Removes a cringeworthy character that nobody can really defend the inclusion of from a creative perspective.

Based on Scott Turow's novel "Presumed Innocent" (1987), adapted from its namesake movie (1990), and in anticipation of the upcoming Apple+ mini series, "WAS JUSTICE DONE?" explores the question of justice, inside and outside of the law, in two versions.
In both, Rusty, a married prosecutor, has an affair with a beautiful colleague. When she is murdered, he investigates the case until he himself becomes the prime suspect. He hires Sandy Stern, a top defense lawyer, to plead his innocence. The killer is revealed: Version A matches the original movie, Version B reveals a different killer.
This fanedit is faster paced (38 minutes shorter than the 1990 movie). The timeline is compressed (the victim starts out alive, the affair is ongoing). It remains unclear whether Rusty is the killer (until the reveal).

Removed the scenes that cut away to the narrator throughout the film, and rework the story to flow smoothly without interruption.

Dune: Kwisatz Haderach - Part One is the first of a two part project, and is an experimental cut that explores how much of the film can be cut without turning into a muddled, non-cohesive mess. Cutting twenty-two minutes of footage, I was able to create a shorter, hopefully still satisfying cut of Dune: Part One clocking in at two hours and thirteen minutes.

I am proud to present Dune: Kwisatz Haderach - Part One.

The 1961 film, featuring Audrey Hepburn in her likely best-known role, has been conformed to match the 1958 novella of the same name by Truman Capote as much as possible, as well as removing the horribly-dated appearance of Mickey Rooney. In essence, this edit takes the romance and some "comedy" out of a beloved romcom!

This fan edit reimagines the Twin Peaks film and all of its deleted scenes by cutting it into a 3 episode mini series that mimics the style of the first two seasons of the show.

The most significant aspects of this edit are:

1) It combines Fire Walk With Me and The Missing Pieces deleted scenes into 3 episodes.
2) The storyline has been reordered, so that the Laura Palmer plotline appears first and the Chet Desmond/Deer Meadow plotline is intercut with it.
3) There is a custom intro for each episode like in the original show.

Episode titles:
Episode 1 - The Owl Ring
Episode 2 - The Path to The Pink Room
Episode 3 - Beyond Angels & Owls

The Lion King has be released on home media several times over, with changes being made along the way. Many of these changes were for the better, but some of them were for the worse. This fanedit of the film serves to take some of the better changes from earlier releases of the film and add them back into a more high quality, later edition copy of the film. Also included are more songs!

This is for people who think “Please don’t edit Andor, it’s already perfect… I’d take it as movies though.”

This is Andor season one, rearranged into four movies of roughly two hours each, removing no content whatsoever, just focused on smoothly presenting each major A-plot as a movie whilst moving the supporting B-plots around to keep each movie as focused as possible, so each movie is self-contained and easily digestible.

I wanted to make a different version of this quite boring remake that Gus Van Sant gave us.
Cut out a lot of scenes to speed things up and rescore it with a 80's vibe.

Kept the laid-back pace of the main story intact, but trimmed some of the main character family life, and some of the flashbacks to focus on the core narrative without interruption. Some scenes are recut and rearranged for better impact.

I changed the entire soundtrack (minus 2 songs where a character mimes the original songs). All songs are period correct to the era (1977-1983).

The story of a passionate but doomed romance between a poor, young artist named Jack and an upper-class woman named Rose, aboard the ill-fated maiden voyage of the RMS Titanic.

The Extended Voyage aims to present James Cameron's film at it's best and longest, with more than 30 new and extended scenes, and over 30 minutes of footage. More Titanic action, romance, drama and iceberg!

The Passion of J. Robert Oppenheimer focuses on the atomic bomb development and Oppenheimer’s security clearance. Lewis Strauss senate hearing scenes removed completely while introducing his character in the context of conspiratorial intervention. Narrative follows Oppenheimer’s perspective almost exclusively.

American History X had a very tumultuous post-production, ending with the director leaving the film and wanting his name taken off. He has disowned the film as Edward Norton supervised editing, adding over 20 minutes of footage that director Tony Kaye detested.

Based on an early workprint, this edit aims to recut and rearrange the film using this preliminary cut for reference, and present what the director's original intention could have been had he not clashed with the studio.

Les Misérables (2012) London 1985 Stage Musical Edit provides a viewing experience of the Oscar-winning musical film that is as pleasing to the ears as it is to the eyes. Each musical number (about 95% of the film) has been dubbed over with studio or concert recordings from the professionals who have performed the musical on the London and Broadway stages. The video has been lovingly adjusted to sync up with the music, and in the time-honored cinematic tradition of a little suspension of disbelief, we can imagine the actors who brought so much passion to the film were also able to sing their parts without running out of air.

In the original movie, Kevin Spacey's character has such a jarring flip on conscience that it almost ruined what is otherwise a really fun movie. So I fixed it! I moved scenes around, added foley, learned some new techniques on Premiere Pro, and even recorded my own voice to fill in some gaps. I hope this redeems Doc and makes the ending more satisfying and fun for everyone!

Marni Nixon's dubbing of Audrey Hepburn's singing has been almost completely replaced with recordings of Audrey's voice (only "The Rain In Spain" remains of Marni Nixon).

This movie in its original format feels like there should be more going on than there actually is, and it left me feeling unfulfilled and slightly annoyed. By removing as much of the filler and misleads as possible without hurting the flow of the narrative, I believe I have made a movie that treats its viewer with more respect while telling an interesting story with a fairly unique premise.

“Vengeance of the Dark Side” tells a more complete story of Anakin Skywalker’s fall from renowned hero to the galaxy’s most dreaded villain by reinserting 5.75 previously deleted scenes (AI-upscaled to 4K and recolored into HDR). Where the theatrical cut follows Anakin nearly exclusively, the extra scenes in this edit give Padmé her own storyline that intersects with Anakin's--providing deeper foundations for his growing mistrust of her--and helping to expand Star Wars lore by showcasing previously unknown aspects of the Force (when the saga is viewed in episode-order) and the conception of the Rebel Alliance even before the Galactic Republic officially falls.

This edit combines several sources of media depicting the terrorist attacks of September 11, 2011 into a two and a half hour presentation.

Cue Rod Serling voice: "Tony Soprano is a man lost in a world of his own making, trapped in the one place he can't escape: his mind. Is a man more than his name? Can he make his own path even as the path is forced before him? Only so much can be done when the world pulls you to your seemingly-inevitable destiny... in The Sopranos."

This is a coma-only edit of two episodes from Season 6 of the Sopranos, telling the story of a salesman who can't seem to find his way back to the world he came from. Something is happening, but he's just not sure what, and finding out might be the last thing he ever does.

Cult classic "Hackers" from '95, but with some augmented VFX, improved sounds, and 15 sourced songs to complement the music you already know and love from the soundtrack. Less Boswell, and more Massive Attack, Underworld, Leftfield, Hooverphonic, Tricky.

The purpose of this restoration is to recreate the IMAX 1.43:1 presentation of The Dark Knight Rises by combining the widescreen 2.39:1 footage from the Blu-ray and the IMAX 1.43:1 sequences from the Special Features of The Dark Knight Trilogy Blu-ray (Special Edition).
That way, throughout the film, the IMAX scenes expand top and bottom showcasing the full IMAX 1.43:1 frame (instead of the cropped 1.78:1 IMAX frame) while maintaining constant width as it would on an IMAX GT 1.43:1 screen.

The purpose of this restoration is to recreate the IMAX 1.43:1 presentation of The Dark Knight by combining the widescreen 2.39:1 footage from the Blu-ray and the IMAX 1.43:1 sequences from the Special Features of The Dark Knight Trilogy Blu-ray (Special Edition).
That way, throughout the film, the IMAX scenes expand top and bottom showcasing the full IMAX 1.43:1 frame (instead of the cropped 1.78:1 IMAX frame) while maintaining constant width as it would on an IMAX GT 1.43:1 screen.

"In the not too distant future,
police are powerless to stop
gangs of criminals
from terrorising good citizens.

But in Gotham City,
in the heart of urban America
it is the criminals who live in fear...
OF THE BAT-MAN"

Enjoy this noir classic as it was originally presented in the 1940s, and see if you can solve the mystery:
Who is the Bat-Man?

A film noir classic that originated the trope of "I've been poisoned and I have to figure out who poisoned me before I die".

This version differs in that I have removed a silly inclusion of a slide whistle doing a wolf call whenever our "hero" sees a pretty lady.

The crew of the Enterprise embark on their final mission after 5 years and encounter many past challenges and phenomena leaving the crew exactly where Star Trek The Motion Picture picks up from.

The purpose of this edit is to re-conceptualize Season 1 of this amazing series into a two part feature film duology.

It reorganizes the scenes for a more cohesive story, congruous concept and dramatic impact, removing a lot of extraneous filler material. While Season 1 was just plain outstanding (for the most part), it had substantial bloat. I consider this edit an improved, definitive version, and also a good way to watch it again before Season 2 is released—a very full story told in 5 hours instead of 8½ hours.

Overall, this edit is intended to be even more of a gut punch than the original. And the most important thing is:
NO SHITTY PUNS WERE HARMED IN THE MAKING OF THIS FANEDIT.

A fanfix of Fellini’s late career City of Women that’s less shrill, more dreamlike, less defensive,

A pair of robots wish to become human.

To create ten 60 mins Episodes from Quentin Tarantino's 10 films to date.

To create ten 60 mins Episodes from Quentin Tarantino's 10 films to date.

To create ten 60 mins Episodes from Quentin Tarantino's 10 films to date.

To create ten 60 mins Episodes from Quentin Tarantino's 10 films to date.

To create ten 60 mins Episodes from Quentin Tarantino's 10 films to date.

To create ten 60 mins Episodes from Quentin Tarantino's 10 films to date.

To create ten 60 mins Episodes from Quentin Tarantino's 10 films to date.

To create ten 60 mins Episodes from Quentin Tarantino's 10 films to date.

To create ten 60 mins Episodes from Quentin Tarantino's 10 films to date.

To create ten 60 mins Episodes from Quentin Tarantino's 10 films to date.

This BvS edit keeps the focus on the conflict between the titular heroes by removing all the interfering DCEU scenes and connections, also making edits to minimize some of the “infamous” elements and moments in the film. Nevertheless Snyder’s signature style remains intact.

False God retains all UE scenes that strengthen Lois and Clark’s respective investigations and Luthor’s manipulations but controversial elements have been alleviated (Lex’s ticks reduced, more respectful/hopeful ending). Removal of the DCEU connections close the door to the JL movie but leaves it open for the Wonder Woman (2017) 'self-contained' solo movie to connect.

After the fall of France to the Nazis and the evacuation of the British Army from Dunkirk, the Royal Air Force must defend their homeland from the threat of invasion by a battle-hardened and numerically superior opponent during the summer of 1940, with the future of the country, and maybe even the whole of Europe, hanging in the balance.

This edit is, on the whole, a simple tightening of the director Guy Hamilton's ambitious 1969 retelling of these events, hopefully making it more approachable for the audience.

Available in two versions:
* Technicolor
* Black & White

This is an edit of Peter Jackson's King Kong without most of the silliness. Where things move quicker, but there's still room for a breather.

Fanedit running time: 2 hours 21 minutes (before credits)

Would Spaceballs be even funnier with some of the weaker moments removed... AND the entire score replaced from David Lynch's Dune? I think so!

Lightweight edit with the aim of re-incorporating five deleted scenes to Adam McKay's The Big Short (2015) to extend the film approximately seven minutes. Also fixed one goofed line during the Securitization Forum.

I wanted to make a faster paced Noir version in black/white.
And to rescore it with German krautrock legends Tangerine Dream.

"Let's Do It For Johnny!" takes the extended cut of "The Outsiders" and replaces most of the 60s rock music with the background music from the theatrical release. This elevates the experience of watching "The Outsiders" so that you can watch it with its complete beginning, end, and a few scenes in the middle, and not be bombarded with off-tone music. However, I did keep the extended music to a few of the scenes where I felt it fit the tone, like Johnny's death scene, the ending scene, the sunset poem scene, and a few others.

After I finally saw the theatrical cut of No Time To Die (NTTD) I wanted to create a new version so Bond lives, and also be much, much shorter overall.
I thought NTTD was an over-bloated mess. It has beautiful imagery yes. Some of the shootouts and tense scenes are awesome to watch in the environments they're happening in. The callback to On Her Majesty's Secret Service (OHMSS) was actually nice to see, but the Dr. No callback not so much. I know Bond's wife dies in OHMSS so someone dying at the end of NTTD makes sense, like poetry. But I thought the poetry was kind of bad, so I rewrote it and made them all live in a wholesome Bond sort of way.
Also, the original death scene where we get all the various character's reactions to Bond being obliterated by hellfire had me laughing. I was cringing. The music was swelling! Had me dying... The story is mostly very full of itself, but the cinematography and action was fantastic.