Star Wars with a rocking soundtrack! Heavy Star Wars takes the existing action and adventure, trimming away unnecessary story/action/bad acting, and replaces the soundtrack with Rock music!

My goal was to streamline the storylines of the main characters through all three movies, as if the end was planned from the beginning. Kylo and Rey were of course most important.

• Kylo’s arc is pretty well fleshed out already, the most cohesive character arc of the ST, imo. As much as possible stays for Kylo.

• Rey needs to stay a nobody. And she slowly discovers her powers. She does not hit a stormtrooper with her first shot, and she less powered along the way as much as possible. She is just a special “nobody.”

• Poe’s character arc is nowhere near as complex as Kylo, but pretty much laid out for us.

• Finn is not force sensitive. This means he does not ever make and successful attacks with the lightsaber as well. Only once does he ask Rey about a boyfriend, from then on he keeps friendship motivations. Admittedly, Finn kinda disappears in the final fight, but there are just too many absurd parts to leave him in (no horses on spaceships in this cut!)

• Characters like Hux and Rose have been severely sidelined as they just do not have satisfying character arcs. Both simply fade out of importance in the final movie, but I hope I have not made it too obvious. Hux is no spy, simply muscled out by other power hungry commanders. I loved Rose in TLJ, but without adequate character development in TROS, it was best to minimize her to simply a person helping Finn on HIS character arc. Consequently, the scenes at Canto Bight are greatly reduced, and Rose and Finn simply do not pilot speeders at the battle of Crait.

Then I also audited the whole edit, based on a great youtube video essay about “showing, not telling.”
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Star Wars with a rocking soundtrack! Heavy Star Wars takes the existing action and adventure, trimming away unnecessary story/action/bad acting, and replaces the soundtrack with Rock music!

Rekindled is a mostly conservative edit that attempts to improve The Last Jedi experience by trimming or removing some of the weaker sections. Canto Bight has been greatly condensed, Leia's spacewalk removed, and Rose no longer crashes into Poe, to name a few changes. It is always difficult to find the right balance between humor and drama, but this cut hopes to retain the lighthearted spirit of Star Wars while removing parts that distract from the story.

It’s the same Star Wars: The Last Jedi you pondered over, cleared of distractions. The trip to the casino of Canto Bight is truncated, the Caretakers of Ach-To are removed, and a few scenes are rearranged, allowing Rian Johnson’s story to shine. Strap in for a contemplative journey not experienced since The Empire Strikes Back.

'Where Rebels Dare' takes an already decent Star Wars movie and makes it a bit more Star-Warsy. We now open with a traditional crawl and scene wipes are used. The amount of "fan service" is reduced and the plot is reordered.

Star Wars with a rocking soundtrack! Heavy Star Wars takes the existing action and adventure, trimming away unnecessary story/action/bad acting, and replaces the soundtrack with Rock music!

Star Wars with a rocking soundtrack! Heavy Star Wars takes the existing action and adventure, trimming away unnecessary story/action/bad acting, and replaces the soundtrack with Rock music!

Star Wars, the prodigal son of The Hidden Fortress, comes home to Papa. Through the music of John Williams and numerous subtitle changes, The Hidden Fortress is transformed into a Star Wars experience.

Star Wars with a rocking soundtrack! Heavy Star Wars takes the existing action and adventure, trimming away unnecessary story/action/bad acting, and replaces the soundtrack with Rock music!

Star Wars with a rocking soundtrack! Heavy Star Wars takes the existing action and adventure, trimming away unnecessary story/action/bad acting, and replaces the soundtrack with Rock music!

10 years later, Anakin is reunited with his dream girl. Literally, he dreams about her. This addition completes the Heavy Star Wars prequel trilogy

This edit differs in the event after Lois Lane falls underground in the cracks during the earthquake. I took footage and scenes from the other movies to make Superman ultimately not care about saving the world.

Heavy Star Wars takes the existing action and adventure, trimming away unnecessary story/action/bad acting, and replaces the soundtrack with Rock music!

John Williams' Music is forever tied to the Star Wars movies, but I decided to use music from a completely different genre to not only tell the story, but to add a bit of humor and perhaps some subtle insight as to the motives of the Jedi Knights. I tried to make this movie a bit more mature, by removing the silly scenes between the driods, and removed some moments of doubt among the Jedi to make them more assertive and confident. I also added an unexpected subplot, and color corrected the movie, to be closer to the original with a bit more contrast.

The first of the revamped '9000 series', Cloak of Deception delivers a re-crafted perspective on Star Wars Episode I in keeping with the drive of the original trilogy of films. Unnecessary 'galaxy shrinking' cameos from classic characters have been cut down or removed. Anakin is depicted as a more mature and capable figure an audience can identify with. Jar Jar is recast as an everyman caught up in events outside his control who does his part in the fight for freedom, rather than a traitorous clown.

This fan edit of George Lucas’s second Star Wars prequel subtly trimms conversations and actions. A lot of babbling has been removed.