All the interconnected Marvel Studios products become a massive, perfectly structured TV series, to make the journey of the Earth’s Mightiest superheroes the most epic adventure ever.

In order to enjoy the MCU in the most orderly, apprehensible and dynamic way possible, all the interconnected MCU becomes a TV show: reordered, reformatted, post credits scenes rearranged to avoid spoilers, detailed “previously” recaps created and some key deleted scenes added to each episode. Including all the One-Shots, Disney+ Marvel TV shows, Specials... even commercials! Plus, crossover with the X-Men (FOX) and Spider-Man (Sony) alternate universes in a narratively consistent way.

This is Tarantino's adaptation of Rum Punch with some changes to narrative and a fresh take on the music

After arriving at the Lonely Mountain and witnessing Smaug's massacre, Bilbo Baggins finds himself in a bit of a pickle... participating in an all out war! Dwarves, elves, men, orcs... Will our little hero make it out alive and unscathed?

I wanted to watch the much shorter, "sacrilegious" US Theatrical Cut in HD, with clear sound, not in the terrible quality, 4:3 cropped and (towards the end) unlistenable VHS tape capture, which seems to be the only proof that this version really existed. So I edited the standard Blu-Ray version, shot by shot, or frame by frame, to match the VHS video. Then tried to reconstruct the audio as closely as possible, only using the VHS audio for unique sections of music, dialogue and soundFX (which thankfully were few and far between). I've also recreated the opening and closing credits in HD, although the latter could not be remade using the on-set photos used on the VHS, since I could not find all of them in anything like acceptable, or consistent quality. I wanted to only use HD material, so a few unique VHS shots have been replaced with analogous spare blu-ray shots.

I love HALLOWEEN'18. But, when leaving the theater, there were 2 things that bugged me:
1. How was Michael captured in 1978? There's a missing link between Michael disappearing at the end of the original film & now being incarcerated for the last 40 years.
2. We don't see Michael's demise at the end. It's an obvious dodge for more sequels, when I felt like this could have been a very satisfying one n' done.
This edit aims to fix both of these issues & much more.
I've made many other alterations in order to Shape my ideal version.

I've made extensive alterations in order to Shape my ideal version.
Many changes have been made to strengthen continuity, remove filler & improve pacing.

"What would happen if Star Trek: The Motion Picture (1979) had a dynamic modern score? How much can the perception of a film change just by replacing its music? This edit is an answer."

This Octopussy cuts the worst special effect: gone is the hot-air balloon in the final battle. In a franchise famed for using real effects over special effects, that balloon was an awful stage prop! It cuts over the top bits: e.g. no swinging on a vine like Tarzan. It cuts the worst sexism bits: no ogling the bosom of Q's lab assistant, and no "good with figures" joke about the minor Bond girl.

Bill is having marital problems with his wife, Alice. He tries to lie his way through to keep the marriage alive, but when Alice reveals that she had longings for another man, Bill is taken on a journey of fear, paranoia, and strangely enough, gratitude.

To compare the two versions of Seven Brides for Seven Brothers that were filmed in CinemaScope (2:55) and one in a "flat" widescreen (1.77). respectively with full annotations explaining how and why EVERY shot in the movie differs.

INVASION! EARTH-X! ELSEWORLDS! COUNTDOWN!
The Final Chapter is here!

The CRISIS has arrived!

The Multiverse is under attack and only the Heroes of the Arrowverse can save the day.
Bionic Bob takes the 5 part CW television event and unites it into a single epic movie experience!

Ah, Robin Hood: Men in Tights...


There is a good, funny movie in there. At least I always thought so. However, Mel Brooks had, in my opinion, began to loose his touch by this time. I guess one might say that what he thought was funny... just was not funny anymore. That said, much of the humor still works, even if it is buried.

This was my first ever full length edit I did a couple years ago. I recently went back through and fixed a couple things that I am better at now and exported a higher quality version.

I got my hands on an X-Men Origins: Wolverine edit titled Codename: Wolverine by havok1977. I started to watch it and liked what I was seeing, except the video quality wasn't great as it is some years old and only DVD quality (or even lower than DVD quality). So, I had the idea to try my hands at an HD restoration. That is where this started. But in doing this, I realized that I didn't agree with all the changes that they made. Their version was an attempt to keep this movie more comic accurate, but it is soooo different than the comics. That made it very difficult to do that and made it a little disjointed. So, I scrapped that and started over from scratch. This is now my own version, inspired by Codename: Wolverine.

“Sandcastles” delivers a more personal and less contrived closure to M. Night Shyamalan’s 2021 film “Old.” It trims the first act and removes the final scenes of the resort’s objectives and protagonists' triumphant resolution.

Inspired by the structure of Zack Snyder's Justice League, Suicide Squad: Made to Fail is presented in 4 chapters that streamline and focus the overall story.

Part 1: The Worst of the Worst - Opens the film with the origins of the Enchantress and Harley Quinn, setting up the threat before introducing Amanda Waller as the heart of the story in this first part. Through her we are introduced to the Task Force X project, which subsequently introduces each member of the Suicide Squad in a totally new montage.

Part 2: Live For Me - The Joker and his relationship with Harley Quinn serves as the main thread of part 2, which opens with a flashback to the events that landed Harley in Belle Reve, and is bookended by the Joker planning her rescue. Juxtaposed is the relationship between Rick Flag and June Moon. When June becomes possessed by the Enchantress, Flag assembles the Suicide Squad to stop her.

Part 3: Everyone For Themselves - Deadshot becomes the main focus as he attempts to gain the trust of Col. Rick Flag and get the various sociopathic members of the Suicide Squad to work together to accomplish their first mission.

Part 4: Made to Fail - Against all odds, the Suicide Squad finally comes together as a team to take on the Enchantress and save the world... or die trying.

This is a streamlined version of Christopher McQuarrie's directorial debut, "The Way of the Gun". A story of Ronin, Samurai, and the desire to "cross the river" and enter Heaven with a clear conscious...

I've combined the best of the Theatrical & Producers cuts while tightening the editing, improving the pacing & removing filler.
I've removed the flash-frame editing style, making the film feel more in-line with the rest of the series.
I've made many other alterations in order to Shape my ideal version.

The legendary outlaw Star Lord leads a gang of intergalactic criminals, in a relucant crusade against a fanatical warrior with plans to purge the universe of life.

This extended cut reintegrates 7 deleted and extended scenes back into the film, with 4 more minutes of footage. With finished VFX, and a new mid-credits scene, strap into your spaceship, put in your mixtape and get ready to be hooked on a feeling in GUARDIANS OF THE GALAXY: XANDARIAN EDITION!

Explorers. Easily one of the best science-fiction films from the 80's. Unfortunately, most who love the film are quick to point out its flawed third act. Once the boys meet the aliens at the end the film simply falls apart. The alien children, mostly Wak, are completely over the top and ruin the experience.

I noticed there is a lack of TDKR edits and I'm starting to realise why:

The movie isnt fun. It has downright rediculous moments, and it reduces it's main villain to a love interest. On top of this we have a rediculous nuke that goes off in a minute.

I've made extensive alterations in order to Shape my ideal version.
This is my most sliced & diced edit to date. Not much more than 60 seconds go by without a change.
I've restored the deleted Dr. Death footage, replacing the Mountain Man character & reintegrated the censored gore.
Many changes have been made to strengthen continuity, remove filler & improve pacing.

Another very slight edit of this Howard Hawks masterpiece, with a little more modification than done in my earlier ending-changing Bogdanovich Cut.

I grew up on The Last Starfighter. It is a wonderfully fun and entertaining film. However, it is not free of problems. It drags a bit here and there. Mainly, I wanted to keep the story focused on Alex and keep the tension and threat focused there. Mainly, the subplot with the Beta Unit has been mostly removed. I felt this would better focus the story on Alex and keep the tension up (although removing anything with Catherine Mary Stewart is heartbreaking!).

A realization of the "Cinemassacre Edit", as described in the YouTube link at the end of this description.

This is an edit that combines both of the Kill Bill movies into 1, while keeping the runtime of just 1 of the movies. Large scenes and small cuts are used to achieve this, and a re-structuring to a more chronological order has been done also.

The Final Countdown. This is one of those forgotten gems from the 80's. It is a great film, with a simple idea, that is pulled off quite well. However, the film is bogged down with excessive shots and sequences showcasing the Navy. This is a version of the film with the bulk of those scenes either cut or trimmed down, as well as some other bits here and there.

When I first saw the film, I enjoyed its bizarre energy and lack of self-awareness: it's a spectacle of misguided creativity (and a bit of a train wreck). However, the film regularly sags at certain points by becoming repetitive or confusing, which dilutes that enjoyment. By tightening it in this manner, I think it retains its momentum much better than the original.

I've made extensive alterations in order to Shape my ideal version.
Many changes have been made to strengthen continuity, remove filler & improve pacing.

I've made extensive alterations in order to Shape my ideal version.
I've removed the confusing "III" from the title & cut out the out-of-place romance. I've also removed Halloween from playing on TV, making it possible that this one exists in the world of the other Halloween films.... Somehow.
Many other changes have been made to strengthen continuity, remove filler & improve pacing.

This is the "Spies Like Us" that you know and love, but with a little less slapstick.

I'm a big Terminator franchise fan and I have collected my favorite edits of T1, T2 and Dark Fate.
I have yet to find what I would call the definitive version of Salvation, and I couldn't care less about finding a good version of Genisys.
But Terminator 3, I like it but it certainly has it's flaws, quite a few flaws. The best edit I have found is "The Coming Storm" by @Uncanny Antman. The only problem with it is that it is only DVD quality. I have found 1 or 2 others that claim to be HD versions, but they are not the same, or even close to the same. So I am attempting to do it myself.

A story about Princess Shuri and her struggle to deal with the loss of family. The theatrical release fell over itself to tell multiple stories about multiple characters, this edit reduces the focus on other characters and remains fixed on Shuri and Namor.

Let's face it, this is not a good movie, it's pretty bad. But that being said, I do like to watch it as part of my Die Hard rewatches. Why? I'm not sure, maybe I like to torture myself. But it does have some good action. The car chase scene is really good. The extended cut adds more action, which is cool, but it also removes all of Lucy, his daughter. Why they did that I have no idea. What little heart the theatrical version had was gone in the extended version.

Batman '89 was/is a pretty solid film, but it does not get Bruce Wayne quite right, in my opinion. Also, the film itself does drag a bit. Therefore, I wanted to see if a slimmed down version of the film would play better than the original. In my opinion, it does.

Generally speaking, I love Logan's Run as it is. However, it does have some pacing issues as well as some logic issues that I really wanted to address. I believe this edit tightens up the film and makes for a faster and more consistent experience, while also removing some of the cringe (just a few things).

I've made extensive alterations in order to Shape my ideal version.
Many changes have been made to strengthen continuity, remove filler & improve pacing.

I've made extensive alterations in order to Shape my ideal version.
Many changes have been made to strengthen continuity, remove filler & improve pacing.

As production begins on the third Stab film, based on the Woodsburo murders, suddenly the murders start again as Sidney is drawn back into the madness, where as the rules go out the window, and everybody is a suspect!

An all new alternate opening, alternate ending and deleted scenes are all reintegrated into the film, with 17 minutes of new footage now back in the film.

Two years about being terrorised by the Ghostface killer, someone new dons the mask and goes after Sidney Prescott as a slew of new killings start, as she tries to adapt to college life.

Two new, deleted and alternate scenes have been remastered and reintegrated into the film, with Scream 2 now being two minutes longer! What is it with twos!?

This is Luc Besson's "Leon" re-framed to be more Mathilda-centric, with Leon's story revealed more slowly, but also in a more ambiguous way. What brought him to this moment? You decide. Featuring many songs from the 80's and 90's, and leaning heavily into female vocalists, the soundscape taps onto Mathilda's motivations and emotional states at key moments in the story.

When the last survivor of an alien planet crash lands on Earth, his incredible superpowers cause a paradigm shift for the planets heroes.
Witness the story behind the formation of the most famous superhero team in comics history, the Justice League, as legends assemble to face threats the likes of which the world has never seen.

Live Free or Die Hard is my second favorite Die Hard movie (behind the original, of course). For most it is probably Die Hard - With A Vengeance, which I also love, but I have always enjoyed Live Free (except for one scene, the F35 scene).

For me it goes;
Die Hard – A nearly perfect movie.
Live Free – Slightly flawed, but I enjoy.
With a Vengeance – Nearly perfect.
Die Hard 2 – A good (but not great) action movie, with no glaring flaw that can be fixed by an edit and doesn’t necessarily need it anyway.
A Good Day to – Very flawed and just not a good movie at all. I already did an edit of it, trying to make it at least tolerable as part of a rewatch.
But back to the point of this post, Live Free or Die Hard. This edit uses the unrated version as the base and adds back in most of (if not all) that was removed from the theatrical to make the unrated version. The only things that were not added back are the lines that were directly replaced with a new line. And the biggest changes are to the F35 scene near the end.

White Water Summer was a solid piece of 80's escapist fun. However, it was painfully undercut by the insertion of cuts scenes and narration by Sean Astin that frame the events of the film as a flashback. The sole intention of this edit was to remove these cuts scenes and narration and to allow the film to play out in a linear fashion without the interruption of these intrusive moments.

A wandering gunfighter plays two rival families against each other in a town torn apart by greed, pride, and revenge.

"Uh-huh-huh, hey Beavis, these effects aren't so special..."

The purpose of this edit is to improve the low budget, outdated VFX so it still feels like a 1984 Terminator movie, but the laughable moments like painfully obvious Schwarzenegger mannequins and choppy stop motion animation are fixed.

This edit does not change the film's narrative or add deleted scenes.

My latest Hitchcock "micro-edit" -- while there's two widely available cuts of Strangers on a Train, the early preview edition (erroneously called the "British cut") and the theatrical edition (the "Hollywood cut"), neither reflected Hitchcock's preferred choice for the ending, which would end with the line "a very clever fellow" instead of the Warner Bros-demanded coda with the supporting characters. I've used the theatrical cut as the basis to restore Hitch's preferred ending.

This is a refined fanfix of Steven Soderbergh's "Unsane" that is more fully committed to the question at the centre of the film - is Sawyer delusional, or is her stalker working at the healthcare facility where she is being held for observation? This is achieved primarily by sticking to Sawyer's point of view wherever possible.

To make the movie more accessible I added traditional orchestral music (from the soundtrack of 'Spellbound' by Miklós Rózsa), and removed most of the 'electronic tonalities'.

The next in my series of Hitchcock micro-edits, "Marnie: The Evan Hunter Cut" is an attempt to showcase the 1964 Sean Connery/Tippi Hedren thriller without the sexual assault scene between the two married lead characters which appeared in the source material, to which original screenwriter Evan Hunter (aka crime novelist Ed McBain) objected.

Hitchcock insisted upon including the scene, saying "Evan, when he sticks it in her, I want that camera right on her face."

Hunter pleaded with Hitchcock not to use that scene, which lead to Hunter's dismissal from continued work on the film.

Although Hunter is no longer credited as the screenwriter on the finished film, I was nevertheless curious to see how this still-controversial and divisive Hitchcock classic played without that particular scene.

My goal was to make a miniseries edit that didn't simply feel like a chopped up version of the movies. Overall this worked surprisingly well without too much editing, though the Return of the King had to have some extra reordering of scenes to make it work.

The vast majority of each movie is retained, though I changed a handful of things that I thought weren't so well done in the movies (Bridge collapse leaning, Frodo and Sam "rock" cloak at the Black Gate, etc). I cut a few other scenes that were from the extended editions that I felt did not add to the movies at all (extra Gimli humor, Merry and Pippin drinking water to get taller, etc). And lastly, I rearranged some scenes to help the pacing of each episode. With the new format this was needed, mainly in the Return of the King. I added chapter titles to every episode and they appear within the first 10 minutes matching how the original movies did it, I kept the short 45 second intro credits and "Lord of the Rings" Title sequence for each episode, and then added a shortened 60 second credit sequence for each episode.