An extended version of the James Mangold Restoration (JMR), with all the f-bombs and all the extended scenes, and the yellow suit ending. and a more fleshed out character arc for Harada.

A synthwave rescorded version of the film to make it more in tone with Escape from New York.

In the spirit of my bold my take on the prequel trilogy (Before the Dark Times), comes my attack on the sequel trilogy.

Les Misérables (2012) London 1985 Stage Musical Edit provides a viewing experience of the Oscar-winning musical film that is as pleasing to the ears as it is to the eyes. Each musical number (about 95% of the film) has been dubbed over with studio or concert recordings from the professionals who have performed the musical on the London and Broadway stages. The video has been lovingly adjusted to sync up with the music, and in the time-honored cinematic tradition of a little suspension of disbelief, we can imagine the actors who brought so much passion to the film were also able to sing their parts without running out of air.

In the original movie, Kevin Spacey's character has such a jarring flip on conscience that it almost ruined what is otherwise a really fun movie. So I fixed it! I moved scenes around, added foley, learned some new techniques on Premiere Pro, and even recorded my own voice to fill in some gaps. I hope this redeems Doc and makes the ending more satisfying and fun for everyone!

Marni Nixon's dubbing of Audrey Hepburn's singing has been almost completely replaced with recordings of Audrey's voice (only "The Rain In Spain" remains of Marni Nixon).

The three Star Trek reboot films are a mixed bag for me. It's great to have new adventures of Kirk, Spock, Bones, and all of the Enterprise crew. It's a treat to see the Trek universe with modern SFX. It's endearing to see the camaraderie and (some of) the callbacks to the original series. It's a joy to discover (many of) the updates they made, e.g. Uhura still looks awesome but now her input is frequently essential to the story.
But... the storylines are weak, the villains uninteresting, camera work distracting (and already feels dated), too many scenes feel more Star Wars than Star Trek (the worst offender being the Millenium Falcon shaped ship trying to escape the Klingons through a "canyon" in Wrath of Khan Reboot).
Then again... it is more Trek, new Trek. So it'd be great to add these movies to the list of "let's rewatch them every once in a while, in rotation with other ST shows".

An ongoing project that seeks to remaster classic episodes of Mystery Science Theater 3000 using the best available HD film sources in their original aspect ratio.

Joel Schumacher has never been ashamed or denied that the final cut tone of the movie was his vision, and in several interviews he develops and justifies his choices and style.

To this date, no fanedit has ever done this, as they always took liberties in cutting out small (or sometimes entire scenes) moments here and there that say more about the editor’s personal taste than about the director’s wishes.

So the only liberty i took as a editor is include the deleted scenes and alternate/extended shots to the theatrical footage.

I absolutely adore Leslie Nielsen. I love the Naked Gun and Police Squad, although I feel the latter hasn't aged all that gracefully. The good parts are terrific, but jokes are re-used in each episode up to the point where you are annoyed and it feels lazy. So I aimed to fix that and effectively make a fourth Naked Gun movie instead.

All the interconnected Marvel Studios products become a massive, perfectly structured TV series, to make the journey of the Earth’s Mightiest superheroes the most epic adventure ever.

In order to enjoy the MCU in the most orderly, apprehensible and dynamic way possible, all the interconnected MCU becomes a TV show: reordered, reformatted, post credits scenes rearranged to avoid spoilers, detailed “previously” recaps created and some key deleted scenes added to each episode. Including all the One-Shots, Disney+ Marvel TV shows, Specials... even commercials! Plus, crossover with the X-Men (FOX) and Spider-Man (Sony) alternate universes in a narratively consistent way.

When Dane and his brother Lucas move from the big city to a small rural town, they believe their lives are set to become a lot more boring.
Until they find a mysterious hole in the floor of their new basement...

This movie in its original format feels like there should be more going on than there actually is, and it left me feeling unfulfilled and slightly annoyed. By removing as much of the filler and misleads as possible without hurting the flow of the narrative, I believe I have made a movie that treats its viewer with more respect while telling an interesting story with a fairly unique premise.

Marvel: Unite takes the MCU Infinity Saga films and splits them into a TV series format with hour-long episodes. Each episode has a multi-narrative structure featuring scenes from various different movies, all inter-cut together. The series roughly tries to mirror the theatrical experience, with the films placed in their intended release order with little content added or removed, just restructured to be more approachable and more "binge-able."

A partial reconstruction of an earlier version of The Dark Crystal which most notably excises the voiceovers, replaces most of the Skeksis English dialogue with an alien language (as found in the Bluray extras), rearranges and trims only a few scenes.

“Vengeance of the Dark Side” tells a more complete story of Anakin Skywalker’s fall from renowned hero to the galaxy’s most dreaded villain by reinserting 5.75 previously deleted scenes (AI-upscaled to 4K and recolored into HDR). Where the theatrical cut follows Anakin nearly exclusively, the extra scenes in this edit give Padmé her own storyline that intersects with Anakin's--providing deeper foundations for his growing mistrust of her--and helping to expand Star Wars lore by showcasing previously unknown aspects of the Force (when the saga is viewed in episode-order) and the conception of the Rebel Alliance even before the Galactic Republic officially falls.

This edit combines several sources of media depicting the terrorist attacks of September 11, 2011 into a two and a half hour presentation.

Cue Rod Serling voice: "Tony Soprano is a man lost in a world of his own making, trapped in the one place he can't escape: his mind. Is a man more than his name? Can he make his own path even as the path is forced before him? Only so much can be done when the world pulls you to your seemingly-inevitable destiny... in The Sopranos."

This is a coma-only edit of two episodes from Season 6 of the Sopranos, telling the story of a salesman who can't seem to find his way back to the world he came from. Something is happening, but he's just not sure what, and finding out might be the last thing he ever does.

A newly-possessed high-school cheerleader turns into a succubus who specializes in killing her male classmates. Can her best friend put an end to the horror?

This time with a brand new spanking soundtrack! And some other things.

Inspired by Blofelds Cat fanedit, 'Never Say McClory Again'. This edit follows a similar path to turn this rogue 007 production into an EON style produced film.

The Fast movies are not perfect, but for the most part they are good fun. A couple of them are great, a couple are very good, and a couple are just plain terrible. With the upcoming Fast X (upcoming at the time of starting this), I wanted to have a way to rewatch the Fast movies in smaller chunks. In my spare time, when I didn’t have the time to sit through a whole movie. So, I put this together, Fast & Furious: The Series Cut.

What is Fast and Furious: The Series Cut?
It is all of the Fast and Furious movies (including Los Bandoleros, Tokyo Drift and Hobbs and Shaw) cut up into 30ish to 45ish minute episodes.

A strange man named Gordon joins his mother and an accountant in a scheme to take the fortunes of the creepy, kooky, mysterious, and spooky family known as the Addamses. When it is discovered that Gordon has a faint resemblance of the patriarch's long lost brother, Uncle Fester, he impersonates him in a quest to steal the family fortune. But as he spends his time with the family, he begins to find that he shares more in common with this abnormal family than he expected.

A Jigsaw survivor that has spun a career selling his story, with a team of people perfectly crafting his narrative. But has Bobby been truthful to his readers, his viewers, or his wife? After walking up to a face that should be all too familiar to him, and those closest to him relying on him, what will he do in THE HOSPITAL?

The Jigsaw Anthology Series aims to cut the Saw films down to their most enthralling plots as characters are pushed to their limits and forced to play for life or death in a series of traps.

Corrupt, unwilling, and selfish. William is a health insurance executive who tries his hardest not to help those in need. When he is shoved into the game, he has to choose life or death, as he had done for others. Is he now anything more than an animal in THE ZOO?!

The Jigsaw Anthology Series aims to cut the Saw films down to their most enthralling plots as characters are pushed to their limits and forced to play for life or death in a series of traps.

Five strangers will forced to become as one, as they awaken with their necks tied, with nail bombs in the corners of the room. Little do they know they are all connected as they trawl their way upwards through THE SEWER!

The Jigsaw Anthology Series aims to cut the Saw films down to their most enthralling plots as characters are pushed to their limits and forced to play for life or death in a series of traps.

A cop on the edge, losing those around him while trying to cling to hope that his missing friend will be found, and attempting to keep together a crumbling marriage, is thrust headfirst through THE DOOR!

The Jigsaw Anthology Series aims to cut the Saw films down to their most enthralling plots as characters are pushed to their limits and forced to play for life or death in a series of traps.

Cult classic "Hackers" from '95, but with some augmented VFX, improved sounds, and 15 sourced songs to complement the music you already know and love from the soundtrack. Less Boswell, and more Massive Attack, Underworld, Leftfield, Hooverphonic, Tricky.

All 3 Star Wars prequels, dramatically retold and re-crafted into chapters to re-tell the story of the rise of Palpatine, the fall of the Jedi Order and the tragedy of Anakin Skywalker, all through the lens of the original trilogy.

This is a fun and strange little movie from 1980, a time when Disney was trying to expand into other genres. In this case, horror (though quite mild even by that day's standards). The original ending was not well received as it did not clearly explain what happened. It was subsequently removed and reshot with a less frightening and exposition heavy ending. Having finally acquired a Blu-Ray to source the highest quality available, I've cut both endings together and find they complement each very well. I've also put back in an alternative intro and all the extended or deleted scenes.

The purpose of this restoration is to recreate the IMAX 1.43:1 presentation of The Dark Knight Rises by combining the widescreen 2.39:1 footage from the Blu-ray and the IMAX 1.43:1 sequences from the Special Features of The Dark Knight Trilogy Blu-ray (Special Edition).
That way, throughout the film, the IMAX scenes expand top and bottom showcasing the full IMAX 1.43:1 frame (instead of the cropped 1.78:1 IMAX frame) while maintaining constant width as it would on an IMAX GT 1.43:1 screen.

A redux? Why?

Because I realised that I've learned so much since I started this hobby that I should revisit one of my earliest edits. Star Wars deserves it. Based on feedback I have now created a new throneroom sequence that is completely doused in red lights instead of blue. It's far more terrifying.

My goal was to make a miniseries edit that didn't simply feel like a chopped up version of the movies. Overall this worked surprisingly well without too much editing, though the Return of the King had to have some extra reordering of scenes to make it work.

The vast majority of each movie is retained, though I changed a handful of things that I thought weren't so well done in the movies (Bridge collapse leaning, Frodo and Sam "rock" cloak at the Black Gate, etc). I cut a few other scenes that were from the extended editions that I felt did not add to the movies at all (extra Gimli humor, Merry and Pippin drinking water to get taller, etc). And lastly, I rearranged some scenes to help the pacing of each episode. With the new format this was needed, mainly in the Return of the King. I added chapter titles to every episode and they appear within the first 10 minutes matching how the original movies did it, I kept the short 45 second intro credits and "Lord of the Rings" Title sequence for each episode, and then added a shortened 60 second credit sequence for each episode.

My goal was to make a miniseries edit that didn't simply feel like a chopped up version of the movies. Overall this worked surprisingly well without too much editing, though the Return of the King had to have some extra reordering of scenes to make it work.

The vast majority of each movie is retained, though I changed a handful of things that I thought weren't so well done in the movies (Bridge collapse leaning, Frodo and Sam "rock" cloak at the Black Gate, etc). I cut a few other scenes that were from the extended editions that I felt did not add to the movies at all (extra Gimli humor, Merry and Pippin drinking water to get taller, etc). And lastly, I rearranged some scenes to help the pacing of each episode. With the new format this was needed, mainly in the Return of the King. I added chapter titles to every episode and they appear within the first 10 minutes matching how the original movies did it, I kept the short 45 second intro credits and "Lord of the Rings" Title sequence for each episode, and then added a shortened 60 second credit sequence for each episode.

A light edit that aims to tighten the pacing by re-editing the battle and crash sequences, restore some dignity (or give some that never existed to begin with) to several of the leading characters, and incorporates Spock into the denouement.

The purpose of this restoration is to recreate the IMAX 1.43:1 presentation of The Dark Knight by combining the widescreen 2.39:1 footage from the Blu-ray and the IMAX 1.43:1 sequences from the Special Features of The Dark Knight Trilogy Blu-ray (Special Edition).
That way, throughout the film, the IMAX scenes expand top and bottom showcasing the full IMAX 1.43:1 frame (instead of the cropped 1.78:1 IMAX frame) while maintaining constant width as it would on an IMAX GT 1.43:1 screen.

Experience the second live action Ben 10 movie with a slightly toned down Max, less jump cuts, and a small hint that foreshadows Elena's involvement in Ben 10: Ultimate Alien.

"In the not too distant future,
police are powerless to stop
gangs of criminals
from terrorising good citizens.

But in Gotham City,
in the heart of urban America
it is the criminals who live in fear...
OF THE BAT-MAN"

Enjoy this noir classic as it was originally presented in the 1940s, and see if you can solve the mystery:
Who is the Bat-Man?

This edit gives Reservoir Dogs a little TLC, without altering the structure or the chronology of the original film. Taking inspiration from Tarantino films that were released after Reservoir Dogs, I have introduced some subtle editing techniques relating to pans, zoom and cuts. Colour correction has helped reduced the magenta over saturation in the original and exposure has been bumped up very slightly. Perhaps the biggest change compared to the original film, is Mr Blonde’s cop torture scene. For this scene I have switched some aspects of this scene to monochrome, as a nod to Kill Bill Vol 1. Where new music has been introduced or changed, it is period correct, i.e. 1970’s. A couple of continuity errors have also been corrected

Grieving the loss of his son, Jeff is forced to play a game and placed into an inescapable hell.. Facing the ones he deems responsible, Jeff must confront the deepest parts of his psyche, and dig within to find himself in THE ABATTOIR.

The Jigsaw Anthology Series aims to cut the Saw films down to their most enthralling plots as characters are pushed to their limits and forced to play for life or death in a series of traps.

Seven strangers with more in common than they think, wake up in a strange building flooded with nerve gas and only two hours to live. Forced through a series of tests for the chance to live long enough to escape, will anyone be strong enough to leave THE HOUSE?

The Jigsaw Anthology Series aims to cut the Saw films down to their most enthralling plots as characters are pushed to their limits and forced to play for life or death in a series of traps.

MANY valid criticisms have been made about this film, which means it will most likely be another trademark "Bad Movies Made Less Bad" edit. The main goals here are:
- Remove Amon's POV as much as possible
- Minimize the hypocrisy of the Justice Society morals
- Minimize the overt foreshadowing of Ishmael evil intentions.
- Minimize exposition.
- Replace some needle drops to be more culturally relevant thematically.

The goal was to make this feel more like the Indiana Jones movies we loved in the 80s. After watching a few edits, I felt they were close, but I never fully got the experience I was hoping for. By removing bad dialogue, CGI and unfunny moments, I hoped to make this seem like a more serious film.

A film noir classic that originated the trope of "I've been poisoned and I have to figure out who poisoned me before I die".

This version differs in that I have removed a silly inclusion of a slide whistle doing a wolf call whenever our "hero" sees a pretty lady.

THE WORLD'S GREATEST FILM MEETS THE WORLD'S GREATEST BAND: EXPERIENCE THE ODYSSEY LIKE YOU'VE NEVER HEARD IT BEFORE. This edit began as a traditional movie sync with all dialogue and sound effects removed. It has now transformed into a completely different project: a full soundtrack replacement using the one-of-a-kind library of Pink Floyd. Every bit of original music has been replaced with a carefully selected soundtrack of Pink Floyd music.

The dreaded Galactic Empire is crumbling. Following the death of the Emperor, regional powers have begun to take up arms against their imperial overlords.
Seeking to end this growing unrest, Supreme Leader Snoke has created the FIRST ORDER, a paramilitary force tasked with crushing dissent in star systems not yet in full rebellion.
Meanwhile, the largest of these separatist governments, The New Republic, has formed their own resistance group to oppose the First Order. But in this time of need, they are without their champion. Luke Skywalker has vanished...

Speed Racer follows in the footsteps of his big brother Rex, becoming a hometown hero in auto racing before learning the horrible truth about the industry. With his career and his family's future at stake, he must accomplish what his brother once tried to do - get behind the wheel, change the future of the sport.

In this new edit which includes a shiny new color grade, shortcuts were found and corners were shaved off to achieve a new track record of 117 minutes!

This is a prequel mini-series for Patrick McGoohan's 1960s masterpiece The Prisoner (a spy attempts to resign and wakes up imprisoned in a beautiful place called The Village). By using episodes of McGohan's spy series Danger Man/Secret Agent with moments from The Prisoner, I have edited six episodes that tell John Drake's journey of disillusionment that led to his fateful resignation.

See what could have been the first major HFR feature film, decades before The Hobbit trilogy and Avatar 2! This project takes the first-person scenes from the 1983 sci-fi film Brainstorm and uses neural AI imaging to interpolate them up to 60 frames per second in order to present, most approximately, the film as originally intended by director & legendary VFX artist Douglas Trumbull. Additional remastering such as color corrections, technical fixes and enhanced visuals have also been added to improve the experience for modern viewers.

The grand introduction of Kang the Conqueror to the MCU, featuring Ant-Man and his family! Kang found himself trapped in a place called the quantum realm and met a woman named Janet, She helped him to repair his ship but at the last moment she turned against him and locked his ships engine in stasis with her shrink-tech. Years later, Janet and her family (including Ant-Man) got drawn back down to the quantum realm and now is Kang's chance to escape with the help of Ant-Man, whether he wants to or not!

The shorter International Cut that most viewers know and love is now presented with decent quality video, almost entirely re-sourced from the longer German Cut Blu-ray.