A savage and unsentimental a film. Except for an embarrassingly sentimental, sappy prologue and epilogue. This is a version without schmaltz that does not pander to the audience.

This fan edit splits up The Batman (2022) movie into a four episode miniseries, making the 3 hour epic more digestible and providing a Graphic Novel type experience. The narrative changes slightly with little cuts here and there, some rearranged and re-scored scenes, a deleted scene added back in and a new ending.

This takes the ultimate edition of Batman V Superman and centres the film on Bruce Wayne.

I have tried to recreate the Superman Epic as it was originally conceived by Richard Donner, following the shooting script whenever possible and before the movie was cut in half. This is Superman I and II as a complete motion picture.

A guy named Guy and his buddy Buddy argue about Guy's dream girl until she mysteriously appears to be real. Could this be the moment Guy's been waiting for his whole life? Or could there be some dark secret held by this mysterious girl?

More grit, Less 80s humor, some scoring tweaks and more credible.

A less serious retelling of John Rambo's story. Rambo himself is a narrator who tells us story of his life in Forrest Gump fashion - the main narrative is the story from "First Blood" while second and third movie (along with some more additional material) become flashbacks of his earlier adventures. Everything is tied with John's quest to find and face three mysterious bears colonel Trautman told him about. Or maybe he took it a little bit too literally? Sex, guns and Rock'n'Roll along the way, not exactly John Rambo you were familiar with.

A streamlined and fast-paced narrative, in the structural and musical spirit of either the Lord of the Rings franchise or the original, epic score. Season 3 in 3 hours and 4 minutes - either with Howard Shore or the original Game of Thrones score.

In a funkadelic future Los Angeles, a jaded ex-cop hunts down three androids designed to look human, and he isn’t too concerned about killing a human by “mistake.” Whoopsie.

The trip to Naboo has been cut and instead Anakin and Padme go straight to Tattoine after leaving Corouscant. In the Jedi council scene Mace Windu now does not tell Anakin to take Padme to Naboo instead Yoda tells him to hide out on Tatooine with Padme.

From Padme packing her bags until the Funeral of Anakin's Mom almost all scenes have been rearranged.

Obi Wan's investigation into Kamino and who created the clone army has him doing more detective work, gathering more clues and now has a satisfying conclusion to the Sifo Dyas mystery.

Various cuts and trims to Anakins dialogue to create a stronger character and beter romantic arc with Padme.

Scenes cut:
Anakin and Padme traveling to Naboo as refugees.
All the Naboo scenes (with the exception of the Fireside Conversation scene which now will take place on the Lars Moisture farm on Tatooine. The scene now comes in between Anakin returning with the dead body of his mother and her funeral).

Added deleted scenes:
Padme in the Senate.
Obi Wan and Mace Windu on the landing platform as Obi Wan is leaving for Kamino.
Obi Wan with Analysis droids (This scene now takes place on Kamino after he talks to Jango Fett. The Droid dialogue will be replaced so that when they analyze the Dart they discover the toxic poison comes from the Moons of Bogden.)
Anakin and Padme speak with Dooku on Geonosis.
Anakin and Padme are sentenced to death by Poggle on Geonosis.

This is a leaner version of Black Widow that adds back in multiple deleted scenes

Two main goals here, beyond just the general nips and tucks. ONE - Give the film more of an OT vibe with color correction, film grain, and new music throughout. TWO - Improve Anakin’s story. I find his fall to the dark side in the theatrical film to be rather sudden and unconvincing. So here my job was to sort of smooth out the kinks - trying to make Anakin more sure of himself and his allegiance to Palpatine before the turn, and then somewhat softening his words and actions after the turn. There’s a lot of subtle little changes and tweaks that went into this all across the film, but I do feel like the sum is that his story in this version is more believable.

This is a "Rey Nobody" edit, removing her link to Palpatine. The other major change is that Leia dies toward the beginning of the film, removing her from the plot.

The core idea is to strengthen the ties to The Force Awakens and The Last Jedi to give a clear character arc to both Rey and Kylo Ren.

I also removed some unnecessary jokes and tidied up some action beats. The goal is to create a fun, engaging movie that satisfies as an ending to these character's stories.

To make a version of the movie for those of us that are not fans of the Scooby Doo B-plot with Millie Bobby Brown (MBB). She only appears in a brief cameo now.

It was important to keep the flow of the main plot while trimming a lot of fat. Lots of trimming even during the main plot; cutaways, repeated dialog etc. It was crucial to me that it still felt like an actual movie while watching this; not just a supercut of the battle scenes or leave you feeling like pieces are missing.

The movie is about the united states war on drugs and what does it mean for the ones affected by it, actively and passively. We get to experience it through Kate (as she´s us) and aren´t able to fathom the politics of it.
Additionally Taylor Sheridan incorporated the view of a mexican police officer, named SIlvio. That´s the point where my thoughts and edit comes in. As Sheridans approach and intend is just, i never connected to SIlvio and his fight to provide for his family. Perhaps we shouldn´t. Therefore i got the feeling that the movies grip is loosen on me. So i thought:
What would it be like, if all reference to silvios background is cut and he´s just a corrupt cop who´s merly a tool for both sites? Alejandro certainly doesn´t care much as well as the cartel.
What this war does to mexican people is a little more in-depth with Solimas Sequel.

A movie of The Punisher that feels more in line with the character and takes out the overindulgence the movie tends to have.

A legendary hitman known as Babayka, comes out of retirement to seek revenge, igniting a killing spree across Rome and New York City.

Moved the pre credits Skydive sequence till after the monastary scene.
Used the precredits scene from A View To A Kill as the new opeing for Moonraker.
Removed Jaws having a girlfriend and many of the Wile E. Coyote comedy slapstick involving Jaws.
Removed the gondola-hovercraft in St. Marks square.
And lastly toned down some of the other silly gags such as the use of the Magnificent Seven theme, but still tried to keep the tone of Moonraker fun and lighthearted.

Part of an ongoing project to convert the “Avatar: The Last Airbender” series into an alternative, less "bite-sized" format, this edit connects the first three episodes into a single narrative, removing all blackouts/titles/credits. Some tweaks to humour and minor changes to narrative have been made, such as a less melodramatic exit for Aang, tweaks to dialogue to foreshadow episode 3, and a slight shift in the order of events.

The X-Men must unite again for the first time to defeat Apocalypse!

An extended cut of a movie that's already too long, but also wasn't long enough. Adding back some much needed character moments and connective tissue to a movie that moved a little too fast.

17 new and extended scenes have been added back into the film for a longer, fully and more complete conquest of the mighty Apocalypse!

The usual removal of superfluous shots and scenes for a tighter narrative and less distraction, plus a remixed beginning for a little misdirection.

AVATAR: The Final Cut aims to put Avatar's best foot forward by removing unnecessary narration and extending character development. The extended edition, while better than the theatrical by far, was lacking a 3D release. This edit not only fixes the main problem of the film, but also brings an all new 3D version of the extended experience.

The re-telling of the Eastrail 177 Trilogy in SPLIT UNBREAKABLE GLASS was the first part of an experiment to retool these movies with a new narrative structure to facilitate surprises, adjustments to reveals, new parallels, new opening and closings and much much more. One can be surprised again.

In what may be a fanediting first, this version takes extensive material NOT used in SPLIT UNBREAKABLE GLASS (Dr Fletcher and David's marital issues) and tells the same (or similar tale) as an alternate version of the events from a very different perspective. Over 50% of this version of events is newly repuposed and previously unused and differently structured. With a different resolution and enough left untold to permit both edits to surprise and re-reveal, UNBREAKABLE GLASS SPLIT and SPLIT UNBREAKABLE GLASS can be watched in any order and still shine a BRIGHT light on M/ Night Shyamalan's genius, patience and discipline in anchoring these characters in the real world.

You Only Live Twice - the film where Bond becomes Japanese. Hmmm, I've always struggled with that one. There's loads to enjoy in what was supposed to be Connery's swan song as 007, but it's also a film which has not aged particularly well, primarily because of the awkward plot line which sees Bond literally undergo a cosmetic procedure to look Japanese. It never really worked back in the 60's, but now it just comes across as uncomfortable and insulting in some ways.
On the plus side however, this is a gorgeous looking film, with incredible production design and a proper travelogue feel to it.

This edit combines the two original Matrix sequels into a single cohesive film that serves as the epic conclusion to Neo's arc.

A cut of Paul Verhoven classic film, Total Recall, that aims to make the film a little more fast paced, and solely focused on Quaid.

I don't hate the original film at all, but I felt that there was an alternate cut somewhere that removes almost all of the villianous solo scenes, getting the film going faster.

This isn't trying to be any sort of definitive cut or replacement, but when you wanna watch Total Recall, but don't have the 113 minutes needed to watch it.

The warrior Guts decides that he must part ways with his group, the Band of the Hawk, but the group's leader Griffith has other ideas.

A group of soldiers and alchemists struggle with the consequences of their actions during the war in Ishval.

This edit began with a need to cut all the jokes that ruined the tension of the action, and the pacing of the dialogue. Underneath all those bad jokes was a strong and intense film, so those jokes and attempts at humor were cut. And added deleted scenes were put in to ehance the dramatic feel.

SEELE battles NERV to initiate third impact in the groundbreaking conclusion to the original "Neon Genesis: Evangelion" in a way you've never seen before!

Following the events of Infinity War & Endgame, an overwhelmed Peter Parker hopes to escape from the pressures around him by going on a school trip to Europe. But when trouble follows him everywhere, he will realize there's no rest for a weary superhero.

The adventure you remember... only with considerably tighter pacing, enhanced stop motion, and more.

This edit has focus on Neil McCauley (Robert De Niro) and removes a lot of scenes from the other characters.
This way the movie gets a higher pacing and reduces the running time by 53 minutes.
And I wanted to change the ending as well
This version all belongs to Neil McCauley.

Frank Herbert's Dune is a fantastic miniseries adaptation of the original novel, but what would it look like as a feature length film?

Ladyhawke has had a reputation of having mix feelings on the soundtrack. The general consensus is that the 80's Alan Parsons/Scott Powell soundtrack just hasn't aged well. Using the work of Jerry Goldsmith from the little known film "Lionheart", I have rescored probably about 95% of Ladyhawke using this timeless medieval fantasy score.

A fan edit that combines The Hobbit trilogy into one film that closely follows the book and also sits better with The Lord of the Rings film trilogy with regards to visuals / physics / combat. However, other than atmosphere, each story's tone and narrative will still be distinct without any forced references; the focus has been brought back to Bilbo's adventure with only a few subtle nods to the ensuing trilogy remaining.

From the mind of Sylvester Stallone comes one of the most eagerly awaited television series in history. Spanning 14 years, we follow the life of an unknown boxers rise to fame, Rocky Balboa, in Rocky - The Series.

This edit is a follow-up to my previous prequel edits, Faster More Intense and Sanded Down.

It's in some ways a bit more conservative than my other two prequel edits, and probably one of the more conservative Revenge of the Sith edits in general. While the first two prequels are movies I don’t enjoy because of their flaws, ROTS is a movie that I enjoy despite it’s flaws, I just wish it could be better.

I felt there were 2 unanswered questions in this movie. Both answers were found in deleted scenes. So I added the 2 deleted scenes back in.

Five Episodes. Five Hours. Five Edits.


The Hobbit is changed.

I see it in the Films.
I read it on the Forums.
I tell it, on the web.

Much that once was, is cut. And none now live, who remember it.


It began with the forging of the Great Edits.

Three films were given to the Nerds; immortal, wisest and fairest of all beings.

Seven years to the Editors. Redesigners, and craftsmen of the Forum Walls.

And Five, Five Edits were gifted to the Academy, who above all else, revise for hours.

For within these edits was bound the length and the skill to govern each film.

But they were all of them deceived, for another edit was made.

In the land of Indoors, in the fires of "My Room," the Dark Lord Stromboli forged in secret, a master edit, to combine all others.

And into this edit he poured his creativity, his talents, and his will to culminate all Five.

One Edit to Rule Them All.

The Amazing Spider-Man 2 rebalanced, with deleted scenes added, motivations strengthened, pacing & structure improved, and plotlines that distract from the main conflict removed.

The Fall of the Pacific is a non-stop war film about the World War II Pacific Theatre from the Attack of Pearl Harbor to the Battle of Midway. Using scenes from the films Pearl Harbor, Midway and music from the Halo series soundtracks, The Fall of the Pacific is a pure war film, with all the cherry picked best military scenes from the two original movies, and an epic soundtrack to bridge them together.

As a big fan of the out of order structure of Tarantino's scripts I always wanted to recreate his original vision of this film. But some deleted scenes play a big part in his version and they were only available in pretty low quality. The special edition Arrow released recently brought the scenes still in SD but upscaled to 1080p, so the blend with the official HD footage wouldn't look too jarring. And of course, Tarantino's original ending was reinstated, which I always preferred anyway.

With added grindhouse effects, lots of re-scoring, deleted scenes restored and additional sequences created with footage from other movies, this version of "Machete" is meant to deliver a little more fun than original, theatrical version. Watching while not completely sober may be advised.

Inspired by what we know of earlier versions of the film, with my own preferences injected, this is an extended and resequenced version of Batman Forever.

The Snyder Cut and the Theatrical Cut, mixed and blended to create a theatrically viable version of Justice League.

- Replace the majority of the music with music from other films in the series.
- Up the pace. This movie has a weird structure in that there really isn't a big action scene till almost halfway through the film, and then it's just non-stop action for the second half. The middle third of the film needs some serious trims to get the film moving.
- Remove a lot of the over the top John Woo moments. I love John Woo, and I definitely still want it to feel like a John Woo film, but they go so hard on some of his trademarks that it ventures into parody. Slow motion scenes that drag on or show the same shot from 5 different angles will be trimmed. Some of the slow-mo will be trimmed just for action pacing.

An Irish terrorist seeks revenge on Jack Ryan and his family after the death of his brother at the hands of Ryan.

This edit is based upon the straight chronology of the Theatrical Cut, interweaved with much of the Final Cut’s additional material. I also excised anything that insults audience intelligence or prevents this film from being the sweeping, ever-moving-forward epic it so desperately wants to be.

With over 900 changes this is the ultimate fix. Two F Bombs remain