The crew of the Enterprise embark on their final mission after 5 years and encounter many past challenges and phenomena leaving the crew exactly where Star Trek The Motion Picture picks up from.

The purpose of this edit is to re-conceptualize Season 1 of this amazing series into a two part feature film duology.

It reorganizes the scenes for a more cohesive story, congruous concept and dramatic impact, removing a lot of extraneous filler material. While Season 1 was just plain outstanding (for the most part), it had substantial bloat. I consider this edit an improved, definitive version, and also a good way to watch it again before Season 2 is released—a very full story told in 5 hours instead of 8½ hours.

Overall, this edit is intended to be even more of a gut punch than the original. And the most important thing is:
NO SHITTY PUNS WERE HARMED IN THE MAKING OF THIS FANEDIT.

To create ten 60 mins Episodes from Quentin Tarantino's 10 films to date

Big monster fight!

Watching the film in cinemas, I realised how expendable the Millie Bobby Brown character and her subplot were, as the entire side mission was completely disconnected from the main story. Doing some very simple cuts to remove the sideplot ended up with a much simplier and to-the-point film, focusing on Kong's journey to Hollow Earth and his clash with Godzilla in less than 80 minutes.

Strap in for a tighter and much faster ride as the two titans go head to head!

Recut The Last of Us into a 3-part miniseries solely focused on Joel and Elli's journey. A 4th "special episode" includes the majority of the cut content as short films.

To create ten 60 mins Episodes from Quentin Tarantino's 10 films to date.

To create ten 60 mins Episodes from Quentin Tarantino's 10 films to date.

To create ten 60 mins Episodes from Quentin Tarantino's 10 films to date.

To create ten 60 mins Episodes from Quentin Tarantino's 10 films to date.

To create ten 60 mins Episodes from Quentin Tarantino's 10 films to date.

This BvS edit keeps the focus on the conflict between the titular heroes by removing all the interfering DCEU scenes and connections, also making edits to minimize some of the “infamous” elements and moments in the film. Nevertheless Snyder’s signature style remains intact.

False God retains all UE scenes that strengthen Lois and Clark’s respective investigations and Luthor’s manipulations but controversial elements have been alleviated (Lex’s ticks reduced, more respectful/hopeful ending). Removal of the DCEU connections close the door to the JL movie but leaves it open for the Wonder Woman (2017) 'self-contained' solo movie to connect.

After being held captive in an Afghan cave, billionaire engineer Tony Stark creates a unique weaponized suit of armor to fight Jeff Bridges.

As the first Iron Man film has been airing on FX as an extended cut with deleted scenes for years, I figured I could make a HD version of it, so we don't have to wait for it to come on TV.

Venom wasn't terrible, but it wasn't great. By cutting a few scenes I've been able to tighten the pacing and make it slightly more enjoyable than the theatrical cut.

The Virtual Workprint, as edited by Josh Janson one of the more well-known edits of the film, is still my preferred cut of the film despite it's poor video quality. The HD Rebuild uses the most recent Blu-Ray to completely remake Josh Jenson's original edit from scratch in as high quality as possible.

The edit features 10 minutes of new footage, including 7 deleted scenes with an alternate opening and ending, and 10 additional shots and lines from trailers and more, while also trimming a few of the more over-the-top moments from the final film.

After the fall of France to the Nazis and the evacuation of the British Army from Dunkirk, the Royal Air Force must defend their homeland from the threat of invasion by a battle-hardened and numerically superior opponent during the summer of 1940, with the future of the country, and maybe even the whole of Europe, hanging in the balance.

This edit is, on the whole, a simple tightening of the director Guy Hamilton's ambitious 1969 retelling of these events, hopefully making it more approachable for the audience.

Available in two versions:
* Technicolor
* Black & White

This is an edit of Peter Jackson's King Kong without most of the silliness. Where things move quicker, but there's still room for a breather.

Fanedit running time: 2 hours 21 minutes (before credits)

This is the entire second season of See cut down to one action packed, epic movie. This is the third part in a planned 4-part series that will condense the entirety of the show into a film format. Season 2 of See changes the tone of the show rather drastically, becoming a lot more action/adventure focused while also broadening the scope of the world. This film is longer than the previous two, but contains the arc of an entire season's worth of story. This film is also a lot more action-packed, with intense fight scenes and epic battles.

Would Spaceballs be even funnier with some of the weaker moments removed... AND the entire score replaced from David Lynch's Dune? I think so!

Wonder Woman 84 with a proper 80’s soundtrack! The goal was to give WW84 a proper 80’s soundtrack as if the movie studio licensed and properly scored the movie. The action sequences become music videos while preserving the dialogue and sound effects.

After I finally saw the theatrical cut of No Time To Die (NTTD) I wanted to create a new version so Bond lives, and also be much, much shorter overall.
I thought NTTD was an over-bloated mess. It has beautiful imagery yes. Some of the shootouts and tense scenes are awesome to watch in the environments they're happening in. The callback to On Her Majesty's Secret Service (OHMSS) was actually nice to see, but the Dr. No callback not so much. I know Bond's wife dies in OHMSS so someone dying at the end of NTTD makes sense, like poetry. But I thought the poetry was kind of bad, so I rewrote it and made them all live in a wholesome Bond sort of way.
Also, the original death scene where we get all the various character's reactions to Bond being obliterated by hellfire had me laughing. I was cringing. The music was swelling! Had me dying... The story is mostly very full of itself, but the cinematography and action was fantastic.

Very small changes. The only narrative changes come at the end and they too are subtle. Which makes sense because the original movie is terrific.

After arriving at the Lonely Mountain and witnessing Smaug's massacre, Bilbo Baggins finds himself in a bit of a pickle... participating in an all out war! Dwarves, elves, men, orcs... Will our little hero make it out alive and unscathed?

I made this for my own personal use a while back since seeing this movie in IMAX was one of the most impressive theater experiences I've ever had, and I'm a sucker for IMAX/Open Matte movies. This takes multiple sources, including a German Open Matte HDTV broadcast and the official opening credits by the company that made them, and blends them together to replicate as best as possible what I remember that experience to be.

This Octopussy cuts the worst special effect: gone is the hot-air balloon in the final battle. In a franchise famed for using real effects over special effects, that balloon was an awful stage prop! It cuts over the top bits: e.g. no swinging on a vine like Tarzan. It cuts the worst sexism bits: no ogling the bosom of Q's lab assistant, and no "good with figures" joke about the minor Bond girl.

Ah, Robin Hood: Men in Tights...


There is a good, funny movie in there. At least I always thought so. However, Mel Brooks had, in my opinion, began to loose his touch by this time. I guess one might say that what he thought was funny... just was not funny anymore. That said, much of the humor still works, even if it is buried.

This was my first ever full length edit I did a couple years ago. I recently went back through and fixed a couple things that I am better at now and exported a higher quality version.

I got my hands on an X-Men Origins: Wolverine edit titled Codename: Wolverine by havok1977. I started to watch it and liked what I was seeing, except the video quality wasn't great as it is some years old and only DVD quality (or even lower than DVD quality). So, I had the idea to try my hands at an HD restoration. That is where this started. But in doing this, I realized that I didn't agree with all the changes that they made. Their version was an attempt to keep this movie more comic accurate, but it is soooo different than the comics. That made it very difficult to do that and made it a little disjointed. So, I scrapped that and started over from scratch. This is now my own version, inspired by Codename: Wolverine.

This is a streamlined version of Christopher McQuarrie's directorial debut, "The Way of the Gun". A story of Ronin, Samurai, and the desire to "cross the river" and enter Heaven with a clear conscious...

Explorers. Easily one of the best science-fiction films from the 80's. Unfortunately, most who love the film are quick to point out its flawed third act. Once the boys meet the aliens at the end the film simply falls apart. The alien children, mostly Wak, are completely over the top and ruin the experience.

I noticed there is a lack of TDKR edits and I'm starting to realise why:

The movie isnt fun. It has downright rediculous moments, and it reduces it's main villain to a love interest. On top of this we have a rediculous nuke that goes off in a minute.

I grew up on The Last Starfighter. It is a wonderfully fun and entertaining film. However, it is not free of problems. It drags a bit here and there. Mainly, I wanted to keep the story focused on Alex and keep the tension and threat focused there. Mainly, the subplot with the Beta Unit has been mostly removed. I felt this would better focus the story on Alex and keep the tension up (although removing anything with Catherine Mary Stewart is heartbreaking!).

This is an edit that combines both of the Kill Bill movies into 1, while keeping the runtime of just 1 of the movies. Large scenes and small cuts are used to achieve this, and a re-structuring to a more chronological order has been done also.

The Final Countdown. This is one of those forgotten gems from the 80's. It is a great film, with a simple idea, that is pulled off quite well. However, the film is bogged down with excessive shots and sequences showcasing the Navy. This is a version of the film with the bulk of those scenes either cut or trimmed down, as well as some other bits here and there.

I'm a big Terminator franchise fan and I have collected my favorite edits of T1, T2 and Dark Fate.
I have yet to find what I would call the definitive version of Salvation, and I couldn't care less about finding a good version of Genisys.
But Terminator 3, I like it but it certainly has it's flaws, quite a few flaws. The best edit I have found is "The Coming Storm" by @Uncanny Antman. The only problem with it is that it is only DVD quality. I have found 1 or 2 others that claim to be HD versions, but they are not the same, or even close to the same. So I am attempting to do it myself.

A story about Princess Shuri and her struggle to deal with the loss of family. The theatrical release fell over itself to tell multiple stories about multiple characters, this edit reduces the focus on other characters and remains fixed on Shuri and Namor.

Let's face it, this is not a good movie, it's pretty bad. But that being said, I do like to watch it as part of my Die Hard rewatches. Why? I'm not sure, maybe I like to torture myself. But it does have some good action. The car chase scene is really good. The extended cut adds more action, which is cool, but it also removes all of Lucy, his daughter. Why they did that I have no idea. What little heart the theatrical version had was gone in the extended version.

Batman '89 was/is a pretty solid film, but it does not get Bruce Wayne quite right, in my opinion. Also, the film itself does drag a bit. Therefore, I wanted to see if a slimmed down version of the film would play better than the original. In my opinion, it does.

Generally speaking, I love Logan's Run as it is. However, it does have some pacing issues as well as some logic issues that I really wanted to address. I believe this edit tightens up the film and makes for a faster and more consistent experience, while also removing some of the cringe (just a few things).

This is Luc Besson's "Leon" re-framed to be more Mathilda-centric, with Leon's story revealed more slowly, but also in a more ambiguous way. What brought him to this moment? You decide. Featuring many songs from the 80's and 90's, and leaning heavily into female vocalists, the soundscape taps onto Mathilda's motivations and emotional states at key moments in the story.

When the last survivor of an alien planet crash lands on Earth, his incredible superpowers cause a paradigm shift for the planets heroes.
Witness the story behind the formation of the most famous superhero team in comics history, the Justice League, as legends assemble to face threats the likes of which the world has never seen.

Live Free or Die Hard is my second favorite Die Hard movie (behind the original, of course). For most it is probably Die Hard - With A Vengeance, which I also love, but I have always enjoyed Live Free (except for one scene, the F35 scene).

For me it goes;
Die Hard – A nearly perfect movie.
Live Free – Slightly flawed, but I enjoy.
With a Vengeance – Nearly perfect.
Die Hard 2 – A good (but not great) action movie, with no glaring flaw that can be fixed by an edit and doesn’t necessarily need it anyway.
A Good Day to – Very flawed and just not a good movie at all. I already did an edit of it, trying to make it at least tolerable as part of a rewatch.
But back to the point of this post, Live Free or Die Hard. This edit uses the unrated version as the base and adds back in most of (if not all) that was removed from the theatrical to make the unrated version. The only things that were not added back are the lines that were directly replaced with a new line. And the biggest changes are to the F35 scene near the end.

Seven of the most powerful superheroes battle foes in this animated series.

Batman is wrongly implicated in a series of murders of mob bosses actually done by a new vigilante assassin.

There was a story about 2 brothers who had a natural talent for alchemy called Fullmetal Alchemist. This story was originally told in a manga, but before the manga was finished an anime was put out. The anime had to change and create some original story elements because the manga was still ongoing at the time.

After the manga had finished they wanted to revisit the anime with a version closer to the actual story told in the manga. This would be known as Fullmetal Alchemist: Brotherhood. The only thing was due to retreading some story elements told in the original anime, they shortened some story beats for FMAB.

Serving as a continuation to The Last Jedi - Consistency Edition, this edit modifies The Rise of Skywalker to be a more fulfilling end to the trilogy by smoothing out the plot, removing convoluted elements, and modifying aspects of the film to elevate the story.

BUT THERE ARE SO MANY HOBBIT EDITS! WHO IS THIS FOR?

This is a Movie-to-TV edit based on AdamDens' 'The Hobbit: The Original Two-Film Structure', with a few further tweaks.
Therefore, this edit will be most suitable for people who want-
* A high quality edit with well-considered changes, tightened and polished and with minimal frustration
* Tonal and visual consistency with the Lord of the Rings movies, and the retention of the majority of content which sets up its plotlines
* A digestible, episodic structure (8 episodes of ~50 mins each)

THE CLONE WARS: REFOCUSED presents the entire Clone Wars as a complete series of five seasons of about ten TV-length episodes each. Now structured and presented with the conventions of a more mature modern TV drama, it tells the complete narrative of the Clone Wars, retaining all the most important and enjoyable elements of the show, whilst trimming a vast amount of the weaker content, saving you over 17 hours total while still telling the same core narratives. Episodes have been refined, refocused, reordered and recontextualised to maximise story quality and viewer enjoyment, both for the show’s own complete end-to-end story, and for those seeking a supplement or introduction to new canon like the Mandalorian, Bad Batch, and wider Filoniverse.

Live and Let Die, the Goldilocks version: tempo is dialed up (no more looking at your watch during the boat race), jokes and stupidity are dialed down, Bondgirls are less bumbling, sheriff is mostly removed, and nobody pops like a balloon.

Eon Returns is an edit of Ben 10,000 Returns that keeps Ben’s future unknown by establishing Ben 10,000 as another alternate future version of Ben, while also providing small hints to Eon’s identity earlier in the episode.

While an enduring cult classic, the original Tron film suffers from a critical pacing issue in its opening act. Cutting between the world of the Grid and the real world only serves to alienate new viewers and confuses the internal logic of the story. By removing the first 8(ish) minutes, the plot is not only clearer, but gets going much faster and with fewer distractions.

Ben 10: Race Against Time - Armageddon Edition is my attempt to improve the first live action Ben 10 movie. The film has its good moments but unfortunately they are overshadowed by some glaring flaws. Overall this edit aims to give a better cartoon to live action experience by removing the cringe and weird moments. Bringing it closer to the tone of the original series.