This edit is a follow-up to my previous prequel edits, Faster More Intense and Sanded Down.

It's in some ways a bit more conservative than my other two prequel edits, and probably one of the more conservative Revenge of the Sith edits in general. While the first two prequels are movies I don’t enjoy because of their flaws, ROTS is a movie that I enjoy despite it’s flaws, I just wish it could be better.

I felt there were 2 unanswered questions in this movie. Both answers were found in deleted scenes. So I added the 2 deleted scenes back in.

My first edit in HD, this is a simple one: re-instating cues originally created for the episode, but subsequently removed.

This edit aims to keep the ambiguity of whether Reese can be trusted and if his story is even true for as long as possible. The audience is learning information along with Sarah instead of being way ahead of her.

I added the Rogue One hallway scene and the SC38 Reimagined footage to give Darth Vader a more menacing presence in the film.

Classic Who's Vengeance on Varos, converted to modern aspect ratio, with a new soundtrack.

Star Wars: Abridged is meant to tell the Skywalker saga as succinctly as possible, taking all nine films and cutting them down to three. While many narrative threads remain the same, some have been vastly altered.

The re-telling of the Eastrail 177 Trilogy with a new narrative structure to facilitate surprises, adjustments to reveals, new parallels, new opening and closings and much much more. One can be surprised again.

Redundant threads (marriage issues from Unbreakable and Dr Fletcher from Slpit) and over- exposition (from Glass) have been removed. Scoring has been adjusted to permit music motifs to run through the narrative consistently, Deleted material has been used only where the narrative requires it.

New opening and closing titles have been created and all crew are credited (source IMDB).

The original movie has been re-visualized as long lost VHS recording of a Network television show from 1986. It has been edited into a typical 47 minute length episode with created Opening & Closing Titles and commercial breaks. Authentic commercials from 1986 (of a lower video quality) have been used. The movie has been reframed/cropped as 640x480 with Pan & Scan where needed, and slightly degraded with the use of Gaussian Blur and a VHS tracking overlay to help sell the illusion of VHS.

Main Changes:
No V.O. - "Show, don't tell" philosophy (try to give more discovery of mysteries to the viewer) means no voiceover at all - not even the memory voiceover from Gaff as Deckard looks at the origami unicorn. The goal is to tell the story with the emotions of the characters instead of spoon-feeding info.

No Unicorn Dream - For me, the "Deckard is a replicant" question is more interesting as an open-ended question than the execution we got, so no unicorn dreams here. The audience today is much more aware of the tech and concepts of the movie than the average 80s viewer, so the movie keeps the original spirit but leaves more dots to connect for the modern viewer.

More Pollution - I love all the new higher Res releases of Blade Runner, but to me the better resolution removed a lot of the gitty pollution-like vibe to the world of Blade Runner. Here, the outside scenes are adjusted to feel dirtier, which also allowed me to insert upscaled footage of deleted scenes that hopefully stand out less.

No Dates - all references to the year dates are removed.

No "Trapped Rachael" Scene - I know I am going to get hate for this but there is one particualr part of this film which has not aged well. People like to say this movie is about replicants because of Roy Batty and crew, but simutaneously write off how utter fucked up Rachael's experience must be too, arguing that the scene is needed to show an aspect Deckards growth in regards how he treats replicants, how he fundamentally sees them.

Even with the shutting down of the X-Files, Mulder & Scully find themselves once again uncovering clues to the ongoing government conspiracy they have been seeking to uncover for the last 5 years.

File X-S5E21 - Mulder and Scully discover a government coverup in connection to an alien virus.
File X-S5E22 - The X-Files have been shut down and Scully has vanished after suddenly falling ill to what Mulder believes is an alien virus.

The Star Trek TOS episode "That Which Survives" in a version that gets Spock, who's wildly out of character here, in line with his portrayal in the rest of the show.

The Expanded Edition aims to extend The Phantom Menace to its maximum possible length with finished effects.

Fourteen new, alternate and extended scenes have been masterfully restored added back into Episode I with 6 more minutes of footage.

"Paradise" is easily one of my favorite franchise-saving fanedit of all time. It highlights what is great about the prequels, and ditches everything else. I watched it endlessly.

Over time, I wondered - what would a chronological edit look like? And after having gotten the blessing of jobwillins himself, I began to experiment. The initial simple chronological re-edit lost all the magic and tension that made Paradise great.

But I kept playing with different ways to try to keep the "David-centric" story, and settled on this two-episode format. This is an admittedly inferior re-imagining of Paradise, but still a fun and different way to focus on the deeper questions raised in these films, each about 70 minutes.
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It (A Film) is a fanmix/fanfix of It (2017) and It: Chapter Two (2019). Both films have been combined and restructured to follow Stephen King's novel as close as possible. This edit also intends to re-work Chapter Two to address some of the weaker aspects of the sequel and improve the film.

The More Roads Edition adds back 8 new scenes, shots and moments into the second installment of one of the greatest movie trilogies of all time. Four minutes of new footage has been added in from a variety of sources to create the longest version of the film.

With over 900 changes this is the ultimate fix. Two F Bombs remain

These two movies turn Star Trek Picard into two classic style Trek Movies with a 3 act structure and many hundered of changes, scoring tweaks, and much much more

AtoBtoX is a chronologically restructured version of Deadpool with the deleted and extended scenes reinstated.

I added several deleted scenes and promos to provide more time spent with the humans (and androids) and removed several scenes and appearances of the aliens either because I didn't find the CGI convincing or felt excessive screen time diminished their impact.

Both Thunderbirds movies suffer from pacing issues (quite slow), very light on scoring (due to budget constraints) and just generally not as good as any of the 32 episodes. These edits turn them into full blown TV episodes as they would have been in 60's but in HD and widescreen, with score enhancements and ad bumpers. WARNING: This may be puppets and "childrens TV", but the dialogue is no t patronizing, dialogue is mature idiom (not childish) and "people" get shot in cold blood or die !!!! 60s childrens TV was full on gruesome, thank heavens.

In the time of the Space Age, the spaceship Enterprise heads to new library installation Memory Alpha, located on a nearby planetoid. On board, latest recruit Lt. Mira Romaine is assigned to the new complex. On their approach, the crew encounters a strange storm, one that is intent on invading the new lieutenant!

This fan-edit combines the original Japanese version of the original 1954 Godzilla film and the American re-edit called "Godzilla, King of the Monsters!" It adds the additional footage of Raymond Burr's character Steve Martin and others created for the American version to the original Japanese cut, keeping both Steve and almost all of the scenes with the original cast, extending the run-time to over an hour and 40 minutes. This way, you get the best of both worlds, with the brilliance of the original Japanese masterpiece and the great acting and iconic lines of Raymond Burr that I (and I’m sure many others) have lots of nostalgia for. This is a great edit for people who like both the American and Japanese cuts for their own merits and don’t want to have to pick between the two when revisiting the original Godzilla, and is also a great way to introduce someone to the franchise if you’re not sure which version to show them.

This is a full extension of Super 8 with all deleted scenes added back in

Blade RUnner exusts in 5 versions The Theatrical Cut (117min), The International Version (117 min and a bit), The Director's Cut (116 min), The Final Cut (117 min) and The WorkPrint (113 min). This version tries to do two main things:
- include every frame from the Theatrical Cut, International Version, Directors Cut and Final cut
- add a handful of additional VO lines, correcting them for pitch and pace so they sound like Deckard

LOOPER is an excellent movie, with a few rabbit holes which the deleted scenes go some way to plugging. These scenes also flesh out some additional important character moments, plus there is a new opening credit sequence (I hate when there are no opening credits).

Close Encounter exists in 3 versions. The Theatrical Cut 133 min, The Special Edition, 138 min and the Director's Cut 135 min. All have varied combinations of scenes, some unique to one version. This edit brings them all material together AND fixes the awful blu ray grading which dialled back the intense lighting of the last 20 minutes which flooded theatres and made you feel you were there. This has been fixed.

Star Wars: Abridged is meant to tell the Skywalker saga as succinctly as possible, taking all nine films and cutting them down to three. While many narrative threads remain the same, some have been vastly altered.

Star Wars: Abridged is meant to tell the Skywalker saga as succinctly as possible, taking all nine films and cutting them down to three. While many narrative threads remain the same, some have been vastly altered.

With a shorter runtime, cut awkward jokes and poor VFX shots, and improved monster effects compositions in the finale, RePlucked offers a tighter, cleaner, better version of Willard Hyuck's 1986 film.

In 1997, Stargate SG-1, the longest running American science-fiction television series, began. 10 years later, the pilot received another pass from its creators, making many changes to the original structure and updating special effects, creating the Final Cut. Many of these changes were welcome, while others were not.

The Babylon 5 Project aims to focus on the arc stories of the TV show by creating a series of films. This creates a more streamlined rewatch of Babylon 5 for those who want to maximize the arc without having to watch the mostly stand-alone episodes with arc storylines in them.

The Babylon 5 Project aims to focus on the arc stories of the TV show by creating a series of films. This creates a more streamlined rewatch of Babylon 5 for those who want to maximize the arc without having to watch the mostly stand-alone episodes with arc storylines in them.

The Babylon 5 Project aims to focus on the arc stories of the TV show by creating a series of films. This creates a more streamlined rewatch of Babylon 5 for those who want to maximize the arc without having to watch the mostly stand-alone episodes with arc storylines in them.

The Babylon 5 Project aims to focus on the arc stories of the TV show by creating a series of films. This creates a more streamlined rewatch of Babylon 5 for those who want to maximize the arc without having to watch the mostly stand-alone episodes with arc storylines in them.

It's the same classic edit of Attack of the Clones by the Phantom editor, but now presented in HD!

Watch 2010 as a more faithful sequel to Stanley Kubrick's 2001: A Space Odyssey. A classic score and space is silent!

Phase IV is a cult sci-fi movie like no other. Often derided as a failed attempt to make an intelligent creature feature, it was to be the only feature film made by famous graphic designer Saul Bass, and is undeservedly grouped in with later 70’s B movie features such as Empire of the Ants, The Swarm and the like. To be truthful, this is similar to saying 2001: A Space Odyssey should sit alongside Battle Beyond the Stars. Paramount didn’t know what they had, and even cut Bass’ remarkable 5 minute montage style ending.