The Justice League: Ultimate Edition, aims to reinsert as much deleted footage from trailers, TV spots, promo material, behind the scenes featurettes, VFX Reels, Blu-Ray deleted scenes and a few fanedits to create the longest possible version of the Theatrical Cut.
It's not anything too spectacularly different, but it's four minutes longer with almost 70 alternate, deleted, extended and new shots and scenes added to the running time. Everything has been painstakingly colour matched with the theatrical footage and rescored with the OST with added SFX where needed to fill gaps.
This isn't any fancy Snyder Cut, but more of the movie you saw in cinemas with a few extra moments sprinkled throughout.

A reconstruction of Quentin Tarantino's own cut of Kill Bill: The Whole Bloody Affair that he himself screened at Cannes in 2004, and has since been screened sporadically since 2011 at the Tarantino-owned New Beverly Cinema in Los Angeles.

The character of Joi no longer exists (I thought about naming this edit the Joi-less cut)
K no longer thinks he is Deckards child
Trim for pacing where possible

A View to a Kill is often classified as Roger Moore's one outing too far - in other words, it's the Bond film where he's too old to play the part. However, that in itself has never bothered me - why can't we have an older version of Bond anyways? But there's little doubt that A View to a Kill is not a perfect Bond film. From the ill advised use of the Beach Boys song "California Girls" during the opening ski chase, to the over use of sexual innuendos which even for Moore are a little too much, to the inconsistent quality of editing and choreography for some of the fight scenes, there's still plenty to fix here for a faneditor.

MI6 agent, James Bond, earns his 00 agent license to kill and becomes the infamous 007.

Crank: The SOS Cut is a faster paced cut down version of the original two films. In this edit I mainly remove multiple characters and shorten conversations so it sticks purely to the action,

This cut concludes the story of the Definitive Anti-Cringe Cut of The Last Jedi. It removes plot points that go nowhere, reduces character appearences that do not move the story forward and changes the fates of key characters in the saga, once again providing some surprises for viewers of the original film.

Dark Dimensions aims to trim and cut all of the ill-timed or dated jokes for a more timeless spiritual journey into the Mystic Arts as we experience it along with Strange. Gone is the extended prologue with the Ancient One, the Beyonce jokes and the overly long and drawn out gags to allow for the film to flow a little more naturally with an even tone throughout. Experience the battle against the forces from the Dark Dimension in a more enjoyable and concise way.

My Boondock Saints II (no need for the "All Saints Day") differs from the source in the way that it strengthens the overall narrative by tightening up the dialogue, cinematography, and performances while removing the music from the directors band and replacing it with music both more fitting as well as more aesthetically pleasing.

Spider-Man 3 Back and Black follows the struggles between Peter Parker and Mary Jane Watson's relationship, and also more focuses on the side of Sandman and not as much focusing the attention on Venom.

Star Wars with a rocking soundtrack! Heavy Star Wars takes the existing action and adventure, trimming away unnecessary story/action/bad acting, and replaces the soundtrack with Rock music!

I made Nesmith's first visit to the ship a little more ambiguous by deleting the shot of the limo being beamed up. And I restored Gwen's f-bomb.

Steve Rogers, a rejected military soldier, transforms into Captain America after taking a dose of a "Super-Soldier serum". But being Captain America comes at a price as he attempts to take down a war monger and a terrorist organization.

The Star Spangled Edition integrates back into the film three deleted,and extended scenes that were cut, but now have been added back for two more minutes of new footage.

The Man With The Golden Gun is now taken a little more seriously, which means no silly karate fight outside of the karate school, a shorter boat chase without the annoying kid selling an elephant statue and most importantly, no J.W. Pepper (which unfortunately meant losing the entire car chase).

Roger Moore's first foray into the spy world of Bond was a pretty good start in terms of seriousness, but some of the outdated slang and J.W. Pepper really kills the feeling of this being a classic James Bond movie. Also, the boat chase was like 20 minutes long.

The Ultimate Comics Cut takes the best of the almost finished deleted scenes from the official “Alternate Universe Mode”. Five of the over thirty new minutes of deleted, alternate and unused scenes have been reintegrated into the film for an expanded new experience.

Ripley is rescued by a deep salvage team after being in hypersleep for 57 years. The moon that the Nostromo visited has been colonized, but contact is lost. This time, colonial marines have superior firepower, but will that be enough?

Inspired by my media teacher's hatred for the early Hadley's Hope scenes in Aliens (the only reason that we watched the theatrical cut in class was due to these 2 scenes in the SE), I've created my own cut as a half way point between the Special Edition and the Theatrical without the Hadley's Hope sequence.

Logan battles his primal paternal intuition as he makes his way through a dark fairy tale landscape filled with southern gothic grotesqueries. As his health fails him he finds himself operating on instincts he thought long lost, as if his destiny were already decided. As he passes into the realm of myth he finally realizes what he had been fighting for all those years.

After the success of Timothy Dalton's first outing as James Bond in The Living Daylights, anticipation was high for the follow up. However, with a more ruthless take on the character and more violence which caused particular trouble in the UK market where it became the first Bond film to receive a 15 rating, Licence To Kill did suffer somewhat at the box office. It was still a hit, but due to legal issues it would be the last Bond film for 7 long years and the last Dalton Bond film.

It's a shame, as the film on the whole has a lot to offer. Dalton is terrific as Bond, arguably the closest anyone has got to playing the character as Fleming wrote him, and Robert Davi's Sanchez is one of the most realistic and finest villains in the long history of the series. However, the film is not without its problems. Considering John Glen is an experienced Bond director, the film feels somewhat clumsy at times, particularly in some of the editing and most noticeably in the performance of Talisa Soto as Sanchez's girlfriend, Lupe. Also, such is the serious nature of Dalton's Bond, the few attempts at humor do not work that well.

Brilliant neurosurgeon Stephen Strange must find a way to heal his ailing body. His quest brings him to Kamar-Taj in Nepal where he studies under the Ancient One, who teaches him the ways of magic and alternate realities. With new skills of interdimensional travel and spells, Strange soon discovers that he must protect the world from a deadly enemy who is out to destroy it.

The Mystical Cut extends the magical film with a few new scenes and an all new ending. Three new deleted and extended scenes with the alternate film conclusion have been masterfully reintegrated adding two more minutes into the theatrical cut.

The 'Entirely Respectable Editions' seek to remove all material that is silly, overplayed, misjudged, overly comical, ridiculous and generally inconsistent with the more serious tone established in the earlier 'Lord of the Rings' Trilogy. It is not a radical restructure, or a two-film cut and does not set out to streamline narrative, quicken pacing, or remove characters and plot-threads. The more time we spend in Middle Earth the better, I just want Middle Earth to be a more sensible place while we're there.

James Bond changed in the 1980s. With the retirement of Roger Moore and introduction of Timothy Dalton, we transition from action movie with-a-wink to spy thriller. Well... mostly.
Dalton, inspired by the novels, presents a colder, more cynical Bond. His approach to win the confidence of a beautiful woman behind the Cold War's Iron Curtain, reminds of Richard Burton's performance in the Spy Who Came In From The Cold.
Perhaps the filmmakers feared that changing Bond overnight from the suave, cheery gentleman to a cynical smoking alcoholic, would feel as jarring to the audience as dislocating your shoulder. Perhaps they were right to fill Dalton's first adventure with comedic moments. In hindsight, however, we know the audience responded just fine to the comparable transition from suave and jocular Pierce Brosnan to steely-eyed and cynical Daniel Craig.

A simple extended edition of Spider-Man: Far From Home, reintegrating three deleted scenes back into the film, adding four extra minutes of content.

An epic two-in-one edit of Avengers: Infinity War and Avengers: Endgame. Seamlessly combining the two films, along with credits scenes from Ant-Man and the Wasp and Captain Marvel. Additionally, there has been much cut from both films to remove some of the crappy dialogue and humour, to make for the most digestible and tolerable rewatch experience.

Good intentions wreak havoc when Tony Stark unwittingly creates Ultron, a terrifying A.I. monster who vows to achieve "world peace" via mass extinction.

Inspired by SamSpider3’s own extended cut, this adds all-new deleted and extended scenes with finished VFX being masterfully reintegrated into the movie. adding 10 new scenes and 11 more minutes of footage.

I removed a few wires, took out some things that I thought were kind of dumb, removed Kurgan's eyes flickering when he pops the blades out of his sword's hand guard and removed all references to Connor winning The Prize.

Jean Grey begins to develop incredible powers that corrupt and turn her into the Dark Phoenix. Now the X-Men will have to decide if the life of a team member is worth more than all of humanity.

All deleted and extended scenes, plus an alternate ending have been masterfully reintegrated into the movie. adding 5 new scenes and 4 more minutes of footage.

The Scott Pilgrim film adaptation did not have a straightforward production history. It was written and filmed while the final volume of the original comic book series, Scott Pilgrim’s Finest Hour, had not yet been released; and a substantial amount of the movie had to be cut or reshot due to the MPAA® rating rules changing during production.

These changes meant that, for example, characters would not be allowed to smoke on-screen (leading to a much shorter, reshot first date, in which there is unfortunately less chemistry between the leads), and certain words had to be bleeped out or scenes cut entirely to remove them. Many others were simply cut for time.

While the altered ending that also resulted from these reshoots is more faithful to the comic book and more true to the characters, many of the other changes appear to be driven less by the filmmakers’ creative vision and more by the various externalities of the movie industry.

Licence to Kill stands out in the Bond series for its sense of danger, brutal villains, and Timothy Dalton's driven 007 – but it's got problems, including off-tone comedy, perplexing love interests, and an obligation to franchise expectations. Licence to Kill: Recut aims to eliminate these problems.

The Living Daylights stands out in the Bond series for its mix of Cold War espionage and escapist adventure, its tender romance, and Timothy Dalton’s vulnerable 007 – but it’s got problems, including ineffective villains, unnecessary comedy, and an overcomplicated plot. The Living Daylights: Recut aims to eliminate these problems.

A defiant James Bond heads back into the field to stop insidious cyber terrorist Sylva from exacting his revenge on M. Who will be left standing when the job's done?

Spectre was an attempt by Eon Productions and director Sam Mendes to embrace the grandiose nature of the Bond films of yesteryear, both in terms of the locales used, the scope of the picture and in bringing back the arch villain Blofeld and the Spectre organisation. Whilst it was wildly successful at the box-office, the reception on the film was very mixed. Some reveled in the large scale nature of the film, whilst others cited a poor script, lacklustre direction and a poorly executed idea of linking all the Daniel Craig Bond films together - not to mention the little controversial storyline regarding Blofeld being related to Bond as an adoptive brother.

Young Han Solo joins a band of smugglers on his first major heist and is introduced to Chewbacca and Lando Calrissian.

Peter Parker is beset with troubles in his failing personal life as he battles a brilliant scientist named Doctor Otto Octavius.

An edit of the already amazing Spider-Man 2.1 to fix some of the less than great alternate scenes added to the extended cut of the film.

B+ edit number 3 is a light trimming of the excellent 80’s cult B-movie “The Hidden”. As per usual, the narrative is kept mostly intact, with light trims for pacing and cuts made in favour of removing poor FX, weak acting, trashy elements and misplaced humour. With only 4 minutes cut, The Hidden: B+ Movie Edition is marginally shorter, but considerably tighter, with a tone more consistent and suited to its higher tier script.

Even though I appreciated Mandys style and revenge story, I found it to be unnecessarily long for the genre and a little meandering especially in the first hour.

Revenge of the Sith: Rebalanced is a fan edit of Episode III that sets out to attain the following goals:

1. Keep the best parts while trimming substantial amounts of droid slapstick, exposition, and bloated editing.

2. Shift Anakin's fall to the dark side away from Padmé, and toward Palpatine.

3. Learn from existing edits, use the best of their ideas, and fine-tune each and every scene.

4. Make as seamless and professional an edit as possible. So many fan edits have great ideas, but you can tell if the music is a little uneven, or if the rhythm of a sequence gets off balance. I wanted to create a version that you could watch without knowing anything changed. If an edit, however ideal, resulted in a noticeable glitch, it had to go.

This cut removes Azog as the main villain from the story. The side quests are also gone and the main focus remains on Bilbo's adventure. In addition most of the over-the-top action, violence and silly moments are gone, while still providing a functioning narrative.

This edit removes all references to Bond being old. Instead, he is simply old-fashioned and off his game due to injury. Additionally, a new gun barrel sequence opens the movie, two scenes are rescored, and the Roger Moore-esque casino brawl is removed, among other changes.

The evil Lord Drayvon has captured legendary Power Rangers and is using them to create an army of evil robot clones. As he prepares to use dimension-piercing arrows to leave the multiverse in dissarray, a few remaining legendary Rangers recruit the latest generation of Power Rangers to face down Lord Drayvon, free their friends, and save all of reality, but can even the greatest Ranger of all time prevail against a duplicate of himself?

The character of Max Max Rockatansky is entirely removed from the movie. The only leftover is a random, nameless 'blood bag' strapped to Nux's car in the first part of the movie. Apart from that - he's gone. And the story still makes perfect sense :)

A streamlined and fast-paced narrative, in the structural and musical spirit of the Lord of the Rings franchise. Season 2 in 3 hours and 9 minutes, with the epic score of Howard Shore.

The third and final installment of my “Arkenstone” edit trilogy. Like before, I’ve tried to keep the focus as much as possible on Bilbo, Thorin and Gandalf, while still giving the various side characters their moments to shine, without drawing attention away from the main story.

I have removed 95% of the dialogue and hired voice actors to re-dub the lines. I cut the running time down as much as I had the heart to. I have replaced almost all music with the original Shogun Assassin score plus new music that felt appropriate to make it feel more like Shogun Assassin. I have added sound effects, and a voice-over narration was created for the young boy, Daigoro, to emulate the original film. The film's introduction emulates the iconic original as well.

What If Bruce Banner had not left Earth? What if Black Widow still helped me while he fled from the military? What if the super soldier serum and the serum used to create the Abomination were connected? What if Tony Stark took the death of Charlie Spencer too much to heart? What if the events of Civil War still occured throughout all of this? Follow the unfolding story. of an alternate universe both strange, yet familiar.

The theatrical cut was full of lines which were very on the nose. Additionally, there was a subplot, involving Motoko's mother, that went nowhere. These issues have been addressed in the Lean & Mean cut. Moreover the beginning of the movie was re-edited to mimic the way the original animated movie starts. To this purpose, the credits scene was rescored using Kenji Kaway new rendition of the original main theme. Scenes from the very beginning of the movie have been used to create a flashback sequence that now appears much later. Multiple scenes where shortened, lines of dialogues were either deleted or altered or used in different contexts. The cemetery scene was restored to its original state and purpose. As far as I can tell, in the theatrical cut it was sliced in 2 to accomodate for the character of Motoko's mother, which I presumed was added at a later time to address the whitewashing controversy and to make up for the deleted scenes which included the character of Paz.

When a villain cold to the touch and a woman who's kiss is lethal to the touch cross paths with Batman and Robin, emotions flare and tension heats up. Will the dynamic duo go into meltdown?

This fan edit is an Extended Edition of Marc Webb's The Amazing Spider-Man. I inserted all but one of the deleted scenes included in the Blu-Ray into the movie, making for a more complete and satisfying experience.

'Thunderball' is a spectacular Bond movie that needs more focus, and less water. The fanedit 'Thunderball: The Kiss Kiss Bang Bang Cut' cuts nine minutes of water and nine more to streamline the story and to make Bond's steam-room romp consensual..

Luke Skywalker and his friends continue their battle against the evil Empire. Experience one of the greatest science fiction stories of all time in this edition that is sure the thrill your younglings without scaring them at the same time. Will Luke and his friends bring freedom to the galaxy or will the Empire put an end to their rebellion once and for all....