The re-telling of the Eastrail 177 Trilogy with a new narrative structure to facilitate surprises, adjustments to reveals, new parallels, new opening and closings and much much more. One can be surprised again.

Redundant threads (marriage issues from Unbreakable and Dr Fletcher from Slpit) and over- exposition (from Glass) have been removed. Scoring has been adjusted to permit music motifs to run through the narrative consistently, Deleted material has been used only where the narrative requires it.

New opening and closing titles have been created and all crew are credited (source IMDB).

An Irish terrorist seeks revenge on Jack Ryan and his family after the death of his brother at the hands of Ryan.

It (A Film) is a fanmix/fanfix of It (2017) and It: Chapter Two (2019). Both films have been combined and restructured to follow Stephen King's novel as close as possible. This edit also intends to re-work Chapter Two to address some of the weaker aspects of the sequel and improve the film.

Rocketman: Long, Long Time Edition adds back 10 new, extended and alternate scenes, as well as incorperating 4 extended and alternate musical numbers. Over 30 minutes of new footage has been re-edited into the film, but 9 minutes has been cut out, as a lot of the musical numbers have been replaced with these new alternate versions.

The 1st and 3rd acts of The Place Beyond the Pines are intercut to highlight the similarities between Luke Glanton and his son.

With over 900 changes this is the ultimate fix. Two F Bombs remain

This puts back the original ending that preview test audiences saw, upscaled and improved.

This edit cuts down Series 1 of Peaky Blinders into a feature length film. The focus of the film is on Tommy Shelby, the expansion of the Peaky Blinders gang, and its rivalries with Campbell’s police force, Billy Kimber’s Gang, and the Lee Gang, with the IRA and Freddy Thorne’s communists being secondary antagonists.

To create the Superman epic per the shooting script befor the movie was chopped in half by the producers when money ran out and the ending of the first half was changed.

The 1979 SUPERMAN: THE MOVIE was plagued with issues during production leading to many changes which resulted in two films being release (Superman and Superman II) which significantly differed from what was originally intended. When the producers started to run out of money, they removed the intended cliffahanger from the first movie leading to the second movie needing so many changes that the director left or was replaced (depending on the acocunts you read). This present the original vision in a truncated form to get into the action with many newly completed deleted scenes, fixes and much much more per the shooting script.

The 1979 SUPERRMAN: THE MOVIE was plagued with issues during production leading to many changes which resulted in two films being released (Superman and Superman II) which significantly differed from what was originally intended; a single epic movie. As money ran out the producers changed the end of SUPERMAN to the film we now know. This now is as close to the original structure, no turning back time, no Lois gets squised, as you can get. The cliffhanger lead in to SUPERMAN II: The Donner cut or the forthcoming SUPERMAN II Extended .

An improved preservation of the The Godfather Part 3 Director's Cut using La Coda color grade as the basis, reinstating all the removed material with extra new opening in HD.

Both Thunderbirds movies suffer from pacing issues (quite slow), very light on scoring (due to budget constraints) and just generally not as good as any of the 32 episodes. These edits turn them into full blown TV episodes as they would have been in 60's but in HD and widescreen, with score enhancements and ad bumpers. WARNING: This may be puppets and "childrens TV", but the dialogue is no t patronizing, dialogue is mature idiom (not childish) and "people" get shot in cold blood or die !!!! 60s childrens TV was full on gruesome, thank heavens.

This fan-edit combines the original Japanese version of the original 1954 Godzilla film and the American re-edit called "Godzilla, King of the Monsters!" It adds the additional footage of Raymond Burr's character Steve Martin and others created for the American version to the original Japanese cut, keeping both Steve and almost all of the scenes with the original cast, extending the run-time to over an hour and 40 minutes. This way, you get the best of both worlds, with the brilliance of the original Japanese masterpiece and the great acting and iconic lines of Raymond Burr that I (and I’m sure many others) have lots of nostalgia for. This is a great edit for people who like both the American and Japanese cuts for their own merits and don’t want to have to pick between the two when revisiting the original Godzilla, and is also a great way to introduce someone to the franchise if you’re not sure which version to show them.

Leonard Shelby can't make new memories. He can remember everything up until the night that his wife was murdered, but everything that happens after fades within a few minutes. Ever since that night, Leonard has been searching for the man that killed his wife, John G.

Leonard wakes up in a motel room and receives a phone call. 5 hours later, Leonard pulls up to a tattoo parlor with information that could enable him to finally track down John G and get revenge. The two plotlines proceed chronologically in parallel until they both culminate in a shocking conclusion.

The Godfather, The Godfather Part 2 and 3 are monumental masterpieces. This Godfather Magnum Opus will over two movies restore all available HD material to a total run time of 602 min. A few minutes never seen in HD, making it the longest possible chronological version ever seen and UNCENSORED! PLUS, the original ending of Part 3, which MUST be in full and not truncated as it was in Coda, has been restored (together with the 14 mins removed from Coda).

The Godfather, The Godfather Part 2 and 3 are monumental masterpieces. This Godfather Magnum Opus will over two movies restore all available HD material to a total run time of 602 min, with a few minutes never seen in HD, making it the longest possible chronological version ever seen and UNCENSORED!

With a shorter runtime, cut awkward jokes and poor VFX shots, and improved monster effects compositions in the finale, RePlucked offers a tighter, cleaner, better version of Willard Hyuck's 1986 film.

SULLY: MIRACLE ON THE HUDSON (2016) as directed by Clint Eastwood is an amazing film. The original movie focuses on the crash investigation and the political blame game, while exploring Sully's background and the actual Miracle Landing through multiple flashbacks from different points of view. The intent of the 155 Fan Edit is to remove all of the investigation storyline and just show the Miracle Landing in a single, linear narrative.

This is a tribute to a Sinbad edit that was never completed. I have completed it for him and for people who want to watch it.

This edit is turning the classic Karate Kid films into a late 80's TV Show where there is a previously and custom made opening credits for each episode.

To create two Hobbit movies I would want to watch over and over as a TRUE prequel to The Lord of the Rings

To create two Hobbit movies I would want to watch over and over as a TRUE prequel to The Lord of the Rings

A straightforward edit that does no more than cut up "The Irishman" at key places, transforming it into a 4-part miniseries.
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Pennsylvania, 1956. Frank Sheeran, a war veteran of Irish origin who works as a truck driver, accidentally meets mobster Russell Bufalino. Once Frank becomes his trusted man, Bufalino sends him to Chicago with the task of helping Jimmy Hoffa, a powerful union leader related to organized crime, with whom Frank will maintain a close friendship for nearly twenty years.

'The Penultimate Cut' is named because it's supposed to be one step back from 'The Final Cut'. Ridley Scott's final/ultimate version of 'Blade Runner' but how it used to look and feel.

The story of 5 friends form Erie, PA who find themselves on a journey of wonder as they rise the charts doing that thing they do.

This fanedit completely removes Irene from the film and refocusses the story on the Driver's conflict with the Los Angeles mob.

'The Exorcist: The Devil and Father Karras' aims to shift the focus of the film away from Chris and Regan and onto Father Karras, Kinderman and the other priest characters. 18-minutes is cut but enough is retained to chart Regan's possession. Much of those scenes are a "wild goose chase" anyway, showing the Doctors trying unsuccessfully to cure Regan.

The Adamantium cut reincorperates the best of the cut and deleted material from Logan to create an extended edition of the Wolverine's final outing.

Four new extended and deleted scenes have been integrated into the film, adding five of new footage into the film.

Once upon a time... in the Golden Age of 1960s Hollywood, Rick Dalton (Leonardo Dicaprio), star of hit TV series such as “Bounty Law”, along with his stunt double Cliff (Brad Pitt) is on the downtrend, his failure
of a glamorous film career has left him with nothing. His self-confidence isn’t helped by superstar Sharon Tate (Margot Robbie) moving in next door to him. But when he gets the opportunity to work on another tv western,
Rick is going to prove to Hollywood and himself that he still has what it takes. And the best part is there is no pointless Manson Family Sub-Plot to get in the way of that.

The Bloodier Shot aims to reinsert the three deleted scenes back into Tarantino's first outing, further exploring the characters and their backgrounds. 10 minutes of new footage has been reintegrated into the film. The scenes are less than ideal quality, but I have done what I could to fix the visual and auditory flaws to help them flow back into the film.

This edit aims to streamline Joker into a story of class struggle (though a bit of a tongue in cheek one) and less of a Scorsese pastiche superimposed on the Batman universe.

The year is 1940. As Hitler’s forces storm across Europe, Winston Churchill is elected the new Prime Minister of the United Kingdom. His leadership is immediately tested when hundreds of thousands of British and Allied troops become trapped on the beaches of Dunkirk, with the Germans closing in. As the desperate battle for survival unfolds on land, sea and air, Churchill must fight his own battles to launch a daring rescue effort across the English Channel. This fan edit combines the intense frontline action of Dunkirk with the backroom political intrigue of Darkest Hour, to create an epic supercut that tells the full story of the Dunkirk evacuation

The first in what I hope is a continuing series of a fanedits which will see episodic Doctor Who stories from the classic era, fanedited into feature length movie style edits.

The Caves of Androzani is a 4 part story which is widely considered to be among the very finest Doctor Who stories ever made. It's not difficult to see why, with every main character fleshed out beautifully and a doom laden plot, the tone of which is rarely seen in the programme, resulting in a bonafide classic adventure which has lost none of its impact some 36 years later. What's more, it rattles along at a heck of a pace, with director Graeme Harper making every shot count, to the point where one struggles to think what could be cut in such a fanediting exercise such as this.

Part Special Project/part Fan-fix of a Hitchcock classic, this edit favours the parent's perspective with an aim to keep the audience just as much in the dark. Cuts and trims for pacing have been made with the modern viewer in mind, along with the removal of unnecessary exposition and awkward humour. The intro, outro and Albert Hall sequences have also been re-scored with more recent and polished recordings (original audio also included).

A reconstruction of Quentin Tarantino's own cut of Kill Bill: The Whole Bloody Affair that he himself screened at Cannes in 2004, and has since been screened sporadically since 2011 at the Tarantino-owned New Beverly Cinema in Los Angeles.

Zach's synopsis: By removing Edward Norton’s voiceover, FIGHT CLUB gets to be a much more introspective and artsy film.

All I've done past that is adjust and restructure some shots to flow better with the lack of narration.

Go Like Hell is a light but (in my opinion) substantial edit that tightens and focuses the narrative of Ford v. Ferrari, resulting in what I believe is a stronger film. I loved the original release, but even in theatres found myself questioning the authenticity of some aspects, causing a dissatisfaction that I felt wasn't necessary.

Logan battles his primal paternal intuition as he makes his way through a dark fairy tale landscape filled with southern gothic grotesqueries. As his health fails him he finds himself operating on instincts he thought long lost, as if his destiny were already decided. As he passes into the realm of myth he finally realizes what he had been fighting for all those years.

After the success of Timothy Dalton's first outing as James Bond in The Living Daylights, anticipation was high for the follow up. However, with a more ruthless take on the character and more violence which caused particular trouble in the UK market where it became the first Bond film to receive a 15 rating, Licence To Kill did suffer somewhat at the box office. It was still a hit, but due to legal issues it would be the last Bond film for 7 long years and the last Dalton Bond film.

It's a shame, as the film on the whole has a lot to offer. Dalton is terrific as Bond, arguably the closest anyone has got to playing the character as Fleming wrote him, and Robert Davi's Sanchez is one of the most realistic and finest villains in the long history of the series. However, the film is not without its problems. Considering John Glen is an experienced Bond director, the film feels somewhat clumsy at times, particularly in some of the editing and most noticeably in the performance of Talisa Soto as Sanchez's girlfriend, Lupe. Also, such is the serious nature of Dalton's Bond, the few attempts at humor do not work that well.

A simple, unnecessary, but fun extended edition to "the ninth film by Quentin Tarantino", Once Upon a Time in Hollywood.

I've reinserted all deleted scenes, making the runtime just a couple minutes over three hours, adding twenty-three minutes of footage to the film.

This edit aims to provide a more complete, satisfying and enjoyable telling of Elton John’s story, particularly for fans. Deleted scenes are restored, including Elton’s first suicide attempt and a subplot regarding the AIDS crisis. Two egregious factual inaccuracies are removed: Elton taking his last name from John Lennon (the real-life origin, from blues singer Long John Baldry, is well-known) and Elton playing his ‘80s hits in the ‘60s. The tone and pacing are also improved by cutting Elton’s last argument with his mother (a miserable scene that is too similar to the argument with Bernie Taupin directly following it). Finally, a couple musical Easter eggs are added to the film’s score.

The original release is a pretty boring movie, we follow Chris Pratt's character, Jim, throughout the film, and see his personal struggles with his fate, and his relationship with Jennifer Lawrence's character, Aurora, flourish. If you've seen the movie then you know the plot, but, if you haven't, then that's all I can really tell you without ruining it.

Essentially what this edit does is rearrange the movie to follow Aurora, which makes for a much more interesting viewing experience - activating the psychological elements that the original film set up.

Changes in v2.0:
Warning screen added to the beginning of the film.
Updated intro sequence with “WW” shield instead of “HP” shield.
Two audio tracks are now available in the video file, a 5.1 surround sound and a 2.0 stereo track.
Adjusted audio volume on Tina ticket scene.
Adjusted Credence/Nagini scenes for coloring and smoother transition to adjacent scenes.


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In this edit, I have added all deleted scenes back to create a new experience for viewers. The introduction has been completely changed including the creation of a custom scene to establish more of Credence's trip from NY to Paris.

Spectre was an attempt by Eon Productions and director Sam Mendes to embrace the grandiose nature of the Bond films of yesteryear, both in terms of the locales used, the scope of the picture and in bringing back the arch villain Blofeld and the Spectre organisation. Whilst it was wildly successful at the box-office, the reception on the film was very mixed. Some reveled in the large scale nature of the film, whilst others cited a poor script, lacklustre direction and a poorly executed idea of linking all the Daniel Craig Bond films together - not to mention the little controversial storyline regarding Blofeld being related to Bond as an adoptive brother.

Revenge of the Sith: Rebalanced is a fan edit of Episode III that sets out to attain the following goals:

1. Keep the best parts while trimming substantial amounts of droid slapstick, exposition, and bloated editing.

2. Shift Anakin's fall to the dark side away from Padmé, and toward Palpatine.

3. Learn from existing edits, use the best of their ideas, and fine-tune each and every scene.

4. Make as seamless and professional an edit as possible. So many fan edits have great ideas, but you can tell if the music is a little uneven, or if the rhythm of a sequence gets off balance. I wanted to create a version that you could watch without knowing anything changed. If an edit, however ideal, resulted in a noticeable glitch, it had to go.

I want to focus on the story of the Titanic in 1912 - not the additional story set to 1997, and the sinking of the ship. I want to focus on the humanity. I want to focus on the brutality. And I want to put the tragedy in focus. I want us to see how the people - not just Jack and Rose, dealt with the disaster, and how the rich felt for the poor, and how the poor felt for the rich. There is so much kindness and humanity along with the brutality of this story, and much of it is in the narrative already - but overshadowed by the focus on Jack and Rose. And much of it is in the deleted scenes already.

We explore one possible road to mankind's first encounter with extraterrestial life. Curiosity and the scientific method clash with fear, religion, and greed. Along the way everyone's beliefs are tested. The film is a tribute to Carl Sagan who spent his life popularizing scientific inquiry, who tirelessly championed the search for extraterrestial life, and who stimulated the awe and sense of wonder in all of us. The edit is about Dr. Arroway's personal journey more than mankind's journey. Her perseverance against the odds and despite resistance. Palmer Joss, the alien, and Mr. Kitz are less frustrating, and the last quarter of the film is greatly improved. As epilogue Dr. Sagan himself talks about Contact, science, and religion (audio excerpt from 1985 Studs Terkel interview).

A streamlined and fast-paced narrative, in the structural and musical spirit of the Lord of the Rings franchise. Season 2 in 3 hours and 9 minutes, with the epic score of Howard Shore.

The third and final installment of my “Arkenstone” edit trilogy. Like before, I’ve tried to keep the focus as much as possible on Bilbo, Thorin and Gandalf, while still giving the various side characters their moments to shine, without drawing attention away from the main story.