This edit creates a narrative that focuses on Trust and provides a way for our heroes to live beyond the final conflict.

The Expanded Edition aims to extend The Last Jedi to its maximum possible length with finished effects. Using a few existing fanedits, this incorperates just about everything clean in the kitchen sink.

Eleven new, alternate and extended scenes have been masterfully restored added back into Episode VIII with 10 more minutes of footage.

With reduced bloat, some light resequencing and a complete colour regrade to lighten everything up I present to you a leaner, more focused and utterly unique space opera from the minds of the Wachowski's.

This is for the most part a hybrid of the various versions of Empire Strikes Back, bringing out the best in each. However, there are also a few original changes that aim to subtly modernize the film and bring it in line with the saga, but without changing the tone or feel of the original version. Some improved visual effects, a remastered sound mix, and improved color grading as well as one or two cuts.

To create two Hobbit movies I would want to watch over and over as a TRUE prequel to The Lord of the Rings

To create two Hobbit movies I would want to watch over and over as a TRUE prequel to The Lord of the Rings

Hercules in the Maze of the Minotaur without the clip show sections! The TV movie is reformatted as a new first episode for the first season of the series (to precede The Wrong Path), in both regular and extended versions.

The Hobbit: Fire and Water is back with much more changes big and small. This is the definitive way to watch this fanedit.

The Arkenstone Edition by Kerr with Chris Hartwell's mystery angle and some added dwarf moments.

The addition of various scenes from The Extended Edition from the Collectors 2 disc set, brand new shots, expansion of surround sound fidelity where possible, additional sound design, trimming of various original elements and a re-scored and re-edited finale. There has also been extensive repair, re-composition, grading and clean up work put into the project.

The aim of this project was to give the viewer a single intense Godzilla experience by combining the best elements from Godzilla (2014) with a streamlined Godzilla (2019) .

This edit featured a restructured narrative and 9 reinstated deleted scenes

The Expanded Edition aims to extend Revenge of the Sith to its maximum possible length with finished effects. Using Octorox's edit as a base, I've added a slew of new scenes and moments to make Episode III as long as possible.

Twelve new, alternate and extended scenes have been masterfully restored added back into the final prequel film with 11 more minutes of footage.

This is the story of two groups of survivors of an apocalyptic event and the ensuing showdown between them.

Narratively, this edit doesn't change that much from the original. In fact, I tried really hard to maintain the narrative as much as possible. I didn't want to alter the story, just to tighten it up and make it a single-sitting affair. I did add some stylistic changes and shifted around the timeline a little to cause tiny changes in peripheral events.

This cut concludes the story of the Definitive Anti-Cringe Cut of The Last Jedi. It removes plot points that go nowhere, reduces character appearences that do not move the story forward and changes the fates of key characters in the saga, once again providing some surprises for viewers of the original film.

Dark Dimensions aims to trim and cut all of the ill-timed or dated jokes for a more timeless spiritual journey into the Mystic Arts as we experience it along with Strange. Gone is the extended prologue with the Ancient One, the Beyonce jokes and the overly long and drawn out gags to allow for the film to flow a little more naturally with an even tone throughout. Experience the battle against the forces from the Dark Dimension in a more enjoyable and concise way.

The 'Entirely Respectable Editions' seek to remove all material that is silly, overplayed, misjudged, overly comical, ridiculous and generally inconsistent with the more serious tone established in the earlier 'Lord of the Rings' Trilogy. It is not a radical restructure, or a two-film cut and does not set out to streamline narrative, quicken pacing, or remove characters and plot-threads. The more time we spend in Middle Earth the better, I just want Middle Earth to be a more sensible place while we're there.

Star Wars with a rocking soundtrack! Heavy Star Wars takes the existing action and adventure, trimming away unnecessary story/action/bad acting, and replaces the soundtrack with Rock music!

I made Nesmith's first visit to the ship a little more ambiguous by deleting the shot of the limo being beamed up. And I restored Gwen's f-bomb.

Brilliant neurosurgeon Stephen Strange must find a way to heal his ailing body. His quest brings him to Kamar-Taj in Nepal where he studies under the Ancient One, who teaches him the ways of magic and alternate realities. With new skills of interdimensional travel and spells, Strange soon discovers that he must protect the world from a deadly enemy who is out to destroy it.

The Mystical Cut extends the magical film with a few new scenes and an all new ending. Three new deleted and extended scenes with the alternate film conclusion have been masterfully reintegrated adding two more minutes into the theatrical cut.

The 'Entirely Respectable Editions' seek to remove all material that is silly, overplayed, misjudged, overly comical, ridiculous and generally inconsistent with the more serious tone established in the earlier 'Lord of the Rings' Trilogy. It is not a radical restructure, or a two-film cut and does not set out to streamline narrative, quicken pacing, or remove characters and plot-threads. The more time we spend in Middle Earth the better, I just want Middle Earth to be a more sensible place while we're there.

I appreciate what Jim Carrey and Ron Howard did for the movie, but the problem with Carrey's humor is that it was great in the 90's, but now it just feels a bit much. I really liked A LOT of what they did to flesh out the story, I tried to keep it more focused on the story and less on giving Jim Carrey several minutes of complete improv sessions.

A hybrid version of Star Wars, combining the best of the original version and the special edition, using both official and unofficial sources... as well as several unique enhancements and edits to try and modernize the film just a tad.

I removed a few wires, took out some things that I thought were kind of dumb, removed Kurgan's eyes flickering when he pops the blades out of his sword's hand guard and removed all references to Connor winning The Prize.

A number of years ago I stumbled upon a Godzilla fan edit called, “Godzilla and the Cradle of Eternity”.   Can’t remember where I found or downloaded from, and in trying to find the editor I came up empty in my online searches.   This edit combined (from the 2000s movie series) Godzilla Against Mechagodzilla and Godzilla Tokyo SOS into one movie.   This worked well as they were the only two in the Millennium series that were directly connected.  However the edit had its issues with some odd cuts, jumps in the music score or sound FX, and other aspects here and there. 

So, I decided to try and do my own version of the edit, titled “Godzilla vs MechaGodzilla: Battle for Eternity” (I liked the Eternity subtitle from the original fan edit, and adding “Battle for…” felt a bit classic Toho title). 

Changes in v2.0:
Warning screen added to the beginning of the film.
Updated intro sequence with “WW” shield instead of “HP” shield.
Two audio tracks are now available in the video file, a 5.1 surround sound and a 2.0 stereo track.
Adjusted audio volume on Tina ticket scene.
Adjusted Credence/Nagini scenes for coloring and smoother transition to adjacent scenes.


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In this edit, I have added all deleted scenes back to create a new experience for viewers. The introduction has been completely changed including the creation of a custom scene to establish more of Credence's trip from NY to Paris.

Part of an ongoing project to convert the “Avatar: The Last Airbender” series into a more cinematic format, this edit connects all 4 parts of the season 3 finale, removing all blackouts/titles/credits. Some minor changes to the narrative have been made, such as the cutting of “Loser Lord” and the re-placing of Zuko’s visit to his father at the end of the film. The Lion Turtle sequences are also now subtitled.

This cut removes Azog as the main villain from the story. The side quests are also gone and the main focus remains on Bilbo's adventure. In addition most of the over-the-top action, violence and silly moments are gone, while still providing a functioning narrative.

A streamlined and fast-paced narrative, in the structural and musical spirit of the Lord of the Rings franchise. Season 2 in 3 hours and 9 minutes, with the epic score of Howard Shore.

The third and final installment of my “Arkenstone” edit trilogy. Like before, I’ve tried to keep the focus as much as possible on Bilbo, Thorin and Gandalf, while still giving the various side characters their moments to shine, without drawing attention away from the main story.

Enjoy the Christmas spirit with a fanedit of the modern movie adaptation of the beloved Charlie and the Chocolate Factory by Roald Dahl! Faneditor theryaney has made a few changes to this family movie that includes a lengthy colour-correction of the film that portrays snow more realistically, the removal of Willy Wonka's flashbacks and the entire subplot involving his childhood, and also an ending closer to the original book.

Order of the Phoenix is actually one of my favorite HP movies, alongside Prisoner of Azkaban. The movie is fast-paced, often intense, and it has big stakes for our characters. I think the movie’s biggest flaw is its feeling of complete dissonence from the rest of the series, feeling much less like a Harry Potter movie and much more like a drama/thriller piece. Therefore, my biggest priority has been to establish a greater connection between this and the rest of the series - including remastered versions (by myself) for Voldemort’s Theme, A Window to the Past, Hogwart’s Theme, Neville’s (upcoming DH) theme, Gilderoy Lockhart’s Theme (now more of a Dark Arts Class theme), Quidditch Theme and more.

The movie has also been color graded to remove the heavy reliance on blue, as well inclusion of two deleted scenes, removal of Filch as an idiot and a lot of new SFX and even new scenes.

A short seasonal edit that refocuses the story away from Santa and onto BZ, Patch, Joe, Cornelia and the magic-candy/Christmas-2 sub-plot.

The 'Entirely Respectable Edition' seeks to remove all material that is silly, overplayed, misjudged, overly comical, ridiculous and generally inconsistent with the more serious tone established in the earlier 'Lord of the Rings' Trilogy. It is not a radical restructure, or a two-film cut and does not set out to streamline narrative, quicken pacing, or remove characters and plot-threads. The more time we spend in Middle Earth the better, I just want Middle Earth to be a more sensible place while we're there.

Knowing how many different takes there are on The Phantom Menace - and has been since 1999 (!), what stood out for me very clear since the beginning, apart from a bunch of what I thought were brilliant ideas that could work - was to make it different. Not make it a Fanedit, but a FanFix - more of a remake, if you will. Only then could it actually be worth many years of my time.

I grew up with the love of Star Wars and the excitement around The Phantom Menace and the prequel trilogy, but I never felt the magic stay with me for The Phantom Menace and Attack of the Clones (and to a degree RotS as well) as it did with the Original Trilogy. This was the red herring that made me interested in the creation and intellectual process behind the making of TPM, that made me realize the lost potential and go for a search on how to make it work. And thus The Ancient Lore was born.

As the title suggests, this edit removes all the unnecessary bloat that was added to the trilogy. Clocking in at just over five hours, this film aims to be as close as possible to what Jackson would've created in the originally planned two-part saga.

Michael Newman is a workaholic architect finds a universal remote that allows him to fast-forward and rewind to different parts of his life. But not everything lasts forever as Michael is about to find out, when the remote control begins to malfunction, causing Michael to deal with the consequences.

Click: Fast Forward is an edit that aims to fast forward through all the “Sanderisms” that plague Adam Sandler’s films and subsequently this one. Eleven minutes of bad and unfunny jokes, writing, acting has been cut from the film, presenting a more focused story with real heart and stakes.

Spoilers of course. Though usually people come here knowing the score.
This edit aims to eradicate the paternal cause of some questionable narrative that essentially removed the viewer from the fantasy of adventure and also other complaints I had with the level of schlock falling lower than was necessary. It also aims to strike a balance for those that didn’t mind or could live with certain things like cgi bugs or iconic atomic silhouettes... Cutting the best part of twenty minutes was as far as I’d like to go to try to keep a feature length feel. There be aliens ahead, but differently presented...

If you know the Frozen backstory inside out then this version might not be for you. This version is also not ideal for young kids as they may not enjoy flashbacks. But if you have never seen Frozen or forgotten most of the plot (or wanted to watch it with a friend that hasn’t seen it yet) then I think you might find this version somewhat more powerful than the original.

Just like Thor's haircut, this edit trims off the more over-the-top elements and leaves us with a cleaner, more presentable movie.

The Battle of Scarif is just under 50 minutes long, making it a nice little companion piece to the original theatrical release. Alternatively, you could watch this right before A New Hope! The main point of this edit is to focus on the epic battle sequence from Rogue One, while also adding elements to make it fit in more with the other Star Wars films

A new edit of The Hobbit, two years in the making, inspired by the original two-film script. The first film, The Gathering of the Clouds, tells the story of Bilbo, who is whisked away on an adventure to save the homeland of a band of thirteen dwarves by Gandalf the wizard. During his travels Bilbo discovers his own resourcefulness and courage, as a plot unfolds that might affect all the lands of Middle-Earth.

The Second film, There and Back Again, sees Bilbo and his companions tested as their adventure takes an unwelcome turn. Their quest becomes entangled in a battle for the fate of Middle-Earth. And yet, the greatest dangers may lie within. This high quality edit provides a more focused telling of the classic story, with completely restructured and even partially rewritten plot lines. It is heavily inspired by Tolkien lore. Each film has a clear beginning, middle, and end, both in plot lines and character arcs. The tone is more similar to The Lord of the Rings Trilogy, and it's color correction has been completely redone to create a visually consistent, five part saga.

Changes in v2.0:
Warning screen added to the beginning of the film.
Updated intro sequence with “WW” shield instead of “HP” shield.
Two audio tracks are now available in the video file, a 5.1 surround sound and a 2.0 stereo track.
Completed green screen work on the Dudley Redemption scene and added this back to the montage at the beginning of the film.
Added effects to the rabbit chase scene (wand effects, scorch marks on tree).
Adjusted volume levels on the Death Eater searching Hermionie’s house scene.
Adjusted audio of the tent scene.
Dark tint removed.
Added Neville/Seamus bridge scene with completed green screen work.
Added music to the Shell Cottage scene.
Adjusted brightness and coloring of beach scenes so they don’t look as blown out.
Added audio effect to Voldemort’s voice in the 2 places where he speaks so everyone can hear. I wanted to make the audio more ominous, something that would warrant the reaction the people give.

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This edit is a combination of the final 2 Harry Potter movies into one complete movie. Deleted scenes have been added back to create the ultimate extended edition for the uber Harry Potter fan to enjoy. Two scenes have been moved from their original movie locations in order to create a smooth transition between the two movies. Color correction has been done to ensure the two films have similar coloring throughout.

Back to the Future's sequels were filmed at the same time. It feels that they planned one sequel and realized there was too much material to put it all in one movie. Instead of trimming the story, they padded it to make two cinema-length movies. In today's age of binge-watching, this results in "fast-forward" moments of repetitive exposition and repeating opening and closing scenes. Back To The Future 3 - Marty Changes History removes the padding to create a stream-lined, less convoluted story that combines smoothly with Back to the Future 2 - Biff Changes Time for a double-feature viewing experience.

The first live-action superhero movie, released as a twelve-chapter serial, cut down to a 120-minute feature length film.

Changes in v2.0:
Warning screen added to the beginning of the film.
Updated intro sequence with “WW” shield instead of “HP” shield.
Two audio tracks are now available in the video file, a 5.1 surround sound and a 2.0 stereo track.
Adjusted coloring on the scene as Newt/Jacob go to see the snakes.
Adjusted audio in the added scene of Credence tearing up the city and Newt showing up at the police barricade.


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The next film in the Wizarding World extended edition set is Fantastic Beasts and Where to Find Them.. All deleted scenes have been added back into the movie. One scene was trimmed due to a repeated set of lines that appear later in the film. Scenes were color corrected to match the main film for seamless integration. As with my previous EE's, the audio has been mixed down to stereo. Captions are included in the M4V file.

Back to the Future's sequels were filmed at the same time. It feels that they planned one sequel and realized there was too much material to put it all in one movie. Instead of trimming the story, they padded it to make two cinema-length movies. In today's age of binge-watching, this results in "fast-forward" moments of repetitive exposition and repeating opening and closing scenes. Back to the Future 2 - Biff Changes Time removes the padding to create a stream-lined, less convoluted story that combines smoothly with Back To The Future 3 - Marty Changes History for a double-feature viewing experience.

With Flash Gordon, along with his faithful companions, Dale Arden and Doctor Zarkov, having twice before thwarted his evil plans for conquest of the universe, Ming the Merciless renews his assault on the Earth, this time by coating the inhabited portions of the planet with a deadly dust, which strikes its victims down with the unyielding Purple Death.

Flash, Dale, and Zarkov must journey through the far reaches of space to the forest kingdom of Arboria, on the planet Mongo, to enlist the aid of Prince Barin and his Tree Men, where, with the additional assistance of Queen Fria of Frigia and her soldiers, Flash and his friends must discover a way to put a stop to the Purple Death and disrupt the nefarious plans of Ming and his minions.

This is a feature-length cut of the 1940 public domain serial 'Flash Gordon Conquers the Universe', with Larry "Buster" Crabbe, Carol Hughes, Charles Middleton, Frank Shannon, and Anne Gwynne. Despite the dodgy science, improbable escapes, cheesy special effects, sometimes wooden acting, and juvenile story, 'Flash Gordon: Ming Strikes Back' provides a glimpse into how 'Star Wars' may have looked to an audience in 1940.

A streamlined and fast-paced narrative, in the structural and musical spirit of the Lord of the Rings franchise. Season 1 in 2 hours and 36 minutes, with the epic score of Howard Shore.

Harry Potter and the Boy Who Never Lived: Part 1 is a full-length fan edited film based on the Harry Potter series that explores an alternative magical universe in which Snape and Lily never grew apart, creating a number of ripple effects, one of which is that Harry Potter was never born. Through a restructured narrative and a number of special effects, the character Harry Potter is completely removed from the movie.