The goal of this edit was to make LIVE FREE OR DIE HARD To feel a bit more like the original trilogy of DIE HARD films. It removes the more ridiculous, cartoony moments in favor of making a stronger, meaner action movie.

In the end, the T-X is a much more logical machine now. Her default program is now:
1) Upload virus that sets chain of events into motion that brings Skynet online
2) Eliminate John Connor (to her analysis, she did, since those “in the system” were taken out).
3) Eliminate Kate Brewster
4) Eliminate Robert Brewser after Skynet is activated
5) Eliminate top lieutenants
-> Upon carrying out #3, she gets concrete evidence that #2 was not completed.
-> If 2 and 3 are not accomplished in time to execute #4 by 6:18 p.m., execute the time-sensitive task of #4 before resuming 2 and 3 or proceeding to #5.

1999′s The Mummy remains the best archaeology-themed adventure movie since Raiders of the Lost Ark. The sequel was a disaster, but THE MUMMY RETURNS had had some worthwhile elements. This version carefully digs them out.

This new cut isn’t meant to be an improvement over the original. This is more of a companion piece in “Grindhouse” Style. It’s meant to be more of a real movie and less of a computer game movie.

This version gets rid of the flash-forward prologue, which distracted a lot from the rest of the movie up until that point. Some annoying dialogue, the poorly conceived hasty wedding, the Rabbit’s Foot McGuffin and some continuity errors along the way were fixed for an even greater and less annoying movie.

With over 140 edits and 38 minutes cut, what’s left is a well-paced, action packed spy/espionage thriller. Though still not as intriguing as the first MI, noror as dramatic as MI:3, this edit hopefully brings MI:2 closer in feel to them.

Most of the romantic stuff between Crockett and Isabella have been minimized. You can still see something developing between them, but we don’t see them sharing their life stories over mojitos in Cuba.

John Rambo as he was meant to be; violence restored and incorporated along with the director’s cut additions to create the fullest possible experience of John Rambo.

Removes most of the over the top, silly sequences and dialogue of the film, and tightens the story up overall.

Most of the drama from the original Mad Max has been removed to create a pretty straight forward cop vs biker film.

This is Escape From New York with an additional 7 min. Snake Pliskin scene. It makes the film longer and gives you more footage. This is one film where more is better.

The Massachusetts State Police has assigned undercover cop Billy Costigan to infiltrate the mob syndicate run by gangland chief Frank Costello. While Billy gains Costello’s confidence, Staff Sargaent Colin Sullivan has to find a mole that Costello has placed in the police department.

This is just an alternate cut that leaves out the Ava Fontaine (Bridget Moynahan) character. With Ava out of the picture, the relationship between Yuri and Vitaly carries more weight. Yuri’s narration carries this movie from beginning to end, so it’s pretty simple to follow even with the jumps in time.

A much improved take on LIVE AND LET DIE by removing excessive blacksploitation elements and moments of sheer silliness.

This edit melds the elements of the Theatrical Cut and the Director’s Cut into a new version of the film. Also converted into black and white, Neglify’s Hybrid cut gives you one of Gibson’s most underrated movies in an entirely new, and more gritty light.

This is a simplified take on McG’s Terminator Salvation. Irrelevant, useless and unbelievable subplots have been removed in order to create movie that now focuses on the war effort itself.

A streamlined version of the film, in which the material that catered to the lowest common denominator and children under 5 was removed.

Sacrificing the real time events, this turns “24″ into a movie experience, focusing on what really works. Jack Bauer does whatever it takes to save the day and rescue his family. Now it is a more believable story with faster pacing.

This is a compilation DVD of most of the works by AMDS, who is an awesome mash-up artist. To create the DVD, the best available sources from the web were collected, high quality tools for conversion, error correction and upscaling were used. Be fascinated!

This is a re-envisioning and amalgamation of parts of the first two Bourne Movies to create a Jason Bourne extravaganza with twice the intensity and paranoia.

This is a hybrid cut of Armageddon and Deep Impact. Most of of the NASA and action sequences are from Armageddon. Deep Impact footage is used to show the government secrecy and response.

This fanedit gets rid of all the Sparta scenes that took place after the 300 departure. Now it’s war.

This is the footage fans missed between season 2 and season 3 of 24. It is taken completely from the videogame: 24 THE GAME.