A DF of Straw Dogs and When a stranger calls.

'John Wick: Point Blank Cut' is black & white with new simple credits for a more classic "timeless" feel. Every bit of dialogue that wasn't needed to advance the plot and inform character is gone, so the gaps between the action sequences are minimal. The Perkins/Marcus/Henry subplot is removed from the last act, to stay focused on John. The flashback/forward framing device is gone, it's all linear.

A Steven Spielberg Double Feature of Duel and Jaws.

The first three Harry Palmer movies (The Ipcress File / Funeral in Berlin / Billion Dollar Brain) recut side-by-side and set to the music of Flying Lotus.

This is a two in one edit of Death Wish and Death Wish II.

This edit depicts the events of Pulp Fiction in chronological order. To achieve one continuous timeline, temporal redundancies had to be avoided by merging those scenes together. The movie now structures as follows: Butch's childhood memories - Title sequence - The Bonnie Situation - Vincent Vega and Marsellus Wallace's Wife - The Gold Watch - Credits.

This is the second double feature of french (horror) movies. First one was Revenge and Pregnant and this one is comparable with the violence in it

My First Double Feature of director David Cronenberg.

In 1999, David Lynch created a pilot for ABC that they rejected. For nearly 20 years the pilot version of Mulholland Drive has been hard to come by and in poor quality due to the VHS source. This fanedit aims to re-create the pilot as closely as possible utilizing an HD source. Now you can experience the masterpiece as it originally was, a historical look into what ultimately became one of the best films of all time.

While every effort has been made to recreate the pilot as it was, due to the limitations of what is available on the officially released version of the film an exact recreation was not possible.

Transcendence: Avid4D Recut presents a non-linear approach to the movie. Character motives and intentions are not immediately clear, and the film will jump back and forth providing the viewer information in pieces. This version is aimed at the first time viewer, as those who have seen the theatrical version will know what happens. In addition to the non-linear story telling, selected scenes have an "aspect perspective" effect in an attempt to mess with the viewer's mind even further!

'The Return of Don Tracy' is a side-by-side "Remix" of 1949's 'Criss Cross' and Soderbergh's own 1995 remake 'The Underneath', set to a new Pop soundtrack.

A side-by-side FanMix of both the '64 and '46 versions of 'The Killers' with a new Pop soundtrack.

This is a Double Feature cut to approx 60/70 minutes to get the action on top.

This is a 1 hour and 56 minutes cut with the action more in front. Also some music overdub.

This edit emphasizes Bond’s character arc of learning to see the big picture. He is a new 00, but not a rookie agent or a young man. Action sequences are trimmed and the romance is streamlined in an attempt to focus the story.

Ian Fleming’s 007 gets a new lease of life in the form of newcomer George Lazenby, as Bond finds himself on a mission to Switzerland which could lead to the final capture of Ernst Stavro Blofeld, the head of Spectre. Obtaining the information on Blofeld’s whereabouts however, comes at a cost, particularly when it derives from the head of a European Crime Syndicate, the daughter of whom, becomes part of a deal which will have unforeseen personal consequences for Bond.

This condensed two-episode double feature aims to leave the viewer with a sense of ambigiouty over Sherlock's survival, as well as a more swift and immediate response to Mary Watson's predicament rather than go through some playful baiting tactics. In addition to that, footage from a mini-sode and a deleted scene have been inserted into the edits to give the viewing experiance something fresh. Also included is an all new alternative ending.

The epic Saga is now complete with all available footage restored back into the original film in full hd for the first time.

This is Natural Born Killers edited as closely as possible to Quentin Tarantino's script. All of the music has been replaced with pieces from previous Tarantino films.

My edit is like a rollercoaster, it goes on and on. The original is a masterpiece, but some things are unnecessary and they are only their to make the film longer

Getaway is a car chase movie, so don't expect the finest story ever written, but it does have some great driving scenes if you are a sports car nut or motor head like me! Unfortunately it also has some of the worst cheesy dialogue, mostly by Salena Gomez who I'm sure the movie creators thought would be perfect as the annoying teen, so I don't entirely blame her. Her dialogue definitely needed trimming to make the overall movie more watchable and enjoyable.

'Midnight Meat Train' was a solid horror film starring Bradley Cooper and Vinnie Jones that had a novel premise and some terrifying moments along with an entertaining story that avoided the many cliches and pitfalls of many run-of-the-mill horror films today. It was original, fresh and very bloody. However, some fans were not satisfied with the overly occult ending and wonder what it would have been like if Meat Train was a straight-up slasher. With this edit, the film is recut into a solid slasher/splatter/psychological thriller with an alternate ending.

This is a fanedit of the first 10 episodes of '24' Season 7. Focusing on the character arc of Renee Walker, the day she met Jack Bauer.

On 30th October 2014 BBC3 screened a new version of Nicholas Winding Refn's 2011 film 'Drive' with an all-new score of original music. It was curated by Radio 1 DJ Zane Lowe with the full co-operation of the Director. So it's one of those rare "Official Fanedits".

Zane Lowe has insisted that it's not meant to be an improvement on the original, only an alternate take while Refn has stated "You can't own creativity. Rather than say 'Drive' is mine, I'd prefer to say it's everyone else's". Good idea or not, it's a brave experiment, so Lowe and his pick of artists deserve points for having the bottle to even attempt this in the first place.

A leaner, meaner and more realistic cut which retains the nihilistic mood and tone of the theatrical cut and minimizes the poor characterization and excess 'emotional' moments resulting in a far darker and better Monster movie... The stars of this version are not the humans, but the monsters.

During an assignment to take down a new arms dealer in Miami, Sonny Crockett runs into a ghost from his past which sends him spiralling down a path of regret and darkness. As his focus on the case slips, he becomes involved with a mysterious femme fatale, a person he knows is playing him but lets her anyway. Crockett goes on a personal voyage, questioning his motives, morality and existence in what are widely considered to be the best episodes of the original show.

The Vice squad has a new commanding officer, Lieutenant Martin Castillo, a tough ex-DEA with a dark past. Crockett and Tubbs stumble upon a plot to heist a hotel vault and attempt to intervene, leading to the discovery of a much larger and more dangerous criminal enterprise involving an old nemesis of Castillo's from his days in the Golden Triangle drug zone. The Vice team is quickly forced into a game of cat-and-mouse with a deadly foe.

Miami Beach, 1984. Colombian drug kingpin Calderone is ruthlessly seizing territory, eliminating all competitors in a series of violent murders. Miami Vice Detective Sonny Crockett is assigned to take down the drug lord but is faced with double-crosses, assassination and incompetence at every turn. Enter Ricardo Tubbs, a stranger from New York who has a personal vendetta against Calderone. Crockett and Tubbs are forced into an unlikely alliance that will take them from the sandy shores of Miami to the clear waters of the Bahamas in a hunt for Calderone, full of danger, death and pastel suits.

No barrel gymnastics. No molten gold.

The Desolation of Smaug is Peter Jackson's adaptation of the middle third of JRR Tolkien's The Hobbit. Despite some incredible visuals and fine performances, it was too long and encumbered by many scenes that not only slowed the film, but also were completely invented for the film and deviated from the novel significantly. "Fire of the Dragon" is an earlier edit of this film, where I cut out all the extra made-up-for-the movie padding that stretched a perfectly good 2 hour movie into almost three. 'Dragon' was a version that didn't drag and had good pacing, and is what I feel the Theatrical cut should have been--I emphasize that because a lot of the material I liked from the actual movie and I felt made it entertaining (namely, the barrel fight and the dragon showdown in the end) are left intact in Dragon-- I just felt those made the movie more fun and gave it the feel of adventure it needed.

However, I strongly agree with a lot of the criticism of both the original film and my first cut, in that these things (1) were a little over-the-top at times, and (2) still never happened in the book. So I decided to go ahead and make further changes to produce a "purist cut" of the movie. Instead of just being a watered down version of "Dragon", I trimmed more, reordered certain scenes, and made a new opening for it, as well as a new title.

This is as close as Desolation comes to being a 'book' cut of Tolkien's the Hobbit.

'Twin Peaks: Fire Walk With Me' is the prequel film to the cult favorite television show 'Twin Peaks'. It chronicles the last seven days of Laura Palmer's life leading up to her death. When originally released nearly an hour and a half of deleted and extended footage had been cut, and for over twenty years fans have been clamoring for this footage.

The Shining has always been a mysterious film, with multiple conspiracy theories circulating about hidden messages within. One bizarre practice among the most zealous fans of Stanley Kubrick's horror masterpiece is to attempt to 'uncover' the deepest subconscious meaning of an already subversive film by playing it both forward and backward simultaneously, with the belief that Kubrick had designed the film itself in perfect symmetry, as he did with many of the shots.

The result is best described as unsettling, hallucinatory and disturbing. While by no means was this film officially meant to be watched this way, the visual and thematic parallels of the beginning and end of the film are eerily resonant. The first scene for example has Jack telling his employers that "there's no way he's going to go insane" while we watch the shadowy reverse footage of him stalking his son through a maze, showing how structurally deep and complex the film really is. I did not invent this method of watching The Shining, but have put my own spin on it to make it a more satisfying experience.

Thunderball really is Connery's last great performance as 007 before he completely checked out of the role. It's the last one where he really owns the film and proves why he is still regarded as the best actor to ever play 007. It's also full of exotic location shots, great music and one of the most famous villain plots in the series, involving stolen nuclear warheads but the film itself has always been criticized, mainly due to a plodding pace, the bulk of which is due to some overlong underwater sequences.

Thunderball failed to become the "best bond ever" as its theatrical tagline promises because it almost feels rushed, as if the editing was unfinished in certain instances. Well, now the editing is finished. Almost no major scenes or sequences have been removed but almost every scene has been trimmed for pacing, resulting in a faster film with an enhanced narrative.

This is a TV-to-Movie Edit of Seasons 1 And 2 of AMC's The Walking Dead (a total runtime of 875 minutes) into a 177-minute zombie epic. The is the story of Officer Rick Grimes who wakes up after a coma during the zombie apocalypse and goes on a quest to find his family. The numerous horrors he and a small group of survivors endure while seeking refuge from the legions of the undead are chronicled here. The goal of this edit was not to cram every detail of the series into a limited time-frame, but to create a film version of the Walking Dead story which would appeal to both fans of the show and newcomers alike.

This edit presents the entire Moriarty arc of BBC's Sherlock in one film-- not dispersed over four episodes as in the original. London's most famous "amateur" detective gets his regular routine of solving kidnappings and thefts rattled when faced with a new game of terror: he is given a limited amount of time to solve five challenges by an unknown madman or innocent people will be blown up. As he races against the clock, Sherlock and Watson realize that they are moving deeper into an international network of crime and terrorism centered around one elusive individual: Moriarty. Eventually the game threatens to cost Sherlock everything: his career, his friends, and life... you'll be caught up in the action as soon as it kicks in and its a non stop ride from there.

"Tears in the Rain" a vastly different version of the film which serves as an Alternate look at Ridley Scott's masterpiece, not an extension of the original. It focuses more on the Replicants and their quest to meet their maker. Rick Deckard is presented as a competent determined hunter and killer (unlike the relatively insecure counterpart in the original), in many ways an antagonist-- this is a world where Replicants are outlawed and killed on identification. They attack only when cornered, but mean no harm to humans. Not unless they can help it... This film is presented in high contrast black and white to accentuate the noir feel of the original. Trimmed down and fast paced, I hope this edit will intrigue, excite and entice fans of the original and new viewers alike.

When I first saw the 3-part/3-hour 2009 'Moses Jones' BBC mini-series, I was blown away by how good it was. However, it was not what I had expected from the promotional material, it was a multi-layered, multi-character exploration of immigrant identity. But I'd thought it would be a familiar Police Drama, focusing primarily on the two Cops played by Shaun Parkes and Matt Smith. So this is my attempt to create the movie that I'd expected.

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The seventh Consecution project DVD contains 9 short Fan Edits focusing on cops stories. Each short Fan Edit has been created by a different Fan Editor using various movies (except Neglify, who's done 2 shorts).

'From Hell: Engraved In Stone' is now less of an exploitation whodunnit than the original and more of a disturbing portrait of moral and political corruption at all levels of 1888 London society.

Bill’s motivations are no longer about his need to assert his masculinity and sexual revenge. Instead, Bill is a victim of curiosity, coincidence and circumstance.

The remake of Clouzot's 1957 masterpiece "Les Diaboliques" - now starring Academy Awards nominees Sharon Stone and Isabelle Adjani - is presented here in a significantly revised alternate cut which follows a "less is more" principle.
The film is presented in a carefully restored black and white - as per the director's original intent - and is bereft of 23 minutes of weak and largely useless material. Inane dialogue, fruitless sub-plots and gaping holes in the story have been removed to present a more intense and potent thriller.
The ludicrously over-the-top ending has also been removed and replaced with a much more blunt ending which is more in keeping with the original Clouzot version.

David Lynch's masterpiece with all deleted scenes reincorporated.

This is an abridged version of Stanley Kubrick's 2001. This is a High Definition recreation of our original SD edit.

Die Another Day should have been celebration of everything good about the James Bond franchise. Unfortunately, in trying to throw everything but the kitchen sink at the screen in celebration of 007's 40th anniversary, director Lee Tamahori and the producers ended up with an unfocused movie, riddled with poor innuendo jokes and some ill-advised ventures into the more fantasy CGI arena. The hope with Icarus, is to redress the balance and uncover what I believe is a genuinely good old-fashioned large scale Bond adventure. No invisible car, no CGI tsunami surfing heroics, the poor jokes removed, Icarus attempts to give Pierce Brosnan the Bond swansong he deserved.

Will Smith is trying not to go insane, alone in a desolated city.

A chronological retelling of The Usual Suspects with a more ambiguous ending.

All references to the beasts not being real are deleted as is the surprise ending. Now it’s a classic horror movie.

Terrorist, Madman or Murderer, whatever you call him, he is forcing change and giving people hope. This FanEdit is an attempt to create a Film Version which is more akin to the Graphic Novel.

What is it about? TOCNM is not a great film, it is one of only a few films that Kiefer Sutherland has directed, and whilst no masterpiece, it isn’t a bad attempt and has some decent acting from himself. The faneditors focus was on making the storyline much tighter and removing certain aspects that were detracting from the film.

This fanedits eliminates M.Night Shyamalan’s role and tightens up the action. With an additional deleted scene, this becomes a fresh new ride.