Ladyhawke has had a reputation of having mix feelings on the soundtrack. The general consensus is that the 80's Alan Parsons/Scott Powell soundtrack just hasn't aged well. Using the work of Jerry Goldsmith from the little known film "Lionheart", I have rescored probably about 95% of Ladyhawke using this timeless medieval fantasy score.

A fan edit that combines The Hobbit trilogy into one film that closely follows the book and also sits better with The Lord of the Rings film trilogy with regards to visuals / physics / combat. However, other than atmosphere, each story's tone and narrative will still be distinct without any forced references; the focus has been brought back to Bilbo's adventure with only a few subtle nods to the ensuing trilogy remaining.

This edit is a follow-up to my previous prequel edits, Faster More Intense and Sanded Down.

It's in some ways a bit more conservative than my other two prequel edits, and probably one of the more conservative Revenge of the Sith edits in general. While the first two prequels are movies I don’t enjoy because of their flaws, ROTS is a movie that I enjoy despite it’s flaws, I just wish it could be better.

Five Episodes. Five Hours. Five Edits.


The Hobbit is changed.

I see it in the Films.
I read it on the Forums.
I tell it, on the web.

Much that once was, is cut. And none now live, who remember it.


It began with the forging of the Great Edits.

Three films were given to the Nerds; immortal, wisest and fairest of all beings.

Seven years to the Editors. Redesigners, and craftsmen of the Forum Walls.

And Five, Five Edits were gifted to the Academy, who above all else, revise for hours.

For within these edits was bound the length and the skill to govern each film.

But they were all of them deceived, for another edit was made.

In the land of Indoors, in the fires of "My Room," the Dark Lord Stromboli forged in secret, a master edit, to combine all others.

And into this edit he poured his creativity, his talents, and his will to culminate all Five.

One Edit to Rule Them All.

The re-telling of the Eastrail 177 Trilogy with a new narrative structure to facilitate surprises, adjustments to reveals, new parallels, new opening and closings and much much more. One can be surprised again.

Redundant threads (marriage issues from Unbreakable and Dr Fletcher from Slpit) and over- exposition (from Glass) have been removed. Scoring has been adjusted to permit music motifs to run through the narrative consistently, Deleted material has been used only where the narrative requires it.

New opening and closing titles have been created and all crew are credited (source IMDB).

The Expanded Edition aims to extend The Phantom Menace to its maximum possible length with finished effects.

Fourteen new, alternate and extended scenes have been masterfully restored added back into Episode I with 6 more minutes of footage.

It (A Film) is a fanmix/fanfix of It (2017) and It: Chapter Two (2019). Both films have been combined and restructured to follow Stephen King's novel as close as possible. This edit also intends to re-work Chapter Two to address some of the weaker aspects of the sequel and improve the film.

Return of the Jedi: Possessed is edited to be closer in tone and pacing to the classic Episodes IV and V. The story beats and plot are all the same, but it is less silly, campy, and cheesy.

Star Wars: Abridged is meant to tell the Skywalker saga as succinctly as possible, taking all nine films and cutting them down to three. While many narrative threads remain the same, some have been vastly altered.

Star Wars: Abridged is meant to tell the Skywalker saga as succinctly as possible, taking all nine films and cutting them down to three. While many narrative threads remain the same, some have been vastly altered.

It's the same classic edit of Attack of the Clones by the Phantom editor, but now presented in HD!

Sourced from the recently released 4k UHD Blu-Ray extended editions, this edit is fairly light. I love the epic feel of the LOTR movies, I just didn't appreciate Peter Jackson harnessing his inner Lucas by going Star Wars Prequels on these films.

Sourced from the recently released 4k UHD Blu-Ray extended editions, this edit is fairly light. I love the epic feel of the LOTR movies, I just didn't appreciate Peter Jackson harnessing his inner Lucas by going Star Wars Prequels on these films.

Sourced from the recently released 4k UHD Blu-Ray extended editions, this edit is fairly light. I love the epic feel of the LOTR movies, I just didn't appreciate Peter Jackson harnessing his inner Lucas by going Star Wars Prequels on these films.

This edit creates a narrative that focuses on Trust and provides a way for our heroes to live beyond the final conflict.

The Expanded Edition aims to extend The Last Jedi to its maximum possible length with finished effects. Using a few existing fanedits, this incorperates just about everything clean in the kitchen sink.

Eleven new, alternate and extended scenes have been masterfully restored added back into Episode VIII with 10 more minutes of footage.

With reduced bloat, some light resequencing and a complete colour regrade to lighten everything up I present to you a leaner, more focused and utterly unique space opera from the minds of the Wachowski's.

This is for the most part a hybrid of the various versions of Empire Strikes Back, bringing out the best in each. However, there are also a few original changes that aim to subtly modernize the film and bring it in line with the saga, but without changing the tone or feel of the original version. Some improved visual effects, a remastered sound mix, and improved color grading as well as one or two cuts.

To create two Hobbit movies I would want to watch over and over as a TRUE prequel to The Lord of the Rings

To create two Hobbit movies I would want to watch over and over as a TRUE prequel to The Lord of the Rings

Hercules in the Maze of the Minotaur without the clip show sections! The TV movie is reformatted as a new first episode for the first season of the series (to precede The Wrong Path), in both regular and extended versions.

The Hobbit: Fire and Water is back with much more changes big and small. This is the definitive way to watch this fanedit.

The Arkenstone Edition by Kerr with Chris Hartwell's mystery angle and some added dwarf moments.

The addition of various scenes from The Extended Edition from the Collectors 2 disc set, brand new shots, expansion of surround sound fidelity where possible, additional sound design, trimming of various original elements and a re-scored and re-edited finale. There has also been extensive repair, re-composition, grading and clean up work put into the project.

The aim of this project was to give the viewer a single intense Godzilla experience by combining the best elements from Godzilla (2014) with a streamlined Godzilla (2019) .

This edit featured a restructured narrative and 9 reinstated deleted scenes

The Expanded Edition aims to extend Revenge of the Sith to its maximum possible length with finished effects. Using Octorox's edit as a base, I've added a slew of new scenes and moments to make Episode III as long as possible.

Twelve new, alternate and extended scenes have been masterfully restored added back into the final prequel film with 11 more minutes of footage.

This is the story of two groups of survivors of an apocalyptic event and the ensuing showdown between them.

Narratively, this edit doesn't change that much from the original. In fact, I tried really hard to maintain the narrative as much as possible. I didn't want to alter the story, just to tighten it up and make it a single-sitting affair. I did add some stylistic changes and shifted around the timeline a little to cause tiny changes in peripheral events.

This cut concludes the story of the Definitive Anti-Cringe Cut of The Last Jedi. It removes plot points that go nowhere, reduces character appearences that do not move the story forward and changes the fates of key characters in the saga, once again providing some surprises for viewers of the original film.

Dark Dimensions aims to trim and cut all of the ill-timed or dated jokes for a more timeless spiritual journey into the Mystic Arts as we experience it along with Strange. Gone is the extended prologue with the Ancient One, the Beyonce jokes and the overly long and drawn out gags to allow for the film to flow a little more naturally with an even tone throughout. Experience the battle against the forces from the Dark Dimension in a more enjoyable and concise way.

The 'Entirely Respectable Editions' seek to remove all material that is silly, overplayed, misjudged, overly comical, ridiculous and generally inconsistent with the more serious tone established in the earlier 'Lord of the Rings' Trilogy. It is not a radical restructure, or a two-film cut and does not set out to streamline narrative, quicken pacing, or remove characters and plot-threads. The more time we spend in Middle Earth the better, I just want Middle Earth to be a more sensible place while we're there.

Star Wars with a rocking soundtrack! Heavy Star Wars takes the existing action and adventure, trimming away unnecessary story/action/bad acting, and replaces the soundtrack with Rock music!

I made Nesmith's first visit to the ship a little more ambiguous by deleting the shot of the limo being beamed up. And I restored Gwen's f-bomb.

Brilliant neurosurgeon Stephen Strange must find a way to heal his ailing body. His quest brings him to Kamar-Taj in Nepal where he studies under the Ancient One, who teaches him the ways of magic and alternate realities. With new skills of interdimensional travel and spells, Strange soon discovers that he must protect the world from a deadly enemy who is out to destroy it.

The Mystical Cut extends the magical film with a few new scenes and an all new ending. Three new deleted and extended scenes with the alternate film conclusion have been masterfully reintegrated adding two more minutes into the theatrical cut.

The 'Entirely Respectable Editions' seek to remove all material that is silly, overplayed, misjudged, overly comical, ridiculous and generally inconsistent with the more serious tone established in the earlier 'Lord of the Rings' Trilogy. It is not a radical restructure, or a two-film cut and does not set out to streamline narrative, quicken pacing, or remove characters and plot-threads. The more time we spend in Middle Earth the better, I just want Middle Earth to be a more sensible place while we're there.

I appreciate what Jim Carrey and Ron Howard did for the movie, but the problem with Carrey's humor is that it was great in the 90's, but now it just feels a bit much. I really liked A LOT of what they did to flesh out the story, I tried to keep it more focused on the story and less on giving Jim Carrey several minutes of complete improv sessions.

A hybrid version of Star Wars, combining the best of the original version and the special edition, using both official and unofficial sources... as well as several unique enhancements and edits to try and modernize the film just a tad.

I removed a few wires, took out some things that I thought were kind of dumb, removed Kurgan's eyes flickering when he pops the blades out of his sword's hand guard and removed all references to Connor winning The Prize.

A number of years ago I stumbled upon a Godzilla fan edit called, “Godzilla and the Cradle of Eternity”.   Can’t remember where I found or downloaded from, and in trying to find the editor I came up empty in my online searches.   This edit combined (from the 2000s movie series) Godzilla Against Mechagodzilla and Godzilla Tokyo SOS into one movie.   This worked well as they were the only two in the Millennium series that were directly connected.  However the edit had its issues with some odd cuts, jumps in the music score or sound FX, and other aspects here and there. 

So, I decided to try and do my own version of the edit, titled “Godzilla vs MechaGodzilla: Battle for Eternity” (I liked the Eternity subtitle from the original fan edit, and adding “Battle for…” felt a bit classic Toho title). 

Changes in v2.0:
Warning screen added to the beginning of the film.
Updated intro sequence with “WW” shield instead of “HP” shield.
Two audio tracks are now available in the video file, a 5.1 surround sound and a 2.0 stereo track.
Adjusted audio volume on Tina ticket scene.
Adjusted Credence/Nagini scenes for coloring and smoother transition to adjacent scenes.


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In this edit, I have added all deleted scenes back to create a new experience for viewers. The introduction has been completely changed including the creation of a custom scene to establish more of Credence's trip from NY to Paris.

Part of an ongoing project to convert the “Avatar: The Last Airbender” series into a more cinematic format, this edit connects all 4 parts of the season 3 finale, removing all blackouts/titles/credits. Some minor changes to the narrative have been made, such as the cutting of “Loser Lord” and the re-placing of Zuko’s visit to his father at the end of the film. The Lion Turtle sequences are also now subtitled.

This cut removes Azog as the main villain from the story. The side quests are also gone and the main focus remains on Bilbo's adventure. In addition most of the over-the-top action, violence and silly moments are gone, while still providing a functioning narrative.

A streamlined and fast-paced narrative, in the structural and musical spirit of the Lord of the Rings franchise. Season 2 in 3 hours and 9 minutes, with the epic score of Howard Shore.

The third and final installment of my “Arkenstone” edit trilogy. Like before, I’ve tried to keep the focus as much as possible on Bilbo, Thorin and Gandalf, while still giving the various side characters their moments to shine, without drawing attention away from the main story.

Enjoy the Christmas spirit with a fanedit of the modern movie adaptation of the beloved Charlie and the Chocolate Factory by Roald Dahl! Faneditor theryaney has made a few changes to this family movie that includes a lengthy colour-correction of the film that portrays snow more realistically, the removal of Willy Wonka's flashbacks and the entire subplot involving his childhood, and also an ending closer to the original book.

Order of the Phoenix is actually one of my favorite HP movies, alongside Prisoner of Azkaban. The movie is fast-paced, often intense, and it has big stakes for our characters. I think the movie’s biggest flaw is its feeling of complete dissonence from the rest of the series, feeling much less like a Harry Potter movie and much more like a drama/thriller piece. Therefore, my biggest priority has been to establish a greater connection between this and the rest of the series - including remastered versions (by myself) for Voldemort’s Theme, A Window to the Past, Hogwart’s Theme, Neville’s (upcoming DH) theme, Gilderoy Lockhart’s Theme (now more of a Dark Arts Class theme), Quidditch Theme and more.

The movie has also been color graded to remove the heavy reliance on blue, as well inclusion of two deleted scenes, removal of Filch as an idiot and a lot of new SFX and even new scenes.

A short seasonal edit that refocuses the story away from Santa and onto BZ, Patch, Joe, Cornelia and the magic-candy/Christmas-2 sub-plot.

The 'Entirely Respectable Edition' seeks to remove all material that is silly, overplayed, misjudged, overly comical, ridiculous and generally inconsistent with the more serious tone established in the earlier 'Lord of the Rings' Trilogy. It is not a radical restructure, or a two-film cut and does not set out to streamline narrative, quicken pacing, or remove characters and plot-threads. The more time we spend in Middle Earth the better, I just want Middle Earth to be a more sensible place while we're there.

Knowing how many different takes there are on The Phantom Menace - and has been since 1999 (!), what stood out for me very clear since the beginning, apart from a bunch of what I thought were brilliant ideas that could work - was to make it different. Not make it a Fanedit, but a FanFix - more of a remake, if you will. Only then could it actually be worth many years of my time.

I grew up with the love of Star Wars and the excitement around The Phantom Menace and the prequel trilogy, but I never felt the magic stay with me for The Phantom Menace and Attack of the Clones (and to a degree RotS as well) as it did with the Original Trilogy. This was the red herring that made me interested in the creation and intellectual process behind the making of TPM, that made me realize the lost potential and go for a search on how to make it work. And thus The Ancient Lore was born.

As the title suggests, this edit removes all the unnecessary bloat that was added to the trilogy. Clocking in at just over five hours, this film aims to be as close as possible to what Jackson would've created in the originally planned two-part saga.