When the last survivor of an alien planet crash lands on Earth, his incredible superpowers cause a paradigm shift for the planets heroes.
Witness the story behind the formation of the most famous superhero team in comics history, the Justice League, as legends assemble to face threats the likes of which the world has never seen.

Live Free or Die Hard is my second favorite Die Hard movie (behind the original, of course). For most it is probably Die Hard - With A Vengeance, which I also love, but I have always enjoyed Live Free (except for one scene, the F35 scene).

For me it goes;
Die Hard – A nearly perfect movie.
Live Free – Slightly flawed, but I enjoy.
With a Vengeance – Nearly perfect.
Die Hard 2 – A good (but not great) action movie, with no glaring flaw that can be fixed by an edit and doesn’t necessarily need it anyway.
A Good Day to – Very flawed and just not a good movie at all. I already did an edit of it, trying to make it at least tolerable as part of a rewatch.
But back to the point of this post, Live Free or Die Hard. This edit uses the unrated version as the base and adds back in most of (if not all) that was removed from the theatrical to make the unrated version. The only things that were not added back are the lines that were directly replaced with a new line. And the biggest changes are to the F35 scene near the end.

Seven of the most powerful superheroes battle foes in this animated series.

Batman is wrongly implicated in a series of murders of mob bosses actually done by a new vigilante assassin.

There was a story about 2 brothers who had a natural talent for alchemy called Fullmetal Alchemist. This story was originally told in a manga, but before the manga was finished an anime was put out. The anime had to change and create some original story elements because the manga was still ongoing at the time.

After the manga had finished they wanted to revisit the anime with a version closer to the actual story told in the manga. This would be known as Fullmetal Alchemist: Brotherhood. The only thing was due to retreading some story elements told in the original anime, they shortened some story beats for FMAB.

Serving as a continuation to The Last Jedi - Consistency Edition, this edit modifies The Rise of Skywalker to be a more fulfilling end to the trilogy by smoothing out the plot, removing convoluted elements, and modifying aspects of the film to elevate the story.

BUT THERE ARE SO MANY HOBBIT EDITS! WHO IS THIS FOR?

This is a Movie-to-TV edit based on AdamDens' 'The Hobbit: The Original Two-Film Structure', with a few further tweaks.
Therefore, this edit will be most suitable for people who want-
* A high quality edit with well-considered changes, tightened and polished and with minimal frustration
* Tonal and visual consistency with the Lord of the Rings movies, and the retention of the majority of content which sets up its plotlines
* A digestible, episodic structure (8 episodes of ~50 mins each)

THE CLONE WARS: REFOCUSED presents the entire Clone Wars as a complete series of five seasons of about ten TV-length episodes each. Now structured and presented with the conventions of a more mature modern TV drama, it tells the complete narrative of the Clone Wars, retaining all the most important and enjoyable elements of the show, whilst trimming a vast amount of the weaker content, saving you over 17 hours total while still telling the same core narratives. Episodes have been refined, refocused, reordered and recontextualised to maximise story quality and viewer enjoyment, both for the show’s own complete end-to-end story, and for those seeking a supplement or introduction to new canon like the Mandalorian, Bad Batch, and wider Filoniverse.

Live and Let Die, the Goldilocks version: tempo is dialed up (no more looking at your watch during the boat race), jokes and stupidity are dialed down, Bondgirls are less bumbling, sheriff is mostly removed, and nobody pops like a balloon.

Eon Returns is an edit of Ben 10,000 Returns that keeps Ben’s future unknown by establishing Ben 10,000 as another alternate future version of Ben, while also providing small hints to Eon’s identity earlier in the episode.

While an enduring cult classic, the original Tron film suffers from a critical pacing issue in its opening act. Cutting between the world of the Grid and the real world only serves to alienate new viewers and confuses the internal logic of the story. By removing the first 8(ish) minutes, the plot is not only clearer, but gets going much faster and with fewer distractions.

This is a light edit of the first live action Ben 10 movie that doesn't drastically deviate from the original. Adjustments are spread throughout the entire film to give it a better cartoon to live action experience. The out of place scenes such as Grey Matter trashing the diner are removed, and various trims throughout the movie allow the plot to move quicker.

As a long time fan of first two Mortal Kombat games I was always a fan of this movie too and always wanted to do an edit of it one day. And here it is. This time it isn't as much about changing the plot, but about modyfing the tone & overall feel of the movie. Not to fix it (as it doesn't need that), but to alter it enough to offer a unique watching experience, quite different than original. To achieve that, the movie was completely re-scored with music from martial art films and fighting games with some other additions. Some additional footage taken from other movies was included as well as additional or alternate dialogue lines. Also, some blood VFX and grindhouse effects were added.

This is vastly different than the original cut. We have a new opening to recap the ending of Part 1 and a subsequent scene not seen in Part 1. The tone is less cartoonish and more balanced. There is a lot of new music and deleted material used to flesh out the movie. Much like Part 1 this has the focus on Peter and Gwen's relationship without all the other distractions.

Electro is pushed back to a secondary villain and Harry is brought up to being the primary villain. Electro's motivation is different as well. The accident simply drove him insane and he hears voices in his head.

As Scott Lang tries to spend the last of his days under house arrest, he's pulled into action once more by Hank Pym and Hope Van-Dyne as they team up and suit up to save someone from the Quantum Realm, while fighting a new adversery.

This edit aims to trim up a lot of ill-timed and poorly elongated jokes, adding back deleted material from the blu-ray, outtakes, trailers and TV spots, while also restoring an alternate opening with a mission in 1987, with a young Ant-Man and the Wasp.

Strap in, and get ready to see ANT-MAN AND THE WASP against THE GHOST IN THE MACHINE!

Originally released as an 8 part mini-series on Netflix, The Defenders was met with a lukewarm reception from fans and critics. This edit is a fairly straight-forward but thorough reduction to make this Marvel TV crossover faster paced and more excting.

57 years after Ellen Ripley had a close encounter with the reptilian alien creature from the first movie, she is called back, this time, to help a group of highly trained colonial marines fight off against the sinister extraterrestrials. But this time, the aliens have taken over a space colony on the moon LV-426. When the colonial marines are called upon to search the deserted space colony, they later find out that they are up against more than what they bargained for. Using specially modified machine guns and enough firepower, it's either fight or die as the space marines battle against the aliens. As the Marines do their best to defend themselves, Ripley must attempt to protect a young girl who is the sole survivor of the nearly wiped out space colony.

After coming across two edits of Aliens that greatly renewed my interest in the film, I decided to create a cut of the film that would check all of the boxes for me when it came to a version of the film that would be perfect for me. I present that very cut to you all as "Aliens Revisited".

After Walter and Jesse's frightening encounter with Tuco Salamanca, they plan a way to murder him before it's too late. Little do they know they have an even more intense future ahead of them.

A combined and streamlined version of Back To The Future 2 and 3 - combining them into one movie as originally planned by Gale/Zemeckis.

Episodes from the 25 best arcs (+2 standalone episodes) are combined to create 27 longer episodes (~40-60m) each presenting a complete, streamlined story without redundant, uninteresting side quests, goofy villains, or childish humor.

This edit focuses on the events of 1912, keeps Rose's narration, and uses the full IMAX aspect ratio throughout. Modern scenes/characters are reduced to an absolute bare minimum. This cut also incorporates limited deleted/extended scenes but only those which further character development of Rose, Jack, and Fabrizio (or otherwise gives better dramatic impact to their scenes).

Summary:
Regraded
Several Jack/Rose deleted scenes added (1080p source)
IMAX aspect ratio throughout
Reworked intro
No more Bill Paxton (Brock) or his annoying sidekick
Focus is on events in 1912
The limited modern scenes have older Rose narrating or show older Rose (no more adventures of the salvage crew)

After getting out of prison, burgler Scott Lang tries to reconnect with his daughter, as his ex-wife tries to keep him away. A desperate robbery gone askew puts him the radar of redacted government scientist Hank Pym, leading him down a path he could of never expected.

This is a tighter version of the film, cutting all of Hank's scenes until Scott meets him, as the film refocuses on his story and the journey he goes through to reunite with Cassie. A new deleted introduction to Hank has been reinserted into the film, other small elements have been cut, and one big infiltration sequence with an unneeded cameo has been entirely removed.

From IMDB: Left for dead on a sun-scorched planet, Riddick finds himself up against an alien race of predators. Activating an emergency beacon alerts two ships: One carrying a new breed of mercenary, the other captained by a man from Riddick's past.

This version has a much shorter pre-tite sequence (with a 'bloody' gun barrel), and in the end, Bond isn't poisoned and doesn't die.

I almost fell asleep watching the original version. The pace is very uneven and the film is too long to keep your attention. This edit makes it more to the point.

The United States as we know it is destroyed in the climax of a Civil war.
Years after the nuclear event a vicious band of raiders, led by the ruthless General Bethlehem, reign terror among the survivors in the Oregon region.
In these desperate times a postman is send to restore communication routes and unintentionally ignites a spark of hope which inevitably crashes with General Bethlehem and his minions.

Kobe Skywalker's The Dark Side Cut of Star Wars: Episode III - Revenge Of The Sith improves upon the original release by making numerous cuts and trims to increase the serious tone of the darkest entry in the saga. Several cringe inducing scenes are removed, single weaker script lines are trimmed, and a few poorly acted moments are cut.

Using my B+ Movie Edition as a foundation (including animation enhancements), this cut completely removes the Olympus scenes, as well as any explicit reference to the gods' interference. This, alongside a few more liberal trims, allows for an action-focused cut for when you just want to blitz through the film, cut to the chase and enjoy a fast-paced adventure.

This edit shortens RoosterTeeth's fourth season of Camp Camp by having a handful of episodes edited and streamlined into one experience in order to remove certain characters, redundant aspects, and political references to maintain consistency with the previous seasons.

Events triggered by Jason Bourne ripple through the rest of the world, as consequences are shown through another agent of a classified program, Aaron Cross.

A film that spends too much time trying to wrap up the previous entry in Act I, and not enough time with our new hero. A Burnt Outcome tries to cut down the opening 15 minutes of the film, while carefully trimming a few over the top action elements, and adds back 3 new deleted scenes to advance the plot and improve the characters.

The Phantom, the Ghost Who Walks, must stop the demented Xander Drax from obtaining the mystical Skulls of Touganda. If obtained Drax would cintia no the power to rule the world.

Cut out what I felt to be some childish moments and unneeded exposition, hopefully helping those who have a soft spot for this ambitious flop enjoy it a little more.

This is Chapter Two of my ongoing fanedit series of See, covering the events of the second half of Season 1.
See is a criminally underseen AppleTV series, one of the more interesting and fleshed out science fiction stories I've seen recently.

I always though that the production was so strong on the show that it would've made a great movie, so I'm playing with that concept. Also, there was a bit of a stylistic shift between the first and second seasons, where a lot of very abstract ideas got sort of left behind in favor of a more action/adventure heavy show. Doing a fanedit of the first season in movie form can help line it up with the style of the rest of the show.

A lighter edit of the film primarily removing a large portion of the rathtar sequence with a few trims to "humorous" lines and one vfx replacement shot.

The galaxy has been plunged into total war! As clones and Jedi alike are sent far and wide to stop the separatist's advances, Palpatine hatches a wicked plan to end the war and seize total control of the galaxy.

Quantum of Solace but with Black & White flashbacks to Casino Royale in order to make it more emotionaly involving.
The first hour of Casino Royale is skipped over so the first flashback is of Bond meeting Vesper on the train.

Star Wars with a rocking soundtrack! Heavy Star Wars takes the existing action and adventure, trimming away unnecessary story/action/bad acting, and replaces the soundtrack with Rock music!

This edit makes The Last Jedi a respectful sequel to The Force Awakens as best as possible while also including some elements from The Rise of Skywalker. The terrible humor, unnecessary characters, and pointless side plots have been removed. Characters feel closer to how they were before. The result is a more serious and engaging movie that fits better with its predecessor.

Main changes include the addition of several deleted scenes to expand Padme's presence, the silly antics of R2 & 3PO are removed from the factory and arena battle, and a few of Ani's whiniest/creepiest moments are removed (but I kept in all the cringe romance).

Added several deleted scenes, removed some droid slapstick and Vader's "Noooo!".

A lighter edit of The Phantom Menace than most, removing only the worst of Jar Jar's antics and Ani's acting and trimming the podrace a bit.

Eliminates most of the first half hour of the film to get into the main action faster and preserve the mystery of at least a few of Han's origins.

By removing the love triangle this turns out to be a great action and war movie about a day the US will never forget.

Storywise this fan-edit doesn't differ from the movie. It only tells the story in a more clear and intimate way, and adds a bit more suspense.

Winners of the 1990 and 1992 Worst Parents Awards are accidently seperated from their 8 year old son, as he is at home, left to severely torture and mutilate 2 grown men.

The Holiday Special Edition adds back 14 deleted, extended and alternate scenes to this Christmas classic, with over 10 minutes of new footage.

In my view this movie suffers from a narrative which aims to tell a complex political and sociological aspect. By no way i condem this approach but it isn´t told in a proper way and jumps back, forth between narrative locations and merge at the end.

So how i want to tackle this in hope that the movie becomes more interesting?
My approach is similiar to @L8wrtr ´s in his American Gangster - Two Tales edit (definitely a recommandation!) amd inspired me to try the same, kind of. Telling two stories separately before they flow into each other.

See is a criminally underseen AppleTV series, one of the more interesting and fleshed out science fiction stories I've seen recently.

I always though that the production was so strong on the show that it would've made a great movie, so I'm playing with that concept. Also, there was a bit of a stylistic shift between the first and second seasons, where a lot of very abstract ideas got sort of left behind in favor of a more action/adventure heavy show. Doing a fanedit of the first season in movie form can help line it up with the style of the rest of the show.

The Thing 2011, Extended and tweaked .

When I contructed "THE THINGS" edit ( a mashup of both the 1982 and 2011 versions), I also made an extended version of the 2011 version.

We all hoped to see the original VFX that were sgot with practical effects that were later replaced in post production, but this will clearly now not occur.

Over the years, I have shared this version with a few on the site, to favorable responses. So on that basis (and yet another request to wither make this oedit or release it), I believe now is the time to re-appraise this film.

The one provisio I make to any who review this is that this was the last Standard Definition edit I made, So please do not scor it down on image on that basis. It was and is DVD quality, and older DVD based edits were not penalised back then, so please bear this in mind.

I will in the fullness of time, make an HD version of this....eventually.

ENJOY to all

W

Star Trek " The Wrath of Khan without the recyled VFX from Star Trek The Motion Picture

I love the Hunger Games books, and I thought the movies were well done adaptations, but there were some aspects I thought could be trimmed and the pacing of the final movies improved. Originally I was going to leave the first two movies alone and just work on the last one, but earlier this year I watched MisterCooper's fantastic edit of the Hunger Games movies into an 8 episode miniseries. Because movies 2-4 were so connected the miniseries treatment worked really well. Mine is heavily inspired by his edit so please check out his if you're interested!

I don't want this to sound like I am bashing MisterCooper's edit because I really enjoyed it and mine is heavily inspired by his. But I did have some things I wanted to change, mainly around pacing, a couple story choices, and the music. Most of his series worked really well for me, but some of the pacing didn't feel right, such as starting his third episode with the last few minutes in the arena from the first movie. It felt anticlimactic to me to resolve the first movie in the initial ten minutes of that episode. His Catching Fire arena episode also ended up being a lot longer than the rest of his episodes, and while that isn't inherently bad I wanted to find a way to make the episode lengths more similar across the board. I also wanted some different story and music choices, such as my edit getting rid of most of the Gale romance from the latter movies as I thought it wasn't well done and didn't add much, and then keeping more of the original music from the series.