With my edit, Leon and Claire become the heroes of their own stories, and the simpler plot trims the runtime to less than 90 minutes, leaving a quick and more enjoyable experience to wrap up before it overstays its welcome.

The crew of the Enterprise embark on their final mission after 5 years and encounter many past challenges and phenomena leaving the crew exactly where Star Trek The Motion Picture picks up from.

The purpose of this edit is to re-conceptualize Season 1 of this amazing series into a two part feature film duology.

It reorganizes the scenes for a more cohesive story, congruous concept and dramatic impact, removing a lot of extraneous filler material. While Season 1 was just plain outstanding (for the most part), it had substantial bloat. I consider this edit an improved, definitive version, and also a good way to watch it again before Season 2 is released—a very full story told in 5 hours instead of 8½ hours.

Overall, this edit is intended to be even more of a gut punch than the original. And the most important thing is:
NO SHITTY PUNS WERE HARMED IN THE MAKING OF THIS FANEDIT.

A fanfix of Fellini’s late career City of Women that’s less shrill, more dreamlike, less defensive,

To create ten 60 mins Episodes from Quentin Tarantino's 10 films to date

Big monster fight!

Watching the film in cinemas, I realised how expendable the Millie Bobby Brown character and her subplot were, as the entire side mission was completely disconnected from the main story. Doing some very simple cuts to remove the sideplot ended up with a much simplier and to-the-point film, focusing on Kong's journey to Hollow Earth and his clash with Godzilla in less than 80 minutes.

Strap in for a tighter and much faster ride as the two titans go head to head!

With the USS Enterprise temporarily disabled, Christopher Pike becomes acting captain of the starship Discovery in a race against time to find Spock and avoid the destruction of all sentient life in the universe.

Star Trek Discovery Season 2 introduces Captain Pike, Spock and Number One to modern Trek and serves as a backdoor pilot for Star Trek Strange New Worlds (SNW). Many viewers are eager for more SNW but not interested in committing to the first two seasons of Discovery (29 episodes, as it's a very serialized show). I took it upon myself to trim the 14 episodes of Discovery's second season into a 4 episode prequel to SNW. It no longer references any Discovery season 1 events and cuts all side stories, primarily concentrating on Pike and Spock. I call it Star Trek Strange New Worlds Season Zero.

The life and adventures of legendary lawman Wyatt Earp as he navigates the challenges of the American frontier and becomes an iconic figure in the history of the Wild West.

The official Special Expanded Edition of the film was only ever released on VHS and Laserdisc, running over 3 and a half hours, so this edit aims to take all those exclusive scenes and create a nice, new, clean version of that cut.

22 new deleted and extended scenes have been reintegrated into the film, with over 20 minutes of new footage, painting a more detailed picture of the myth that was Wyatt Earp.

Recut The Last of Us into a 3-part miniseries solely focused on Joel and Elli's journey. A 4th "special episode" includes the majority of the cut content as short films.

Star Trek: Picard Season 2 cut down to a 3-hour movie

It's my favourite Trek movie--EVER!!!

Friendship! Loyalty! Sacrifice! It's all there in it timeless glory as Kirk and his noble crew risk everything to resurrect their fallen shipmate, Mr. Spock!

To create ten 60 mins Episodes from Quentin Tarantino's 10 films to date.

To create ten 60 mins Episodes from Quentin Tarantino's 10 films to date.

To create ten 60 mins Episodes from Quentin Tarantino's 10 films to date.

To create ten 60 mins Episodes from Quentin Tarantino's 10 films to date.

To create ten 60 mins Episodes from Quentin Tarantino's 10 films to date.

To create ten 60 mins Episodes from Quentin Tarantino's 10 films to date.

To create ten 60 mins Episodes from Quentin Tarantino's 10 films to date.

To create ten 60 mins Episodes from Quentin Tarantino's 10 films to date.

To create ten 60 mins Episodes from Quentin Tarantino's 10 films to date.

To create ten 60 mins Episodes from Quentin Tarantino's 10 films to date.

This BvS edit keeps the focus on the conflict between the titular heroes by removing all the interfering DCEU scenes and connections, also making edits to minimize some of the “infamous” elements and moments in the film. Nevertheless Snyder’s signature style remains intact.

False God retains all UE scenes that strengthen Lois and Clark’s respective investigations and Luthor’s manipulations but controversial elements have been alleviated (Lex’s ticks reduced, more respectful/hopeful ending). Removal of the DCEU connections close the door to the JL movie but leaves it open for the Wonder Woman (2017) 'self-contained' solo movie to connect.

After being held captive in an Afghan cave, billionaire engineer Tony Stark creates a unique weaponized suit of armor to fight Jeff Bridges.

As the first Iron Man film has been airing on FX as an extended cut with deleted scenes for years, I figured I could make a HD version of it, so we don't have to wait for it to come on TV.

A minor edit of The Dark Knight Rises
I really like this movie, the least of the Dark Knight trilogy, but I do like it a lot.
I was never crazy about the ending though. To be more specific, that fact that Batman survives even though we see him fly away with the bomb. How and when did he get out of The Bat?
In this edit I try to remedy that.

Venom wasn't terrible, but it wasn't great. By cutting a few scenes I've been able to tighten the pacing and make it slightly more enjoyable than the theatrical cut.

I have combined all three of the Back To The Future films into one continuous adventure.

The Virtual Workprint, as edited by Josh Janson one of the more well-known edits of the film, is still my preferred cut of the film despite it's poor video quality. The HD Rebuild uses the most recent Blu-Ray to completely remake Josh Jenson's original edit from scratch in as high quality as possible.

The edit features 10 minutes of new footage, including 7 deleted scenes with an alternate opening and ending, and 10 additional shots and lines from trailers and more, while also trimming a few of the more over-the-top moments from the final film.

"The final arc of four episodes of Clone Wars should have been released as a theatrical film: it's epic, emotional, sinister and unforgettable. Fans like me are calling it ‘one of the best stories of all’, even compared with the movies. Well, this is that film. ‘Star Wars Episode III: The Phantom Apprentice’ takes place parallel to ‘Star Wars: Episode III Revenge of the Sith’ and it’s the true closing of the prequel trilogy and the Republic era, before entering the dark period of absolute domination of the Empire (Rebels, The Bad Batch, Obi Wan Kenobi, Solo, Andor, Rogue One...)."

“The story: The Clone Wars are coming to an end. Republic forces are suffering heavy losses and, in the wake of Order 66, Ahsoka, Anakin’s former apprentice, try to survive to the Great Jedi Purge.”

I read "The Hobbit" back in 1937 when it---wait no that's not right. I watched The Hobbit trilogy before I read the book, and I thought they were okay. Then I read the book... that's when I thought to myself: "Yeah, the movies messed up." So I had the idea to learn editing in one week, and do what no one had done by cutting the trilogy into one movie that captured the feel of the book as best as was possible. Along this journey, I found out about a billion others had done this... huh. I finished the edit in October of 2020, and it was... well, it sucked. It was four hours long (I hated that), the quality was horrible, and it just didn't capture my vision. So after 2½ years and many revisions, re-edits, and re-releases, I have finally completed the edit to what I believe is my favorite Hobbit edit. And it is what I call, a Faithful Edit... eh?

I would say this one is different from others that I've seen because of its ultra-fast-paced editing. I tried to make it breathe at times, but it is really quick to everything in order to get as much as possible in under 3 hours. I failed, but 3hrs 6min ain't bad! I also was trying to keep it as PG as I could. The book could have very easily been made into a PG film, and I feel that that fits better, so I tried my best to make this PG... not including the burps and farts.

In the last days of 1999, Los Angeles has become a dangerous war zone, as a former cop turned street-hustler accidentally uncovers a conspiracy that is set to bring the city to its knees.

Two new and extended scenes have been upscaled, colour corrected and reintegrated into the film, adding over 4 minutes of new footage.

The origin of the world's first Bionic Man is revealed!

Using the season one premiere episode "Population: Zero" as a foundation, the viewer will learn our hero's bionic beginnings through flashbacks to previous tv movies and episodes, all the while retconning the roles of Oscar Goldman and Alan Oppenheimer's Dr. Wells in Steve's origin.

After the fall of France to the Nazis and the evacuation of the British Army from Dunkirk, the Royal Air Force must defend their homeland from the threat of invasion by a battle-hardened and numerically superior opponent during the summer of 1940, with the future of the country, and maybe even the whole of Europe, hanging in the balance.

This edit is, on the whole, a simple tightening of the director Guy Hamilton's ambitious 1969 retelling of these events, hopefully making it more approachable for the audience.

The super Mario movie is pretty great. But it has a few things keeping it from being a pure Mario movie.

Available in two versions:
* Technicolor
* Black & White

This is an edit of Peter Jackson's King Kong without most of the silliness. Where things move quicker, but there's still room for a breather.

Fanedit running time: 2 hours 21 minutes (before credits)

A.K.A. The version that nobody asked for

I used Zack Snyder’s Justice League as the base, with scenes from Joss Whedon’s Justice League and some scenes and ideas from Wakeupkeo’s "Rise of the Motherboxes" to make a slightly extended, but also trimmed version of Zack Snyder's Justice League.

This is the entire second season of See cut down to one action packed, epic movie. This is the third part in a planned 4-part series that will condense the entirety of the show into a film format. Season 2 of See changes the tone of the show rather drastically, becoming a lot more action/adventure focused while also broadening the scope of the world. This film is longer than the previous two, but contains the arc of an entire season's worth of story. This film is also a lot more action-packed, with intense fight scenes and epic battles.

Zack Snyder's Dawn of Justice aims to replicate the style of Snyder's Justice League, by breaking the story down into multiple chapters that give focus to the various subplots and streamline the movie.

Would Spaceballs be even funnier with some of the weaker moments removed... AND the entire score replaced from David Lynch's Dune? I think so!

Tagline: What do you stand for ?

As Phoenix travels to Maya's hometown, supernatural forces seem to be doing everything in their power to keep them apart again. Ghosts, a disgraced hero, and a hitman leaving behind an enigmatic card... When chaos invades your world, can you sacrifice your morals to save the people you love ?

A mysterious blonde woman kills one of a psychiatrist's patients, and then goes after the high-class call girl who witnessed the murder.A mysterious blonde woman kills one of a psychiatrist's patients, and then goes after the high-class call girl who witnessed the murder.

Lightweight edit with the aim of re-incorporating five deleted scenes to Adam McKay's The Big Short (2015) to extend the film approximately seven minutes. Also fixed one goofed line during the Securitization Forum.

This is Christopher Caldwell and Zeek Earl's award-winning Sci-Fi Space Western with an enhanced score featuring the delicate music of Agnes Obel. Cee and her father Damon will risk one last trip to the dangerous "Green Moon" of Bakhroma to secure a better future for their small family. Along the way, they must contend with pirates, mercenaries, and a toxic atmosphere, all intent on keeping them from their prize.

Wonder Woman 84 with a proper 80’s soundtrack! The goal was to give WW84 a proper 80’s soundtrack as if the movie studio licensed and properly scored the movie. The action sequences become music videos while preserving the dialogue and sound effects.

I wanted to make a faster paced Noir version in black/white.
And to rescore it with German krautrock legends Tangerine Dream.

I’ve always loved the philosophical questions that the Blade Runner world poses. So I was very excited for Black Lotus, but ended up feeling frustrated at the end of almost every episode in season one, despite so many positives. Odd pacing in dialogue, weak writing, and an overall slow pace. The flashback episode was excruciating. After accepting that it is what it is, I tried to make the best of what we got.

No dialogue. All adrenaline. Limbo presents an intense, monochrome edit of Dunkirk as a non-stop series of events involving only the perspectives of soldiers at the beach. This is NOT a silent film since music, background voices, and sounds of stress still remain. But key dialogue are removed to serve the creative decisions.

"Let's Do It For Johnny!" takes the extended cut of "The Outsiders" and replaces most of the 60s rock music with the background music from the theatrical release. This elevates the experience of watching "The Outsiders" so that you can watch it with its complete beginning, end, and a few scenes in the middle, and not be bombarded with off-tone music. However, I did keep the extended music to a few of the scenes where I felt it fit the tone, like Johnny's death scene, the ending scene, the sunset poem scene, and a few others.

After I finally saw the theatrical cut of No Time To Die (NTTD) I wanted to create a new version so Bond lives, and also be much, much shorter overall.
I thought NTTD was an over-bloated mess. It has beautiful imagery yes. Some of the shootouts and tense scenes are awesome to watch in the environments they're happening in. The callback to On Her Majesty's Secret Service (OHMSS) was actually nice to see, but the Dr. No callback not so much. I know Bond's wife dies in OHMSS so someone dying at the end of NTTD makes sense, like poetry. But I thought the poetry was kind of bad, so I rewrote it and made them all live in a wholesome Bond sort of way.
Also, the original death scene where we get all the various character's reactions to Bond being obliterated by hellfire had me laughing. I was cringing. The music was swelling! Had me dying... The story is mostly very full of itself, but the cinematography and action was fantastic.

Very small changes. The only narrative changes come at the end and they too are subtle. Which makes sense because the original movie is terrific.

The Kenobi show, trimmed down to a movie length. This series started life as a movie script, and the show just feels like a movie stretched to six hours. This keeps most of the main plot point, but makes it fit as an easily digestible Star Wars film.