A newly-possessed high-school cheerleader turns into a succubus who specializes in killing her male classmates. Can her best friend put an end to the horror?

This time with a brand new spanking soundtrack! And some other things.

Inspired by Blofelds Cat fanedit, 'Never Say McClory Again'. This edit follows a similar path to turn this rogue 007 production into an EON style produced film.

The Fast movies are not perfect, but for the most part they are good fun. A couple of them are great, a couple are very good, and a couple are just plain terrible. With the upcoming Fast X (upcoming at the time of starting this), I wanted to have a way to rewatch the Fast movies in smaller chunks. In my spare time, when I didn’t have the time to sit through a whole movie. So, I put this together, Fast & Furious: The Series Cut.

What is Fast and Furious: The Series Cut?
It is all of the Fast and Furious movies (including Los Bandoleros, Tokyo Drift and Hobbs and Shaw) cut up into 30ish to 45ish minute episodes.

Cult classic "Hackers" from '95, but with some augmented VFX, improved sounds, and 15 sourced songs to complement the music you already know and love from the soundtrack. Less Boswell, and more Massive Attack, Underworld, Leftfield, Hooverphonic, Tricky.

A redux? Why?

Because I realised that I've learned so much since I started this hobby that I should revisit one of my earliest edits. Star Wars deserves it. Based on feedback I have now created a new throneroom sequence that is completely doused in red lights instead of blue. It's far more terrifying.

A light edit that aims to tighten the pacing by re-editing the battle and crash sequences, restore some dignity (or give some that never existed to begin with) to several of the leading characters, and incorporates Spock into the denouement.

Experience the second live action Ben 10 movie with a slightly toned down Max, less jump cuts, and a small hint that foreshadows Elena's involvement in Ben 10: Ultimate Alien.

MANY valid criticisms have been made about this film, which means it will most likely be another trademark "Bad Movies Made Less Bad" edit. The main goals here are:
- Remove Amon's POV as much as possible
- Minimize the hypocrisy of the Justice Society morals
- Minimize the overt foreshadowing of Ishmael evil intentions.
- Minimize exposition.
- Replace some needle drops to be more culturally relevant thematically.

The goal was to make this feel more like the Indiana Jones movies we loved in the 80s. After watching a few edits, I felt they were close, but I never fully got the experience I was hoping for. By removing bad dialogue, CGI and unfunny moments, I hoped to make this seem like a more serious film.

A film noir classic that originated the trope of "I've been poisoned and I have to figure out who poisoned me before I die".

This version differs in that I have removed a silly inclusion of a slide whistle doing a wolf call whenever our "hero" sees a pretty lady.

The dreaded Galactic Empire is crumbling. Following the death of the Emperor, regional powers have begun to take up arms against their imperial overlords.
Seeking to end this growing unrest, Supreme Leader Snoke has created the FIRST ORDER, a paramilitary force tasked with crushing dissent in star systems not yet in full rebellion.
Meanwhile, the largest of these separatist governments, The New Republic, has formed their own resistance group to oppose the First Order. But in this time of need, they are without their champion. Luke Skywalker has vanished...

Speed Racer follows in the footsteps of his big brother Rex, becoming a hometown hero in auto racing before learning the horrible truth about the industry. With his career and his family's future at stake, he must accomplish what his brother once tried to do - get behind the wheel, change the future of the sport.

In this new edit which includes a shiny new color grade, shortcuts were found and corners were shaved off to achieve a new track record of 117 minutes!

The grand introduction of Kang the Conqueror to the MCU, featuring Ant-Man and his family! Kang found himself trapped in a place called the quantum realm and met a woman named Janet, She helped him to repair his ship but at the last moment she turned against him and locked his ships engine in stasis with her shrink-tech. Years later, Janet and her family (including Ant-Man) got drawn back down to the quantum realm and now is Kang's chance to escape with the help of Ant-Man, whether he wants to or not!

With my edit, Leon and Claire become the heroes of their own stories, and the simpler plot trims the runtime to less than 90 minutes, leaving a quick and more enjoyable experience to wrap up before it overstays its welcome.

The crew of the Enterprise embark on their final mission after 5 years and encounter many past challenges and phenomena leaving the crew exactly where Star Trek The Motion Picture picks up from.

A fanfix of Fellini’s late career City of Women that’s less shrill, more dreamlike, less defensive,

To create ten 60 mins Episodes from Quentin Tarantino's 10 films to date

Big monster fight!

Watching the film in cinemas, I realised how expendable the Millie Bobby Brown character and her subplot were, as the entire side mission was completely disconnected from the main story. Doing some very simple cuts to remove the sideplot ended up with a much simplier and to-the-point film, focusing on Kong's journey to Hollow Earth and his clash with Godzilla in less than 80 minutes.

Strap in for a tighter and much faster ride as the two titans go head to head!

A pair of robots wish to become human.

It's my favourite Trek movie--EVER!!!

Friendship! Loyalty! Sacrifice! It's all there in it timeless glory as Kirk and his noble crew risk everything to resurrect their fallen shipmate, Mr. Spock!

A minor edit of The Dark Knight Rises
I really like this movie, the least of the Dark Knight trilogy, but I do like it a lot.
I was never crazy about the ending though. To be more specific, that fact that Batman survives even though we see him fly away with the bomb. How and when did he get out of The Bat?
In this edit I try to remedy that.

Venom wasn't terrible, but it wasn't great. By cutting a few scenes I've been able to tighten the pacing and make it slightly more enjoyable than the theatrical cut.

The Virtual Workprint, as edited by Josh Janson one of the more well-known edits of the film, is still my preferred cut of the film despite it's poor video quality. The HD Rebuild uses the most recent Blu-Ray to completely remake Josh Jenson's original edit from scratch in as high quality as possible.

The edit features 10 minutes of new footage, including 7 deleted scenes with an alternate opening and ending, and 10 additional shots and lines from trailers and more, while also trimming a few of the more over-the-top moments from the final film.

I read "The Hobbit" back in 1937 when it---wait no that's not right. I watched The Hobbit trilogy before I read the book, and I thought they were okay. Then I read the book... that's when I thought to myself: "Yeah, the movies messed up." So I had the 100% original idea to learn editing in one week and cut the trilogy into one movie that captured the book as best I could. Along this journey, I found out a billion people had already done it... whoops! I finished the edit in October of 2020 and it was... well, it sucked. It was four hours long (I hated that), the quality was horrible, and it just didn't capture my vision. So after 2½ years and many revisions, re-edits, and re-releases, I have finally completed the edit to what I believe is my favorite Hobbit edit. And it is what I call, a Faithful Edit... eh?

I would say this one is different from others that I've seen because of its ultra-fast-paced editing. I tried to make it breathe at times, but it is really quick to everything in order to get as much as it could in under 3 hours. I failed, but 3hrs 6min ain't bad. I also was trying to keep it as PG as I could. The book could have very easily been made into a PG film, and I feel that fits better, so I tried my best to make this PG, and not include the burbs and farts.

After the fall of France to the Nazis and the evacuation of the British Army from Dunkirk, the Royal Air Force must defend their homeland from the threat of invasion by a battle-hardened and numerically superior opponent during the summer of 1940, with the future of the country, and maybe even the whole of Europe, hanging in the balance.

This edit is, on the whole, a simple tightening of the director Guy Hamilton's ambitious 1969 retelling of these events, hopefully making it more approachable for the audience.

The super Mario movie is pretty great. But it has a few things keeping it from being a pure Mario movie.

Available in two versions:
* Technicolor
* Black & White

This is an edit of Peter Jackson's King Kong without most of the silliness. Where things move quicker, but there's still room for a breather.

Fanedit running time: 2 hours 21 minutes (before credits)

Zack Snyder's Dawn of Justice aims to replicate the style of Snyder's Justice League, by breaking the story down into multiple chapters that give focus to the various subplots and streamline the movie.

Tagline: What do you stand for ?

As Phoenix travels to Maya's hometown, supernatural forces seem to be doing everything in their power to keep them apart again. Ghosts, a disgraced hero, and a hitman leaving behind an enigmatic card... When chaos invades your world, can you sacrifice your morals to save the people you love ?

A mysterious blonde woman kills one of a psychiatrist's patients, and then goes after the high-class call girl who witnessed the murder.A mysterious blonde woman kills one of a psychiatrist's patients, and then goes after the high-class call girl who witnessed the murder.

This is Christopher Caldwell and Zeek Earl's award-winning Sci-Fi Space Western with an enhanced score featuring the delicate music of Agnes Obel. Cee and her father Damon will risk one last trip to the dangerous "Green Moon" of Bakhroma to secure a better future for their small family. Along the way, they must contend with pirates, mercenaries, and a toxic atmosphere, all intent on keeping them from their prize.

I wanted to make a faster paced Noir version in black/white.
And to rescore it with German krautrock legends Tangerine Dream.

No dialogue. All adrenaline. Limbo presents an intense, monochrome edit of Dunkirk as a non-stop series of events involving only the perspectives of soldiers at the beach. This is NOT a silent film since music, background voices, and sounds of stress still remain. But key dialogue are removed to serve the creative decisions.

"Let's Do It For Johnny!" takes the extended cut of "The Outsiders" and replaces most of the 60s rock music with the background music from the theatrical release. This elevates the experience of watching "The Outsiders" so that you can watch it with its complete beginning, end, and a few scenes in the middle, and not be bombarded with off-tone music. However, I did keep the extended music to a few of the scenes where I felt it fit the tone, like Johnny's death scene, the ending scene, the sunset poem scene, and a few others.

After I finally saw the theatrical cut of No Time To Die (NTTD) I wanted to create a new version so Bond lives, and also be much, much shorter overall.
I thought NTTD was an over-bloated mess. It has beautiful imagery yes. Some of the shootouts and tense scenes are awesome to watch in the environments they're happening in. The callback to On Her Majesty's Secret Service (OHMSS) was actually nice to see, but the Dr. No callback not so much. I know Bond's wife dies in OHMSS so someone dying at the end of NTTD makes sense, like poetry. But I thought the poetry was kind of bad, so I rewrote it and made them all live in a wholesome Bond sort of way.
Also, the original death scene where we get all the various character's reactions to Bond being obliterated by hellfire had me laughing. I was cringing. The music was swelling! Had me dying... The story is mostly very full of itself, but the cinematography and action was fantastic.

Very small changes. The only narrative changes come at the end and they too are subtle. Which makes sense because the original movie is terrific.

All the interconnected Marvel Studios products become a massive, perfectly structured TV series, to make the journey of the Earth’s Mightiest superheroes the most epic adventure ever.

In order to enjoy the MCU in the most orderly, apprehensible and dynamic way possible, all the interconnected MCU becomes a TV show: reordered, reformatted, post credits scenes rearranged to avoid spoilers, detailed “previously” recaps created and some key deleted scenes added to each episode. Including all the One-Shots, Disney+ Marvel TV shows, Specials... even commercials! Plus, crossover with the X-Men (FOX) and Spider-Man (Sony) alternate universes in a narratively consistent way.

This is Tarantino's adaptation of Rum Punch with some changes to narrative and a fresh take on the music

After arriving at the Lonely Mountain and witnessing Smaug's massacre, Bilbo Baggins finds himself in a bit of a pickle... participating in an all out war! Dwarves, elves, men, orcs... Will our little hero make it out alive and unscathed?

I love HALLOWEEN'18. But, when leaving the theater, there were 2 things that bugged me:
1. How was Michael captured in 1978? There's a missing link between Michael disappearing at the end of the original film & now being incarcerated for the last 40 years.
2. We don't see Michael's demise at the end. It's an obvious dodge for more sequels, when I felt like this could have been a very satisfying one n' done.
This edit aims to fix both of these issues & much more.
I've made many other alterations in order to Shape my ideal version.

I've made extensive alterations in order to Shape my ideal version.
Many changes have been made to strengthen continuity, remove filler & improve pacing.

"What would happen if Star Trek: The Motion Picture (1979) had a dynamic modern score? How much can the perception of a film change just by replacing its music? This edit is an answer."

This Octopussy cuts the worst special effect: gone is the hot-air balloon in the final battle. In a franchise famed for using real effects over special effects, that balloon was an awful stage prop! It cuts over the top bits: e.g. no swinging on a vine like Tarzan. It cuts the worst sexism bits: no ogling the bosom of Q's lab assistant, and no "good with figures" joke about the minor Bond girl.

Bill is having marital problems with his wife, Alice. He tries to lie his way through to keep the marriage alive, but when Alice reveals that she had longings for another man, Bill is taken on a journey of fear, paranoia, and strangely enough, gratitude.

Ah, Robin Hood: Men in Tights...


There is a good, funny movie in there. At least I always thought so. However, Mel Brooks had, in my opinion, began to loose his touch by this time. I guess one might say that what he thought was funny... just was not funny anymore. That said, much of the humor still works, even if it is buried.

This was my first ever full length edit I did a couple years ago. I recently went back through and fixed a couple things that I am better at now and exported a higher quality version.

I got my hands on an X-Men Origins: Wolverine edit titled Codename: Wolverine by havok1977. I started to watch it and liked what I was seeing, except the video quality wasn't great as it is some years old and only DVD quality (or even lower than DVD quality). So, I had the idea to try my hands at an HD restoration. That is where this started. But in doing this, I realized that I didn't agree with all the changes that they made. Their version was an attempt to keep this movie more comic accurate, but it is soooo different than the comics. That made it very difficult to do that and made it a little disjointed. So, I scrapped that and started over from scratch. This is now my own version, inspired by Codename: Wolverine.

“Sandcastles” delivers a more personal and less contrived closure to M. Night Shyamalan’s 2021 film “Old.” It trims the first act and removes the final scenes of the resort’s objectives and protagonists' triumphant resolution.

Inspired by the structure of Zack Snyder's Justice League, Suicide Squad: Made to Fail is presented in 4 chapters that streamline and focus the overall story.

Part 1: The Worst of the Worst - Opens the film with the origins of the Enchantress and Harley Quinn, setting up the threat before introducing Amanda Waller as the heart of the story in this first part. Through her we are introduced to the Task Force X project, which subsequently introduces each member of the Suicide Squad in a totally new montage.

Part 2: Live For Me - The Joker and his relationship with Harley Quinn serves as the main thread of part 2, which opens with a flashback to the events that landed Harley in Belle Reve, and is bookended by the Joker planning her rescue. Juxtaposed is the relationship between Rick Flag and June Moon. When June becomes possessed by the Enchantress, Flag assembles the Suicide Squad to stop her.

Part 3: Everyone For Themselves - Deadshot becomes the main focus as he attempts to gain the trust of Col. Rick Flag and get the various sociopathic members of the Suicide Squad to work together to accomplish their first mission.

Part 4: Made to Fail - Against all odds, the Suicide Squad finally comes together as a team to take on the Enchantress and save the world... or die trying.

This is a streamlined version of Christopher McQuarrie's directorial debut, "The Way of the Gun". A story of Ronin, Samurai, and the desire to "cross the river" and enter Heaven with a clear conscious...

I've combined the best of the Theatrical & Producers cuts while tightening the editing, improving the pacing & removing filler.
I've removed the flash-frame editing style, making the film feel more in-line with the rest of the series.
I've made many other alterations in order to Shape my ideal version.