To celebrate Halloween this year, I am completing a very basic edit of Catspaw which converts the material to widescreen and restores the unused opening and end title credits music.

For those who enjoy the Director’s Cut but perhaps not its middle-age melodrama.

The Restoration of A Star is Born was a tremendous accomplishment which was also the first of its kind.
It is also one which many believe to be flawed, due to its use of stills to fill in the visual gaps on what is a complete audio of the roadshow version.

This version reconstructs the unavailable and IGNORED 154 min Theatrical Version in its entirety with no bells or whistles.

This version reconstructs the Roadshow version from the restored Blu Ray RT 176min, removes all the stills, but retains as much audio as possible while also adding in new elements including the reconstructed Overture, Intermission in full and Exit Music together with full credits AND a newly constructed ending as intended by George Cukor in HD.

This is the reconstructed version of the Roadshow with is 40 minutes longer in 720p and STEREO.

A supposition of the version that bombed in 1988.

Mixes elements of the two released versions to give viewers a new take on this eighties classic.

In order to minimize spoilers, the first part is light on reveals however Spoiler levels increase as you go thru the documentary.
This looks at all aspect of the fanedit process, from sound rebuilding, dialogue manipulation, new scene construction, full audio and score replacments AND the planning and mapping of the new narrative structure and the rationale for the decisions made.

Parts 1 and 2 are available indiviually to prevent excessive spoilers being revealed to viewers.

Following the release of Making of SUG Pt 1, people asked for more information, so here it is.

This will be followed by a final deeper dive into the narrative structure in Part 3, coming in February 2022. That will be a feature length release combining parts 1-3 AND will include a surprise announcement.

Part 2 is heavier on the spoilers. YOU HAVE BEEN WARNED!

The adventure you remember... only with considerably tighter pacing, enhanced stop motion, and more.

My first edit in HD, this is a simple one: re-instating cues originally created for the episode, but subsequently removed.

The Haunting (1963), more or less as you remember it, but with all internal monologue removed. The opening and closing narration is retained. Also featured is an alternate audio option with the internal monologue kept but significantly trimmed.

This is a detailed look at how SPLIT UNBREAKABLE GLASS fanedit was made, without spoilers.
The project looks at:
- Event Removal (from Dialogue and visuals)
- Modifying existing music cues
- Replacing Music
- Adding Music
- Mid Sentence dialogue removal
- Creating new scenes
- Repurposing material
- Sound mixing
- Credit roll creation
- Full audio /foley rebuilds
- and more

This is a tribute to a Sinbad edit that was never completed. I have completed it for him and for people who want to watch it.

'The Penultimate Cut' is named because it's supposed to be one step back from 'The Final Cut'. Ridley Scott's final/ultimate version of 'Blade Runner' but how it used to look and feel.

Long ago the Skeksis eradicated the Gelfling clans to preserve their dominion over the world of Thra. Now, a lone Gelfling, Jen, must fulfill an ancient prophesy to heal the Crystal of Power and restore order to his world.

Millionaire loaner Nicholas Van Orton receives a birthday present from his brother, a game to bring fun to his life, or take it all away….

The Thirdspace TV movie originally aired part way through season 5 of Babylon 5, but actually takes place during the events of season 4. This edit converts the movie into two regular episodes of the series that can be watched as part of season 4, removing the "this is a flashback" opening narration. A number of additional cuts have been made to part two to fit within the standard episode runtime.

This is an edit of RoboCop that attempts to recreate the heavily censored Network Television presentation in HD. The movie is cropped and pan-and-scanned to 4:3 like old TV broadcasts, and there are fade in and outs every 15ish minutes to emulate where commercial breaks would be. Swears are replaced with less offending words like "freaking", "forget", "bonehead", and "bologna". Violence is heavily trimmed down and cut as well, for example, Clarence swerves around Emil near the end instead of running him down.

A New York cabbie and author of a conspiracy theory newsletter seeks the aid of a government employee after he falls victim to a conspiracy that threatens his life.

This project takes the Criterion blu-ray for Orson Welles' 1968 film 'The Immortal Story' and conforms it frame-by-frame to the longer cut, blending in the missing 4-minutes of footage, re-framing every shot and attempting to upscale and grade it to match.

This edit takes the HD transfer on the 'Ultimate Director's Cut' blu-ray and goes in and fixes, alters, or replaces every single changed shot to "Reconstruct" the original 'Theatrical Cut' in almost the same HD quality. So we can once again enjoy the film the way it was meant to be seen 1979, without compromising on visual quality.

This is the second entry in the "B+ Movie Project", a series of edits that seek to improve on older films, while still maintaining the charm and narrative of the original cut. #2 happens to be another Jack Arnold film, and similarly to Creature from the Black Lagoon, this has had a lot of chaff removed. I’ve tried to strike a balance between promptly setting things up and improving the pacing, while also maintaining some of the atmosphere in the latter half of the film, where the tone starts to become more philosophical.

This edit comes with two audio options:

- B+ Narrative (default) – heavily trimmed narration. Anything that I felt was too pretentious or didn’t add anything is removed and rescored.
- Purist Narrative – lightly trimmed narration. The original voice-over has been preserved as much as possible, with some compromise being made due to the streamlined nature of the edit.

11 years have passed since Sarah Connor was targeted by a cyborg from the future. Now her son, John, the future leader of the human resistance, is the target for a newer, more deadly terminator. Once again, the resistance has managed to send a warrior to protect John and his mother. The battle for tomorrow has begun...

This edit adds the scene of the T-1000 searching John’s room into the Special Edition. This scene was included in the Special Extended Edition on the official disc, but you also had to watch the alternate ending to see it. Now you don’t.

This edit removes the gorilla from the island and restores the original widescreen presentation as well as adding a custom 5.1 surround track.

The original 160-minute 'Theatrical Cut' of 'Amadeus' that won multiple Oscars and BAFTAs in 1984 only exists on an old poor quality 1998 PAL "flipper" DVD (and Laserdisc and VHS). Every release since then (including all blu-rays) has been the 180-minute 'Director's Cut'. I simply wanted to cut the DC blu-ray to match the TC DVD, so I have both cuts as an option.

This is a recreation of the rarely seen "Theatrical Cut" or "2nd Director's Cut" of 'Heaven's Gate' using the beautiful HD Blu-Ray transfer of the "Preview/Premiere/1st Director's Cut". The much shorter cut is not a studio-imposed hatchet-job but the result of 6 months of Director Michael Cimino's further work in the cutting room, trying to perfect the film. It's 67 minutes shorter, features a voiceover, radically rearranged scenes, altered dialogue, music and SoundFX and 18 minutes of new footage.

For whatever reason he did not chose to restore this cut of the film for Blu-Ray and opted to present his first much longer cut that he himself had withdrawn. So here is my attempt to recreate that "2nd Director's Cut" in the best quality possible.

Set in the fantasy world of Spira, the story revolves around a group of adventurers and their quest to defeat a rampaging monster known as Sin.

This became an experiment in "Less is more". Cutting the story into half-hour episodes, keeping the pacing going, and "Ralpherizing" the Video to give it that cartoon look.

The Shining has always been a mysterious film, with multiple conspiracy theories circulating about hidden messages within. One bizarre practice among the most zealous fans of Stanley Kubrick's horror masterpiece is to attempt to 'uncover' the deepest subconscious meaning of an already subversive film by playing it both forward and backward simultaneously, with the belief that Kubrick had designed the film itself in perfect symmetry, as he did with many of the shots.

The result is best described as unsettling, hallucinatory and disturbing. While by no means was this film officially meant to be watched this way, the visual and thematic parallels of the beginning and end of the film are eerily resonant. The first scene for example has Jack telling his employers that "there's no way he's going to go insane" while we watch the shadowy reverse footage of him stalking his son through a maze, showing how structurally deep and complex the film really is. I did not invent this method of watching The Shining, but have put my own spin on it to make it a more satisfying experience.

Despite some great live music captured in the movie, the concert is constantly interrupted by something either fairly uninteresting (dull documentary footage that seems staged) or seriously drowned in vanity (the band home movies, or fantasy sequences).

This edit shows one complete uninterrupted concert out of all official footage available.

The two 1965/1966 Peter Cushing 'Dr. Who' films stand apart from the 'Doctor Who' BBC TV show (Of the same period) in several respects. They were in colour, the Doctor was human and the TARDIS was his eccentric "Garden-Shed" invention rather than a time-machine he had stolen from the Timelords. I set out to reverse or omit these elements.

This is ‘Milo & Otis’ synced up to a Pink Floyd masterpiece.

‘Milo & Otis’ is a Japanese film about a cat and dog swept up in hazardous adventures in the wild. ‘Animals’ is a progressive rock album by Pink Floyd, inspired in part by George Orwell’s ‘Animal Farm’. It takes aim at politics, with deeper themes of life and death, manipulation, greed, blind faith and power. And it’s pretty rocking.

In this sequel to The Atom Man, Superman's battle against his most dangerous foe continues. Just when the Atom Man is about to destroy Metropolis, the Kryptonite power in his blood runs out. In order to get ahold of one of the remaining pieces of Kryptonite, he teams up with the sinister Sydney. Knowing that Clark Kent is Superman, they lure the mild mannered reporter into a trap, intent on finishing him off for good, so they can finally rule the world.

Atom Man in Metropolis is a story arc spanning 19 episodes. The original episodes have a running time of about 12 minutes, including an intro and an outro, a commercial break and recaps, as well as many drawn-out scenes of repetitive or expositional dialog. In order to enhance the pacing I removed all of the unnecessary stuff, rearranged bits of dialog, and cut some episodes almost entirely. I also added music, which the originals didn't have at all, and several sound effects.

The cinematic cut scenes from the "Star Wars: Bounty Hunter" videogame, along with some special features.

In this thrilling sequel to The Scarlet Widow, Superman battles the most dangerous foe he ever encountered: The Atom Man. Using a piece of Kryptonite, Der Teufel, a mad Nazi scientist, transformed young Heinrich Milch into said monster, in order to first enslave Superman and then the rest of the world.

If you liked Vol. 1, I'm sure you will love the sequel. Not only is it an entertaining story, it also feels like some sort of historical time capsule. The way they address Nazis, WW2 or the Atomic Bomb is pretty mindblowing, considering this was a show aimed at kids. Volume Two is also darker and more action packed than the previous edit.

Two fanedits and a collection of material related to the making of the Star Wars Bounty Hunter videogame.

The Adventures of Superman is a radio serial that aired from 1940 to 1950. Every episode has a runtime of about 12 - 15 minutes, including an intro and an outro, a commercial break and rather long recaps as well as scenes of repetitive or expositional dialog. You're basically left with about 6 to 7 minutes of actual story. I removed all of the unnecessary stuff and turned eleven episodes into one. I also added sound effects and musical cues from John Williams' score (plus a few seconds of Hans Zimmer).

The 11 episodes I picked are the beginning of a 76 episode story arc; the longest sequence the show ever did. It's the story of The Scarlet Widow stealing the only existing piece of Kryptonite and splitting it between four of Superman's enemies. One part of the Kryptonite is stolen by Der Teufel, a crazy Nazi scientist, to power The Atom Man.

A newly engaged couple have a breakdown in an isolated area and must pay a call to the bizarre residence of Dr. Frank-N-Furter.

"Continuing the legacy of projects which overcome great technological hurdles, but provide little to zero entertainment value, viewer reward, societal insight or benefit." %20

What is AARRSSTW - WTSSRRAA?
The 1997 Star Wars Special Edition resorted by shot length. Ascending and Descending the 2291 shots of 0002 to 1765 frames. %20's attempt to create a possibly equally perplexing retelling, which lives up to the "Specialer" moniker.

To remove the most offensive elements of the SE and try different improvements than what LFL made.

This is a synchronization project that sync’s the film “The Nightmare before Chistmas” with cover songs by artists such as Marilyn Manson, Fallout Boy and Fiona Apple.

In the year 2005, the Autobots and the Decepticons are still locked in battle, but a deadly new force enters the fray–a giant killer planet known as Unicron. The heroic Autobots must fight for their own survival and to save their home planet from destruction.

In the midst of a new Borg incursion ten years after the Battle of Wolf 359, Starfleet Cadet Qaylan Furlong is given an opportunity by Q (John de Lancie) to go back in time and prevent his father’s death in the historic battle. (From the games back cover.)

Inspired by the music-only version of the Star Wars saga by Adigitalman this is a music & sound effects version of LOTR (with some narration/dialogue thrown in for good measure) in honor of Howard Shore’s impressive score.

A hybrid cut of Return of the Jedi using the Blu-Ray release and Harmy's Despecialized Edition (in AVCHD).

Imagine if you were able to have a search engine sort through all the media ever created on a topic of your choice and it would create a program of your determined length.

A feature length film made from the Wii version of the video game: Star Wars – The Force Unleashed.

This is the first of three KNIGHTS OF THE OLD REPUBLIC from-game-to-screen movies about the great plot of the famous SW game.

To make the Clone Wars cartoons feel like part of the Saga and keep them in-line with the ADM editions.

“The Story of The Empire Strikes Back” was an audio LP following the adventures of Luke Skywalker during TESB. Now this recording has been visualized using movie scenes and images. Spectacular!