Tightened up the editing/pacing & removed all the unnecessary exposition dumps.
Also removed instances of Miko's bad little-kid acting & moments where the Dark Entity slips into humor.

Beyond my normal tightening up of the editing/pacing & giving the film a more consistent tone, I've also removed as much of the 'Haunted House' element as possible, making it easier to tie this one into the continuity of the rest of the series.

I've always loved the Harry Potter books, but the movies have been pretty hit or miss for me. I completely love what they have made, but there are many scenes of poor acting, or bad character choices that are completely fixable.

My main goals overall:
- Create light edits that don't try to reimagine or create anything new, but rather just enhance the original movies
- Remove small annoyances and some poor performances (Harry shushing Ron, Barty Crouch Jr tongue flicks, dumbing down Hagrid, etc)
- Retain as much world building as possible (Clock in the Weasley's home, monster roar at housekeeping in PoA, etc)
- Keep the original music to their own movies, except for a few rare occasions
- Tighten up action wherever I could

Goals for Order of the Phoenix:
- Incorporate most of the deleted scenes
- Cut out as much bad acting, dialog and writing as I could

Star Wars: The Last Skywalker Awakens is a fan edit amalgamating the Star Wars sequel trilogy into a single monolithic tale, told in two parts.

This edit focusses on Rey, Kylo Ren, and their battle over the Skywalker legacy, and brings together the best from a host of popular sequel trilogy fanedits.

It is meant to serve as an epilogue to Lucas’ Star Wars saga (episodes I-VI).

The movie is about the united states war on drugs and what does it mean for the ones affected by it, actively and passively. We get to experience it through Kate (as she´s us) and aren´t able to fathom the politics of it.
Additionally Taylor Sheridan incorporated the view of a mexican police officer, named SIlvio. That´s the point where my thoughts and edit comes in. As Sheridans approach and intend is just, i never connected to SIlvio and his fight to provide for his family. Perhaps we shouldn´t. Therefore i got the feeling that the movies grip is loosen on me. So i thought:
What would it be like, if all reference to silvios background is cut and he´s just a corrupt cop who´s merly a tool for both sites? Alejandro certainly doesn´t care much as well as the cartel.
What this war does to mexican people is a little more in-depth with Solimas Sequel.

A movie of The Punisher that feels more in line with the character and takes out the overindulgence the movie tends to have.

My main goal here was, like the first film, tighten the editing, remove filler & fix the awful ending.
The original cut sets up a "Face Your Fears & Believe In Yourself" theme, only to ditch it at the end for a bad deus ex machina.
This edit aims to fix that.

My goal here was mostly just to tighten up the editing & remove filler.
The altered ending of NoES [raymix] helps bridge the story together.

Aside from tightening up the editing/pacing, my main goal here was to fix the awful original ending. NoES is one of my absolute favorite movies, but, due to studio meddling, the ending falls on it's face in embarrassment.
This edit aims to fix that.

With this being an episode dealing with the TARDIS as the enemy, I chose to use music more electronic sounding, so Forbidden Planet seemed like a nice addition. I also felt like there were some plot holes on why Susan went nuts earlier on in the episode.

Taking 7 short episodes and editing them down to 2 thrilling longer episodes, this is an edit that I'm VERY proud of. The Daleks continue to be menacing while the Thal's are more mysterious until we learn they are our friends.

In this edit, the Doctor and the gang initially meet in the same way, but when we land in the cavemen era, the story pushes forward a lot more. Major plotlines with no payoff are gone and we see how they learn to work together to escape their situation.

Moved the pre credits Skydive sequence till after the monastary scene.
Used the precredits scene from A View To A Kill as the new opeing for Moonraker.
Removed Jaws having a girlfriend and many of the Wile E. Coyote comedy slapstick involving Jaws.
Removed the gondola-hovercraft in St. Marks square.
And lastly toned down some of the other silly gags such as the use of the Magnificent Seven theme, but still tried to keep the tone of Moonraker fun and lighthearted.

No more funky, out of place disco music during the opening and closing credits.
All new opening credits that are more consistent with the franchise.

I've always loved the Harry Potter books, but the movies have been pretty hit or miss for me. I completely love what they have made, but there are many scenes of poor acting, or bad character choices that are completely fixable.

My main goals overall:
- Create light edits that don't try to reimagine or create anything new, but rather just enhance the original movies
- Remove small annoyances and some poor performances (Harry shushing Ron, Barty Crouch Jr tongue flicks, dumbing down Hagrid, etc)
- Retain as much world building as possible (Clock in the Weasley's home, monster roar at housekeeping in PoA, etc)
- Keep the original music to their own movies, except for a few rare occasions
- Tighten up action wherever I could

Goals for Goblet of Fire:
- Remove the Ron and Harry's broken friendship subplot
- Cut out as much bad acting, dialog and writing as I could
- Take out all instances of the Crouch Jr tongue flicks

The present day date is moved back by two years to set the film on a real Friday the 13th.
There are many cuts made to alter the timeline, remove filler, tighten the editing & improve the overall ambiance.
I've also made many cuts & alterations in order to make the characters more likeable.
I've used parts of the classic Harry Manfredini score from the original 1980 film to help make this one feel like a classic Friday the 13th.

There are many cuts made to alter the timeline, remove filler, tighten the editing & improve the overall ambiance.
I've given the film a shot-by-shot color correction which removes the awful blue filter & deepens the black levels without crush.
This makes the picture more colorful & consistent with the other Friday the 13th & Nightmare on Elm Street films.

There are many cuts made to alter the timeline, remove filler, tighten the editing & improve the overall ambiance.

The date is moved forward by one year so that the movie begins on a real Friday the 13th.
There are many cuts made to alter the timeline, remove filler, tighten the editing & improve the overall ambiance.

I've always loved the Harry Potter books, but the movies have been pretty hit or miss for me. I completely love what they have made, but there are many scenes of poor acting, or bad character choices that are completely fixable.

My main goals overall:
- Create light edits that don't try to reimagine or create anything new, but rather just enhance the original movies
- Remove small annoyances and some poor performances (Harry shushing Ron, Barty Crouch Jr tongue flicks, dumbing down Hagrid, etc)
- Retain as much world building as possible (Clock in the Weasley's home, monster roar at housekeeping in PoA, etc)
- Keep the original music to their own movies, except for a few rare occasions
- Tighten up action wherever I could

Goals for the Prisoner of Azkaban:
- This is my favorite movie and will probably have the least changes
- Trim some of the poor performances (Hermione's laughing, some of Harry's acting)
- Cut out some of the one liners and poorly written lines and scenes (Neville's "I'm okay" joke, Hermione mocking Trelawney, and Harry always needing to get a final word in)
- Reduce some of the more over the top stuff (Trim the whole whomping willow scene)

The usual removal of superfluous shots and scenes for a tighter narrative and less distraction, plus a remixed beginning for a little misdirection.

Upon finally being released, Halloween Kills was met with a lukewarm response from both critics and fans. The film's themes were thrown at you without at ounce of subtlety, characters were incredibly melodramatic, and at times it felt more like a Friday the 13th movie. This edit trims out a lot of the melodrama and gore and strengthens some of the character work which helps to strengthen the overall narrative making things seem a bit more natural and logical.

AVATAR: The Final Cut aims to put Avatar's best foot forward by removing unnecessary narration and extending character development. The extended edition, while better than the theatrical by far, was lacking a 3D release. This edit not only fixes the main problem of the film, but also brings an all new 3D version of the extended experience.

With his mother dead and his father at war, Seita takes it upon himself to protect and raise his younger sister Setsuko during WWII.

You Only Live Twice - the film where Bond becomes Japanese. Hmmm, I've always struggled with that one. There's loads to enjoy in what was supposed to be Connery's swan song as 007, but it's also a film which has not aged particularly well, primarily because of the awkward plot line which sees Bond literally undergo a cosmetic procedure to look Japanese. It never really worked back in the 60's, but now it just comes across as uncomfortable and insulting in some ways.
On the plus side however, this is a gorgeous looking film, with incredible production design and a proper travelogue feel to it.

I've always loved the Harry Potter books, but the movies have been pretty hit or miss for me. I completely love what they have made, but there are many scenes of poor acting, or bad character choices that are completely fixable.

My main goals overall:
- Create light edits that don't try to reimagine or create anything new, but rather just enhance the original movies
- Remove small annoyances and some poor performances (Harry shushing Ron, Barty Crouch Jr tongue flicks, dumbing down Hagrid, etc)
- Retain as much world building as possible (Clock in the Weasley's home, monster roar at housekeeping in PoA, etc)
- Keep the original music to their own movies, except for a few rare occasions
- Tighten up action wherever I could

Goals for the Chamber of Secrets:
- Trim down the movie a bit to make it more in line with the lengths of the other movies
- Cut out some of the one liners and poorly written lines and scenes (Harry shushing Ron a couple times, and Harry always needing to get a final word in)
- Reduce some of the more over the top stuff (Harry almost falling out of the car, Harry holding the sword by the bloody blade in Dumbledore's office, Lucius trying to Avada Kedavra Harry)

Removed the intermission and single musical number that I was never fond of.

Combines both films into one narratively satisfying epic ending. Subplots are removed, incredible sequences don't exist, all to make it feel like it was intended as one movie.

"A guy comes in from out of town. He doesn't have a past - at least not one he wants to talk about. He gets a job in a used-car lot. It's one of those typical small towns from the movies of the 1940s and 1950s, the kind of backwater where the other guy on the job is a nerd, and the boss is a blowhard with a bum ticker - but the boss' wife is this great broad with blond hair and big eyelashes and when she gets up in the morning she puts on her negligee just when the other women in town are taking theirs off. Oh, and the bookkeeper at work is this innocent young girl who is intimidated, for mysterious reasons, by the vicious creep who lives in a shack outside of town." - Roger Ebert (1990)

Dates changed to keep continuity with the of the rest F13 [raymix] series timeline.
The new dates give Rennie time to age from 6 in her flashback to 18 in the present. Both dates are real Friday the 13ths.
All of Rennie's Jason hallucinations have been removed. The only time we see or hear a young Jason is in her flashback.
There are many cuts made to alter the timeline, remove filler, tighten the editing & improve the overall ambiance.

Dates changed to keep continuity with the of the rest F13 [raymix] series timeline.
The new dates give Tina the time to age from 10 in her flashback to 18 in the present time. Both dates are real Friday the 13ths.
There are many cuts made to alter the timeline, remove filler, tighten the editing & improve the overall ambiance.

Dates changed to keep continuity with the of the rest F13 [raymix] series timeline & keep it on a real Friday the 13th.
Much of the self-referential comedy is removed to maintain better atmosphere. There's still plenty of humor.
There are many cuts made to alter the timeline, remove filler, tighten the editing & improve the overall ambiance.

The date is moved back by a year so that this happens on a real Friday the 13th.
The ending has been heavily altered to maintain closer continuity with the following films.
There are many cuts made to alter the timeline, remove filler, tighten the editing & improve the overall ambiance.

I've always loved the Harry Potter books, but the movies have been pretty hit or miss for me. I completely love what they have made, but there are many scenes of poor acting, or bad character choices that are completely fixable.

My main goals overall:
- Create light edits that don't try to reimagine or create anything new, but rather just enhance the original movies
- Remove small annoyances and some poor performances (Harry shushing Ron, Barty Crouch Jr tongue flicks, dumbing down Hagrid, etc)
- Retain as much world building as possible (Clock in the Weasley's home, monster roar at housekeeping in PoA, etc)
- Keep the original music to their own movies, except for a few rare occasions
- Tighten up action wherever I could

Goals for the Sorcerer's Stone:
- Make Hagrid not appear to be so dumb
- Cut out a lot of Harry's unnecessary one-liners
- Trim up some of the dated CGI

Valerian - No Love Lost Edition removes all the forced romance plot and leaves a tight sci fi/fantasy adventure featuring two intergalactic dimension traversing agents on a mission to recover a precious item.

This edit began with a need to cut all the jokes that ruined the tension of the action, and the pacing of the dialogue. Underneath all those bad jokes was a strong and intense film, so those jokes and attempts at humor were cut. And added deleted scenes were put in to ehance the dramatic feel.

The opening has been moved forward by 11 years & the "present" back by 5 years, leaving a gap of 6 years instead of 21.
This corrects Jason's age & helps the chronology of the rest of the series going forward.
Both of the new dates are real Friday the 13ths.
There are many cuts made to alter the timeline, remove filler, tighten the editing & improve the overall ambiance.

New timeline moves the date back by a year, setting the film on a real Friday the 13th.
There are many cuts made to alter the timeline, remove filler, tighten the editing & improve the overall ambiance.

Dates changed to keep continuity with the of the rest F13 [raymix] series timeline.
There are many cuts made to alter the timeline, remove filler, tighten the editing & improve the overall ambiance.

Dates changed to keep continuity with the rest of the F13 [raymix] series timeline.
There are many cuts made to alter the timeline, remove filler, tighten the editing & improve the overall ambiance.

Spider-Man 3 Redemption – A true fanedit that creates a tighter movie with villains moved to supporting roles to allow the Peter/Harry story to reach its deserved finale.

In this version Flint Marko is no longer the killer of Peter’s uncle, a lot of the humour has also been removed. Peter’s fall to the darkside is no longer brought about through guilt but through his ego and new found self importance.
This version gives more focus to the journeys of Peter and Harry and how both find redemption for themselves.

This edit aims to improve on the pace of the original in areas where it is unnecessarily slow, as well as remove all reference to the spiders.

Following the events of Infinity War & Endgame, an overwhelmed Peter Parker hopes to escape from the pressures around him by going on a school trip to Europe. But when trouble follows him everywhere, he will realize there's no rest for a weary superhero.

This edit takes the final two seasons and rearranges them to make the Night King and his army be the climax as it should have been. Tons of cuts and edits were made to try to save the characters from the awful writing and to keep their original arcs intact.

My main fixes were to:
- Remove the rushed Mad Daenerys arc
- Retain Jaime's character
- Give the Night King some substance
- Give Bran things to actually do
- Make Arya and Sansa not appear to be so stupid
- Remove the dumbing down of Tyrion and endless ball jokes
- Remove or tone down fast travel
- Remove all fakeout deaths, especially in the battle for Winterfell
And tons and tons of other small changes.

This edit has focus on Neil McCauley (Robert De Niro) and removes a lot of scenes from the other characters.
This way the movie gets a higher pacing and reduces the running time by 53 minutes.
And I wanted to change the ending as well
This version all belongs to Neil McCauley.

HOOK has enough flaws that it shouldn't work. But it does! The good parts pack enough emotional punch to carry the movie. This edit retains those good parts, cuts over half-an-hour of weak parts, tidies up much in between, and adds two deleted scenes. It keeps Peter's character development front and center, makes his and Hook's characters more consistent, and vastly improves the pacing.

Ladyhawke has had a reputation of having mix feelings on the soundtrack. The general consensus is that the 80's Alan Parsons/Scott Powell soundtrack just hasn't aged well. Using the work of Jerry Goldsmith from the little known film "Lionheart", I have rescored probably about 95% of Ladyhawke using this timeless medieval fantasy score.

A fan edit that combines The Hobbit trilogy into one film that closely follows the book and also sits better with The Lord of the Rings film trilogy with regards to visuals / physics / combat. However, other than atmosphere, each story's tone and narrative will still be distinct without any forced references; the focus has been brought back to Bilbo's adventure with only a few subtle nods to the ensuing trilogy remaining.

This edit is a follow-up to my previous prequel edits, Faster More Intense and Sanded Down.

It's in some ways a bit more conservative than my other two prequel edits, and probably one of the more conservative Revenge of the Sith edits in general. While the first two prequels are movies I don’t enjoy because of their flaws, ROTS is a movie that I enjoy despite it’s flaws, I just wish it could be better.

The Hobbit is changed.

I see it in the Films.
I read it on the Forums.
I tell it, on the web.

Much that once was, is cut. And none now live, who remember it.


It began with the forging of the Great Edits.

Three films were given to the nerds, immortal, wisest and fairest of all beings.

Seven years to the Editors. Redesigners, and craftsmen of the Forum Walls.

And Five, Five Edits were gifted to the Academy, who above all else, revise for hours.

For within these edits was bound the length and the skill to govern each film.

But they were all of them deceived, for another edit was made.

In the land of Indoors, in the fires of "My Room," the Dark Lord Stromboli forged in secret, a master edit, to combine all others.

And into this edit he poured his creativity, his talents, and his will to culminate all Five.

One Edit to Rule Them All.