated .srt file.
Owner's reply November 24, 2019

Thanks for the review and I’m glad to hear you enjoyed it.
The reason you notice a different flavor with the audio from the BluRay is because I used the DTS theater audio from the 1997 Special Edition as my primary source. While this choice would be fair to question, it is not due to a fault with encoding.

L
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