Implementing the suggestion of the eponymous filmmaker and critic, to make what he considered the theoretically ideal version of this iconic 1948 western.

The United States as we know it is destroyed in the climax of a Civil war.
Years after the nuclear event a vicious band of raiders, led by the ruthless General Bethlehem, reign terror among the survivors in the Oregon region.
In these desperate times a postman is send to restore communication routes and unintentionally ignites a spark of hope which inevitably crashes with General Bethlehem and his minions.

When Sally hears that her grandfather's grave may have been vandalized, she and her paraplegic brother, Franklin set out with their friends to investigate. After a detour to their family's old farmhouse, they discover a group of crazed, murderous outcasts living next door.

Kobe Skywalker's The Dark Side Cut of Star Wars: Episode III - Revenge Of The Sith improves upon the original release by making numerous cuts and trims to increase the serious tone of the darkest entry in the saga. Several cringe inducing scenes are removed, single weaker script lines are trimmed, and a few poorly acted moments are cut.

Using my B+ Movie Edition as a foundation (including animation enhancements), this cut completely removes the Olympus scenes, as well as any explicit reference to the gods' interference. This, alongside a few more liberal trims, allows for an action-focused cut for when you just want to blitz through the film, cut to the chase and enjoy a fast-paced adventure.

This edit shortens RoosterTeeth's fourth season of Camp Camp by having a handful of episodes edited and streamlined into one experience in order to remove certain characters, redundant aspects, and political references to maintain consistency with the previous seasons.

So again as always people who are familiar with my edits know what's coming: A streamlines version of Spider-Man 3 that tries it's best to fit in with the previous two films. No Uncle Ben plot, Harry fakes his insomnia, Mary Jane isn't forced to break up are the biggest changes. It has only streamlined cuts that are seamless.

Warning: If you absolutely hate everything about the original, odds are you won't like this. That said, this is easily my most intrusive edit yet, with huge parts of the story flipped around.

Events triggered by Jason Bourne ripple through the rest of the world, as consequences are shown through another agent of a classified program, Aaron Cross.

A film that spends too much time trying to wrap up the previous entry in Act I, and not enough time with our new hero. A Burnt Outcome tries to cut down the opening 15 minutes of the film, while carefully trimming a few over the top action elements, and adds back 3 new deleted scenes to advance the plot and improve the characters.

This edit introduces the characters straight away and gets them on their road trip to Wolf Creek without the unneeded
party, buying junk cars, mailing postcards and morning after scenes.

This version has a new opening and ending and fixes a lot of the films pacing issues and includes an updated 90's soundtrack.

The Phantom, the Ghost Who Walks, must stop the demented Xander Drax from obtaining the mystical Skulls of Touganda. If obtained Drax would cintia no the power to rule the world.

A mainly ZSJL restructured edit that lets the story unfold more naturally, that tightens up ZSJL and adds as much of the best parts of JWJL. More of JWJL Diana struggling with leadership,

A lighter edit of The Rise of Skywalker removing a few quips, poorly thought out narrative elements (lightspeed skipping, knife compass), while adding a few extended shots to slow the frenetic pacing of the film a bit.

A light edit of The Last Jedi removing a few quips, adding a couple deleted scenes, and shortening Finn & Rose's codebreaker mission.

Cut out what I felt to be some childish moments and unneeded exposition, hopefully helping those who have a soft spot for this ambitious flop enjoy it a little more.

The story of a Union soldier who, disguised as a drifter, returns to his town, only to discover that it is overun by ruthless bandits that are keeping his wife hostage alongside the people.

A lighter edit of the film primarily removing a large portion of the rathtar sequence with a few trims to "humorous" lines and one vfx replacement shot.

"Wonder Woman 1984: Wings of Asteria" is a fan edit intended to be a more grounded alternative to the theatrical cut. It re-scopes the conflict to focus on events with the greatest impacts to the main characters while reducing plot holes and awkward moments.

Requiem For Methuselah with less of the out-of-character Kirk.

It's a great western film hidden here but the running time is way too long. This edit removes the backstory and focus on the events in Dodge city and Tombstone.

This edit makes The Last Jedi a respectful sequel to The Force Awakens as best as possible while also including some elements from The Rise of Skywalker. The terrible humor, unnecessary characters, and pointless side plots have been removed. Characters feel closer to how they were before. The result is a more serious and engaging movie that fits better with its predecessor.

The film has great moments and great music, but the story comes to a screetching halt in various moments. So, I fixed that.

Tagline: Lady justice will be served !

When his boss is brutaly murdered, young rookie attorney Phoenix Wright relies on her precious teaching to catch the killer But the path to the truth isn't the safest, and the arrival of a childhood friend will may test an ancient promise.

Main changes include the addition of several deleted scenes to expand Padme's presence, the silly antics of R2 & 3PO are removed from the factory and arena battle, and a few of Ani's whiniest/creepiest moments are removed (but I kept in all the cringe romance).

Added several deleted scenes, removed some droid slapstick and Vader's "Noooo!".

A lighter edit of The Phantom Menace than most, removing only the worst of Jar Jar's antics and Ani's acting and trimming the podrace a bit.

Eliminates most of the first half hour of the film to get into the main action faster and preserve the mystery of at least a few of Han's origins.

This edit adds and replaces scenes from the director's cut to the theatrical cut to expand the film while avoiding the philosophy of time travel excerpts in order to preserve the ambiguity of the theatrical cut.

I trimmed many ridiculous over-the-top moments of action and humor (bat-riding Legolas, various apparatus-laden trolls, Dain, Alfrid, etc) to tighten the pace of the battle.

I focused again on removing Azog and the silly or excessive humor and cgi action. I also appended the opening 12 minutes of Battle of the Five Armies to end the film with the death of Smaug.

By removing the love triangle this turns out to be a great action and war movie about a day the US will never forget.

Storywise this fan-edit doesn't differ from the movie. It only tells the story in a more clear and intimate way, and adds a bit more suspense.

Removal of unnecessary, excessive action and cgi to focus more on Bilbo & company's relationships and adventure.

This is the old version of this edit. The new version can be found here:

https://ifdb.fanedit.org/revenge-of-the-jedi-redux/

Gone are Han Solo being Jealous, gone is Luke Skywalker's rediculous plan to give away his droids to the biggest jerk in the galaxy. Gone is Vader changing character since Empire. And a lot more!

In my view this movie suffers from a narrative which aims to tell a complex political and sociological aspect. By no way i condem this approach but it isn´t told in a proper way and jumps back, forth between narrative locations and merge at the end.

So how i want to tackle this in hope that the movie becomes more interesting?
My approach is similiar to @L8wrtr ´s in his American Gangster - Two Tales edit (definitely a recommandation!) amd inspired me to try the same, kind of. Telling two stories separately before they flow into each other.

From IMDB: A team of explorers travel through a wormhole in space in an attempt to ensure humanity's survival.

I have a strange relationship with this film, I really enjoy the scenes in the warehouse, but get bored to death with the flashbacks. So, I've decided to remove them. The end result is a much tighter film.

"Do not be afraid. My name is Indrid Cold. In a place this size, Equator. 300. 300 will die. Wait for me. I will return. I will see you in time."

Experience the most underrated film ever made, now cut to 73 minutes of tightly paced story. No more dragging scenes, no more melodrama. Just pure cosmic horror.

A moderate edit that keeps the central themes intact but presents them in a less heavy-handed fashion. Some action sequences have been re-cut, FX shots tweaked, and bad/expository dialogue is kept to a minimum, with some scenes rescored to help create a more consistently ethereal atmosphere. Some tweaks for pacing have been made, but the nonlinear structure is retained. One flash forward is cut, another is incorporated as a voice-over, and most are trimmed. The lighthouse finale is left untouched. The 5.1 surround track is preserved and I have also put together an isolated score track.

"YOU CAN'T HANDLE THE TRUTH!" is iconic. It's an awesome punchline to a very good movie. But not an awesome movie. To fix that, this edit remedies many legal inaccuracies, improves the pacing, and makes the hero more likable and the heroine less inept.

All the interconnected Marvel Studios products become a massive, perfectly structured TV series, to make the journey of the Earth’s Mightiest superheroes the most epic adventure ever.

In order to enjoy the MCU in the most orderly, apprehensible and dynamic way possible, all the interconnected MCU becomes a TV show: reordered, reformatted, post credits scenes rearranged to avoid spoilers, detailed “previously” recaps created and some key deleted scenes added to each episode. Including all the One-Shots, Disney+ Marvel TV shows, Specials... even commercials! Plus, crossover with the X-Men (FOX) and Spider-Man (Sony) alternate universes in a narratively consistent way.

Star Trek " The Wrath of Khan without the recyled VFX from Star Trek The Motion Picture

Hal Ashby's classic satire with a few of the more distracting elements removed. Several scenes were removed and two were shortened, one sequence was slightly reordered (to accommodate the removals) and the end credits were reformatted.

I love the Hunger Games books, and I thought the movies were well done adaptations, but there were some aspects I thought could be trimmed and the pacing of the final movies improved. Originally I was going to leave the first two movies alone and just work on the last one, but earlier this year I watched MisterCooper's fantastic edit of the Hunger Games movies into an 8 episode miniseries. Because movies 2-4 were so connected the miniseries treatment worked really well. Mine is heavily inspired by his edit so please check out his if you're interested!

I don't want this to sound like I am bashing MisterCooper's edit because I really enjoyed it and mine is heavily inspired by his. But I did have some things I wanted to change, mainly around pacing, a couple story choices, and the music. Most of his series worked really well for me, but some of the pacing didn't feel right, such as starting his third episode with the last few minutes in the arena from the first movie. It felt anticlimactic to me to resolve the first movie in the initial ten minutes of that episode. His Catching Fire arena episode also ended up being a lot longer than the rest of his episodes, and while that isn't inherently bad I wanted to find a way to make the episode lengths more similar across the board. I also wanted some different story and music choices, such as my edit getting rid of most of the Gale romance from the latter movies as I thought it wasn't well done and didn't add much, and then keeping more of the original music from the series.

A fan edit that condenses Kubrick's film into a more feasable sub-90 minutes. This is the first in a series of Kubrick shortening edits.

Indiana Jones embarks on the story you love as presented in a less intense Saturday morning kid friendly way. Same plot, less pew pew, blood splat, face melting and nightmare inducing ghosts.

Indiana Jones and his father embark on the the quest to find the Holy Grail in this edit of the story you love with slightly less intense moments.

A faster paced version of Crystal Skull. Removed a lot of filler and bad dialogue and weird action sequences, but it still remains essentially the same story as the original.

I wanted to bring out the great film that was hidden beneath layers of exposition and bad jokes. I have trimmed many scenes to improve pacing, removed as much exposition as possible, removed the bad jokes, re-recorded dialogue for several characters, and adjusted the colours of the film.

"In the twilight of the 1950s, on one fateful night in New Mexico, young switchboard operator Fay and charismatic radio DJ Everett discover a strange audio frequency that will change their lives forever... "

The Vast of Night is a 2019 American science fiction mystery little film (a dialogue heavy one) premiered at the Slamdance Film Festival and acquired later by Amazon Studios for its streaming service. Despite being an interesting movie, it was too long and dull and required a good snip so that the benefits it contains could be truly appreciated, So it's shorter now, like an episode of an old mystery TV show.

Thor Love and Thunder arrived in cinemas to the sounds of raucus laughter, and the sound of footsteps as people walked out of the cinema, disgusted at what a blundering fool Thor had become. Whilst many people enjoyed Taika Waititi's unique blend of humour and emotion, There are many people who felt he had taken it too far.

Thor Love and Thunder Minus Comedy takes the worst of the comedy out and aims to focus on Thor's emotional journey, rediscovering love and accentuating the threatening presence of Gorr the god-butcher.

Thor discovers that Gorr is aiming to kill all gods and sets out on a mission to raise an army to rescue the abducted children of Asgard. It's not yet clear how this army will come about but on the way, he meets the enigmatic Zeus whose allegiances are never quite clear, and rekindles a romance with Jane Foster who has her own secrets.