When Captain America awakens after 70 years of suspended animation, he must navigate a modern world where nothing is black and white and conspiracy lurks around every corner.

This edit takes the HD transfer on the 'Ultimate Director's Cut' blu-ray and goes in and fixes, alters, or replaces every single changed shot to "Reconstruct" the original 'Theatrical Cut' in almost the same HD quality. So we can once again enjoy the film the way it was meant to be seen 1979, without compromising on visual quality.

Just wanted to make this movie a little more fast paced and with a kick ass soundtrack.

'Where Rebels Dare' takes an already decent Star Wars movie and makes it a bit more Star-Warsy. We now open with a traditional crawl and scene wipes are used. The amount of "fan service" is reduced and the plot is reordered.

I wanted to create a comic book element and pick up the pace a bit. Color and B&W will be available.

In this special "Renegade Edition" of the Legendary Battle, we get an alternative glimpse into what Tommy got up in in the city as he does battle with Street Fighter Ryu and the mysterious Project Ranger is activated, setting the stage for a climatic battle between the Power Rangers and the Warstar Armada.

While Peter Parker sets out to prove himself, Steve Rogers is faced with a drastic choice that will shake the Avengers to their foundations and put him at odds with his close friend Tony Stark, things are complicated further by a bombing in Vienna that allegedly ties back to his best friend, "Bucky" Barnes, the former mercenary known as the winter soldier.

A streamlined and fast-paced narrative, in the structural and musical spirit of the Lord of the Rings franchise. Season 1 in 2 hours and 36 minutes, with the epic score of Howard Shore.

Die Hard is the pinnacle of action movie goodness in my opinion and cannot be improved upon as its completely perfect as it is. However as its one of my favourite films I was intrigued whether I could put a different spin on it to give it some fresh appeal. It struck me that as McClane spends nearly the entire runtime of the movie apart from all the other protagonists I could maybe use splitscreen to give the impression of multiple events taking place at once. Thus the idea for Die Hard 'til Midnight was born, and the edit evolved as a Die Hard/24 style (semi) real-time thriller.

The Bride must kill her ex-boss and lover Bill who betrayed her at her wedding ceremony, shot her in the head and took away her unborn daughter. But first, she must make the other four members of the Deadly Viper Assassination Squad suffer.

Thrilled by his experience with the Avengers, Peter Parker returns home under the watchful eye of his new mentor Tony Stark. Peter tries to fall back into his daily routine – distracted by thoughts of proving himself to be more than just your friendly neighborhood Spider-Man – but when the Vulture (Michael Keaton) emerges as a new villain, everything that Peter holds dear will be threatened.

Friendly Neighborhood Spider-Man is mere 3 minutes shorter than the official cut, with a few trims here and there that improve an already great film. Rescoring, cutting, trimming and moving scenes and jokes all feature here to make the movie the best it can be.

New Power Rangers are required to deal with the rising threat of the Nighlock clan led by Master Xandred.

11 years have passed since Sarah Connor was targeted by a cyborg from the future. Now her son, John, the future leader of the human resistance, is the target for a newer, more deadly terminator. Once again, the resistance has managed to send a warrior to protect John and his mother. The battle for tomorrow has begun...

This edit adds the scene of the T-1000 searching John’s room into the Special Edition. This scene was included in the Special Extended Edition on the official disc, but you also had to watch the alternate ending to see it. Now you don’t.

Two years ago, in the final battle between Superman and Zod, Metropolis was destroyed. Now the city is slowly rebuilding, but some wounds never truly heal, and a dark vigilante has emerged from the shadows to bring justice to the man responsible. Featuring material from both versions of the film, Mr. Blue presents a faster paced, action packed recut of the most highly anticipated comic book movie of all time

In the not too distant future, a ban on handguns sparks a new crimewave. The Foundation for Law and Government recruit Micheal Knight and KITT to assist them in putting a halt to the handgun syndicate.

As Steve Rogers struggles to embrace his role in the modern world, he teams up with a fellow Avenger and S.H.I.E.L.D agent, Black Widow, to battle a new threat from history: an assassin known as the Winter Soldier.

This edit extends the film to it's longest possible length using a variety of sources. All deleted and extended scenes have been masterfully reintegrated into the movie.

This is a black and white silent edition of the Star Wars saga presented in the form of a old serial. No voices, 4:3 aspect ratio (Pan & Scan), no sound effects, dialogue cards, only John Williams music. This video is Episode VII (55 minutes).

A hybrid cut of two Knight Rider episodes, "K.I.T.T vs K.A.R.R" and "Junkyard Dog" showcasing the decline of one powerful super car and the rise of another, each dealing with their own problems.

A rollercoaster edit in 88 minutes.

'Man of Steel: A Symbol of Hope' does not try to radically reshape MOS because I liked most of it already. I just wanted to tweak the character of Superman to make him feel more heroic. So if you hated everything about the original MOS, then this isn't the FanFix for you. There are several 10-minute chunks of this edit that are unchanged (aside from the regrade) but when I did change something, I hope it feels significant.

The Goblet of Fire needs a much more cohesive tone to follow along with the rest, as the tone of the fourth movie is in many ways quite different from the rest of the series - not just in score and pacing, but in visual style and tone.

I also noticed how Goblet of Fire Director, Mike Newell, tried to get back in some of all the warm, golden, cozy colors of Columbus' entries, and when listening in on the Commentary Track I found it odd how these choices came into play. Prisoner of Azkaban had a silver/brown color palette to it that looked very lived-in and real, and then suddenly Mike Newell decided to throw all of that away - despite all the critical acclaim for the visual style of the Prisoner of Azkaban, because he always liked the warm tone of the Columbus' movies, yet he continued with the visual presentation (Hogwarts tracking shots and movie style editing) created by Alfonso in PoA.

The entire movie is tonally and stylistically confusing, and that was the most important thing for me to fix - along with franchise continuity.

Combining episodes to conclude the first season trilogy. This finale uses the following episodes as its core: Providence; The Only Light In The Darkness; Nothing Personal; Ragtag; and Beginning Of The End.

There are some fleeting moments in Warcraft (2016) that demonstrate that it could have been not only the film to finally break the video game-to-film adaptation curse, but that it could have stood shoulder to shoulder with the best of fantasy movies. Sadly, these moments are lost in a script with poor dialog, a meaningless second act, and characters that have inconsistent motivations.

For starters, kidjupiter92 and I are going to hope to collaborate to a unified continuity canon with no sentinels, yet no time travel and we hope we can incorporate The Wolverine (Kuzuri) and the original trilogy in with the new movies without much confusion. So, this will be the official first installment of this new canon.

With that out of the way, let's get started. Among many changes, this is focused on Erik. So, we only meet a character Erik meets them or is connected to someone Erik knows like Moira is connected to Shaw and in turn Erik. Darwin's death and Angel's switch (it seems she was always with Shaw) will be cut.

In 2008, a relatively unknown Faneditor going by the name of Adywan shook the Fanediting galaxy with his release of 'Star Wars: Revisited'. From that day, Faneditors and film enthusiasts from around the world (and we'd like to think throughout the galaxy…) have waited in eager anticipation for the continuation of Adywan's Revisited saga. That day has arrived! Prepare yourself to relive the magic of Star Wars with Adywan's 'The Empire Strikes Back Revisited'.

Come watch the speeders fly, the heroes flee and the sabers clash in this instant Fanediting classic. We'll see you in a galaxy far, far away…

A two in one edition of John Wick and John Wick Chapter 2.

The Dark Side of the Force has awakened. Risen from the ashes of the Empire, the First Order seeks to destroy the New Republic and once again shroud the galaxy in darkness. The mysterious Kylo Ren has extinguished the new Jedi order. Without the guidance of the Force, who will stand and resist against this growing threat?

Watch the story you've come to love in a brand new way with DigModiFicaTion's edit, Heir to the Force. Featuring all new special effects, music, and mystery. Experience the awakening. (Extended reveal of Kylo Ren; Original OT Falcon turret sfx; TFA, EU & John Williams cues to enhance scenes; Holograms; A new ending).

Where other edits have changed the sequences surrounding Starkiller Base (Hal9000) or simply attempted to minimize over the top humor (ironman23), this edit leaves the key sequences in place, is more aggressive in it's edits to remove silliness and extends Kylo Ren's parentage reveal as well as gently addressing the issue of R2-D2 being asleep and Snoke's non-Star Warsy looking hologram. This edit also removes the distraction of Luke from the end of the movie.

This is a remasterization of TMBTM's fanedit "Underworld Temptation" released in 2011 (Which was itself an edit combining 'Underworld' and 'Underworld III', with the music of 'Within Temptation').

The first two movies of Mad Max combined to one edit.

'Darkman Lives!' is the first in a soon to be series of pulp style edits. In this edition of the film, MusicEd921 has converted the film to black and white, excised some of the sillier moments, created a new introduction for Durant, and many more other cuts to bring this film closer to its pulp routes.

'No Justice' refocuses "Batman v. Superman" on its central conflict between Man and God. All aspects of its 'Dawn of Justice' subtitle are excluded: Wonder Woman, the Justice League, Doomsday, Darkseid and the Kryptonian ship. These omissions create a more coherent and accessible story, intended for a wider audience.

'The Legend of the Magnificent Seven' is a fanedit of Antoine Fuqua's reimagined vision of the western classic based on Kurosawa's 'Seven Samurai'. In this legendary retelling, seven gunslingers that consist of a bounty hunter, a gambler, an outlaw, a sharpshooter, an assassin, a native warrior and a tracker come together to aide a small town from being overrun by the ruthless corporate mogul Bartholomew Bogue. What starts out as just a job prospect for these men turns into something more meaningful as they discover what they have inside themselves to make them legends.

Follow up to "The Hobbit: The Last Light". The conclusion of the Hobbit story without all the cringe worthy moments.

Based on "The Hobbit: Fire and Water" edit with some alternative cuts, different dynamic between Legolas-Kili-Tauriel and a lot less Laketown. Like "Fire and Water", this edit also aims not to show connection between Sauron and Bilbo's ring. This edit is followed by "The Hobbit: Battle for the Lonely Mountain".

When taking on a literal behemoth like this film, with all the good and bad coming in it's massive nostalgia package, doing a fan edit claiming you wanna fix the more underlying flaws that drag the quality down is no easy task. Especially with the kind of flaws that include; an overly long run time that tends to drags at points, a bland color palette that makes the film look ugly and sickly, and characters that make down right stupid and even life threatening decisions to those around them. So, with all of that said, a lot of time and effort had to be put into this, as well as doing research to find others similar opinions (special shout out to the Nostalgia Critic for his take, points and arguments that really helped me out!) to create a worthy Jurassic Park sequel that more people can enjoy.

'John Wick: Point Blank Cut' is black & white with new simple credits for a more classic "timeless" feel. Every bit of dialogue that wasn't needed to advance the plot and inform character is gone, so the gaps between the action sequences are minimal. The Perkins/Marcus/Henry subplot is removed from the last act, to stay focused on John. The flashback/forward framing device is gone, it's all linear.

Death Sentence and 10 Cloverfield Lane in a Double Feature cut to almost one hour.

The main change is that the Martha-name-correlation as the basis for Batman's change of mind is removed and replaced by Lois Lane's work to discover how Lex Luthor manipulated them all. That major change led to all the other changes in this fanedit, that imho benefit the movie.

It's becoming more and more clear that "Star Trek: Into Darkness" has become quite the divisive film-is it good, action packed fun, or is it a shameless remake of the greatest film in the franchise? After repeated viewings (like most people I know) the film , for me personally, has landed right square in the middle. It's still well acted, shot, and directed, even with the many problems with the script and how it is a massive retread of "WoK" as well as the 2009 prequel. What I had in mind, was to give this film a fresh new look in re-orderings, the removal of as many references and lip service snippets, and try to fix most of the annoying character flaws the script had.

I liked 'Star Trek Into Darkness' a lot but from the first viewing I could see the flaws and could see ways to fix them. So this is an attempt to create my ideal version, a version that brings out the best of what was always there. The "plot holes" remain (Removing them would be like trying to make a bowl, out of a sieve) but the emotional impact and character motivations are now what I think they should have been.

After a secret mission in Mexico City, James Bond has one more loose end to tie up.

This TV-to-Movie adaptation is the second of a planned trilogy and uses the following four episodes as its core: T.R.A.C.K.S.; T.A.H.I.T.I; End Of The Beginning; and Turn, Turn, Turn.

The Hood has put a bomb on the new atomic-airliner: Fireflash and only International Rescue can save them!

This edit depicts the events of Pulp Fiction in chronological order. To achieve one continuous timeline, temporal redundancies had to be avoided by merging those scenes together. The movie now structures as follows: Butch's childhood memories - Title sequence - The Bonnie Situation - Vincent Vega and Marsellus Wallace's Wife - The Gold Watch - Credits.

I have cut over half of the cumulative running time of the films. What was once a bloated, 542-minute trilogy is now a more digestible 247-minute epic. In general, I’ve tried to keep the spirit of the book intact by removing unnecessary subplots, characters, ridiculous action scenes, and so on.

The Killing Joke is one of the most widely popular Joker stories and has been referenced by both Tim Burton and Heath Ledger in how those versions of the Joker were brought to life. The story sees the Joker try to carry out one of his most devious plots, all to make a point that it takes only one bad day for a person to snap. While the Joker carries out his nefarious plot, Batman struggles with the idea that he and his arch-nemesis are locked in a battle that will ultimately lead to one of their deaths.

Both movies cut to 60 - 70 minutes.

'Pirates of the Caribbean: Dead Man's Chest (Extended Edition)' adds 15 minutes of new material, which complements various scenes to give more information about this world of ships, pirates and adventures. We get to see more funny moments, a whole new restored dice game between Will Turner and Davy Jones, the story behind Isla Cruces and an alternate ending.

Simply Kick-Ass without all of the F-bombs and other swears outside of the "sh,t"s and "SOB"s as well as most of the sexual stuff. Other than that, the movie is still intact.

It's the same Star Wars Episode VII: The Force Awakens you fell in love with, only restructured slightly so that Starkiller Base does not fire until close to the end of the film. During the battle over Starkiller Base, the stakes are no longer protecting the Resistance base, but preventing the destruction of the Republic Capitol. Even though they destroy the First Order's superweapon, they fail to do so in time to save the day.