I merged Dark Phoenix with X-Men: The Last Stand and a little bit of X-Men: Apocalypse.

VENOM has stolen the statue of liberty and discovered the true identity of M.A.S.K leader Matt Tracker. With the fate of an important American symbol and M.A.S.K itself under threat, can Matt and the team hold it together and prevent VENOM from taking everything and everyone they know apart?

A combination of season one episodes "The Conqueror" and "Don't Drink The Water", creating a climatic high-stakes two-part Captain Planet adventure to cap off season one!

As Bruce Wayne reconnects with Selina Kyle, his alter ego's eternal enemy is hell bent on proving a point, and nooone, not Thomas Elliot or Barbara Gordon, are going to stand in the way of that

President elect Lex Luthor uses an approaching Kryptonite meteor en route to Earth to convince people that Superman is mentally unbalanced, making him a danger to everyone. Batman and Power Girl assist Superman as all of them become public enemy number one. With the meteor approaching and Lex himself proving unhinged, can anybody avert disaster?

This divisive little piece of now-obscure Superman media was released around the peak of marketing for Superman Returns. It's been widely criticised by fans of Superman: The Animated Series for, amongst other things, inconsistent continuity and characterisations (particularly with Lex Luthor) as well as bait-and-switch storytelling revolving around Clark wanting to share his secret with Lois Lane.

Many fans were disappointed that this film felt more like an Elseworlds tale and not an authentic 'bridge' between Superman: TAS and Justice League.

I've gone back and forth on whether or not I should do this for a while, but recently I watched a pretty good 50 or so minute version of it from an editor called Fanedit895. This version realized the potential of the story by rearranging scenes and deleting all sequences with Lex Luthor to avoid even touching on his characterizations, as well as removing the bait-and-switch so Lois knows.

So impressed was I that I decided the time had come to tackle this head on myself, but I wanted to set it apart from what this editor had managed, and have decided to try to cut it down to a TV episode length.

The edit went through several versions, and, through consultation with both Fanedit885 and FE.org's very own MusicEd921, the version available here was finally cranked out. It's fascinating to see just how much good was buried under all the more unnecessary stuff and that you can edit this in a number of interesting ways.

Uncertain times, but you can still count on a Doctor to sort you out, a Relive the trip of a lifetime with this special edition fanedit of 'Rose'. This edit makes use of shots and sequences from the 2005 TV Spot “The Trip of A Lifetime”, there's also a brand new ending.

The series five premiere of Doctor Who, The Eleventh Hour, slightly extended utilising footage from promotional tv spots and a "Meanwhile In The TARDIS" mini-sode.

A special edition of the Doctor Who series seven premiere episode 'Asylum of the Daleks' bookmarked by two of the 'Pond Life' shorts, it also makes use of a DVD-exclusive prequel sequence.

Months back, clickbait merchants and rumour mongers were keen to share news that there would be some kind of Deadpool connection in the ill-fated Dark Phoenix movie. While this somewhat manifested a year earlier in Deadpool 2 with the X-Men's cameo in that film, there was no surprise cameo from Wade for this.

So while binging both movies I worked out a way of integrating several choice scenes from Deadpool 2 into a cut of Dark Phoenix that gives the movie not just something that brings two well received X-Film franchises together (and yes, the fact both of these films have the same initials in their titles doesn't escape me), but also provides closure to the series that doesn't corrupt the timeline the way the original version of Dark Phoenix did, and also sets up a hypothetical fifth film in the First Class timeline to show the saga of the X-Men really ought to have continued.

Two other minor tweeks aside, I left the rest of the movie alone

After re-energizing the present-day Turtles, the Turtles of the past have only 3 hours to get back to their time, or they will all cease to exist. Meanwhile, during the 15 hours it took to re-energize the Turtles, the remainder of Dregg's invasion fleet has been completed and has been unleashed on the city and now the Turtles and Carter have to stop Dregg, Krang, and Shredder.

Taking a few things here and there from "The Empty Hearse" I have created "The Reichenbach Fall: The Bollocks Edition", or, for anyone who likes to romanticise, The Sherlolly Cut, where I've made Anderson's theory at the beginning of Empty Hearse official as the climax to this story, and thus canonising Sherlock and Molly, with Sherlock hanging out with her in exile, the edit ends with Sherlock looking to get back into the game after two years of laying low, he wants Molly to help him, Molly wants dinner...and we leave it there at that. The end. Toss seasons three and four aside, and go down with this 'ship!

Suppose Rose didn't revive Captain Jack? Suppose there was no real foreshadowing of The Doctor regenerating before he made his farewell speech? Suppose no longer, this edit will make this a reality

On planet Karn, a good man comes to realise there is no need for a Doctor anymore, In 2013, something terrible is awakening in London's National Gallery; in 1562, a murderous plot is afoot in Elizabethan England; and somewhere in space an ancient battle reaches its devastating conclusion.

This is a follow-up to my Force Awakens edit “The Ford Awakens”, where Han Solo survived the events of that movie…due to having zero footage of him to use in the Last Jedi, I had to give him a minimal role in the film. He only appears on-screen once (in the scene where he meets Luke…yes, he meets Luke), and the rest of his appearances are represented by various soundbites from the original trilogy, each carefully selected to connect to certain scenes in the third act.

In this specially restructured fanedit of Superman Returns, Clark comes to terms more immediately with what he's left behind, and there is a more likeable and conflicted Lois who isn't so cagey around Kal.

School Reunion is the perfect marriage of Classic and New Who, paving the way for the future mega-hit that was the Sarah Jane Adventures, and giving us emotional closure between The Doctor and the best of his companions (besides Ace) intrepid journalist Sarah Jane Smith.

Count me among the hopeless romantics who don’t feel the show loses a step if The Doctor gets involved romantically with a companion….provided it’s done right…which, frankly, it seldom ever is. It only works in retrospect, and many a time, it works with companions that the writers aren’t forcing into a relationship with the time lord. Donna, Jo, Sarah Jane, they’re remembered fondly in this way because they earned their closeness with The Doctor, because they either complimented him or took him to task, meaning well and looking out for him in the process. These companions were there for him as friends and equals first, and that’s what drew us to them, and it’s also what drew The Doctor to them in the end also.

So when Ten said goodbye to Sarah, I refused to accept he was putting him behind her, and the ongoing saga at the time vindicated that belief as they would meet several more time, with each instance we gained a little more insight into Sarah’s thoughts and feelings towards the man as she built a life without him. In my headcanon, long past the unfortunate end of SJA, a very much alive Sarah is visited upon one more time by The Doctor, revisiting the face of his tenth or seventh incarnation, and they elope, ultimately conceiving the young lady we see recruiting Kate Winslet and the lady off Ever Decreasing Circus against Nazi Eldritch and supercomputer Behemoth in Dark Season

Oh, wait, you’ve never heard of that? Google it, it can also be found on Youtube. If you still haven’t seen it, you haven’t been born yet.

Not exactly the edit you're expecting. This isn't a Dark Water/Death In Heaven combo, frankly I find Death In Heaven rather droll as a concluding half, it's not exactly a resoundingly upbeat climax either.

With Clara and Doc giving in to their lies, Missy killing Osgood, and the Brig being given the ol' 'Telos Special', if Kate had died maybe it would a wee bit more memorably bleak but overall it's a dud and I would much rather fix it's first part...that, or the very least muck about with it as much as possible without care or consideration for the second half.

This episode could do with a nice spring clean.

There really isn’t a hell of a lot of point to the sexism deflection that this episode pads itself out with. Within the context of current history, I suppose there’s some fleeting relevancy, but Doctor Who ought to be timeless, and it’s characters should not be dragged down into political soap boxing, however subtle or unsubtle. This is what has killed the show for many a true fan, and as much as I still love the show, it does make me cringe a little too. It’s like attending a council meeting with your parents on a Sunday, reminding you of the real world awaiting you in the week ahead. What happened to weekend/holiday escapism?

A defiant James Bond heads back into the field to stop insidious cyber terrorist Sylva from exacting his revenge on M. Who will be left standing when the job's done?

A twenty-three minute trim of the Eighth Series Doctor Who episode “Listen”, focusing entirely on the Orson Pink storyline and trimming Clara’s disastrous date with Danny Pink so they only screw up just the once.

Kirk is convinced to take Spock's living spirit back to Vulcan...to do so he risks his and his entire crew's careers. Even if their mission to the unstable planet Genesis, the final resting place of their friend, is a success, the punishment for their disobedience awaits them...

The evil Lord Drayvon has captured legendary Power Rangers and is using them to create an army of evil robot clones. As he prepares to use dimension-piercing arrows to leave the multiverse in dissarray, a few remaining legendary Rangers recruit the latest generation of Power Rangers to face down Lord Drayvon, free their friends, and save all of reality, but can even the greatest Ranger of all time prevail against a duplicate of himself?

Inspired partially by a scene from the ending of the Superman II redux by booshman, this "fourth option" edit allows you to view the Donner cut of Superman II in almost it's unaltered entirety with yet another alternative outcome, one that does not include the time travel, amnesia kiss, or even the heartbreak of a Lois/Clark break-up.

A dome, a doofus, an (annoyed grunt), experience Homer to the Max in this shortened take on the Simpsons movie.

What If Bruce Banner had not left Earth? What if Black Widow still helped me while he fled from the military? What if the super soldier serum and the serum used to create the Abomination were connected? What if Tony Stark took the death of Charlie Spencer too much to heart? What if the events of Civil War still occured throughout all of this? Follow the unfolding story. of an alternate universe both strange, yet familiar.

When a villain cold to the touch and a woman who's kiss is lethal to the touch cross paths with Batman and Robin, emotions flare and tension heats up. Will the dynamic duo go into meltdown?

I've worked out a way of having Han live throughout the entire movie, and he accompanies Rey on her search for Luke at the end.

Other changes so far include

- Leia sensing the Starkiller's attack on the republic
- R2 awakens when BB8 first finds him
- No lightsaber duel with Kylo, Rei, or Finn.
- Planets Daquar and Tokondana are now the same world
- Han and Chewie's explosives bring down the shields (special credit to Last Impressions for this idea)

It's 2017, and Peter Capaldi's time as The Doctor is up. Determined to perform one last defiant act of kindness, the good man makes his journey into night battling the forces of the Mondassian Cybermen, a battle which brings him to death's door. On the brink of death he is saved by his loyal companion Bill Potts and brought to the safety of the TARDIS. Bill heads off on her own journey, leaving The Doctor to experience the miracle of the time lords...

...Or rather would have if Chris Chibnall hadn't been a sodding diva and opted not to start his run with a christmas special, forcing Steven Moffat to helm one more special which just about disgraced and sullied the memory of William Hartnell, undermined the conclusion to Bill's story and dragged out a regeneration with a speech that seemingly went on forever before Capaldi let the part go.

I've been meaning to do an X-Men 3 edit for the longest time but struggled to find a means of making it unique. The result was a blissfully short piece I've labelled J.A.J, "Just About Jeanless". Yes, an X-3 cut with ALMOST no Jean Grey.

What if Amy and Rory weren't zapped back in time? Find out in this special fanmix which sees Amy and Rory reflect on their adventures with the Doctor and must decide once and for all if the monsters are all worth it. Once you know what's coming, it's written in stone.

As part of the 25th anniversary celebrations, I have put together a new Power Rangers Zeo fanedit. It's the season finale "Good as Gold" with it's climatic battle radically altered so that the Zeo Rangers face off against Lord Zedd and Serpenterra.

Summoned by an old friend, The Doctor and Clara navigate their way through a trap street, and fall into the most fateful and consequential of snares.

The Doctor and his companions face off against deadly Daleks and the rampaging River Song in two specially edited adventures set against the backdrop of World War II.

The Moment has come, and the Doctor must decide what kind of men he is fated to become

Think of this one as the "Page One Edit", named so because we get to find out just what "page one" and that whole deal with the leaf was all about before the episode ends, rather than wait for a filler pre-titles when you reach Rings of Akaten.

In this special "Renegade Edition" of the Legendary Battle, we get an alternative glimpse into what Tommy got up in in the city as he does battle with Street Fighter Ryu and the mysterious Project Ranger is activated, setting the stage for a climatic battle between the Power Rangers and the Warstar Armada.

While Peter Parker sets out to prove himself, Steve Rogers is faced with a drastic choice that will shake the Avengers to their foundations and put him at odds with his close friend Tony Stark, things are complicated further by a bombing in Vienna that allegedly ties back to his best friend, "Bucky" Barnes, the former mercenary known as the winter soldier.

The Eighth Doctor falls trying to save a life, and is soon given a choice of a new path and a new life...sometime later, that path takes him to Earth and to a young shop worker called Rose, together they come up against the terror of the Autons.

New Power Rangers are required to deal with the rising threat of the Nighlock clan led by Master Xandred.

The Doctor meets his new assistants, Nardole and Bill, as he begins to honor a promise to look over a fallen friend for a thousand years.

The Doctor, fresh off an adventure fighting killer robots, is left with a burning question and a moral dilemma...can Clara Oswald help him answer it? Or will she hinder him? Is The Doctor a good man?

In the not too distant future, a ban on handguns sparks a new crimewave. The Foundation for Law and Government recruit Micheal Knight and KITT to assist them in putting a halt to the handgun syndicate.

A 45-minute trim of the 2012 Doctor Who Christmas special The Snowmen.

Christmas is coming, and if the Great Intelligence has his way, so is eternal winter. Sentient and savage snow is descending, eager to consume us all, can The Doctor, the Paternoster Gang, and nanny Clara save a family from the merciless lady of the lake?

An edit combining the final two episodes of series four, "The Lying Detective" and "The Final Problem"

It's not a game anymore. Sherlock, John and Mycroft engage of an emotional battle of wits not just with Sherlock's maniacal and manipulative sister Euros, but with one another as well. From the pitfalls of drug addiction to the boasts of seemingly untouchable media darlings to three heart-wrenching words on the end of a phone conversation. The lies mount up, leading to our heroes reaching a moment of definitive truth. Context is everything.

A hybrid cut of two Knight Rider episodes, "K.I.T.T vs K.A.R.R" and "Junkyard Dog" showcasing the decline of one powerful super car and the rise of another, each dealing with their own problems.

This is an attempt to take the two parter Sarah Jane Adventures serial "The Wedding of Sarah Jane Smith" and turn it into one of the 2009 Doctor Who specials for outgoing Doctor David Tennant.

This condensed two-episode double feature aims to leave the viewer with a sense of ambigiouty over Sherlock's survival, as well as a more swift and immediate response to Mary Watson's predicament rather than go through some playful baiting tactics. In addition to that, footage from a mini-sode and a deleted scene have been inserted into the edits to give the viewing experiance something fresh. Also included is an all new alternative ending.

I love Pryde of the X-Men, it's cheesy goodness, but there are some things about it that really make it feel very silly, the narration by Stan Lee tells us things that frankly we can easily gather from the story being allowed to breath on it's own, whilst Logan talking in a weird australian voice (no offense Hugh Jackman), made this pilot episode quite infamous. I thought to myself, "How much better would this ep be if such things were removed?" Here is my answer.