By cutting out scenes that are out of character and using alternant or deleted material form the movie I wanted to give this movie a different feel. I also rescored scenes with different music to recontextualize or emphasize different moments in the movie.

The Complete Riddle reintegrates two deleted scene back into the latest and longest Batman endevour. Six minutes have been edited into the film, making the film now over 3 hours.

The famous deleted Arkham scene is back in the film, where it was intended to be, along with one other scene.

The Champion's Edition is an all-new extended cut of the Thor Threquel, that reinstates an alternate Dr Strange scene, as compared to my last version which removed him entirely. All new VFX has been completed, and full-frame IMAX sequences have been integrated.

Nine new, extended, alternate and deleted scenes have been reinserted into the film, adding 13 minutes of new footage into the film.

I merged Dark Phoenix with X-Men: The Last Stand and a little bit of X-Men: Apocalypse.

Fueled by remorse and vengeance, a high schooler named Terry McGinnis revives the role of Batman. Under the supervision of an elderly Bruce Wayne, he fights crime in a harsh, futuristic Gotham.

This is a TV to Movie edit of Batman Beyond.

At 2 hours and 32 minutes, "The Batman Unmasked" doesn't redefine the original source but delivers a leaner thriller while maintaining the essential mood and story.

Captain America's "Civil War" made us choose between Duty and Friends. It pitted friends and colleagues against each other. Eternals presents this dilemma with far higher stakes. Now we have Duty not just to a government but to the parent/creator, and going against that duty will impact billions of lives. Now the Friends aren't just colleagues for years, but family for millenia.
The stakes are life-or-death high, yet the audience is left largely indifferent because ten (10!) new heroes compete for limited screen-time and character development. None of them earn a place in our hearts the way that better fleshed-out, and relatable, heroes like Captain Rogers and Tony Stark have.
Eternals isn't the best Marvel movie but it is unique and interesting. It deserves criticism, but even more than that it deserves wider viewing.

Enjoy Scaperat's original vision, with updated visual fidelity, sound design, and transitions. I have been working on enhancing and revising this classic edit by Scaperat.

Batman & Robin DEEP FREEZE doesn't attempt to be as serious as The Batman or as dark as the Nolan trilogy, but something closer to the feel of The Animated Series, just in live form. Mr. Freeze, now a more sympathetic villain, has little to no one-liners, Bane is completely excised and Poison Ivy isn't created by a mad scientist pushing her into a shelf. There is no Elliot Goldenthal Batman theme, but a lot of his music is still included. New opening titles and a small set of end credits have been created (and of course giving Bill Finger the credit he deserves).

This fan edit uses the Snyder Cut as the foundational source but transitions over the course of the edit into the Whedon third act.

This fan edit splits up The Batman (2022) movie into a four episode miniseries, making the 3 hour epic more digestible and providing a Graphic Novel type experience. The narrative changes slightly with little cuts here and there, some rearranged and re-scored scenes, a deleted scene added back in and a new ending.

This takes the ultimate edition of Batman V Superman and centres the film on Bruce Wayne.

I have tried to recreate the Superman Epic as it was originally conceived by Richard Donner, following the shooting script whenever possible and before the movie was cut in half. This is Superman I and II as a complete motion picture.

A guy named Guy and his buddy Buddy argue about Guy's dream girl until she mysteriously appears to be real. Could this be the moment Guy's been waiting for his whole life? Or could there be some dark secret held by this mysterious girl?

This is a leaner version of Black Widow that adds back in multiple deleted scenes

A movie of The Punisher that feels more in line with the character and takes out the overindulgence the movie tends to have.

A legendary hitman known as Babayka, comes out of retirement to seek revenge, igniting a killing spree across Rome and New York City.

The X-Men must unite again for the first time to defeat Apocalypse!

An extended cut of a movie that's already too long, but also wasn't long enough. Adding back some much needed character moments and connective tissue to a movie that moved a little too fast.

17 new and extended scenes have been added back into the film for a longer, fully and more complete conquest of the mighty Apocalypse!

The re-telling of the Eastrail 177 Trilogy in SPLIT UNBREAKABLE GLASS was the first part of an experiment to retool these movies with a new narrative structure to facilitate surprises, adjustments to reveals, new parallels, new opening and closings and much much more. One can be surprised again.

In what may be a fanediting first, this version takes extensive material NOT used in SPLIT UNBREAKABLE GLASS (Dr Fletcher and David's marital issues) and tells the same (or similar tale) as an alternate version of the events from a very different perspective. Over 50% of this version of events is newly repuposed and previously unused and differently structured. With a different resolution and enough left untold to permit both edits to surprise and re-reveal, UNBREAKABLE GLASS SPLIT and SPLIT UNBREAKABLE GLASS can be watched in any order and still shine a BRIGHT light on M/ Night Shyamalan's genius, patience and discipline in anchoring these characters in the real world.

This edit combines Homecoming with Avengers Infinity War while keeping the focus squarely on Peter Parker.

Spider-Man 3 Redemption – A true fanedit that creates a tighter movie with villains moved to supporting roles to allow the Peter/Harry story to reach its deserved finale.

In this version Flint Marko is no longer the killer of Peter’s uncle, a lot of the humour has also been removed. Peter’s fall to the darkside is no longer brought about through guilt but through his ego and new found self importance.
This version gives more focus to the journeys of Peter and Harry and how both find redemption for themselves.

Blueyoda made an incredibly accurate-to-the-comic edit of the terrible theatrical release of Batman : The Killing Joke. For me though, it still didn't capture the darkness I felt when I originally read the comic, lingering on each page to soak it all in, before I moved to the next daunting page. As much as this was about Batman and Joker coming to terms with their similar motivations to become who they are, this was always more of a Joker story, with Batman reacting to it.

Mine breaks comic accuracy for a more cinematic experience, all about the vibe, lots of dialogue cut here and there. Batman talks less, hopefully more stoic. Little FX touches too, like trying to extend Gordon looking up at Batman out of the cage and making is pupils go from tiny to normal to emphasize his mental state better.

Following the events of Infinity War & Endgame, an overwhelmed Peter Parker hopes to escape from the pressures around him by going on a school trip to Europe. But when trouble follows him everywhere, he will realize there's no rest for a weary superhero.

A combination of season one episodes "The Conqueror" and "Don't Drink The Water", creating a climatic high-stakes two-part Captain Planet adventure to cap off season one!

As Bruce Wayne reconnects with Selina Kyle, his alter ego's eternal enemy is hell bent on proving a point, and nooone, not Thomas Elliot or Barbara Gordon, are going to stand in the way of that

I felt there were 2 unanswered questions in this movie. Both answers were found in deleted scenes. So I added the 2 deleted scenes back in.

The Amazing Spider-Man 2 rebalanced, with deleted scenes added, motivations strengthened, pacing & structure improved, and plotlines that distract from the main conflict removed.

Carol was disliked by many including me, a girl. Didn't feel like a positive feminist role model. I wanted to see something I could relate to better. so....
This is a story all about how, an amnesiac Kree Starforce operative with mysterious powers, discovers her true past and slowly learns that her emotions can set her free from the shackles of those she once considered allies.

Inspired by what we know of earlier versions of the film, with my own preferences injected, this is an extended and resequenced version of Batman Forever.

Diana kept fighting after the events of her first movie in smaller, more hidden humanitarian ways, even though she gave up hope in mankind as a whole. We do not find her in the 80s anti-social and still brooding about Steve this whole time. Instead she is a confident hidden hero, who happens upon a chance that brings him back, and she realizes AGAIN how much she lost. This movie becomes the reason she still thinks about him in the present day JL movies. She was over him in that she knew he was gone the first time, only to have him come back for a while and let him go again. She essentially gets PTSD from this experience, instead of just being lovesick for the full 100 years. (Also, Steve is not inhabiting anyone else’s body in this edit.)

WW84 also should have dialed up the 80's soundtrack. Bill and Teds was shot in '87 and released in '89, so I already knew I couldn't lock myself into ‘84 if I wanted to mix the soundtracks. Bill and ted's gave me tons of source material to work with, but I needed more, so since Bill and Ted wanted to work with Van Halen, Van Halen leads the additional songs needed. There is also Judas Priest, Pat Benatar, The Expressions, Killing Joke, Vangelis, Oingo Boingo, Def Leppard, Scorpions, Harold Faltermayer and Kenny Loggins.

The Snyder Cut and the Theatrical Cut, mixed and blended to create a theatrically viable version of Justice League.

Superhero Movie is almost forgotten parody of the comic book hero genre, and a very short one at that, running at barely 75 minutes.
The Full Hourglass integrates 30 new, extended and alternate scenes, jokes gags and more for a brand new way to see the Dragonfly's origin!
Sixteen minutes have been added to the film, to create a more complete spoof experience!

The original adaptation of the concise graphic novel had added material to "pad it up" to a feature length running time to justify the price tag of a DVD or blu-ray. Unfortunately most of the added material is garbage. This removes almost all the added material and restores this to a proper adaptation of the graphic novel.

The very first Suicide Squad movie ever made (originally in everything but name), now trimmed to make it less cheesy and more worthy of being both called a proper Suicide Squad film and a spin-off of the Arkham videogames.

President elect Lex Luthor uses an approaching Kryptonite meteor en route to Earth to convince people that Superman is mentally unbalanced, making him a danger to everyone. Batman and Power Girl assist Superman as all of them become public enemy number one. With the meteor approaching and Lex himself proving unhinged, can anybody avert disaster?

The All Super, No Hero Edition adds back 10 new, extended and alternate scenes, extending Wade Wilson's typical origin story by 5 minutes.

Insert fourth wall break here.

The Incredible Hulk: Struggle for Control aims to fit better in the MCU. Informative exposition from the deleted scenes is added, while trimmed for pacing. It shows more of Banner and Ross' motivations, less Betty, less close-up CGI Hulk, more Doc Samson, and more SHIELD:
- Several deleted scenes are added (back) in that add depth to Banner and Ross' characters and makes their motivations clearer. E.g. Banner trying to shoot himself in the opening scene, and Ross saying "He wants to get rid of it. [...] I want what's inside of him."
- Betty in Hulk (2003) was a plausible scientist working with genius Bruce, who showed a strength of character consistent with the comics. Disappointingly, 2008 Betty shows neither. Betty's aspirated one-or-two word lines while staring in the middle distance, suggest that she's constantly at a loss for what to do or think. She is trimmed to look less clueless.
- The CGI is frustrating. The Hulk's steroids-ripped body looks less real than Hulk 2003 and repeatedly fails to inhabit the space it's in. The close-ups look the weakest. They got trims when their bodies failed to convince.
- Fleshing out Doc Samson's character helps to flesh out both Bruce and Betty's. Also, I find the perspective interesting to see how an ordinary human responds when a super-powered person enters his life.
- SHIELD's presence reaffirms the continuity within the MCU. Added to their minor mention in the film is Marvel's One-Shot "The Consultant" as post-credit scene.

The re-telling of the Eastrail 177 Trilogy with a new narrative structure to facilitate surprises, adjustments to reveals, new parallels, new opening and closings and much much more. One can be surprised again.

Redundant threads (marriage issues from Unbreakable and Dr Fletcher from Slpit) and over- exposition (from Glass) have been removed. Scoring has been adjusted to permit music motifs to run through the narrative consistently, Deleted material has been used only where the narrative requires it.

New opening and closing titles have been created and all crew are credited (source IMDB).

The original movie has been re-visualized as long lost VHS recording of a Network television show from 1986. It has been edited into a typical 47 minute length episode with created Opening & Closing Titles and commercial breaks. Authentic commercials from 1986 (of a lower video quality) have been used. The movie has been reframed/cropped as 640x480 with Pan & Scan where needed, and slightly degraded with the use of Gaussian Blur and a VHS tracking overlay to help sell the illusion of VHS.

Shortened to 133 minutes, focused on action and main plotline, with most of the character backstories removed or significantly shortened, this version relates heavily to 70s aesthetics but is not limited to it. The movie got used, damaged look and most of the music was replaced with some 70s (but not only) funk, rock, and cues taken from another movie soundtracks and some TV series themes.

Remixed version of Zack Snyder's Justice League is 47 minutes shorter, restructured and reframed to 2.31:1 with some theatrical additions and new opening credits sequence based on "Motherbox clip". Some scenes has been rearranged - for example: Bruce Wayne starts searching for Aquaman after the "history lesson" and we meet Flash earlier. Most of the sequel baits present in official version are gone, also removed are many scenes which were not necessary to keep the plot going. Movie ends just like theatrical cut without extended epilogue.

This divisive little piece of now-obscure Superman media was released around the peak of marketing for Superman Returns. It's been widely criticised by fans of Superman: The Animated Series for, amongst other things, inconsistent continuity and characterisations (particularly with Lex Luthor) as well as bait-and-switch storytelling revolving around Clark wanting to share his secret with Lois Lane.

Many fans were disappointed that this film felt more like an Elseworlds tale and not an authentic 'bridge' between Superman: TAS and Justice League.

I've gone back and forth on whether or not I should do this for a while, but recently I watched a pretty good 50 or so minute version of it from an editor called Fanedit895. This version realized the potential of the story by rearranging scenes and deleting all sequences with Lex Luthor to avoid even touching on his characterizations, as well as removing the bait-and-switch so Lois knows.

So impressed was I that I decided the time had come to tackle this head on myself, but I wanted to set it apart from what this editor had managed, and have decided to try to cut it down to a TV episode length.

The edit went through several versions, and, through consultation with both Fanedit885 and FE.org's very own MusicEd921, the version available here was finally cranked out. It's fascinating to see just how much good was buried under all the more unnecessary stuff and that you can edit this in a number of interesting ways.

The Shadow Knows celebrates the gorgeous sets and costumes (using the Shout Factory blu-ray as source) and Jerry Goldsmith's score (adding cues from the Intrada CDs). Ying-Ko's backstory is shown through three dreams, letting the film open in medias res on the bridge. The dreams build up in awfulness: recurring reminders of his ruthless past.
One of the most influential and long-lived pulp characters, The Shadow has been a radio drama host/character, the hero of 325 novels, and has appeared in comics, TV shorts and films since 1930. Building on Walter Gibson's stories from 1939-1940, The Shadow fights his nemesis, Shiwan Khan, who plans to take over the world by holding New York City to ransom with an atom bomb. Using his power "to cloud men’s minds”, the Shadow comes to the city’s rescue with guns blazing.

Superman II has already had its history of different official and unofficial, so doing a new cut of the film isn't reinventing the reel or anything.

This Expanded version uses the Donner Cut as a basis, and adding in footage and scenes from the Theatrical Cut and a few other sources to try and to assemble a more complete version of Donner's own cut.

As an adult I have never felt a ton of love for due to the outrageous color scheme, and the makeup fx were always downright nuts to me as well. Its amazing that this came out the year after the first Burton Batman movie - its a complete ripoff, blasphemous in retrospect really. I can't believe I didn't notice back then it was THIS similar to the Batman. Hindsight is 20/20.

But I was amazed at how I could actually appreciate everything in this movie without all the color - even the makeup isn't quite as bad - it seems like THE PERFECT movie that a Young Bruce Wayne would have watched. There are so many similarities to Batman, besides of course the Elfman soundtrack: Big Boy seems like a hybrid of the Joker and the Penguin, Dick Tracy seems like Batman if he were a cop, the "Kid" is basically Robin. Elliot Ness similarities, sure, but this is a superhero before there were superheroes. Its so weird how much this copies and tries to be a prequel. I don't think I noticed before with all the color and ridiculous makeup. But it also hit some pretty iconic "noir" beats too.

Main Changes:

• B&W

• More noir vibes, more adult focus. Tracy edited to have a bit more confidence, less doubt, except when it comes to women.

• Original songs trimmed when the narrative allows, Miles Davis added where possible.

• Removed excess shots of bad makeup.

• Lots of dumb lines removed or edited for pacing.

• Big Boy lines are trimmed to seem darker and more menacing, less of a parody.
(That worked well for a while. Then, he had a few jokes that landed that I couldn't remove. So Big Boy starts off more menacing, but I let Pacino off the leash after a while.)

...

AtoBtoX is a chronologically restructured version of Deadpool with the deleted and extended scenes reinstated.

To create the Superman epic per the shooting script befor the movie was chopped in half by the producers when money ran out and the ending of the first half was changed.

The 1979 SUPERMAN: THE MOVIE was plagued with issues during production leading to many changes which resulted in two films being release (Superman and Superman II) which significantly differed from what was originally intended. When the producers started to run out of money, they removed the intended cliffahanger from the first movie leading to the second movie needing so many changes that the director left or was replaced (depending on the acocunts you read). This present the original vision in a truncated form to get into the action with many newly completed deleted scenes, fixes and much much more per the shooting script.

The 1979 SUPERRMAN: THE MOVIE was plagued with issues during production leading to many changes which resulted in two films being released (Superman and Superman II) which significantly differed from what was originally intended; a single epic movie. As money ran out the producers changed the end of SUPERMAN to the film we now know. This now is as close to the original structure, no turning back time, no Lois gets squised, as you can get. The cliffhanger lead in to SUPERMAN II: The Donner cut or the forthcoming SUPERMAN II Extended .

The Amazing Spider-Man 2 in the simplest and most cohesive structure that it can be.

TASM2: Spark of Life goes far to re-edit action sequences with new and extended shots to allow a clearer perception of events, cut a lot of the unimportant subplots out (Parker Parents, Aunt May, Oscorp/Rhino/Sinister 6, Plane Crash, etc.), adding portions of deleted scenes back in, refocusing the story on whats important, and overall trying to bring some closure to a duology that tried to be a franchise.